100 books like The Deadly Percheron

Golding will forever be remembered for Lord of the Flies, but I think this is better (and so did he, apparently, a lot better).

It’s the story of people on a seemingly endless voyage from England to Australia in the 19th century, but for me, it’s like a spaceship on a voyage to another planet, like the spaceship in Alien with its own monsters aboard, the social mores, the injustices, the class privileges and prejudices, the sexual hangups, and the guilty secrets they carry with them. Pity poor Australia!

For me, it demonstrates that the sea can be a metaphor for reading (and writing). You embark on a journey, and you want to get to the end, but in a way, you want it to last forever.

Not crime although there are crimes in it. The narrative structure of the quartet was a major influence on structuring my trilogy. The first three present different versions of the same events and characters in Alexandria, Egypt before and during the Second World War. In Book 1, a self-absorbed, pretentious narrator, Darley, presents an account of an intense love affair. In book 2, Balthazar shows how ignorant he was about what was really going on about him. Mountolive widens the political context and shows both earlier narrators were looking through the wrong end of a telescope. Book 4 manages to tease out yet more solutions to mysteries thought resolved.

This is post-modern crime fiction thematically linked and all with increasingly unreliable characters—because they’re each going insane.

In City of Glass private investigator, Daniel Quinn, goes mad sinking deeper into an investigation about identity. Who is telling his story and can they be relied on? Is it any of these characters who appear: ‘the author,’ ‘Paul Auster the writer,’ ‘Paul Auster the detective’?  Whoosh.

I love this stuff but understand it’s an acquired taste!

The novel presents a range of archival material, including graphical elements. The main account has an objective restraint that reads almost like a scientific report, which makes it moving at times. The main character Bella develops rapidly from a child-like state into a mature woman and way her language and insight progresses is skillfully handled.

I found it fascinating how reasonable-sounding scientific ideas can become barbaric actions. The novel is multi-layered, with competing narratives and Bella undermining most of what appears in the Lanthimos film, Poor Things. In the end, I was left in a state of exhilarated confusion and went to read it all again. 

Written in the 80s, the characters are unbelievable, the dialogue stilted and the plot is totally over the top. Plus Campbell reveals the killer’s identity halfway through. Yet, when I first read it, I couldn’t get it out of my head. Thirty years later, I still can’t. The whole thing is simply too weird and creepy. The first chapter is a great indicator of how the rest of the book will go. It’s just dumb. And then, suddenly… “Where has his ARM gone!” And you’re utterly hooked.

I love an intricate plot. But sometimes you want some real literary heft to go along with it. In which case, you can’t do better than anything by Dan Chaon.

A lot of books witter on about the nature of self and identity. This one actually nails it. The characterizations and descriptions are superb. Best of all, it’s a sublimely written triple mystery, whose disparate strands finally lock in a devastating fashion.

The central idea of his book is a beauty. A kid writing to an incarcerated serial killer to try persuading him to reveal where he murdered and buried the boy’s brother. Bauer makes you really care about the crap existence of a nondescript sad sack child you wouldn’t give the time of day to in real life. I love it because the writing is superb and there’s a genuine sense of tension. All right, you know the outcome is going to be grimly inevitable. Until the story starts to take some very unexpected turns.

Fifth Business is the first of the Deptford Trilogy as the very first line. Deptford is a small village in Canada, by the way. Canadian author, Robertson Davis, wrote this trilogy in the 1970s. It has several things that have influenced me, not least different narrative perspectives.

A young lad throws a snowball and by mistake hits a pregnant woman, who goes into early labour. That has consequences for various Deptford characters. They all have secrets that affect other and are revealed in increments via the different narratives.

Although there is a main narrator—Dunstan Ramsey, a schoolmaster—for Fifth Business and The World of Wonders. He doesn’t appear as a character in the latter but he’s a character in The Manticore, whose narrator, undergoing Jungian analysis, thinks he might be his father. This narrator seems reliable but there are always secrets… 

Odalisque blew me away. I did not expect this author to produce such a raw and dark series. Set in a time where brutality was the norm, I loved exploring Ana’s journey as she fought to regain not only her freedom from slavery, but the epic lengths she went to—to gain power in a world ruled by strength and deception. Fiona draws out the reader’s emotions and will cast you into a scene right out of history. Revenge and honour, sex and murder all take place in the desert, so keep your eye out for this book.

Back in the 1970s, a noted American psychologist, Dr. Sam Janus, whom I had the privilege of meeting at a conference, produced an unusually brave book about the private sexual lives of politicians based upon extensive interviews with sex workers in Washington, D.C., written in collaboration with the experienced psychiatrist Dr. Barbara Bess and the journalist Carol Saltus.

At one level, the private lives of political leaders should remain completely private, but at another level, it might be worth knowing that some of the people who damage the country through poor decision-making also have a long-standing history of damaging their own bodies by paying to be tortured by those women, known back then as “call girls.” I greatly admire this book, as it has provided me with tremendous understanding of the ways in which the private sexual tendencies of many human beings, especially those who endeavour to govern nations, will… show more.