Here are 100 books that The Deadly Percheron fans have personally recommended if you like
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I’ve been fascinated by "sea stories" since I could read, maybe before. I was born in Liverpool, my dad was in the navy, my family ran an 18th-century inn named the Turk’s Head after a nautical knot, and I’ve directed or written more than twenty films, plays, and novels with the sea as their setting. But they’re not really about the sea. For me, the sea is a mirror to reflect the human condition, a theatre for all the human dramas I can imagine. More importantly, I’ve read over a hundred sea stories for research and pleasure, and those I’ve chosen for you are the five I liked best.
Golding will forever be remembered for Lord of the Flies, but I think this is better (and so did he, apparently, a lot better).
It’s the story of people on a seemingly endless voyage from England to Australia in the 19th century, but for me, it’s like a spaceship on a voyage to another planet, like the spaceship in Alien with its own monsters aboard, the social mores, the injustices, the class privileges and prejudices, the sexual hangups, and the guilty secrets they carry with them. Pity poor Australia!
For me, it demonstrates that the sea can be a metaphor for reading (and writing). You embark on a journey, and you want to get to the end, but in a way, you want it to last forever.
Sailing to Australia in the early years of the nineteenth century, Edmund Talbot keeps a journal to amuse his godfather back in England. Full of wit and disdain, he records the mounting tensions on the ancient, stinking warship, where officers, sailors, soldiers and emigrants jostle in the crammed spaces below decks.Then a single passenger, the obsequious Reverend Colley, attracts the animosity of the sailors, and in the seclusion of the fo'castle something happens to bring him into a 'hell of self-degradation', where shame is a force deadlier than the sea itself.
I’m fascinated by long stories where things aren’t exactly as they seem. Most crime fiction is secrets and lies and their eventual uncovering but most ‘literary’ fiction is too. For what it’s worth, I was a book reviewer for all the posh UK papers for about 15 years, including crime fiction critic for The Observer for twelve (so I’ve read far more crime novels than is healthy for anyone!). I’m a voracious reader and writer and I love making things more complicated for myself (and the reader) by coming up with stuff that I’ve then somehow got to fit together.
Not crime although there are crimes in it. The narrative structure of the quartet was a major influence on structuring my trilogy. The first three present different versions of the same events and characters in Alexandria, Egypt before and during the Second World War. In Book 1, a self-absorbed, pretentious narrator, Darley, presents an account of an intense love affair. In book 2, Balthazar shows how ignorant he was about what was really going on about him. Mountolive widens the political context and shows both earlier narrators were looking through the wrong end of a telescope. Book 4 manages to tease out yet more solutions to mysteries thought resolved.
Rediscover one of the twentieth century's greatest romances in Lawrence Durrell's seductive tale of four tangled lovers in wartime Egypt that is 'stunning' (Andre Aciman) and 'wonderful' (Elif Shafak)
'A masterpiece.' Guardian
'A formidable, glittering achievement.' TLS
'One of the great works of English fiction.' Times
'Dazzlingly exuberant ... Superb.' Observer
'Brave and brazen ... Lush and grandiose.' Independent
'Legendary ... Casts a spell ... Reader, watch out!' Guardian
'Lushly beautiful ... One of the most important works of our time.' NYTBR
Alexandria, Egypt. Trams, palm trees and watermelon stalls lie honey-bathed in sunlight; in darkened bedrooms, sweaty lovers unfurl.…
I’m fascinated by long stories where things aren’t exactly as they seem. Most crime fiction is secrets and lies and their eventual uncovering but most ‘literary’ fiction is too. For what it’s worth, I was a book reviewer for all the posh UK papers for about 15 years, including crime fiction critic for The Observer for twelve (so I’ve read far more crime novels than is healthy for anyone!). I’m a voracious reader and writer and I love making things more complicated for myself (and the reader) by coming up with stuff that I’ve then somehow got to fit together.
This is post-modern crime fiction thematically linked and all with increasingly unreliable characters—because they’re each going insane.
In City of Glass private investigator, Daniel Quinn, goes mad sinking deeper into an investigation about identity. Who is telling his story and can they be relied on? Is it any of these characters who appear: ‘the author,’ ‘Paul Auster the writer,’ ‘Paul Auster the detective’? Whoosh.
I love this stuff but understand it’s an acquired taste!
Paul Auster's signature work, "The New York Trilogy," consists of three interlocking novels: "City of Glass," "Ghosts," and "The Locked Room" - haunting and mysterious tales that move at the breathless pace of a thriller."City of Glass" - As a result of a strange phone call in the middle of the night, Quinn, a writer of detective stories, becomes enmeshed in a case more puzzling than any he might hace written"Ghosts"Blue, a student of Brown, has been hired to spy on Black. From a window of a rented house on Orange street, Blue stalks his subject, who is staring out…
I’m a lecturer in medical humanities at the University of Leeds in England and I’m currently writing a book about the portrayal of traumatic pregnancy in fantastic literature (science fiction, horror, fantasy…). ‘Medical humanities’ is a field of study that looks at medical issues using the tools of the humanities, so it encompasses things like history of medicine, bioethics, and (my specialty) literature and medicine. Thinking about literature through the lens of traumatic pregnancy has led me to some fascinating, gory, and philosophical books, some of which I’m including on this list.
Recently adapted as a film by Yorgos Lanthimos and starring Emma Stone, Alasdair Gray’s novel of birth and creation is another example of the complicated and horrific birth stories that I find so fascinating.
When the dead body of a young, pregnant woman is pulled from the River Clyde in Glasgow, a local scientist, Godwin Baxter, takes it upon himself to create a new life, by installing the unborn baby’s brain in its mother’s head and bringing the new creation to life.
Gray’s grisly premise leads to a satire on education and complacency in light of social injustice. It's funny, and there are plenty of sly postmodern comments on reality and how we understand the past. Gray illustrated his own books, and his image of Bella as ‘Bella Caledonia’ is, I think, a brilliant image of a strong woman that has become iconic in Scotland and beyond.
What strange secret made rich, beautiful, tempestuous Bella Baxter irresistible to the poor Scottish medical student Archie McCandless? Was it her mysterious origin in the home of his monstrous friend Godwin Baxter, the genius whose voice could perforate eardrums? This story of true love and scientific daring whirls the reader from the private operating-theatres of late-Victorian Glasgow through aristocratic casinos, low-life Alexandria and a Parisian bordello, reaching an interrupted climax in a Scottish church.
I’ve written many types of book—fiction and non-fiction—for readers of all ages. But I keep returning to my first passion—the clever, crazy, over the top psychological thrillers I was addicted to reading or watching on TV when I was growing up. I’ve always loved trying to write page turners with plots readers have never seen before. Certainly, I want my audience to care about the book’s characters and laugh at the one-liners. But nothing beats making people think… there’s no way he can possibly pull all these plot strands together at the end. And then doing it. Besides, my nutty thrillers are the ones that get the best reviews.
Written in the 80s, the characters are unbelievable, the dialogue stilted and the plot is totally over the top. Plus Campbell reveals the killer’s identity halfway through. Yet, when I first read it, I couldn’t get it out of my head. Thirty years later, I still can’t. The whole thing is simply too weird and creepy. The first chapter is a great indicator of how the rest of the book will go. It’s just dumb. And then, suddenly… “Where has his ARM gone!” And you’re utterly hooked.
This is Ramsey Campbell's first novel, originally published in 1976 in the UK. It is stated in Wikipedia that revisions were made in 1985. This is the 2nd UK edition, published in 1987. There is not indication of revisions in this edition, so I'm not certain.
I’ve written many types of book—fiction and non-fiction—for readers of all ages. But I keep returning to my first passion—the clever, crazy, over the top psychological thrillers I was addicted to reading or watching on TV when I was growing up. I’ve always loved trying to write page turners with plots readers have never seen before. Certainly, I want my audience to care about the book’s characters and laugh at the one-liners. But nothing beats making people think… there’s no way he can possibly pull all these plot strands together at the end. And then doing it. Besides, my nutty thrillers are the ones that get the best reviews.
I love an intricate plot. But sometimes you want some real literary heft to go along with it. In which case, you can’t do better than anything by Dan Chaon.
A lot of books witter on about the nature of self and identity. This one actually nails it. The characterizations and descriptions are superb. Best of all, it’s a sublimely written triple mystery, whose disparate strands finally lock in a devastating fashion.
BONUS: This edition contains an Await Your Reply discussion guide.
The lives of three strangers interconnect in unforeseen ways–and with unexpected consequences–in acclaimed author Dan Chaon’s gripping, brilliantly written new novel.
Longing to get on with his life, Miles Cheshire nevertheless can’t stop searching for his troubled twin brother, Hayden, who has been missing for ten years. Hayden has covered his tracks skillfully, moving stealthily from place to place, managing along the way to hold down various jobs and seem, to the people he meets, entirely normal. But some version of the truth is always concealed.
I’ve written many types of book—fiction and non-fiction—for readers of all ages. But I keep returning to my first passion—the clever, crazy, over the top psychological thrillers I was addicted to reading or watching on TV when I was growing up. I’ve always loved trying to write page turners with plots readers have never seen before. Certainly, I want my audience to care about the book’s characters and laugh at the one-liners. But nothing beats making people think… there’s no way he can possibly pull all these plot strands together at the end. And then doing it. Besides, my nutty thrillers are the ones that get the best reviews.
The central idea of his book is a beauty.A kid writing to an incarcerated serial killer to try persuading him to reveal where he murdered and buried the boy’s brother. Bauer makes you really care about the crap existence of a nondescript sad sack child you wouldn’t give the time of day to in real life. I love it because the writing is superb and there’s a genuine sense of tension. All right, you know the outcome is going to be grimly inevitable. Until the story starts to take some very unexpected turns.
'Extraordinarily powerful and evocative . . . will leave you breathless.' Daily Mirror
VOTED CRIME NOVEL OF THE YEAR when it was first released, and still the most gripping, powerful thriller debut you will read this year.
___
Steven Lamb is 12 when he writes his first letter . . . to a serial killer
Every day after school, whilst his classmates swap football stickers, twelve-year-old Steven digs holes on Exmoor, hoping to find a body. His uncle disappeared aged eleven and is assumed to have fallen victim to the notorious serial…
I’m fascinated by long stories where things aren’t exactly as they seem. Most crime fiction is secrets and lies and their eventual uncovering but most ‘literary’ fiction is too. For what it’s worth, I was a book reviewer for all the posh UK papers for about 15 years, including crime fiction critic for The Observer for twelve (so I’ve read far more crime novels than is healthy for anyone!). I’m a voracious reader and writer and I love making things more complicated for myself (and the reader) by coming up with stuff that I’ve then somehow got to fit together.
Fifth Business is the first of the Deptford Trilogy as the very first line. Deptford is a small village in Canada, by the way. Canadian author, Robertson Davis, wrote this trilogy in the 1970s. It has several things that have influenced me, not least different narrative perspectives.
A young lad throws a snowball and by mistake hits a pregnant woman, who goes into early labour. That has consequences for various Deptford characters. They all have secrets that affect other and are revealed in increments via the different narratives.
Although there is a main narrator—Dunstan Ramsey, a schoolmaster—for Fifth Business and The World of Wonders. He doesn’t appear as a character in the latter but he’s a character in The Manticore, whose narrator, undergoing Jungian analysis, thinks he might be his father. This narrator seems reliable but there are always secrets…
The first book in Robertson Davies's acclaimed The Deptford Trilogy, with a new foreword by Kelly Link
Ramsay is a man twice born, a man who has returned from the hell of the battle-grave at Passchendaele in World War I decorated with the Victoria Cross and destined to be caught in a no man's land where memory, history, and myth collide. As Ramsay tells his story, it begins to seem that from boyhood, he has exerted a perhaps mystical, perhaps pernicious, influence on those around him. His apparently innocent involvement in such innocuous events as the throwing of a snowball…
It has always been a tough question to answer because I'm many things and have a diverse range of loves. I live in Adelaide, South Australia and believe that we are all capable of great things. My grandchildren are important to me. I'm passionate about unleashing my imagination and translating the many stories in my mind into narratives. I paint, read, sing, garden, and cook and I hope, much more. My passion for fantasy began in the womb. I'm certain of this. I began reading this genre at 5 and for over 55 years; it has been a passion. Epic, dark fantasy enthralls me and I'm in a constant search for the next best read.
Odalisque blew me away. I did not expect this author to produce such a raw and dark series. Set in a time where brutality was the norm, I loved exploring Ana’s journey as she fought to regain not only her freedom from slavery, but the epic lengths she went to—to gain power in a world ruled by strength and deception. Fiona draws out the reader’s emotions and will cast you into a scene right out of history. Revenge and honour, sex and murder all take place in the desert, so keep your eye out for this book.
Fifteen-year-old Boaz is the new Zar, freshly ascended to his throne. In the turmoil following the old Zar's death, courtiers jostle and conspire to secure their positions - not least his scheming mother, the new Valide. It seems his only genuine friends are his late father's mad jester; Spur Lazar, head of Percheron's security; and a golden beauty - a new odalisque purchased in the foothills as a slave for the harem.
But can a madman, a soldier and a concubine be trusted to keep him safe from the Byzantine manoeuvres of his father's ambitious entourage?
I am a
trained neuroscientist. I was teaching and performing research at Harvard
Medical School when a blood vessel exploded in the left half of my brain. On
the morning of this rare form of stroke I became vegetative, an infant in a
woman's body in that I could not walk, talk, read, write or recall any of my
life. It took eight years for me to completely rebuild the left half of my
brain. During this experience,I gained true insight into the difference between our left and right cerebral hemispheres.
This is a
fascinating exploration into the consciousnesses and personality differences
between our left and right hemispheres through the lens of our potential for
psycho-pathology. Dr. Schiffer is a psychiatrist at Harvard Medical School and
shares with us innovative ideas about how to unravel the complexity of our
psyche.
Most people experience themselves as two-sided: one side seems mature and stable, the other emotional and impulsive. This text illustrates how the interaction of these two minds actually determines psychological nature and ultimately the emotional problems or progress experienced in life.
