I have written nine crime novels, mostly psychological thrillers, but some blend procedural and PI elements and two are gangland stories. I went to the BRIT school in the 90’s and studied Drama and English Literature at University. I always think that my Performing Arts background gave me a great tool kit for ‘getting into character’ which is useful for writing. I also have an MA in journalism but I definitely prefer fiction to fact. I love the immediacy of first person prose and I am a sucker for an unreliable narrator.
This story is told from the perspective of a serial killer's stepdaughter, Sophie, and I swallowed it in two sittings.
Matty Melgren, Sophie’s stepfather, is dying and wants to meet. He’s in prison and his imminent death takes Sophie right back to her childhood. The story is told from Sophie’s perspective as a twelve-year-old observing the breakdown of her mother and Matty’s relationship and as an adult debating how much she wants answers and what they might cost her.
I loved the dual timeline and thought it was a really fresh way to approach a serial killer novel.
'Victoria Selman is an exciting and powerfully fresh voice' Patricia Cornwell
Twelve-year-old Sophie and her mother, Amelia-Rose, move to London from Massachusetts where they meet the charismatic Matty Melgren, who quickly becomes an intrinsic part of their lives. But as the relationship between the two adults fractures, a serial killer begins targeting young women with a striking resemblance to Amelia-Rose.
When Matty is eventually sent down for multiple murder, questions remain as to his guilt -- questions which ultimately destroy both women. Nearly twenty years later, Sophie receives a letter from Battlemouth Prison informing her…
Moriarty unfolded the plot page by page, so I couldn't look away. I was busy collecting drops of information and piecing the story together the whole time. Rather than dropping giant twists at intervals, this book rolled out all the important information and surprises on every page, and I was glued to the story. The main characters were so much fun, and Alice's little quirks and mannerisms were so close to my own that I felt like I was reading to see how my own story would unfold. It was mesmerizing!
From the bestselling author behind the addictive, award-winning HBO sensation BIG LITTLE LIES comes the compelling and thought-provoking story of love, life and memory
'Gripping, thought-provoking and funny' MARIE CLAIRE ______________
How can ten years of your life just disappear?
Alice is twenty-nine.
She adores sleep, chocolate, and her ramshackle new house.
She's newly engaged to the wonderful Nick, and is pregnant with her first baby. But there's just one problem.
That was ten years ago . . .
Alice slipped in her step-aerobics class, hit her head and lost a decade.
I’m a Pushcart-nominated writer of (mostly) young adult and adult horror and suspense. I primarily write about the fear of isolated and sparsely populated places, which makes sense: I grew up in the rural hinterlands of northeast Pennsylvania, steeped in dark cornfields, eerie quiet, and weird characters. I now live in the Philadelphia area with my husband and rescue dog in a creaky, century-old house, giving myself agita about the creepy crawlspace in the basement. I’m the author of two novels: A Misfortune of Lake Monsters (YA horror, July 2024) and The Trajectory of Dreams (adult psychological suspense, 2013).
Look, I know Hogarth is better known for her more recent novel Motherthing, but I will always have a soft spot for this book. Decades ago, there were some grisly cannibalistic murders at the Boy Meets Girl Inn, resulting in a reputed haunting. Noelle and Alf, high school friends with summer night shift gigs at the Inn, are organizing a soiree to celebrate the anniversary of the killings.
It's told mostly in Noelle’s journal entries that have been annotated and footnoted by detectives, experts, and a movie director, which made it irresistible to me since it’s done so well; the novel spotlights the ultimate unreliable narrator and includes some absolutely disgusting (in the best possible way) body horror scenes. I’ve read and re-read this book, and each time, I’m so creeped out.
Take this book with you on a summer vacation that involves a hotel stay, and read it…
Gripping, grisly, and keeps you guessing until the shocking end
Noelle Dixon takes a summer nightshift job at the infamous Boy Meets Girl Inn, even though she’s well aware of the horrifying murders that happened there decades ago. That’s why she has a diary―to write down everything she experiences in case things go bump in the night. But the inexplicable freezing drafts, the migrating rotten-flesh smell, and the misplaced personal items don’t really scare her. Noelle has bigger problems: her father’s failing health, her friend Alfred’s inappropriate crush, and the sore spot on the back of her head that keeps…
Since I was a child, stories steeped in secrets have fascinated me. I spent many hours devouring books about detectives and spies, shadows and deceit. As an adult, it is a rare treat to discover one that is so engaging I must know how it unfolds as soon as possible, and is told in a way that leaves me surprised by how it ends. Each of these books is deliciously tricky, inspiring me to read quickly, before the ghosts between the pages could escape to haunt me.
Occasionally, there comes a book that is so compelling it demands to be read, breathless, from the very first page to the very last. Dead Girls Can’t Tell Secrets is one such book. This story contains so many twists it resembles a shockingly mangled slinky I delighted in attempting to untangle. I failed to predict the ending, but had fun guessing with every new bit of information the author revealed. It’s exactly what I look for in a young adult thriller.
Piper's fall was no accident. Did someone want her dead? It's up to her sister to discover the truth in this shocking new thriller with an unreliable narrator, from the acclaimed author of Little Creeping Things. Piper Sullivan was in a strange hiking accident last month and has been in a coma ever since. Her older sister, Savannah, can't pretend to be optimistic about it; things look bad. Piper will likely never wake up, and Savannah will never get any answers about what exactly happened. But then Savannah finds a note in Piper's locker, inviting Piper to a meeting of…
Growing up, books and music became a refuge for the feelings I found I couldn't express aloud. I loved artists like Garbage and The Dresden Dolls. I felt most at home in stories about female angst, sexuality, and rage. Female stories helped me understand the dichotomy of the madonna/whore complex. They helped me understand where my emotions clashed with societal expectations, and how to push at those boundaries in a constructive way. I've always been fascinated with female rage, and stories that poke a stick into the body of the "good girl" stereotype always make for a cathartic and validating read. Females can be anti-heroes too.
V.C. Andrews was my first dive into gothic fiction. Fans often fawn over Flowers in the Attic but something about Andrews' only standalone book (let's not talk about the sequel!) really spoke to 14-year-old me.
I loved the isolating setting of the aging Whitefern estate. I hated every member of the family. Audrina herself is an unreliable narrator who assures the reader just how unreliable she is. And so, of course, when a boy shows her interest, she dives headfirst into her only source of comfort.
Teenage me was smitten with this book, and adult me now sees all the red flags these characters wave. Andrews might not have been the best writer, but her storytelling ability sure cut into my coming-of-age female psyche like no other writer could.
A haunting story of love and deceit, innocence and betrayal, and the suffocating power of parental love from V.C. Andrews.
The idea of her sister hovered above them all.
Audrina fiercely desired to be as good as her sister. She knew her father could not love her as he loved that other girl, for her sister was so special, so perfect—and dead.
Upstairs in a locked room awaited her sister’s clothes and dolls, her animals and games—and her sacred rocking chair. Now Audrina will rock and rock and rock to reclaim all of her gone sister’s special gifts.
Even as a boy, I could see (or maybe just sense) the darkness that resides just below the surface of this otherwise pleasant world. We all have stories, and the ones we hold closest to ourselves are often the darkest. Those are the stories that fascinate me the most. What are the limits of man’s menace? What causes seemingly normal people to snap? To turn on their fellow man? I could do one of two things with this fascination: become a sociopath (perhaps psychopath) or an author of dark, twisted, twisty tales. As you know, I chose the latter.
Of course, I’m including Gillian Flynn in this list. You may have expected her most popular novel, Gone Girl. I like that one, but this is my favorite of her works so far. In my opinion, it nudges out her other book, Sharper Objects (though that one is my wife’s favorite). I think it was her first book. It’s a dark story of a family with secrets, pain, and a moral decision that goes horribly wrong. Again, this one has a strong theme.
What if you could sacrifice everything to ensure your kids had a better life than you? Now, what if that sacrifice went horribly wrong and ruined not only your life but your kids as well? Flynn is a master of the thriller twist. She’s one of those authors who can lay out all the clues in plain sight for her readers without them even knowing it.…
'Eerily macabre... Wonderful' Guardian 'A nerve-fraying thriller' New York Times 'Every bit as horribly fascinating as In Cold Blood' Daily Mail
Libby Day was seven when her family was murdered: she survived by hiding in a closet - and famously testified that her older brother Ben was the killer.
Twenty-five years later the Kill Club - a secret society obsessed with notorious crimes - gets in touch with Libby to try to discover proof that may free Ben. Almost broke, Libby agrees to go back to her hometown to investigate - for a fee.
My love of vampire stories can be put down to two men: Christopher Lee and Peter Cushing—Dracula and Van Helsing. I can’t remember how old I was, but undoubtedly too young to be allowed to sit up and watch late-night Hammer movies on the BBC. I was into science fiction too, particularly Doctor Who, and it was that, in part, which inspired me to become a scientist, studying physics at Cambridge. It may seem odd that someone so grounded in what is real should so enjoy writing about the impossible. But it’s reassuring to know that what I write can never actually be. Probably.
The Lesser Deadis set in the past, but it’s not what you’d expect from an historical vampire novel. The setting is New York City, 1978, and so the atmosphere is more like the American police movies and TV shows that I grew up with than a gothic shocker.
Told by an unreliable narrator with an authentic, claustrophobic voice, the story follows an internecine conflict between two groups of the undead beneath the streets of Manhattan. Buehlman expertly mixes a twisting plot with believable vampires, who both disturb the reader and elicit their compassion, making this my favourite vampire novel of the 21st century.
WINNER OF THE AMERICAN LIBRARY ASSOCIATION’S BEST HORROR NOVEL OF THE YEAR
“As much F. Scott Fitzgerald as Dean Koontz” (#1 New York Times bestselling author Patricia Briggs), Christopher Buehlman excels in twisting the familiar into newfound dread in his “genre-bending” (California Literary Review) novels. Now the acclaimed author of Those Across the River delivers his most disquieting tale yet...
The secret is, vampires are real and I am one. The secret is, I’m stealing from you what is most truly yours and I’m not sorry...
New York City in 1978 is a dirty, dangerous place to live. And die.…
I’m passionate about the theme of mystery/romance novels because they lend so much to the human condition and hit a soft spot, as I’ve liked them since I was a child. When a story is relatable—such as a genuine real-life situation having the potential to become one’s own, that’s where the intrigue kicks in, and I’m knocked into another world as I feel their emotions so poignantly. It’s the perfect escape. Unlike science fiction where reality must be suspended, a classic mystery story—especially ones with a touch of romance—are the ones that really suck me in and won’t let go until the last page is turned.
I loved this taut, gripping who-dun-it mystery genre of book because the setting and characters are scenes right out of life—real, everyday people. I can relate to this because it’s reality and could really happen!
Love triangles, suspicion, and told in a unique way—this story was a masterful exploration into the human psyche. I love books where the predicament or dream of the character makes me squirm. Whether to be admired or pitied, the characters’ flaws are no less real than our own. They could be our very own neighbors. Or they could be us.
The #1 New York Times bestseller, USA Today Book of the Year and now a major motion picture starring Emily Blunt.
Rachel takes the same commuter train every morning and night. Every day she rattles down the track, flashes past a stretch of cozy suburban homes and stops at the signal that allows her to daily watch the same couple having breakfast on their deck. She's even started to feel like she knows them. Jess and Jason, she calls them. Their life—as she sees it—is perfect. Not unlike the life she recently lost.
WINNER OF THE SAPIR PRIZE 2022
'A mesmerising, disquieting tale of family estrangement ... Unforgettable' OBSERVER
'A striking and memorable novel' MEG WOLITZER
'A stone-cold masterwork of psychological tension. Its final pages had me holding my breath' NEW YORK TIMES
'Hila Blum is my new favourite writer' LOUISE KENNEDY
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What damage do we do in the blindness of love?
Thousands of miles from her home, a woman stands on a dark street, peeking through well-lit windows at two little girls. They are the daughters of her only daughter, the grandchildren she's never met.
At the centre of this mesmerising…
I am a comic book writer, published by Marvel and DC Comics, turned novelist. I enjoy getting inside the heads of my characters until they become entities of their own, with their own voices and actions. At that point I’m merely the facilitator; an interested spectator with a keyboard. Maybe, one whose prose shows a visual flair. Sometimes, I hear competing voices in my head, rather like the warring personas that feature in my debut novel GoodCopBadCop, but I don’t like to play favourites.
In the comic books (and films) Batman and Joker are locked together in the eternal battle between good and evil. Except, as The Killing Joke so brilliantly explores, that’s not quite how Joker sees it. For Joker, they are both sides of the same coin. If Joker is seen as evil incarnate, then why, he asks, is Batman considered the opposite? The story has since been disowned by writer Moore, possibly because of the interminable number of nihilistic-styled super-hero stories that followed in its wake. But sometimes I think the writer’s dissonance from the subject matter adds to the sense of unease and chaos at play. And there is undeniable power at the root of the story, taken entirely from Joker’s impeccably flawed point of view. That it only takes ‘one bad day’ to turn an ordinary joe into one or the other, Joker or Batman.
Critically acclaimed author Alan Moore redefined graphic novel story-telling with Watchmen and V for Vendetta. In Batman: The Killing Joke, he takes on the origin of comics' greatest super-villain, The Joker, and changes Batman's world forever.
ONE BAD DAY.
According to the grinning engine of madness and mayhem known as the Joker, that's all that separates the sane from the psychotic. Freed once again from the confines of Arkham Asylum, he's out to prove his deranged point. And he's going to use Gotham City's top cop, Commissioner Jim Gordon, and his brilliant and beautiful daughter Barbara to do it.
