Growing up in Los Angeles, I am well familiar with strange, grotesque, illogical, and wonderful cities. My love of fantasy has always been for the odd ones out, less the bucolic farmlands and forest, more for those that present a twisted mirror of modern urban life. As an amateur lover of history, I love to study the evolution, mutation, and decay of cities. I find most interesting cities, in both real life and fantasy, to be those shaped by not one single culture, but by many over history and space.
What if a city… but with bugs? Okay on paper a city full of giant sentient bugs seems weird, and well, it is, but once you accept the premise, it’s easy to get immersed in the dreamlike world Krohn paints.
Tainaron: Mail From Another City is an epistolary novel, that is, told only in letters by a human traveler to the city, and if you cut out the references to giant flowers and bug parades, it could be mistaken for non-fiction.
Unlike most fantasy novels, Tainaron is not plot focused, there’s no big villain to stop, no magical artifacts to destroy, just the tale of a woman out of place, and her musing on life, death, sorrow, and philosophy, as she spends a year trying to fit in a city literally not built for her.
TAINARON: Mail From Another City is the first American publication by the internationally acclaimed Finnish author, Leena Krohn. TAINARON consists of a series of letters sent beyond the sea from a city of insects. TAINARON is a book of changes. It speaks of metamorphoses that test all of nature from a flea to a star, from stone and grass to a human. The same irresistible force that gives us birth, also kills us. Nominated for the prestigious Finlandia prize, this is the perfect introduction to the work of a modern fabulist.
I'm a poet and creative mentor, and it’s the intensity of poetic language – its expansiveness and limitations – that shows up in my fiction and in the novels I love. Quinnis an exploration of male violence, incarceration, and radical forgiveness. I’ve spent a decade working with long-term prisoners in Scotland, trying to understand and come to terms with notions of justice and responsibility: does guilt begin and end with the perpetrator of a violent act or are we all in some way culpable? How can literary form dig into this question aslant? Can the unsettled mind be a space for innovative thinking?
Repila (b.1978) is a Spanish writer, whose work was recommended to me by a UK publisher: “The Boy Who Stole Attila’s Horse is a work of mythic genius that portrays tragic inevitability in a quite terrifyingly awesome way (I mean awesome in the archaic sense)."
The book tells the story of two brothers – Big and Small – trapped in a deep well and slowly starving to death. The language is precise and gut-wrenching, but the narrative reaches beyond its own particulars – compelling as they are – to work as a furious allegory of inequality and injustice.
What I love about the book is precisely this combination: one visceral scene in a well becomes a global commentary on the shadow side of the human.
'It looks impossible to get out,' he says. And also: 'But we'll get out.'
Two brothers, Big and Small, are trapped at the bottom of a well. They have no food and little chance of rescue. Only the tempting spectre of insanity offers a way out. As Small's wits fail, Big formulates a desperate plan.
With the authority of the darkest fables, and the horrifying inevitability of all-too-real life, Repila's unique allegory explores the depths of human desperation and, ultimately, our almost unending capacity for hope.
As an author/illustrator of 26 books for children and a full-time teacher of 3 year old’s in a nursery school. I read 1-2 books to a classroom of little critics every day. I’m also a lover of adventure although most of my adventures take place in my mind, the library or museum! As a storyteller, I love seeing the adventures books can take young readers on.
A little piece wonders if he belongs to one of the bigger pieces. His adventure of self-discovery leads him to the island of Wham! With abstract ideas and characters like one-who- runs, strong-one, and swimming-one, children usually identify with the characters, especially Pezzettino being little. I often hear children “playing” this story during recess after I read it to my class.
A classic fable about the search for identity, from Caldecott Honor winning picture book creator Leo Lionni.
Pezzettino lives in a world in which everyone is big and does daring and wonderful things. But he is small, just a “little piece,” which is the meaning of pezzettino in Italian. “I must be a piece of somebody. I must belong to someone else,” he thinks. How Pezzettino learns that he belongs to no one but himself is the joyous and satisfying conclusion to this beautiful mosaic style picture book.
Much of my writing is influenced by Fairy Stories. Sometimes I retell the stories in my own words, sometimes I create my own, and sometimes, as in Rose Doran Dreams, I weave them into the narrative so that they shape the central character in a way that affects or explains her development. There is a darkness about Fairy Stories that fascinates me, that gives psychological depth to a character or a narrative as I write. I am dizzy with the notion that Fairy Stories don’t belong to the teller or the writer, the listener or the reader; they transcend time and place.
I was given this book thirty years ago by an Indian poet, who promised me I would love it. It is a feast of stories, told to the central character Devi throughout her life. Through her grandmother’s ancient stories, she learns about love, beauty, riches, and womanhood. Her father-in-law tells her stories that teach her about life, how to survive her lonely marriage, how to belong. Stories and dreams give her wealth and power, but they evaporate and still she is there, empty, alone, and desperate for the love that the old stories are about.
Two other women’s stories weave through the narrative. Her mother Seta, and her husband’s old retainer, Mayamma share exotic tales of ancient India, Gods, mysteries, magic, and rituals.
The Thousand Faces of Night is trancelike and beautiful.
A debut novel which interweaves the fabled myths and legends of India with a young woman's search for self, exploring such universal themes as freedom, independence and desire.
As the father of a (currently) 11-year-old boy, and having been a boy once myself, I understand that mischief-makers can be a pain in the neck and drive adults crazy. But today’s little mischief-makers are tomorrow’s independent thinkers. And we cannot expect children to channel their rambunctious energies into positive outcomes without first giving them the tools to do so. That’s why I wrote Stop and Smell the Cookies, so that readers can actually take control before their emotions get the better of them. It’s also why I compiled this list. Perhaps, if the main characters in these stories had stopped and smelled the cookies, some of them might have avoided their literary fates. Enjoy!
Since primates make the best mischief-makers, it was inevitable that this book would end up on the list. As with Olivia, these animals, led by their fearless friend Gorilla, are driven by their curiosity. Just what is it like to sleep in a house? Their downfall comes because they are too polite and wish Mrs. Zookeeper a good night. I love that she’s so patient with them that she walks them all back to their enclosures, even holding Gorilla’s hand.
The ultimate bedtime read from the award-winning author of The Day the Babies Crawled Away.
'Good night, Gorilla,' says the night watchman as he finishes his rounds at the zoo. But Gorilla has other ideas, deftly pick-pocketing the watchman's keys and letting himself out of his cage, whilst letting Elephant, Lion, Hyena, Giraffe and Armadillo out too! The weary watchman makes his way home and into bed ... unaware that his friends from the zoo are right behind him!
Beautifully crafted illustrations and a calming, easy-to-follow text make this zoo story a delight for toddlers and young children aged 2+.…
As a curious Pratt Institute art school professor and loving parent of a daughter who has also written and/or illustrated sixteen children’s books I want to share my favorite books with other children’s book connoisseurs. It also helps that I have lots of opinions. Too many to count. And when someone actually wants to listen to my opinions I get very excited. I’m hoping one of my favorites becomes one of your favorites.
A ridiculous, hysterical old tale of a hat salesman who loses his hats to a bunch of monkeys and has to find a way to get them back.
I use to imitate the salesman and the monkeys while reading this book to my young daughter with a heavy Italian accent. I had more fun reading it out loud than any other book I’ve read.
Caps for Sale is a timeless classic beloved by millions...one of the most popular picture books ever published! Children will delight in following the peddler's efforts to outwit the monkeys and will ask to read it again and again. Caps for Sale is an excellent easy-to-read book that includes repetition, patterns, and colors, perfect for early readers. This tale of a peddler and a band of mischievous monkeys is filled with warmth, humor, and simplicity and also teaches children about problem and resolution.
As an internationally respected discipline expert, I guide parents in how to get more compliance than defiance from their little ones. I coined the phrase “The Dance of Non-Compliance” between parent and child. In order to change the dance, the parent will usually have to change his/her dance step first. It is often impossible during the heat of the moment, to teach ‘the lesson’ to the child due to the agitated emotional state of both parent and child. A well-executed picture book, appropriately written and illustrated for young children's developmental thinking ability, can open the door for a meaningful discussion regarding their misbehavior and feelings.
This is a wonderful tale about an armadillo, who loves to hide and spy on other animals and tell tall tales (lies) about what he hears. Cute fable of sorts on why the armadillo has such small ears. The book claims he started with very tall ears and every time he eavesdropped in other’s conversations, his ears got smaller. As a preschool teacher and grandmother, I encourage the children to “tell” us adults what is happening to get someone OUT of trouble, rather than to “tattle” on someone to get them IN trouble, which is not helpful. Through lyrical text and vivid illustrations, children learn that it is important to respect the privacy of others and avoid telling lies that hurt feelings.
What happens when your ears are too big for your head? Helen Ketteman's endearing tale of how the Armadillo came to have small ears reminds youngsters and oldsters alike to listen with care. With memorably quirky illustrations by Keith Graves.
We come to books at different ages, and some of them are more special than others for our own growth and development. I became a writer because of books that influenced me and sparked my imagination. When I became a teacher, I passed on my enthusiasm. I have written 31 books and have taught writing and literature on the college level in the Peace Corps, at Antioch, and UCLA. I’ve interviewed three of the five writers whose books I’m recommending and would have tried to interview Jack London and James Joyce if I had lived when they were alive. These 5 books made me laugh, cry, sing, and dream. They expanded my consciousness.
This comical journey into the heart of a mythical Africa was compared to the Odyssey andDon Quixote by Newsweek. “I am a high-spirited kind of guy,” Eugene Henderson says. “And it’s the destiny of my generation of Americans to go out in the world and try to find the wisdom of life.” I read Henderson the Rain King in high school, and it stayed with me when I joined the Peace Corps after college and journeyed to Africa. I couldn’t get Henderson’s refrain— “I want I want I want”—out of my head. What I wanted was experience. Adventure. To live free. Bellow’s picaresque book—his ideas, his imagination—was a beam lighting the path that I wanted to take as a writer.
Bellow evokes all the rich colour and exotic customs of a highly imaginary Africa in this comic novel about a middle-aged American millionaire who, seeking a new, more rewarding life, descends upon an African tribe. Henderson's awesome feats of strength and his unbridled passion for life earns him the admiration of the tribe - but it is his gift for making rain that turns him from mere hero into messiah.
I am an author, illustrator, and book designer. I never lost my childhood wonder at the printed page. When I write my own books, I create stories for both adults and children with deep meaning weaved into seemingly naive text and images. I enjoy creating worlds in which stories are told for children's and adults' imaginations to coexist. I think being dyslexic led me to enjoy aspects of visual storytelling so much. I have worked in publishing for many years and I am well known for my work on the Penguin clothbound classics where I use my visual illustration style to entice readers new and old to read classic stories and escape into new worlds.
As soon as I opened this book, I could see the inspiration from all the things that I personally love had been weaved into this beautiful visual story. I enjoy how illuminated manuscripts and ancient books inspire the pages with tiny detail. This book adds to its rich storytelling by playing with these elements. So beautifully designed and such wonderful integration of text and image. A stunning tale for young and old, with a message that makes my heart happy.
Wolf is a hunter, feared by every creature. But he has a secret: in the middle of the forest lives a girl whose beautiful voice has entranced him . . .
The Wolf longs for friendship. But is he prepared to sacrifice his own true nature in order for his wish to come true?
A beautiful and lyrical contemporary fairy tale about difference, trust and the power of friendship to overcome any obstacle.
This sumptuous hardback gift book, with gold foil detail, is perfect for lovers of fairy tales and fables, new and old. It is gloriously illustrated by acclaimed…
To understand why I write macabre stories, you could ask my therapist if I had one. I’ve had this bent since my mother read me Dr. Seuss’ What Was I Scared Of? (A title that inspired the title of my TV series Are You Afraid of the Dark?) Blame it on her. My reading was dominated by the short stories I mentioned and magazines like Eerie and Creepy. I also consumed a steady diet of Twilight Zone and Saturday matinee horror movies. Why? I believe it’s because these stories offer imaginative conflicts that are far removed from reality yet told through the perspective of common experience. And they’re always wrapped in a compelling mystery.
Like Stephen King, Clive Barker has an impressive list of horror-themed novels for all tastes, ranging from fantasy to deeply disturbing and graphic horror tales like Books of Blood. This book skews more toward fantasy but still has its share of scares and disturbing imagery.
A young boy is sent on a whimsical and horrifying imaginative adventure. It’s like a modern-day Grimm fairy tale, right up my alley.
