Here are 100 books that Henderson the Rain King fans have personally recommended if you like
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I like to believe that my own characters struggle with being human. They struggle with their bitterness, their relations to others (or lack thereof), and their unresolved guilt. What happens when guilt is left unresolved? What happens when someone enters into a state of self-imposed isolation? These are topics I enjoy exploring in my work. I’ve enjoyed writing since I was a child. My mother deserves all the credit. At bedtime, rather than reading bedtime stories to me from a book, she would make up a story and then ask me to do the same. This helped me to develop a lifelong love for reading and writing.
I first read the English translation of this book during my undergraduate studies. The first time I read it, I couldn’t stop thinking about it for days. Something about it disturbed me, made me feel sick, and made me question what it means to be human.
I felt myself called to read it again years later and, just recently, I picked it up a third time. Mersault’s indifference in relation to his experiences and to society forced me to question my own views concerning the meaning of life.
With the intrigue of a psychological thriller, The Stranger—Camus's masterpiece—gives us the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach. With an Introduction by Peter Dunwoodie; translated by Matthew Ward.
Behind the subterfuge, Camus explores what he termed "the nakedness of man faced with the absurd" and describes the condition of reckless alienation and spiritual exhaustion that characterized so much of twentieth-century life.
“The Stranger is a strikingly modern text and Matthew Ward’s translation will enable readers to appreciate why Camus’s stoical anti-hero and devious narrator remains one of the key expressions of…
I fell in love with Italy the first time I visited as a graduate student. Later, as a professor spending extended periods there with my family, I began investigating Italy’s experience of World War II. I was inspired by the diary of Iris Origo, an Anglo-American who lived in rural Tuscany. She reported of civilians bombed by Allied aircraft and strafed by machine guns from the air—even after Italy had surrendered. In my quest to understand the relations between the Allies and Italian civilians, I came upon a trove of great wartime novels, many recently back in print, and I am eager to share my enthusiasm for them.
I encountered this book backward. As a teenager growing up at the end of the US war in Vietnam, I read the Mad magazine spoof of the movie version long before I saw the movie itself, and then I read the novel. I focused on the antiwar theme and the concern of the bomber crew to get home without getting shot down.
The novel was based on Heller’s wartime experience, but I hardly realized it was about bombing Italy until I discovered the papers one of his crewmates had donated to Cornell University. I learned how many of the episodes were based on real incidents, including the only time the novel focuses on Italian civilians—when the crew objects to destroying an Italian Alpine village of no military significance.
Explosive, subversive, wild and funny, 50 years on the novel's strength is undiminished. Reading Joseph Heller's classic satire is nothing less than a rite of passage.
Set in the closing months of World War II, this is the story of a bombardier named Yossarian who is frantic and furious because thousands of people he has never met are trying to kill him. His real problem is not the enemy - it is his own army which keeps increasing the number of missions the men must fly to complete their service. If Yossarian makes any attempts to excuse himself from the…
I’ve been writing crime stories since I was a child. They entertained me and helped me cope with a lot of family strife. My first novel was published in college and sold to the movies, which got me into screenwriting, leading to writing hundreds of hours of TV and fifty novels to date. The one thing all of my stories share is humor because I believe it’s an essential part of life–and of memorable story-telling. Humor makes characters come alive, revealing shades of personality and depths of emotion you wouldn’t otherwise see. Here are five books that taught me that it’s true and that continue to influence me as a writer.
If you have a lot of things you want to say about war, sexism, rape, homosexuality, feminism, bears, hookers, literature, marriage, Vienna, politics and wrestling…or anything else in your fiction, you’d better do it with humor.
Irving had a LOT he wanted to say, but he made it entertaining and unforgettable with his shrewd humor. I was so busy laughing and crying that I didn’t realize how much I was absorbing thematically and politically from the wonderful, epic story…or how memorable it would be for me, even decades after I read it.
This was brilliant alchemy I could use myself…if I could figure out out how it worked. Irving taught me that if I wanted to communicate ideas and get someone to sit through a book that weighs ten pounds, then humor is the way to do it because the message gets through even deeper, perhaps even insidiously.
A masterpiece from one of the great contemporary American writers.
'A wonderful novel, full of energy and art, at once funny and heartbreaking...terrific' WASHINGTON POST
Anniversary edition with a new afterword from the author.
A worldwide bestseller since its publication, Irving's classic is filled with stories inside stories about the life and times of T. S. Garp, struggling writer and illegitimate son of Jenny Fields - an unlikely feminist heroine ahead of her time.
Beautifully written, THE WORLD ACCORDING TO GARP is a powerfully compelling and compassionate coming-of-age novel that established John Irving as one of the most imaginative writers…
Living through the Iraq War compelled me to honestly challenge who I was, what I had believed in, and reshape who I am. One aspect to emerge from that is the belief that there is no good war. War is the worst of all endeavors, born from fundamentally weak minds that are blind to imagination and vision. But while I have had a passion for writing about war and speaking out against it, I feel it’s important for people to look beyond my work as just another veteran writing just another war book. In both of my books, the war is a character more than anything else.
While admittedly not a “war” book, Jack London’s masterful novel illustrates notions associated with war and society in an artful way. And he does it within two characters… a truth seeker and a believer in the establishment. From the rich and powerful to the impoverished with no voice, he clearly understood what is behind the masks we don in society. Fantastic read.
The semiautobiographical Martin Eden is the most vital and original character Jack London ever created. Set in San Francisco, this is the story of Martin Eden, an impoverished seaman who pursues, obsessively and aggressively, dreams of education and literary fame. London, dissatisfied with the rewards of his own success, intended Martin Eden as an attack on individualism and a criticism of ambition; however, much of its status as a classic has been conferred by admirers of its ambitious protagonist. Andrew Sinclair's wide-ranging introduction discusses the conflict between London's support of socialism and his powerful self-will. Sinclair also explores the parallels…
I grew up in white South Africa, a racist, philistine, authoritarian, and puritanical society. The first four books I have chosen appeared in the 1950s, and I read them in my teens. Catch-22 was published in the ‘60s, but all five heroes–or anti-heroes–of these novels were of the same generation, about ten years my senior, so they were perfectly placed to be role models. They were rebels and mavericks, and except for Yossarian, they were all would-be writers. I recognised a kinship with them and took them as my guides into adulthood. And so I left for Paris and became a writer and an anthropologist. No regrets.
Sebastian Dangerfield, a scruffy Yank studying at Trinity College Dublin under the GI Bill, loses his wife, finds a lover, and talks to himself–“In my heart where no one else can hear me.”
The book was banned for decades after publication in the 1950s, not so much for indecency (though there is that) as for sheer insolence. The Irish writer Sean O’Reilly asks: “Is there, even after all this time, something risky, illicit perhaps, about Sebastian Dangerfield whispering in your ear while your heart is bursting with laughter?"
Another 1950s anti-hero in the same gang as Holden Caulfield and Jake Donaghue. Another bad example for my guidance.
*Accompanied by unseen photographs from the Donleavy archive *Includes a poignant memoir of Gainor Crist, the man who inspired Sebastian Dangerfield, by his daughter, Mariana *The Lilliput Press will publish Donleavy's 27th book, the novel 'A Letter Marked Personal' in the spring of 2019.
Showcasing for the first time 220 of renowned author J.P. Donleavy's most intimate letters, this scrupulously edited collection throws an extraordinary light on the composition, publication and afterlife of The Ginger Man --- the genesis of a masterpiece that went on to sell 60 million copies around the world. Spanning the late 1940s to the early…
I’m a novelist, essayist, and journalist who’s written extensively about the problems and consolations of faith, about belonging in and out of faith, and about the tribes of what I think of as the In Between. When you’re in between, you’re neither in it nor out of it, whatever “it” might be for you. You bear an “infinity of traces,” as the writer Antonio Gramsci called these formative influences. My first novel looks at these influences directly, while my second one looks at them indirectly. I’m late in the game with a third novel now—a detective story that investigates a murder along with these same themes.
Indispensable. And the scandal of this autobiographical novel hasn’t worn off in a hundred-plus years. Stephen Dedalus is our young man, the self-appointed artist-priest. We see turn-of-the-century Ireland through his eyes and Irish Catholicism, too, each with its special richness and oppressiveness. Ultimately, it’s Stephen’s desire to escape "these nets" that drives his story. He’ll find God in his own way or, failing that, replace him with Art.
A masterpiece of modern fiction, James Joyce's semiautobiographical first novel follows Stephen Dedalus, a sensitive and creative youth who rebels against his family, his education, and his country by committing himself to the artist's life.
"I will not serve," vows Dedalus, "that in which I no longer believe...and I will try to express myself in some mode of life or art as freely as I can." Likening himself to God, Dedalus notes that the artist "remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails." Joyce's rendering of the impressions of…
Every day, we hear about crises worldwide and wonder what our government is doing to keep us safe and prosperous. Reality is often very different from what we see on the news. I was lucky to serve as a senior State Department diplomat and witnessed how the American government machine reacts to wars, coups, and political upheavals. Insights from the inside gave me both comfort (about the high quality of US officials), fear (about how many serious threats we face), and exasperation (at how messy things often get). When I left government, I wanted to share some of those frustrations and found fiction was the best vehicle.
I love Palmer’s thrillers because he writes while he’s still working as a senior US diplomat. I have no idea how he got clearance to publish his books, but they’re fun, light, and absolutely authentic about what it’s like to work in a US embassy overseas. This book is his first, a wild romp that also rings true to my experience inside the State Department.
Global headlines come to life as intrigue and international politics collide in this electrifying debut thriller from Matthew Palmer.
After a devastating experience in Darfur strips Alex Baines, former rising star of the State Department, of his security clearances, he is faced with two choices: spend the rest of his career in visa-stamping limbo or move to the private sector.
On the verge of resigning, he receives a call from his old mentor with an incredible opportunity to start over with a role in the Democratic Republic of the Congo. Yet the job isn't quite what Alex imagined it to…
I’m a multi-genre writer who loves hearing the characters’ voices and getting their stories out there in the world. A lot of my characters are shaped by their gifts, whether they have supernatural ones or not. The things that happen to them shape who they are and how they react to future events. I exist on sarcasm, sass, and hot tea, so many of my characters do too.
It’s been a while since I read this book, but I remember thinking every place described felt real. It hits all the right notes of thriller with a fallible yet strong heroine who gets the job done, sometimes at great personal cost. Michael is as close to a shapeshifter as normal humans can be. She can become anybody. (Content warning – contains strong language)
Governments pay her. Criminals fear her. Nobody sees her coming.
Vanessa “Michael” Munroe deals in information—expensive information—working for corporations, heads of state, private clients, and anyone else who can pay for her unique brand of expertise. Born to missionary parents in lawless central Africa, Munroe took up with an infamous gunrunner and his mercenary crew when she was just fourteen. As his protégé, she earned the respect of the jungle's most dangerous men, cultivating her own reputation for years until something sent her running. After almost a decade building a new life and lucrative career from her home base in…
I’m a public health professional, author, and reader. During part of my childhood and my subsequent career in international public health, I lived in Côte d’Ivoire and the Central African Republic; I’ve also worked throughout West and Central Africa, primarily in Francophone African countries. My experiences in these parts of the continent have not only influenced my fiction writing, but also what I read. While there are plenty of books by Anglophone African authors, few of their Francophone counterparts see their work translated into English. As a result, stories from French-speaking Africa are underrepresented in the literature available to English-speaking audiences. This list is an attempt to make a dent in this disparity.
As a public health worker, I was moved by this beautiful novel, an homage to the courageous people who prevented Ebola from becoming a worldwide pandemic. Set in an unnamed country, most likely Guinea, it uses lyrical language and multiple points of view of those affected and infected by the virus—patients, health care providers, gravediggers, the bats who transmitted the virus to humans, and even an old baobab tree that observes the humans with detached wisdom. Using language both poetic and empathetic, Tadjo reminds us in this cautionary tale that Mother Nature is very much in charge.
Two boys venture from their village to hunt in a nearby forest, where they shoot down bats with glee, and cook their prey over an open fire. Within a month, they are dead, bodies ravaged by an insidious disease that neither the local healer's potions nor the medical team's treatments could cure. Compounding the family's grief, experts warn against touching the sick. But this caution comes too late: the virus spreads rapidly, and the boys' father is barely able to send his eldest daughter away for a chance at survival.
I'm a research scientist who has worked on the interface of many biological, environmental, social, and economic disciplines seeking more sustainable and yet productive forms of agriculture in the tropics and subtropics. With numerous colleagues, I've tried to find ways to right many of the wrongs that have affected the critical food and non-food needs of the world’s poorest and marginalized farmers. This also has the potential to heal much of the environmental degradation and social deprivation in our troubled and dysfunctional world. Along the way, I've had an unusual and privileged research career travelling in remote corners of the world and meeting the people most in need of help from international decision makers.
Wangari Maathai was awarded a Nobel Peace Prize in 2004 for her environmental activism with the Women’s Green Belt Movement.
Africa perhaps has more humanitarian, environmental, and political challenges than any other continent. Many of these arise from its colonial history and this book eloquently and forcefully presents the way this has hindered African development.
It then calls on Africans to develop and implement their own solutions rather than to have them imposed by outsiders who don’t understand the context of the continent.
In this urgent yet optimistic new work, Nobel Peace Prize Winner Wangari Maathai provides a unique perspective on the fate of Africa. Informed by her three decades as an environmental activist and campaigner for democracy, The Challenge for Africa celebrates the enduring potential of the human spirit, and reminds us that change is always possible.
