Here are 100 books that The Ginger Man fans have personally recommended if you like
The Ginger Man.
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As a travel writer, author, broadcaster, speaker, and producer, I’ve reported from over 100 countries on 7 continents for major print and digital publications worldwide and networks like National Geographic and Travel Channel. I kicked off my career with a solo, 12-month round-the-world backpacking adventure, largely inspired by the formative books I read below. Embracing the world with insatiable curiosity, an open heart, an open mind, a sense of humour, and enthusiasm to share my stories clearly resonated. Here I am, two decades later, author of a half-dozen bestselling books that focus on my own eclectic travels, which will hopefully inspire others as these books inspired me.
A deserved, all-time classic, this book seems to transcend time to capture the spirit of wanderlust. I was young and impressionable when I read it for the first time, and it inspired a sense of profound restlessness to explore, grow, and hit the road to see for myself.
Neal Cassidy and Jack Kerouac are wild, occasionally unhinged protagonists, and their journey consists of hustling, romance, and drinking their way to a good time. Kerouac’s writing made me long for similar misadventures, where life is simple and finding the road is all that matters. Subversively, the novel promotes a full life and whole human experience, which makes working 9 to 5 that much more difficult.
The legendary novel of freedom and the search for authenticity that defined a generation, now in a striking new Pengiun Classics Deluxe Edition
Inspired by Jack Kerouac's adventures with Neal Cassady, On the Road tells the story of two friends whose cross-country road trips are a quest for meaning and true experience. Written with a mixture of sad-eyed naivete and wild ambition and imbued with Kerouac's love of America, his compassion for humanity, and his sense of language as jazz, On the Road is the quintessential American vision of freedom and hope, a book that changed American literature and changed…
I fell in love with Italy the first time I visited as a graduate student. Later, as a professor spending extended periods there with my family, I began investigating Italy’s experience of World War II. I was inspired by the diary of Iris Origo, an Anglo-American who lived in rural Tuscany. She reported of civilians bombed by Allied aircraft and strafed by machine guns from the air—even after Italy had surrendered. In my quest to understand the relations between the Allies and Italian civilians, I came upon a trove of great wartime novels, many recently back in print, and I am eager to share my enthusiasm for them.
I encountered this book backward. As a teenager growing up at the end of the US war in Vietnam, I read the Mad magazine spoof of the movie version long before I saw the movie itself, and then I read the novel. I focused on the antiwar theme and the concern of the bomber crew to get home without getting shot down.
The novel was based on Heller’s wartime experience, but I hardly realized it was about bombing Italy until I discovered the papers one of his crewmates had donated to Cornell University. I learned how many of the episodes were based on real incidents, including the only time the novel focuses on Italian civilians—when the crew objects to destroying an Italian Alpine village of no military significance.
Explosive, subversive, wild and funny, 50 years on the novel's strength is undiminished. Reading Joseph Heller's classic satire is nothing less than a rite of passage.
Set in the closing months of World War II, this is the story of a bombardier named Yossarian who is frantic and furious because thousands of people he has never met are trying to kill him. His real problem is not the enemy - it is his own army which keeps increasing the number of missions the men must fly to complete their service. If Yossarian makes any attempts to excuse himself from the…
As a troubled teen who wasn’t raised in a traditional family environment, I had always gravitated toward books with transformative characters—underdogs who were lost or lost their way by accident and on purpose.
The genre never mattered to me as much as my ability to relate to struggling protagonists who needed to escape their situation or environment, regardless of what they had to do, right or wrong. Love them or loathe them, I learned something from each of them. I hope you enjoy their journeys as much as I have.
So what if his worldview never makes sense to anyone but himself? I see Holden Caulfield as the quintessential benchmark for a bad boy, shucking off the last few days at the boarding school that expelled him to wander around Manhattan in a daze. Some readers don’t like him so much that they are personally invested in attacking him and what he represents.
But what is it that he represents, exactly? When I look beyond the surface of his false bravado, he’s a character deeply affected by the death of his brother and is setting out on a quest to understand how to be a real person in a world of phonies. Many of us, as teenagers, also have moments of feeling misunderstood and alone. I know I did, and so did Holden.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
Living through the Iraq War compelled me to honestly challenge who I was, what I had believed in, and reshape who I am. One aspect to emerge from that is the belief that there is no good war. War is the worst of all endeavors, born from fundamentally weak minds that are blind to imagination and vision. But while I have had a passion for writing about war and speaking out against it, I feel it’s important for people to look beyond my work as just another veteran writing just another war book. In both of my books, the war is a character more than anything else.
While admittedly not a “war” book, Jack London’s masterful novel illustrates notions associated with war and society in an artful way. And he does it within two characters… a truth seeker and a believer in the establishment. From the rich and powerful to the impoverished with no voice, he clearly understood what is behind the masks we don in society. Fantastic read.
The semiautobiographical Martin Eden is the most vital and original character Jack London ever created. Set in San Francisco, this is the story of Martin Eden, an impoverished seaman who pursues, obsessively and aggressively, dreams of education and literary fame. London, dissatisfied with the rewards of his own success, intended Martin Eden as an attack on individualism and a criticism of ambition; however, much of its status as a classic has been conferred by admirers of its ambitious protagonist. Andrew Sinclair's wide-ranging introduction discusses the conflict between London's support of socialism and his powerful self-will. Sinclair also explores the parallels…
I’ve been passionate about absurdist literature since my early youth when we read Kafka’s Metamorphosis in school. Later in life, friends recommended Irving, Vonnegut, Bellow, and Boyle to me. I discovered Murakami, Mendoza, and Niven. Films like Common Wealth or The Last Circus by Spanish filmmaker Alex De La Iglesia, which are equally entertaining and thought-provoking, gave me the spark to start writing myself. I hope you enjoy the books on this list as much as I have!
I read this book when I didn’t know what to do with my life and needed to make a decision. The hero’s stumbling around another continent was truly entertaining and made me want to go to Africa as well and see for myself and get to learn about my own ignorance and limitations.
Bellow evokes all the rich colour and exotic customs of a highly imaginary Africa in this comic novel about a middle-aged American millionaire who, seeking a new, more rewarding life, descends upon an African tribe. Henderson's awesome feats of strength and his unbridled passion for life earns him the admiration of the tribe - but it is his gift for making rain that turns him from mere hero into messiah.
I’m a novelist, essayist, and journalist who’s written extensively about the problems and consolations of faith, about belonging in and out of faith, and about the tribes of what I think of as the In Between. When you’re in between, you’re neither in it nor out of it, whatever “it” might be for you. You bear an “infinity of traces,” as the writer Antonio Gramsci called these formative influences. My first novel looks at these influences directly, while my second one looks at them indirectly. I’m late in the game with a third novel now—a detective story that investigates a murder along with these same themes.
Indispensable. And the scandal of this autobiographical novel hasn’t worn off in a hundred-plus years. Stephen Dedalus is our young man, the self-appointed artist-priest. We see turn-of-the-century Ireland through his eyes and Irish Catholicism, too, each with its special richness and oppressiveness. Ultimately, it’s Stephen’s desire to escape "these nets" that drives his story. He’ll find God in his own way or, failing that, replace him with Art.
A masterpiece of modern fiction, James Joyce's semiautobiographical first novel follows Stephen Dedalus, a sensitive and creative youth who rebels against his family, his education, and his country by committing himself to the artist's life.
"I will not serve," vows Dedalus, "that in which I no longer believe...and I will try to express myself in some mode of life or art as freely as I can." Likening himself to God, Dedalus notes that the artist "remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails." Joyce's rendering of the impressions of…
This memoir chronicles the lives of three generations of women with a passion for reading, writing, and travel. The story begins in 1992 in an unfinished attic in Brooklyn as the author reads a notebook written by her grandmother nearly 100 years earlier. This sets her on a 30-year search…
I am the author of five books, including the New Angles Prize shortlisted, Low Country, London’s Lost Rivers and Camden Town: Dreams of Another London. I write about forgotten history, lost places, and strange landscapes in London and on the coast. I have appeared on television (including PBS) and radio and have written for The Guardian and The Daily Telegraph, among others. I also write about music and theatre.
Iris Murdoch’s first novel makes the pubs of 1950s London key characters as a down-at-heel writer roams the city from a shabby Earl’s Court base, trying to square philosophy, political ideas, and reality.
It brings to life a London where people without money could live in the center, and social life was all about who you ran into. This was a place that was still as much a village as a global city.
Iris Murdoch's debut-a comic novel about work and love, wealth and fame
Jake Donaghue, garrulous artist, meets Hugo Bellfounder, silent philosopher.
Jake, hack writer and sponger, now penniless flat-hunter, seeks out an old girlfriend, Anna Quentin, and her glamorous actress sister, Sadie. He resumes acquaintance with the formidable Hugo, whose 'philosophy' he once presumptuously dared to interpret. These meetings involve Jake and his eccentric servant-companion, Finn, in a series of adventures that include the kidnapping of a film-star dog and a political riot on a film set of ancient Rome. Jake, fascinated, longs to learn Hugo's secret. Perhaps Hugo's secret…
My novel Venice Beach—like the five books I recommend here—has been classified as a “coming-of-age” novel, a classification that I have no quarrels with as long as it’s understood that coming-of-age is not regarded simply as a synonym for “adolescence” or “being a teenager.” The coming-of-age years—generally defined as between ages 12 and 18—are so much more than a period of life wedged between childhood and adulthood. Coming of age is a process, not a block of time; it is a hot emotional forge in which we experience so many “firsts” and are hammered, usually painfully, into the shapes that will last a lifetime.
Skippy Diesis nearly 700 pages long, but I wished it had been longer, it was that fun to read. It’s both tragically sad and laugh-out-loud funny—a difficult feat for any writer to pull off, and Irish novelist Paul Murray does so brilliantly. I’m not giving away anything by saying that the protagonist dies—after all, he dies in the book’s title—but I won’t reveal how or the circumstances. Let’s just say that if you are a diminutive, shy, buck-toothed 14-year-old at an all-boys boarding school in Dublin and somehow manage to develop a crush on the girlfriend of an older, drug-dealing, violent bully…well, things can’t turn out good. The cast of characters—the teenagers, the teachers, the school principal—are wonderfully drawn. Murray’s dialogue captures the boasting machismo as well as the angsty insecurities of teenage boyhood. A real gem.
The bestselling and critically acclaimed novel from Paul Murray, Skippy Dies, shortlisted for the 2010 Costa Book Awards, longlisted for the 2010 Booker Prize, and a finalist for the National Book Critics Circle Award.
Why does Skippy, a fourteen-year-old boy at Dublin's venerable Seabrook College, end up dead on the floor of the local doughnut shop?
Could it have something to do with his friend Ruprecht Van Doren, an overweight genius who is determined to open a portal into a parallel universe using ten-dimensional string theory?
Could it involve Carl, the teenage drug dealer and borderline psychotic who is Skippy's…
I have always loved reading and its ability to take you far away to a distant time and place and lift you up. As a kid, I never left the house without a book, and the ones that made me laugh were my go-to's. I believe the ability to make people laugh is a truly special talent, especially while making the text relatable, so the reader’s always asking, wow, what would I do in that situation? My readers often tell me that my writing sounds just like me, which is wonderful because there’s no need to pretend. You will always know what you’ll get with me!
I absolutely adored the way the narrative creates almost continual laugh-out-loud moments whilst tackling some pretty heavy themes.
Drug abuse and its effect on others is handled in a genuinely uplifting way, alongside hilarious family and relationship dynamics. I love Keyes’ ability to shine light through darkness every time.
Here's Rachel Walsh, twenty-seven and the miserable owner of size 8 feet. She has regular congress with Luke Costello, a man who wears his leather trousers tight. And she's fond - some might say too fond - of recreational drugs. Until she finds herself being frogmarched to the Cloisters - Dublin's answer to the Betty Ford Clinic. She's outraged. Surely she's not thin enough to be an addict? Heartsick and Luke-sick, she seeks redemption in the shape of Chris, a man with a past. A man who might be more trouble than he's worth.
When Lara was four years old, her father moved from Rochester, New York, to Anchorage, Alaska, a distance of over 4,000 miles. She spent her childhood chasing after him, flying a quarter of the way around the world to tug at the hem of his jacket.
Until recently, my lovely in-laws kept a home in southern France near where my father-in-law grew up. Their hilltop village was everything my summer-in-France fantasies could imagine: red-tile roofs, overflowing flower boxes, croissants on every corner (or at least four), bustling markets, and palm trees framing a snowcapped peak. Downsizing in their eighties meant selling the house, but some of my fondest memories will always reside there. This summer most of my travels will take place from my garden in Colorado. I plan to trek the world through books. These are some of my favorite reads for an armchair trip to France through romance, mysteries, exploration, and cooking.
The title says it all—Paris is always a good idea! My now-husband romantically invited me to meet him in Paris, way back when, so it’s a special place for me. So is this book, which is a fun, emotional story about love, wanderlust, and finding one’s self.
Chelsea Martin threw herself into work to cope with her mother’s death. Seven years later, her father announces he’ll remarry, prompting Chelsea to examine her own life. She plans a trip to Europe to retrace the last time she remembers being happy.
I adore Chelsea for her bravery and this book for transporting me to gorgeous places, from Paris to Ireland and a vineyard in Italy.
A thirty-year-old woman retraces her gap year through Ireland, France, and Italy to find love—and herself—in this hilarious and heartfelt novel.
It's been seven years since Chelsea Martin embarked on her yearlong postcollege European adventure. Since then, she's lost her mother to cancer and watched her sister marry twice, while Chelsea's thrown herself into work, becoming one of the most talented fundraisers for the American Cancer Coalition, and with the exception of one annoyingly competent coworker, Jason Knightley, her status as most successful moneymaker is unquestioned.
