100 books like Martin Eden

I fell in love with Italy the first time I visited as a graduate student. Later, as a professor spending extended periods there with my family, I began investigating Italy’s experience of World War II. I was inspired by the diary of Iris Origo, an Anglo-American who lived in rural Tuscany. She reported of civilians bombed by Allied aircraft and strafed by machine guns from the air—even after Italy had surrendered. In my quest to understand the relations between the Allies and Italian civilians, I came upon a trove of great wartime novels, many recently back in print, and I am eager to share my enthusiasm for them.

From an early age, I have made a life out of listening to, telling, teaching, and writing about war stories. I am intrigued by their widespread personal and public importance. My changing associations with these stories and their tellers have paralleled evolving stages in my life—son, soldier, father, and college professor. Each stage has spawned different questions and insights about the tales and their narrators. At various moments in my own life, these war stories have also given rise to fantasized adventure, catharsis, emotional highs and lows, insights about human nature tested within the crucible of war, and intriguing relationships with the storytellers—their lives and minds.

I grew up in white South Africa, a racist, philistine, authoritarian, and puritanical society. The first four books I have chosen appeared in the 1950s, and I read them in my teens. Catch-22 was published in the ‘60s, but all five heroes–or anti-heroes–of these novels were of the same generation, about ten years my senior, so they were perfectly placed to be role models. They were rebels and mavericks, and except for Yossarian, they were all would-be writers. I recognised a kinship with them and took them as my guides into adulthood. And so I left for Paris and became a writer and an anthropologist. No regrets.

We come to books at different ages, and some of them are more special than others for our own growth and development. I became a writer because of books that influenced me and sparked my imagination. When I became a teacher, I passed on my enthusiasm. I have written 31 books and have taught writing and literature on the college level in the Peace Corps, at Antioch, and UCLA. I’ve interviewed three of the five writers whose books I’m recommending and would have tried to interview Jack London and James Joyce if I had lived when they were alive. These 5 books made me laugh, cry, sing, and dream. They expanded my consciousness.

I’m a novelist, essayist, and journalist who’s written extensively about the problems and consolations of faith, about belonging in and out of faith, and about the tribes of what I think of as the In Between. When you’re in between, you’re neither in it nor out of it, whatever “it” might be for you. You bear an “infinity of traces,” as the writer Antonio Gramsci called these formative influences. My first novel looks at these influences directly, while my second one looks at them indirectly. I’m late in the game with a third novel now—a detective story that investigates a murder along with these same themes. 

Living through the Iraq War compelled me to honestly challenge who I was, what I had believed in, and reshape who I am. One aspect to emerge from that is the belief that there is no good war. War is the worst of all endeavors, born from fundamentally weak minds that are blind to imagination and vision. But while I have had a passion for writing about war and speaking out against it, I feel it’s important for people to look beyond my work as just another veteran writing just another war book. In both of my books, the war is a character more than anything else. 

Living through the Iraq War compelled me to honestly challenge who I was, what I had believed in, and reshape who I am. One aspect to emerge from that is the belief that there is no good war. War is the worst of all endeavors, born from fundamentally weak minds that are blind to imagination and vision. But while I have had a passion for writing about war and speaking out against it, I feel it’s important for people to look beyond my work as just another veteran writing just another war book. In both of my books, the war is a character more than anything else. 

I’ve always loved history and have written four novels set in the past. Maybe I was drawn to the past because I partly grew up in Bath–a city where you seem to be living in the eighteenth century. But recent history tells us who we are now, and I’ve always wanted to deal with the subject of the Holocaust since, at the age of thirteen, I came across a book about it in my town’s public library. At that time, nobody talked about it, and I was traumatized by it. How could human beings do such things? I think puzzling over that is partly why I became a writer.

I'm an English writer now living in the wilds of Tasmania, Australia. My love of books began at school. I devoured the classics and couldn’t wait to audition for the lead in the next school play. Both my father and brother were in the military and I saw firsthand their love and duty for country, and family often with great cost to their mental health and wellbeing. I write stories about heroes like them and the women who win their hearts. Love takes courage. 

I didn’t know anything about Victorian history before I started writing the Arrowood books. The idea for the character of William Arrowood came as I was reading a Sherlock Holmes story. It occurred to me that if I was a private detective working in London at the same time, I’d probably be jealous, resentful, and perhaps a little bitter about his success and fame. That was the basis of Arrowood. I started to write a few pages and then realized I needed to learn a lot about the history. Since then, I’ve read hundreds of books on the topic, pored over newspapers in the British Library, and visited countless museums.