Neighbors. We’ve all got ‘em, right? We believe we’re the good ones, and we pray we don’t live next door to the bad ones… but sometimes it’s inevitable that we share our property lines with those ill-suited for neighborly behavior. Horror books about bad neighbors are the perfect window into our own communities. We can peer into the lives of others without worry of getting caught. We can tiptoe through their rooms and rummage through their drawers… Who knows what we might find. Are they witches? Serial killers? Devil worshippers? Only their dirty laundry will tell.
So few books give me chills, but I could feel my temperature downright drop the deeper into this graphic novel I went. Certainly not for the weak-hearted, or stomached for that matter, Powell and Schechter plunge into one of the most depraved characters of the Midwest… none other than Ed Gein himself. There is an odd beauty to the madness at display here. It just goes to show you never know what’s going on behind the closed doors of your next-door neighbors.
“It is fantastic! Not only is Eric Powell's art on point, but Harold Schechter introduces some new ideas about Ed Gein that have never been heard.” - THE LAST PODCAST ON THE LEFT
“A natural choice for true-crime fans.”―BOOKLIST
“As extensively researched as the Alan Moore/Eddie Campbell Jack the Ripper graphic novel From Hell, ”Did You Hear What Eddie Gein Done?” is a masterpiece of the form, standing as the best possible dramatization of Ed Gein's tale in any medium.”―BLOODY DISGUSTING
“This is a new true crime comics essential.”―SYFY WIRE
I’ve always loved horror stories. At the age of 7 or 8, I’d be reading The Pan Book Of Horror Stories or Aidan Chambers’ Haunted Houses by flashlight with the bed sheets pulled over my head (not because I should have been asleep, but to guard against vampires creeping up on me!) I always found these stories strangely comforting, a world of adventure into which a shy kid like me could retreat. Ghosts and monsters became part of my cultural DNA, constant companions through life. That’s why I write horror today, to make my own tiny contribution to the genre, which has given me so much.
This is the first in a series of alternate history stories, set in 1888 (later volumes run right through the 20th century), in a world in which Count Dracula triumphed over his arch-enemy Professor Van Helsing. He’s now married to Queen Victoria and ruling over a London full of bloodsuckers!
A very clever idea which neatly ties in all sorts of vampire-related fictional strands.
It is 1888 and Queen Victoria has remarried, taking as her new consort Vlad Tepes, the Wallachian Prince infamously known as Count Dracula. Peppered with familiar characters from Victorian history and fiction, the novel follows vampire Genevieve Dieudonne and Charles Beauregard of the Diogenes Club as they strive to solve the mystery of the Ripper murders.
Anno Dracula is a rich and panoramic tale, combining horror, politics, mystery and romance to create a unique and compelling alternate history. Acclaimed novelist Kim Newman explores the darkest depths of a reinvented Victorian London.
I am trained in physics but moved over to psychology and neuroscience partway through graduate school at Cornell University because I became fascinated with the stupefying complexity of brains. I found that a lot of the main ideas and approaches in these fields seemed flawed and limited—things like defining something to study such as “emotion” or “perception” without specifying what measurable quantities are necessary and sufficient to understand those things. Luckily, I was (and continue to be) mentored by independent thinkers like neuroanatomist Barbara Finlay and computational neuroscientist David Field, who instilled in me their spirit of free and deeply informed inquiry. Today, more and more brain researchers are rethinking established ideas.
A popular myth that refuses to die is the idea that the left brain and right brain do quite different things. Chris McManus, a researcher of human perception, as well as a medical doctor, wrote the delightful book Right Hand, Left Hand in part to dispel these myths, but also to explore the wonderous world of laterality. From handedness, to how development builds a symmetrical organism, to asymmetries in subatomic particles, this exuberant book takes you on a grand tour of fascinating ideas and observations, told with the detail, color, and organization of a great symphony.
A labor of love and enthusiasm as well as deep scientific knowledge, Right Hand, Left Hand takes the reader on a trip through history, around the world, and into the cosmos, to explore the place of handedness in nature and culture. Chris McManus considers evidence from anthropology, particle physics, the history of medicine, and the notebooks of Leonardo to answer questions like: Why are most people right-handed? Are left-handed people cognitively different from right-handers? Why is the heart almost always on the left side of the body? Why does European writing go from left to right, while Arabic and Hebrew…
I’ve been obsessed with London since childhood. The English side of my family lived and worked throughout the city, and a day out with my father walking its streets was my greatest treat. He was a doctor, so a London trip could involve shopping for medical equipment, trawling bookshops, an afternoon at his tailor, or pub crawls where he seemed to know everyone. I’ve always been aware of the eccentricity of the place, which still thrills me. I really struggled to choose these books because there’s just so much material that I had to leave out. But I hope what I’ve chosen might be of interest.
I love comics, and here is the Master at the top of his game.
Ostensibly, it’s a reimagination of the Whitechapel Murders, how this narrative has been handed down to us, and a final dissection of and dismissal of its meaning. But like all his stuff, it’s brimful of ideas, notably an exploration of psychogeography, the effect of geography and architecture on behaviour.
Plenty of other London writers, like Iain Sinclair and Peter Ackroyd, also explore this, in greater depth, but Moore made me see it most clearly. Maybe because of the visual medium of the work? Perhaps. But the idea of a city that echoes and re-echoes with emotional triggers is really exciting.
Alan Moore (Watchmen) and Eddie Campbell (Bacchus), grandmasters of the comics medium, present a book often ranked among the greatest graphic novels of all time: From Hell.
From the squalid alleys of the East End to the Houses of Parliament, from church naves to dens of the occult, all of London feels the uniquely irresistable blend of fascination, revulsion, and panic that the Ripper offers. The city teeters on the brink of the twentieth century, and only the slightest prodding is necessary to plunge it into a modern age of terror.
Moore and Campbell have created a gripping, hallucinatory piece…
Not only have I been a fan of the genre since my early childhood, I’ve also submerged myself from an author's perspective. I've honed my craft through several courses, research, and networking so that I know what I’m putting out is the best work I can produce. I love the familiar style of description and a plot woven into a well-versed tale of good versus evil, especially if the reader is left questioning whether it really was good that won in the end. My love for horror started young when I delved into Stephen King’s Bag of Bones, and I have devoured a lot of classic horror fiction since then.
I went into this book blind, I can’t remember the exact circumstances but if I’m not mistaken it was when I was advertising myself as a reviewer for indie authors. This takes the serial killer theme to all new levels as based on a truth fiction tale. Hammott has an enjoyable writing style that flows and draws the reader in. It is an excellent retelling that kept me wanting to know more about Holmes. I have subsequently researched the killer and found Hammott's accounts to be factually correct which just makes the story that much more chilling.
If your hear him lock the door, you are already dead!
"An atmospheric dramatization of a true crime mystery using source documents and the investigations carried out by detective Frank Geyer to portray a believable and disturbing account of the heinous murders and crimes of the serial killer, Henry H. Holmes."
"Insightful thoughts of some characters during their impending death make it too easy to identify with the horror of what they experienced. By the time I got to the end of some parts, I was out of breath, literally!"
"Grabs your concentration by the throat with every horrific and…
Who, apart from the innately humorless, doesn’t like a good laugh? We do, whether it’s at Mark Roman’s opera singing or at Corben Duke’s naked balloon dance. We also enjoy funny science fiction books. We’ve tried writing them, too, but it’s devilishly difficult. So, time and time again, we turn to the masters in the field to see how they did it, studying the words they used, the way they joined them together, and where they inserted the punctuation marks. Most instructive. Here are our top five and their funny SF books.
If you’ve gone through life thinking that a sprout can’t be funny, this book will convince you otherwise. Barry the Sprout is the star of the show, lodged in the head of lead character Will Starling. But the whole book is a joy. Highly inventive and very funny. It involves time travel, weird conspiracy theories, Queen Victoria, the Elephant Man, Jack the Ripper, the Brentford Snail Boy, and many more.
We have all been lied to. A great and sinister conspiracy exists to keep us from uncovering the truth about our past.
Have you ever wondered how Victorians dreamed up all that fantastic futuristic fiction? Did it ever occur to you that it might just have been based upon fact? That THE WAR OF THE WORLDS was a true account of real events? That Captain Nemo' s Nautilus even now lies rusting at the bottom of the North Sea? That there really was an invisible man?
And what about the other stuff? Did you know that Queen Victoria had a…
As a career journalist/communications specialist and historical suspense novelist, the intersection of fact and fiction has always been a fascination and an inspiration. In journalism and nonfiction reportage, the best we can hope to ascertain are likely facts. But in fiction—particularly fiction melded with history—I believe we can come closest to depicting something at least in the neighborhood of truth. My own novels have consistently employed real people and events, and as a reader, I’m particularly drawn to books that feature a factual/fictional mix, something which all five of my recommended novels excel in delivering with bracing bravado.
Victorian serial killer Jack the Ripper and fictional detective Sherlock Holmes have squared off countless times on screen and in various novels to varying degrees of success, but for me, this is the best story pitting the still unidentified serial killer against the most famous of fictional detectives.
Steeped in an immersive Victorian atmosphere and detail that drew me in, Hanna also effectively breathes life into several historical figures associated with the notorious case while remaining faithful to Arthur Conan Doyle's overall spirit.
In my opinion, Hanna’s version of Holmes subtly suggests inspiration was drawn from the late great Jeremy Brett, arguably the finest screen Holmes, while also giving Dr. Watson his intellectual due.
I have loved stories all my life, not only to read but to write. I have a particular passion for mysteries and will soon be releasing the sixth book in my Meg Sheppard Mystery Series. I read for enjoyment and prefer fast-paced stories with compelling characters. I’ve selected these books because they’re great reads and I hope you find them as entertaining as I did!
I loved the creativity and intensity of this mystery, which features Margaret Harness and Arthur Conan Doyle.
I was captivated by the setting of London, UK, in 1888–the time of the Whitechapel murders (Jack the Ripper). Harper brings fascinating characters to life and paints a vivid scene of abject poverty.
I was enthralled by this piece of historical fiction and loved Harper’s ingenuity in casting Arthur Conan Doyle as a detective, much like his creation, Sherlock Holmes.
Winner of Killer Nashville's 2019 Silver Falchion Award for Mystery and Edgar Finalist for Best First Novel, its audiobook won Audiofile Magazine's Earphone Award for Mystery and Suspense. Recently named as a "Recommended Read" by the Arthur Conan Doyle Estate.
This debut novel is the first in a series starring the real-life author and suffragette Margaret Harkness, continued in Queen's Gambit.
"Ardent feminism and cerebral detection face down the Ripper in the fog-shrouded streets of London: a feast for lovers of historical crime!"
--Laurie R. King, author of The Beekeeper's Apprentice and Island of the Mad
I have a Walter Mitty view of the world. If I were a movie character, I would be Edward Bloom, in Big Fish. I have been a lawyer in the entertainment industry for almost four decades. As a result of my personality and profession, my books mix fantasy, science fiction, and the mystical into our everyday world, and I do it in a way that makes you wonder if what I’m telling you is true, causes you to hope it is true and compels you to wish you could join in the adventures.
A time travel book that is clever and fast paced. Spoiled Hollywood types.
A trip back to Victorian London and a fateful meeting with Jack The Ripper. What’s not to love? As a matter of fact, I loved the female lead, Madison Taylor, so much that I included her (with permission) as a cross-over character in my latest novel, Finding Jimmy Moran.
I could've easily sold my time travel machine for billions and walked away. Instead, I opened The Taylor Travel Group where I take the elite on vacations into history, to a time and place of their choice.
But when a big-time movie studio hired my company, I sold my soul.
What was supposed to be a few days of method-actor immersion in nineteenth-century London went horribly awry. Now America's hottest starlet is dead, and Jack the Ripper is…
I’ve been reading romance since my grandmother would sneak me “approved” books when I was twelve. I’ve always felt like I was born in the wrong century, so it makes sense that historicals would be my favorites. After experiencing some autoimmune issues, I relate to characters dealing with physical or mental challenges, and those are the books that tend to draw me in. I believe many people read to escape “real life” and its accompanying stress (I know I do!). As a writer, my goal is to bring a bit of laughter and light into someone’s life for the few hours they spend with my characters.
This book seduced me from page one. I already liked Jennifer Ashley’s contemporary shifters, but this was my first historical romance of hers and I was captivated.
Ian is a hero like no other. From collecting Ming pottery (but only after “tasting”/testing the glaze) to his personality quirks (he’s on the spectrum, but that certainly wasn’t something being discussed nor understood in the 1800s), he is fascinating. Match him with a strong-willed woman who has her own opinions and desires? And I found this to be the recipe for a thoroughly entertaining and memorable read.
A woman is drawn to a dangerously intruiging man in this unique historical romance from New York Times bestselling author Jennifer Ashley.
It was whispered all through London Society that Ian Mackenzie was mad, that he’d spent his youth in an asylum, and was not to be trusted—especially with a lady. For the reputation of any woman caught in his presence was instantly ruined.
Yet Beth found herself inexorably drawn to the Scottish lord whose hint of a brogue wrapped around her like silk and whose touch could draw her into a world of ecstasy. Despite his decadence and his…
