The best Jack the Ripper books

An experienced genealogist, I became fascinated by true historical crime reports when I found murderers in my family tree. Since then, I have written ten historical mystery books featuring true unsolved crimes. My novels re-imagine what might have happened had the killers been brought to justice. My background in genealogy and vast experience trawling through historical newspaper reports has given me a passion for the past and a desire to resolve the unknown.

I’ve been reading Lovecraft, and those inspired by him, since I was in high school. I’ve always been fascinated by the idea that there could be a whole world just outside of sight that we never see, and once we do see we can never un-see. After I’d been writing for a few years a friend of mine suggested/demanded I write a story for him inspired by Lovecraft’s world. Mostly I started it to satisfy him but once the jar was open it all spilled out. I wove in real elements from history, including historical figures. This story ended up winning a major award, but there was still so much more to tell.

From an early age I have been drawn to dark themes in stories. I always wanted to hear the dark fairy tales when I was a kid. My mother is from Finland originally, so I was weaned on Finnish folk tales and the Finnish mythology, the Kalevala, which has very many dark stories. Being a graphic novelist myself, I tend to favor morally ambiguous, darker broken characters in my stories. Happy characters make for boring stories I believe. There needs to be conflict for there to be drama. And there needs to be drama to make interesting stories.

Neighbors. We’ve all got ‘em, right? We believe we’re the good ones, and we pray we don’t live next door to the bad ones… but sometimes it’s inevitable that we share our property lines with those ill-suited for neighborly behavior. Horror books about bad neighbors are the perfect window into our own communities. We can peer into the lives of others without worry of getting caught. We can tiptoe through their rooms and rummage through their drawers… Who knows what we might find. Are they witches? Serial killers? Devil worshippers? Only their dirty laundry will tell. 

My mother was an avid reader of Agatha Christie, and she gave me my first Nancy Drew book when I was nine, so I’ve loved mysteries all my life—not the ‘true crime’ kind, more the ‘cozy village’ kind, where the focus is on the characters and how they solve the mystery because of who they are and how they understand the people around them. After I wrote an historical novel about John Singer Sargent and his friends, I couldn’t stop thinking about them, even hearing their voices continuing to talk—I missed them! So naturally, I decided I’d turn John and his friend Violet into detectives and write mysteries. 

As a former Prison Governor who has had to work with a number of murderers and serial murderers – and who now writes about them as Emeritus Professor of Criminology – my professional life has inevitably been dominated by violent men. As they might say in the United States, I have “walked the walk” before doing my talking and I try and bring this applied dimension into my written and more academic work.

As an academic, I have been researching Canadian police and criminal justice history since the 1980s and I teach courses on the history of policing, crime, drugs and homicide, and capital punishment. In 2014 I began to cover a high-profile murder trial in my region of Canada and ended up writing a best-selling book on the case. The Oland case reinforced my interest in true crime, both as a research topic and a cultural phenomenon. True crime, whether set in the distant past or contemporary times, offers writers and readers alike fascinating forays into specific societies and communities as well as human nature.

I’ve been fascinated by New Orleans ever since hearing Bobby Bare’s novelty record “Marie Laveau” when I was a child. I had wanted to visit for ages, and Hurricane Katrina made me despair of ever getting there. Now that I’ve been there, New Orleans owns a piece of my heart. When I set out to write Bayou Fire, I was determined to do it right. I read everything I could get my hands on, fiction and non-fiction, about 1830s New Orleans. I wanted not only the facts but the atmosphere. Furthermore, I made several research trips, not only to Crescent City but to the plantations. I immersed myself in the period and the culture to the greatest degree possible to bring an authentic tale to light.

While completing a Master’s degree in Victorian Studies at the University of London, I stumbled across a passing reference to a series of killings in 1831 in East London. I was astonished that I had never heard of these and further research resulted in my first book, The Italian Boy. Three books later I realise now that all my work is an attempt to squeeze out of the archives the less-recorded aspects of the everyday life of ‘marginalised’ people. And I guess that’s why I have selected the true crime books below – they all shine a bright light on previously little-known aspects of our world, and reveal the inter-relationship of victims, criminal, and location of the deed.

Not only have I been a fan of the genre since my early childhood, I’ve also submerged myself from an author's perspective. I've honed my craft through several courses, research, and networking so that I know what I’m putting out is the best work I can produce. I love the familiar style of description and a plot woven into a well-versed tale of good versus evil, especially if the reader is left questioning whether it really was good that won in the end. My love for horror started young when I delved into Stephen King’s Bag of Bones, and I have devoured a lot of classic horror fiction since then.

Who, apart from the innately humorless, doesn’t like a good laugh? We do, whether it’s at Mark Roman’s opera singing or at Corben Duke’s naked balloon dance. We also enjoy funny science fiction books. We’ve tried writing them, too, but it’s devilishly difficult. So, time and time again, we turn to the masters in the field to see how they did it, studying the words they used, the way they joined them together, and where they inserted the punctuation marks. Most instructive. Here are our top five and their funny SF books.

I have a Walter Mitty view of the world. If I were a movie character, I would be Edward Bloom, in Big Fish. I have been a lawyer in the entertainment industry for almost four decades. As a result of my personality and profession, my books mix fantasy, science fiction, and the mystical into our everyday world, and I do it in a way that makes you wonder if what I’m telling you is true, causes you to hope it is true and compels you to wish you could join in the adventures.    

I was introduced to vampires through Barnabas Collins of Dark Shadows fame, but I was a child and found the show boring. But, when I was 15, I was handed the paperback edition of Salem’s Lot and it scared me to death. I was hooked, reading books, and watching movies about vampires whenever the chance arose. When I wrote the first draft of Redemption, it sat for years before I reworked it, reading Dracula again and taking notes, researching Vlad the Impaler, and watching lots of vampire movies before re-writing it. Since then, I’ve continued reading vampire fiction and watching movies and shows about the creatures whenever I can.

 I have been a devourer of fantasy all of my life. With a bookshelf that grows more overflowing by the year, I just can’t get enough. That combined with the many classes I've taken on writing, tension, and incorporating fantasy elements, make me the perfect candidate for finding all three in the perfect story. I live in a daydream created by the written word and even win writing awards with all that I've learned and applied. There is nothing I love more than the perfect pairing of twists and tension in fantasy stories, something I continue to add to my own stories!

I am by no means an expert on the Victorian era, but I am most certainly passionate – I have written seven novels set in this period and have researched different aspects of the social, domestic, and gender-related issues for each of those books. The Victorian era is such a fascinating time – from the huge differences in money and class, to the beginnings of women starting to initiate (or maybe even demand) change with the first murmurings of women’s suffrage and, of course, the Married Women’s Property Act 1882. Rich in storytelling possibility and the opportunity to bring societal, gender, and sexual issues to the fore, I find writing in the Victorian period immensely exciting.

I love to read a good story, but I also get the greatest satisfaction from writing one, or several. I believe good fiction can say what factual books cannot, and done right, they can offer differing perspectives to any accepted norm. The trick is to let the characters speak, regardless of whether I agree with what they say, or not. The secret to good presentation is to offer the reader the choice to think about what has been said, consider and delve deeper, or not and pass by.

As a former Prison Governor who has had to work with a number of murderers and serial murderers – and who now writes about them as Emeritus Professor of Criminology – my professional life has inevitably been dominated by violent men. As they might say in the United States, I have “walked the walk” before doing my talking and I try and bring this applied dimension into my written and more academic work.

I am trained in physics but moved over to psychology and neuroscience partway through graduate school at Cornell University because I became fascinated with the stupefying complexity of brains. I found that a lot of the main ideas and approaches in these fields seemed flawed and limited—things like defining something to study such as “emotion” or “perception” without specifying what measurable quantities are necessary and sufficient to understand those things. Luckily, I was (and continue to be) mentored by independent thinkers like neuroanatomist Barbara Finlay and computational neuroscientist David Field, who instilled in me their spirit of free and deeply informed inquiry. Today, more and more brain researchers are rethinking established ideas.

I am passionate about historical romance and romance readers. My favorite era in history is the Regency, the period during which the Prince of Wales was named Regent. It is also the time during which Jane Austen wrote. Austen readers are particular about details so it’s daunting to write Regency fiction. Still, I love to write it and read it. I’m also passionate about Scotland, its history, the land, the people, the customs, the folklore, the food, and the music. If you’ve never been, put Scotland on your bucket list. They say it’s the oldest rock on earth. There’s magic there, too. Really and truly. Magic.