Here are 70 books that From Hell fans have personally recommended if you like
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I’ve been obsessed with London since childhood. The English side of my family lived and worked throughout the city, and a day out with my father walking its streets was my greatest treat. He was a doctor, so a London trip could involve shopping for medical equipment, trawling bookshops, an afternoon at his tailor, or pub crawls where he seemed to know everyone. I’ve always been aware of the eccentricity of the place, which still thrills me. I really struggled to choose these books because there’s just so much material that I had to leave out. But I hope what I’ve chosen might be of interest.
Henry Mayhew’s sprawling record of nineteenth-century London can be overwhelming, but his ear for the vernacular and eye for weird detail means that the reader can dip in and find something.
London’s population exploded in the nineteenth century, bulked out by a huge number of itinerant workers. Mayhew interviews these people–in the prologue to the first volume, he describes himself as a "traveller in the undiscovered country of the poor"–and because he gives no judgment on their lives, the book feels more like a modern documentary.
The voices are one thing; Mayhew’s statistics are another–"expenditure in ham sandwiches supplied by street sellers is £1,820 yearly…a consumption of 436,800 sandwiches." Anyone who thinks that Dickens’ writes grotesques should read this. The first book that really brought old London alive for me.
London Labour and the London Poor is a masterpiece of personal inquiry and social observation. It is the classic account of life below the margins in the greatest Metropolis in the world and a compelling portrait of the habits, tastes, amusements, appearance, speech, humour, earnings and opinions of the labouring poor at the time of the Great Exhibition.
In scope, depth and detail it remains unrivalled. Mayhew takes us into the abyss, into a world without fixed employment where skills are declining and insecurity mounting, a world of criminality, pauperism and vice, of unorthodox…
I’ve been obsessed with London since childhood. The English side of my family lived and worked throughout the city, and a day out with my father walking its streets was my greatest treat. He was a doctor, so a London trip could involve shopping for medical equipment, trawling bookshops, an afternoon at his tailor, or pub crawls where he seemed to know everyone. I’ve always been aware of the eccentricity of the place, which still thrills me. I really struggled to choose these books because there’s just so much material that I had to leave out. But I hope what I’ve chosen might be of interest.
I know Dickens is an obvious choice, but he’s so good, and there’s so much to choose from, from legal London in Bleak House to the Thames scavengers at the start of Our Mutual Friend. But if you’re going to choose one–and you really should–take Little Dorrit.
First, the story is great all the way through, from the opening in Marseilles to the cataclysmic downfall of the House of Clennam. It’s strongly moral, with Dickens’ ironbound support for the underdog and his ever-present ability to make the reader seethe at injustice (I struggled to finish Martin Chuzzlewit, for example, because Seth Pecksniff made my blood boil so hard) and has less of the sugary sentiment that pollutes a lot of his other books.
It’s funny, moving, and for a modern-day Londoner, it's interesting because so much of the landscape remains in place; you can still visit Bleeding Heart…
For all of her twenty-two years, Amy Dorrit has lived in Marshalsea prison, trapped there with her family because of her father's debts. Her only escape is to work as a seamstress for the kind Mrs Clennam. When Mrs Clennam's son Arthur returns to England after many years abroad, he takes a kind-hearted interest in poor little Amy. But when it is unexpectedly discovered that her father is heir to a fortune, some shocking truths emerge and Amy's life changes for ever.
I’ve been obsessed with London since childhood. The English side of my family lived and worked throughout the city, and a day out with my father walking its streets was my greatest treat. He was a doctor, so a London trip could involve shopping for medical equipment, trawling bookshops, an afternoon at his tailor, or pub crawls where he seemed to know everyone. I’ve always been aware of the eccentricity of the place, which still thrills me. I really struggled to choose these books because there’s just so much material that I had to leave out. But I hope what I’ve chosen might be of interest.
London, allegedly, is vibrant, fashionable, taut, chromatic. However, most of us don’t live in the fleshpots; most of us live quiet, decent lives in the miles and miles of suburbs that cover almost two-thirds of the city’s area and house more than half of its population.
This book is a suburban comic novel (set in Holloway) written by George and Weedon Grossmith, originally published in Punch magazine in 1888. It records the daily events in the lives of Charles Pooter, a London clerk, his wife Carrie, his son William (who changes his name to the more aspirational Lupin), and their friends. We’re clearly meant to laugh at the Pooters and their pretensions, but actually, Charles, Carrie, and William are good people, if occasionally silly.
One of the ideas I tried to stick to when we wrote our book is that nothing is ugly, and no one is boring; it’s all…
With an Introduction and Notes by Michael Irwin, Professor of English Literature, University of Kent at Canterbury.
The Diary of a Nobody is so unassuming a work that even its author, George Grossmith, seemed unaware that he had produced a masterpiece. For more than a century this wonderfully comic portrayal of suburban life and values has remained in print, a source of delight to generations of readers, and a major literary influence, much imitated but never equalled.
If you don't recognise yourself at some point in The Diary you are probably less than human. If you can read it without…
I’ve been obsessed with London since childhood. The English side of my family lived and worked throughout the city, and a day out with my father walking its streets was my greatest treat. He was a doctor, so a London trip could involve shopping for medical equipment, trawling bookshops, an afternoon at his tailor, or pub crawls where he seemed to know everyone. I’ve always been aware of the eccentricity of the place, which still thrills me. I really struggled to choose these books because there’s just so much material that I had to leave out. But I hope what I’ve chosen might be of interest.
This isn’t a London book per se, although the city features fairly regularly. Instead, it’s a hybrid examination of how a mob thinks and the ways people behave when they live cheek-by-jowl.
Mackay’s seminal work is still relevant, especially the chapters on financial manias like the Tulipomania and the South Sea Bubble; People Never Learn seems to be his main lesson.
The book is hard to describe but includes some of the weirder urban crazes. In the chapter on Popular Follies of Great Cities, for example, he discusses slang trends. Apparently, asking, ‘Has your mother sold her mangle?’ would reduce everyone to fits in mid-19th century London. As he notes, ‘the popular humours of a great city are a never-failing source of amusement’
Charles MacKay's groundbreaking examination of a staggering variety of popular delusions, crazes and mass follies is presented here in full with no abridgements.
The text concentrates on a wide variety of phenomena which had occurred over the centuries prior to this book's publication in 1841. Mackay begins by examining various economic bubbles, such as the infamous Tulipomania - wherein Dutch tulips rocketed in value amid claims they could be substituted for actual currency - and various follies spread by word of mouth in urban areas.
As we progress further, the scope of the book broadens into several more exotic fields…
I have a Walter Mitty view of the world. If I were a movie character, I would be Edward Bloom, in Big Fish. I have been a lawyer in the entertainment industry for almost four decades. As a result of my personality and profession, my books mix fantasy, science fiction, and the mystical into our everyday world, and I do it in a way that makes you wonder if what I’m telling you is true, causes you to hope it is true and compels you to wish you could join in the adventures.
A time travel book that is clever and fast paced. Spoiled Hollywood types.
A trip back to Victorian London and a fateful meeting with Jack The Ripper. What’s not to love? As a matter of fact, I loved the female lead, Madison Taylor, so much that I included her (with permission) as a cross-over character in my latest novel, Finding Jimmy Moran.
I could've easily sold my time travel machine for billions and walked away. Instead, I opened The Taylor Travel Group where I take the elite on vacations into history, to a time and place of their choice.
But when a big-time movie studio hired my company, I sold my soul.
What was supposed to be a few days of method-actor immersion in nineteenth-century London went horribly awry. Now America's hottest starlet is dead, and Jack the Ripper is…
While completing a Master’s degree in Victorian Studies at the University of London, I stumbled across a passing reference to a series of killings in 1831 in East London. I was astonished that I had never heard of these and further research resulted in my first book, The Italian Boy.
Three books later I realise now that all my work is an attempt to squeeze out of the archives the less-recorded aspects of the everyday life of ‘marginalised’ people. And I guess that’s why I have selected the true crime books below – they all shine a bright light on previously little-known aspects of our world, and reveal the inter-relationship of victims, criminal, and location of the deed.
There is something very wrong with the official version of the Ratcliff Highway Murders of 1811, in which seven were killed – so much that simply does not add up. Detective fiction writer James and historian Critchley teamed up in 1971 to use their respective talents to sift the contradictory accounts of the killings of the Marr and Williamson households. They brilliantly capture the atmosphere of Regency Wapping and come up with an unusual partial solution, exonerating John Williams, whom tradition has always fingered as the killer.
In 1811 John Williams was buried with a stake in his heart. Was he the notorious East End killer or his eighth victim in the bizarre and shocking Ratcliffe Highway Murders? In this vivid and gripping reconstruction P. D. James and police historian T. A. Critchley draw on forensics, public records, newspaper clippings and hitherto unpublished sources, expertly sifting the evidence to shed new light on this infamous Wapping mystery.
This true crime novel begins amid the horror of a dark, wintry London in the year 1811. Using elegant historical detection P.D. James and police historian T.A. Critchley piece together…
Having always been fascinated with the dark and macabre, I grew up hanging out in the library, forging a love of reading through Stephen King, Dean Koontz, and James Herbert. To write The Echo Man, I read more serial killer books than should be deemed healthy – anything from biographies to first-person accounts to psychology and profiling. So who better to recommend serial killer fiction, then a self-confessed serial killer nerd?!
The Jigsaw Man introduces us to DI Anjelica Henley and the Serial Crimes Unit as they investigate body parts found along the River Thames. Matheson pulls no punches with her portrait of her gritty East London, combined with pacey action and characters that quickly feel like old friends.
"A heart-pounding roller coaster ride."—Tami Hoag, #1 New York Times bestselling author of The Boy
*A Crime Reads Most Anticipated Book of 2021*
A serial killer and his copycat are locked in a violent game of cat and mouse. Can DI Anjelica Henley stop them before it’s too late?
On the day she returns to active duty with the Serial Crimes Unit, Detective Inspector Anjelica Henley is called to a crime scene. Dismembered body parts from two victims have been found by the river.
The modus operandi bears a striking resemblance to Peter Olivier, the notorious Jigsaw Killer, who has…
I’m a writer and avid reader of crime fiction. Since I was four, my parents instilled in me a love for books, which has become a part of who I am. Before I became a bestselling and award-winning author, I was a reader, and I’ve always wanted to create stories that I love to read. I’m passionate about plots that stimulate my mind and characters that sneak into my heart and stay there. When I’m not writing, I work as a graphic designer. In my spare time, I watch crime shows and true crime documentaries. And when my mind needs a break from crime, I switch to my alter ego and write romantic comedies.
Book one in the Lacey Flint series,Now You See Me, got me hooked on the author and British mysteries. The writing style is evocative and deeply atmospheric, reminding me of gothic novels with a modern aspect.
I liked Lacey as a character, but what I found most compelling was the plot, which was a literary spider web. Although it was too graphic for my taste in places, the story was riveting enough to keep me engrossed until the very last page. I could barely keep track of all the twists and turns. By the time I finished reading, I had applauded the mind that could come up with such a complex story.
This breathtaking and exhilarating thriller from bestselling author Sharon Bolton packs a real punch: gruesome, atmospheric and utterly compelling, it relentlessly drives the reader on in their search uncover the truth. It twists and it turns and is taut with mystery and suspense...Perfect for fans of Lisa Jewell, Cara Hunter and Karin Slaughter.
'Really special' -- LEE CHILD 'Chilling and mesmerising' -- TESS GERRITSEN 'Probably one of the best thrillers that you will read all year' -- Choice Magazine 'Brilliant story, brilliant writer' -- ***** Reader review 'A brilliantly fast-paced crime novel' -- ***** Reader review 'A real page-turner' --…
I love to read a good story, but I also get the greatest satisfaction from writing one, or several. I believe good fiction can say what factual books cannot, and done right, they can offer differing perspectives to any accepted norm. The trick is to let the characters speak, regardless of whether I agree with what they say, or not. The secret to good presentation is to offer the reader the choice to think about what has been said, consider and delve deeper, or not and pass by.
Silent Fear is a stunning mystery novel, scary because it is set in an institute for the blind during a lockdown. There is a serial killer on the loose and no inmates have the ability to see their persecutor. Yes, this one gets right inside your mind and I felt privileged to read it.
Scotland Yard detective Valerie Crowther is assigned to investigate the murder of a student at a university for the Deaf in London, England. The murder investigation coincides with a deadly flu virus outbreak, resulting in the university being quarantined from the outside world.
When more Deaf students are murdered, it becomes clear there is a serial killer operating within the sealed-off university. A chilling cat-and-mouse game evolves as the unknown killer targets Valerie and the virus claims more lives.
A stunning, claustrophobic, "whodunit" murder mystery, Silent Fear (A novel inspired by true crimes) is…
I have written nine crime novels, mostly psychological thrillers, but some blend procedural and PI elements and two are gangland stories. I went to the BRIT school in the 90’s and studied Drama and English Literature at University. I always think that my Performing Arts background gave me a great tool kit for ‘getting into character’ which is useful for writing. I also have an MA in journalism but I definitely prefer fiction to fact. I love the immediacy of first person prose and I am a sucker for an unreliable narrator.
This story is told from the perspective of a serial killer's stepdaughter, Sophie, and I swallowed it in two sittings.
Matty Melgren, Sophie’s stepfather, is dying and wants to meet. He’s in prison and his imminent death takes Sophie right back to her childhood. The story is told from Sophie’s perspective as a twelve-year-old observing the breakdown of her mother and Matty’s relationship and as an adult debating how much she wants answers and what they might cost her.
I loved the dual timeline and thought it was a really fresh way to approach a serial killer novel.
'Victoria Selman is an exciting and powerfully fresh voice' Patricia Cornwell
Twelve-year-old Sophie and her mother, Amelia-Rose, move to London from Massachusetts where they meet the charismatic Matty Melgren, who quickly becomes an intrinsic part of their lives. But as the relationship between the two adults fractures, a serial killer begins targeting young women with a striking resemblance to Amelia-Rose.
When Matty is eventually sent down for multiple murder, questions remain as to his guilt -- questions which ultimately destroy both women. Nearly twenty years later, Sophie receives a letter from Battlemouth Prison informing her…
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