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While completing a Master’s degree in Victorian Studies at the University of London, I stumbled across a passing reference to a series of killings in 1831 in East London. I was astonished that I had never heard of these and further research resulted in my first book, The Italian Boy.
Three books later I realise now that all my work is an attempt to squeeze out of the archives the less-recorded aspects of the everyday life of ‘marginalised’ people. And I guess that’s why I have selected the true crime books below – they all shine a bright light on previously little-known aspects of our world, and reveal the inter-relationship of victims, criminal, and location of the deed.
Of all the books written about the massacre of the Bamber/Caffell family in August 1985, none captures the sadness and tragedy of the family dynamic as Lee has here. She delves deep into the troubled lives of June and Neville Bamber and their adopted children Jeremy and Sheila. It’s an extraordinary case – a real puzzle. I don’t actually agree with Lee’s (apparent) assumption of Jeremy Bamber’s guilt – the seven pages of police surmise at the end of her book have a number of holes that undermine the plausibility of their case. In my view, a retrial should have taken place. Nevertheless, Lee has created a truly poignant portrait of a time and a place – rural Essex in the brash 1980s – in which horror does battle with pity.
The Sunday Times bestseller and the definitive story behind the ITV factual drama White House Farm about the horrific killings that took place in 1985.
On 7 August 1985, Nevill and June Bamber, their daughter Sheila and her two young sons Nicholas and Daniel were discovered shot to death at White House Farm in Essex. The murder weapon was found on Sheila's body, a bible lay at her side. All the windows and doors of the farmhouse were secure, and the Bambers' son, 24-year-old Jeremy, had alerted police after apparently receiving a phone call from his father, who told him…
While completing a Master’s degree in Victorian Studies at the University of London, I stumbled across a passing reference to a series of killings in 1831 in East London. I was astonished that I had never heard of these and further research resulted in my first book, The Italian Boy.
Three books later I realise now that all my work is an attempt to squeeze out of the archives the less-recorded aspects of the everyday life of ‘marginalised’ people. And I guess that’s why I have selected the true crime books below – they all shine a bright light on previously little-known aspects of our world, and reveal the inter-relationship of victims, criminal, and location of the deed.
Jarossi’s debut features deeply moving vignettes of young women with troubled early lives, who, in the West London of the 1960s, fell into the path of a still-unknown serial killer. He was heartlessly dubbed Jack The Stripper by the national newspapers. Jarossi vividly recreates the tawdry workings of the vice trade – the underbelly of Swinging London. He rightly focuses on the victims – and restores to them the dignity of which their killer (and those who covered the case originally) deprived them.
Frank Sinatra, The Beatles and The Who were all performing in the Queensway and Shepherds Bush areas of London in 1964-65.
But in those same areas, during the early hours, a meticulous serial killer was stalking local prostitutes and dumping their naked bodies on the streets.
Seven, possibly eight, women fell victim making this killer more prolific than Jack the Ripper 77 years previously. His grim spree sparked the biggest police manhunt in history.
But why did such a massive hunt fail? And why has such a traumatic case been largely forgotten today?
Working as a prosecutor, trial lawyer for defendants, and as a magistrate, I’m always bothered by the misconception most people have of our criminal justice system. Unfortunately, cops are crooked, judges are corrupt, and witnesses lie on the stand. Not everyone, not every day, but more often than you would ever imagine. I write true crime books about cases where the underlying focus is on officials who are incompetent, derelict in their duties, or simply downright corrupt. The cases are always suspenseful, but justice is rarely served, and both the defendant and the public are the ones who lose.
After you read the book, you need to see Once Upon a Time... In Hollywood.
In the summer of 1969, in Los Angeles, a series of brutal, seemingly random murders captured headlines across America. A thin trail of circumstances eventually tied the Tate-LeBianca murders to Charles Manson, a would-be pop singer of small talent living in the desert with his "family" of devoted young women and men. What was the motivation behind such savagery?
The murders marked the end of the sixties and became an immediate symbol of the dark underside of that era. Vincent Bugliosi was the prosecuting attorney in the Manson trial, and this book is his riveting account of how he built his case from what a defense attorney dismissed as only “two fingerprints and Vince Bugliosi.”
The meticulous detective work with which the story begins, the prosecutor’s view of a complex murder trial, the reconstruction of…
In the summer of 1969, in Los Angeles, a series of brutal, seemingly random murders captured headlines across America. A famous actress (and her unborn child), an heiress to a coffee fortune, a supermarket owner and his wife were among the seven victims. A thin trail of circumstances eventually tied the Tate-LeBianca murders to Charles Manson, a would-be pop singer of small talent living in the desert with his "family" of devoted young women and men. What was his hold over them? And what was the motivation behind such savagery? In the public imagination, over time, the case assumed the…
While completing a Master’s degree in Victorian Studies at the University of London, I stumbled across a passing reference to a series of killings in 1831 in East London. I was astonished that I had never heard of these and further research resulted in my first book, The Italian Boy.
Three books later I realise now that all my work is an attempt to squeeze out of the archives the less-recorded aspects of the everyday life of ‘marginalised’ people. And I guess that’s why I have selected the true crime books below – they all shine a bright light on previously little-known aspects of our world, and reveal the inter-relationship of victims, criminal, and location of the deed.
In 1961 campaigning journalist Ludovic Kennedy stirred the hornets’ nest of the Christie killings in north Kensington in the 1940s/early 50s. John Christie’s tenant, Timothy Evans, had been hanged in 1950 for the murder of his wife and child at 10 Rillington Place; but in 1953 it was discovered that Christie himself had turned the small terraced home into a charnel house – with the discovery of six female bodies. Kennedy’s book captures the squalor and madness at number ten, and the tragic chain of events that sent the wrong man to the gallows.
In 1950 Timothy Evans was hanged for the murder of his wife and baby daughter in a nightmare scenario. This is an account of all that took place in the house in Ladbroke Grove, London, of the lives of those who lived there and the events that were to lead to a miscarriage of justice. Timothy Evans and his wife Beryl moved into lodgings in the home of John Christie, and within a short space of time the lives of the young couple were brutally shattered and destroyed by their landlord - who had murdered before. Events simply overtook Evans,…
As a child, I lived in 1950’s London. Despite the ravages of WWII, the city retained many of its Victorian buildings and its foggy atmosphere. I found it enchanting. Reading books sent in England around the 19th century connected me to the city long after my family moved to Ireland. If I felt homesick for the Angel or Camden Town, a book would take me back. Thanks to The Hound, I became captivated by Gothic tales and by what my mum called ‘A juicy mystery.’ This apple didn’t fall far from that tree. It’s a good thing I became a writer, or who knows how I would have ended up!
There are few joys to match happening upon a fabulous book by accident. This was the case in Kate Summerscale's work. I knew nothing about it when I picked it up, but I liked the premise. I started to read it on the bus going home and finished it in two days.
This real 1860 murder inspired many writers, from Dickens to Conan Doyle, and I can see why. It contains all those elements so dear to the hearts of mystery lovers like me: a corpse, a detective, and a closed circle of suspects in a country manor. This is a book I will reread, probably more than once.
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WINNER OF THE SAMUEL JOHNSON PRIZE FOR NON-FICTION
THE NUMBER ONE BESTSELLER
A RICHARD AND JUDY BOOK CLUB PICK
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'A remarkable achievement' - Sunday Times
'A classic, to my mind, of the finest documentary writing' - John le Carre
'Absolutely riveting' - Sarah Waters, Guardian
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On a summer's morning in 1860, the Kent family awakes in their elegant Wiltshire home to a terrible discovery; their youngest son has been brutally murdered. When celebrated detective Jack Whicher is summoned from Scotland Yard he faces the unenviable task of identifying the killer - when the grieving family are the…
Right from an early age, I have always been interested in the fallibility of the human condition, being particularly conscious of my own faults. People who are too good to be true are of little interest, except that I want to know their faults or their secrets. I have found myself drawn to complex characters, those who have good and bad characteristics, and some of the novels and movies that I have enjoyed most feature such characters. In my career as a lawyer, I have met all kinds of people who have made bad decisions or suffered misfortune, and it has always been a pleasure trying to help them.
I have always loved the central premise of the book, that a human being might never age, and yet a portrait of him ages as the years go by.
I love the way that Wilde used elegant and lyrical prose, always boosted by a flamboyant irony, in describing the dissolute life of an aesthete while putting it in the context of a philosophical pursuit of beauty and art. Dorian Gray himself is a deeply flawed moral character, and that is key to the success of the novel.
'A triumph of execution ... one of the best narratives of the "double life" of a Victorian gentleman' Peter Ackroyd
Oscar Wilde's alluring novel of decadence and sin was a succes de scandale on publication. It follows Dorian Gray who, enthralled by his own exquisite portrait, exchanges his soul for eternal youth and beauty. Influenced by his friend Lord Henry Wotton, he is drawn into a corrupt double life, indulging his desires in secret while remaining a gentleman in the eyes of polite society. Only his portrait bears the traces of his depravity. This definitive edition includes a selection of…
As a child, I lived in 1950’s London. Despite the ravages of WWII, the city retained many of its Victorian buildings and its foggy atmosphere. I found it enchanting. Reading books sent in England around the 19th century connected me to the city long after my family moved to Ireland. If I felt homesick for the Angel or Camden Town, a book would take me back. Thanks to The Hound, I became captivated by Gothic tales and by what my mum called ‘A juicy mystery.’ This apple didn’t fall far from that tree. It’s a good thing I became a writer, or who knows how I would have ended up!
I read this one when I was very young, too. Around eight or nine, I think. I grew up in a reading household, and my parents never suggested a book was too old for me. This one is Stevenson at his creepiest, scariest best.
The idea that a person could completely change their personality and turn into a homicidal manic just by drinking a potion often invaded my dreams. If I were in a wicked mood, I’d read excerpts to my brother, who was about four at the time. Hey, why should I be the only one afraid to go to sleep? Ah, happy days.
Dr. Henry Jekyll is a well-liked and respected physician. When he calls upon his lawyer, Mr. Utterson, to draw up a new will to include a strange new beneficiary, Mr. Utterson takes it upon himself to investigate the identity of this strange man. But nothing sufficiently prepares him for the truth he will uncover! Classics Illustrated tells this wonderful tale in colourful comic strip form, offering an excellent introduction for younger readers. This edition also includes theme discussions and study questions, which can be used both in the classroom or at home to further engage the reader in the work…
As a child, I lived in 1950’s London. Despite the ravages of WWII, the city retained many of its Victorian buildings and its foggy atmosphere. I found it enchanting. Reading books sent in England around the 19th century connected me to the city long after my family moved to Ireland. If I felt homesick for the Angel or Camden Town, a book would take me back. Thanks to The Hound, I became captivated by Gothic tales and by what my mum called ‘A juicy mystery.’ This apple didn’t fall far from that tree. It’s a good thing I became a writer, or who knows how I would have ended up!
This was the first ‘grown-up’ book I ever read. I was seven. I can still remember the green Penguin Books cover and the smell of old paper that accompanied it. I immediately became captivated by Sherlock Holmes and this mystery on the lonely moors. I still get goosebumps when I read that line, “Mr Holmes, they were the footprints of an enormous hound!” Yikes!
I love Holmes’s brilliance and his friendship with ‘my friend and colleague, Dr Watson.’ I love his wry sense of humor, his untidy habits, and his Victorian manners. I’m a grandmother now, and I still love Holmes and this book as much as I did when I was a child.
When Sir Charles Baskerville is found dead, his face distorted with shock and horror, Sherlock Holmes and Dr Watson are faced with a sinister and difficult puzzle. A fearsome creature stalks the wild and barren hills of Dartmoor. Is it a demon from the spirit world? Will it defeat their skill and courage? Who is the tall, mysterious figure seen lurking on the moor at night? Can Holmes save Sir Henry, the new owner of Baskerville Hall, from the ancient family curse? Or will the terrifying hound claim yet another victim?
I have always been fascinated by the dark side of human nature and the socio-psychological aspects of criminal behavior, especially those of serial killers, and my legal training and experience afforded me apt tools for exploring and writing about true crime. I have been interviewed and appeared on a wide range of podcasts, radio, and TV shows about true crime for nearly a decade.
Written by one of the founding fathers of the FBI’s vaunted Behavioral Sciences Unit, this book covers an amazing array of cases that he worked, including those of Ted Bundy, John Wayne Gacy, Edmund Kemper, Jeffrey Dahmer, and Richard Trenton Chase (and even the lesser-known John Crutchley). Full of great details from the perspective of a veteran serial killer expert, this book belongs on any serious true crime aficionado’s bookshelf.
The author of this book played a major part in the FBI's development of psychological profiles for serial killers, he even invented the term "serial killer". Whilst Thomas Harris made Ressler's work famous in fiction, Ressler did it for real. His work in the Behavioural Science Unit led him to meet some of the most notorious criminals of the 20th century - Ted Bundy, Charles Manson, John Wayne Gacy and many more. In this book, Ressler describes the process of catching these men.
I have always had a passion for anything crime fiction—books, movies, podcasts, or TV shows. It didn’t matter. I loved it all. It was probably because I grew up in a family with six police officers that seldom talked about anything unrelated to policing. I was like a sponge and picked up some terminology and learned about different police procedures they would discuss. There was rarely a family gathering that didn’t have some type of story or anecdote being shared by each of them and I always found myself being drawn right in. For those reasons, I fell in love with trying to figure out the who’s, how’s and why’s of any story.
I recommend this book because it is a page-turner from the very beginning with a sick plot thanks to the warped mind of its featured killer. With no time to lose, veteran homicide detectives Sam Kovack and Nikki Liska aided by the FBI race to stop a serial killer who is brutalizing women. I love the strong relationships between partners, Kovack and Liska but also the level of tension between Kate Conlan and FBI Profiler, John Quinn. The characters are well-written and come to life before your eyes. I am personally drawn to the strength of the female crime fighters in this book. The gruesome crimes are thankfully overshadowed by the developed and relatable characters.
Kate Conlan, an ex-FBI agent turned advocate, finds herself protecting a teenage runaway who has witnessed the latest murder by the "Cremator" - a serial killer who burns women alive.
