The most recommended books on hedonism

I found this mystery unusual because there are two protagonists, the fledgling detective Truman and his reluctant friend Celeste. I grew up with a canny mother and sisters, and seeing Celeste tacitly guide Truman in his new career, using her broader understanding of the world, feels familiar. The pair confront a blackmailing bully and try to shut down his operation. Their hedonistic approach to life, even in the most intense moments, is lighthearted and fun, and any woman who’s had a gay best friend or vice versa will recognize the humor in the pair of them chasing the same guys.

Freshwater is difficult to describe, and is best approached with an open mind and no expectation. Emezi has described the novel as an autobiography of their discovery of themselves as ogbanje, a spirit within Igbo mythology. What strikes me about Freshwater is its radically new approach to understanding and talking about mental health and transness, or rather, the presence of different selves within the body. It is a subtly decolonial story, and the experience of reading it can profoundly change the way we perceive ourselves and others.

For starters an absolutely brilliant book title: beautifully capturing the complexities of American culture, at once compelled by soaring social aspirations while tending to act out of pure individualism often with disdain for social impact. The narrative abounds in identifying seemingly contradictory national impulses – imported vs. Indigenous traditions, socialism vs. libertarianism, utopian vs. prosaic undertakings, the welcoming of and resisting of others – with the author arguing that through the interaction of such opposite impulses over time the particular genius of American society evolved. Kammen delights in reminding Americans of our “unstable pluralism,” and supports William James’ conclusion that “Americanism” continues to be a “volatile mixture of hopeful good and curable bad.”  Overall impressive scholarship and a delightful read.   

The authors are two women who want to live outside the lines -- spontaneously, extraordinarily, and without alcohol. Their book offers instructions (and a road map) for finding joy without booze including sober dating and zero-proof cocktails, among others, so readers can indulge in life. It offers a unique perspective that maybe readers might not have considered before! 

Was the hero of F. Scott Fitzgerald’s American classic African-American?

A couple of academics have advanced that theory. I’m not sure I buy it. The notion (and supporting “evidence”) seems little more than a literary parlor game, not to mention the fact that nothing in Fitzgerald’s work or his letters shows a particular engagement with, or sympathy for, black Americans.

Still, it’s an interesting metaphor and the reason this seminal American novel appears in a list of what’s otherwise non-fiction. Gatsby’s yearning for his lost love could be an African-American yearning for a beloved country that does not always love them in return.

I first read this book in high school. It wasn’t until my second, third, and fourth re-reading that I began to appreciate Fitzgerald’s gift for story-telling and his evocative, poignant language. And to identify with Gatsby, the outsider craving to become an insider.

The heart of this fantasy trilogy, rife with complex, believable, and heart-breaking politics, is the relationship between Tansen, the unwilling witness to civil war, and Josarian, the face of that war that Tansen swears to protect. I love how Resnick uses their friendship to animate the conflict between patriotism and pragmatism, and the dynamic between the believer and the “once burnt, twice shy” cynic. Unforgettable.

This book is eerie and unnerving, from its first few pages to the alarming revelations that ensue. I started reading this late one night and couldn’t resist the urge to stay up and finish it! Claire Fuller’s detailed prose will entice, grip, and haunt you well beyond the final scene. 

The swinging sixties are commonly thought of as hedonistic days (if you remember them you weren’t there). It was a period when young people threw off the trappings of their parents and, allegedly fuelled by drugs, sex, and rock ‘n roll, set out to put the world to rights: a time without precedent.

But was it really like that? What are the women of that generation up to now; and what do they remember of those times? Is sixty the new forty?

Despite pursuing careers, raising families, with quite a few as grandparents, others caring for their own aging parents, could it be true that the once hipsters – a few now with literally new hips – have an undiluted appetite for life?

This fascinating book looks back over the lives of 67 women in their sixties, all of whom lived through ‘The Sixties’, to explore these questions through their… show more.

Like her or not, the reigning queen of the naughty girl subgenre of Chinese literature decidedly is Wei Hui, whose debut, Shanghai Baby, was a cultural phenomenon that resulted in public book burnings, an international media frenzy, dozens of imitators, and one so-bad-it’s-good movie adaptation starring Bai Ling. Not that Wei Hui is a particularly well-regarded writer – Shanghai Baby is basically a knockoff of shallow Western-style chick-lit, about a designer-brand-obsessed young woman who has an affair with a married foreigner – but in 1999 it was groundbreaking for kicking the publishing doors down for the post-1970s generation of Chinese writers.

This French novella was written in the early ’90s but translated in 2019 to English for the first time. It lacks structure and is full of plot holes, but Serre’s writing is equal parts whimsical and erotic. It feels a bit like she wrote it in one sitting during some kind of fever dream but that’s why it feels like a poem. If you’re into chaotic women and turn of the century kink, then this is for you.