Here are 35 books that Jill fans have personally recommended if you like
Jill.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
As an academic researcher, I’ve taken the plunge into areas that others often fear to tread to trace something of the hidden erotic history of Britain. In this stretch of experience, you’ll find crystalized the changes of manners and mores, emerging fronts against reactionary governments, world-making among communities marginalized, ostracised, and endangered, censorship and legislation and debate, and the long tail of civil upheavals around the Summer of Love, gay rights, trans rights, and more. This is often the history of the suburbs, of dreams and imaginations, of reprehensible interlopers, of freethinking paradigm-breakers, and the index of what British society offered its citizens.
Despite draft-stage admonitions from his great friend, the Jesuit priest Ronald Knox, the amount of sex Waugh layers into Brideshead Revisited is surprising for 1945: functionally heterosexual couplings, more given over to class imperatives of property, inheritance and trophy wives, and the tentatively homosexual (depending on interpretation), as located in the awakenings of young adulthood, as sluiced by wine, aesthetic beauty, cigars and Venice in Summer.
But it’s Venice and its architecture that’s the actual location of the full sensual awakening, triggering the protagonist’s eventual journey to Catholicism as he passes time among the Venetian stone of churches… and a fountain: “This was my conversion to the baroque...I felt a whole new system of nerves alive within me, as though the water that spurted and bubbled among its stones was indeed a life-giving spring.” Eroticized Ruskinalia, finally stepping beyond the Anglo-Catholicism of the Oxford Movement.
It is WW2 and Captain Charles Ryder reflects on his time at Oxford during the twenties and a world now changed. As a lonely student Charles was captivated by the outrageous and decadent Sebastian Flyte and invited to spend time at the Flyte's family home - the magnificent Brideshead. Here Charles becomes infatuated by its eccentric, aristocratic inhabitants, and in particular with Julia, Sebastian's startling and remote sister. But as his own spiritual and social distance becomes marked, Charles discovers a crueller world, where duty and desire, faith and happiness can only ever conflict.
As an academic researcher, I’ve taken the plunge into areas that others often fear to tread to trace something of the hidden erotic history of Britain. In this stretch of experience, you’ll find crystalized the changes of manners and mores, emerging fronts against reactionary governments, world-making among communities marginalized, ostracised, and endangered, censorship and legislation and debate, and the long tail of civil upheavals around the Summer of Love, gay rights, trans rights, and more. This is often the history of the suburbs, of dreams and imaginations, of reprehensible interlopers, of freethinking paradigm-breakers, and the index of what British society offered its citizens.
This was only published way after Forster’s death–and I can quite see why: it would have whipped up a storm of unimaginable controversy with its story of homosexual love between two Cambridge students and then (steady yourself!) one of those students in later life and a rough-and-ready groundsman.
Forster wrote this in 1913/14, revised it in the 1930s and again in the 1950s, died in 1970, and Maurice finally appeared in 1971. So the book, which concerns hiding, was deeply hidden for over half a century. Forster is sentimental in terms of love and brutal in terms of fate.
Love bucks polite society’s norms in the face of the danger of arrest, public scandal, and disgrace. But such love is so delicate and dangerous that any affront to it has to be met with the most decisive action to protect everyone involved–even if the price is loneliness and a life-long…
As Maurice Hall makes his way through a traditional English education, he projects an outer confidence that masks troubling questions about his own identity. Frustrated and unfulfilled, a product of the bourgeoisie he will grow to despise, he has difficulty acknowledging his nascent attraction to men.
At Cambridge he meets Clive, who opens his eyes to a less conventional view of the nature of love. Yet when Maurice is confronted by the societal pressures of life beyond university, self-doubt and heartbreak threaten his quest for happiness.
As an academic researcher, I’ve taken the plunge into areas that others often fear to tread to trace something of the hidden erotic history of Britain. In this stretch of experience, you’ll find crystalized the changes of manners and mores, emerging fronts against reactionary governments, world-making among communities marginalized, ostracised, and endangered, censorship and legislation and debate, and the long tail of civil upheavals around the Summer of Love, gay rights, trans rights, and more. This is often the history of the suburbs, of dreams and imaginations, of reprehensible interlopers, of freethinking paradigm-breakers, and the index of what British society offered its citizens.
This is really terrible–if highly moreish–stuff: a thin, junky, first-drafty picaresque. But it formed the basis of a film starring Jackie’s sister, Joan. The film even had a tie-in aftershave (heavy on the ginseng), promising all kinds of advantages for the wearer. The film and the book both try to suggest a deluxe, upmarket, classy melding of disco culture with the post-permissive society sexual freedoms now available to the 1970s bachelor and (as an ill-informed nod to feminism) the businesswoman.
This imagined milieu was a million miles from the sleazy, criminal experience of London’s Soho, which had traditionally been where all this erotic access was clustered. The aspiration was shared by Paul Raymond, who worked to translate the risqué stage shows of the 1960s (think pre-fame Christine Keeler) to more contemporary fare for the proto-Thatcherite managerial class, keen to see what secular society had to offer them and their new…
In the decadent, hedonistic world of London in 1969, Tony Blake and a group of swinging companions pursue all kinds of erotic diversions amid the glittering nightclubs, discos, and pleasure palaces of the city. Reprint.
As an academic researcher, I’ve taken the plunge into areas that others often fear to tread to trace something of the hidden erotic history of Britain. In this stretch of experience, you’ll find crystalized the changes of manners and mores, emerging fronts against reactionary governments, world-making among communities marginalized, ostracised, and endangered, censorship and legislation and debate, and the long tail of civil upheavals around the Summer of Love, gay rights, trans rights, and more. This is often the history of the suburbs, of dreams and imaginations, of reprehensible interlopers, of freethinking paradigm-breakers, and the index of what British society offered its citizens.
This shamelessly self-regarding autobiography seems to have been a ghost-(re)written into a biography so that the author’s boasts are afforded a bit more credibility: “Harrison Marks is 40, reasonably good-looking, black hair, a black mustache, tanned and fit”; “His life is women, some of the most beautiful women in the world” etc.
Marks was the epicenter of the post-war British erotic revolution, moving from producing kitsch postcards of topless glamour models snapped in his cat-strewn Soho studios to the direction of truly dire British sex comedies (Come Play With Me is the best remembered), and with 8mm loops for home entertainment being churned out behind the scenes.
Disconcertingly, he often appeared in his work too. By the 1980s, he was reputed to be found, very refreshed, slumped in the corner of the film set while the others got on with the business at hand. This book comes from Marks’s…
When this book first appeared in 1967, public interest in glamour photographer and magazine publisher George Harrison Marks was arguably at an all-time high. Just who was this man with the beatnik beard, the thick frame glasses and the seemingly dream job of photographing beautiful women in a state of undress?
I’ve been an archivist at Canada’s national archives for more than twenty years. I love my job. Archives are, by their very nature, a collection of miscellany that weren’t created to be preserved or remembered. They are the scraps of paper and hurriedly sent emails produced while the world is out making history. As a result, they offer unselfconscious glimpses into the past. Archives are poorly understood, which means that the folks who decide to devote their professional lives to them are often a little quirky and a bit odd. This makes books featuring archivists celebrations of the off-kilter, the overlooked, and the frankly strange.
Bear is a slim, easy-to-read story about an archivist who travels to a remote northern cabin to catalog its contents, discovering surprising insights about herself and the world. It is funny, it is insightful. It is also marketed as “a tale of erotic love between an archivist and a bear.” Yup. I promise you, though, that somehow it’s not weird – just delightful and strange and highly enjoyable.
As a young archivist, did I make my first professional conference presentation about this novel? Yes!
Did it limit my career?
Possibly!
Does that paper hold the record for most times “bestiality” was mentioned in an Association of Ontario Archivists conference?
'A strange and wonderful book, plausible as kitchens, but shapely as a folktale, and with the same disturbing resonance.' -- Margaret Atwood
'Bear,' she cried. 'I love you. Pull my head off.'
Lou is a librarian at the local Heritage Institute who lives a mole-like existence, buried among maps and manuscripts in her dusty basement office.
The chance to escape the monotony of her city life comes when she is summoned to a remote island to inventory the late Colonel Jocelyn Cary's estate. Hoping for an industrious summer of cataloguing, Lou heads north.
Ever since I was a child, I would hide in my special place and dream away. Reality was rarely the best place to be, even as an adult I fantasize, I step away from reality without ever truly stepping away. Mafia Romance, paranormal, and fantasy excite me, but add in a little touch of real to the story and now even reality makes you wonder. This was the basis for The Devil’s Eyes. I took a new world and mixed in a little bit of what we know is true and a little bit of what-if and a lot of dark and sexy.
This book has its bad boy that seems good but ends up causing his love interest to be conflicted in her love for him and her hate. It’s something I love to play with how much can you hate you truly hate someone you are meant to be with? Is it fate or something more sinister inside of yourself? Love is never easy but it’s far more fun when it’s dark and dangerous.
I suspect it, the first time I see him, sense the air of danger that surrounds the man. He has a way of commanding attention, of taking control, of knowing what I'm thinking before I even do.
It's alarming and alluring. It's dark and deadly. It's everything I've ever wanted but the last thing I truly need. Obsession.
It doesn't take him long to draw me into his web, charming me into his bed and trapping me in his life, a life I know nothing about until it's too late. He has secrets,…
Like many of us over (ahem…we’ll say) 40, I grew up reading historical romance—those were the first full-length romance novels on store shelves. My mum is British and visits there added to my interest in Regency England. Then 50 Shades exploded and people’s spice level tolerance increased. But mainly in contemporary romance, with all the tools and toys. Curious as to how spice in the Regency would look, I went searching. I found a few of these fabulous authors, but not many choices, so I decided to write one. Now there are more authors published in this subgenre, and I’m proud to be one of them.
Quick note—this series is (IMO) the spiciest of the 5 recommendations I include on my list. And Pearce takes some liberties with historical accuracy. However, her characters are deeply damaged and it takes a powerful love—and storytelling ability—to make them whole and able to fall in love. Those elements are particularly well represented in this tale. I try to avoid recommending book 2 of a series and yes, you really should read book 1 first, but this book does stand alone and I find it the most powerful story of the series.
A husband and wife find a solution to their troubles in this historical erotic romance by the New York Times bestselling author of Simply Sexual.
At Madame Helene's exclusive House of Pleasure in London, all guests are welcome to explore beyond their inhibitions . . .
Forced to wed at a young age, Abigail Beecham is tired of living in a sexless marriage. She longs to succumb to the delicious pleasures of pure carnal lust that she has only read about. And if her husband can't satisfy her erotic needs, she's ready to find a man who can . .…
I believe sex is at the core of every society. Not just intimacy, but procreation—how entities, human or otherwise, reproduce. I’m interested in how they select mates and care for their young. From this most basic of imperatives flows all of biology, history, and society. What would happen if society were different? What would happen if sex were different? I write speculative fiction exploring what could be. So far I’ve written about 20 short stories and 6 novels. 2 of the short stories and 3 of my novels have been published—with more on their way.
This anthology showed me what is possible. Tan’s vision of what speculative fiction could be, inspired me. She wrote: “So I dream of a world, a country, a society, where honoring sexual desire is a part of the foundation upon which it is built, where celebrating eroticism and diversity of desire adds to the order of things.”
Sir Thomas More coined the term Utopia and spawned the literary genre of utopian fiction, where each writer envisions his or her perfect society. Early utopian writers dreamed up alternate systems of government, economics, religion, family structure, and so on. But few followed their visions into the bedroom until the 1970s when writers like Samuel R. Delany in Triton or Joanna Russ in The Female Man seriously considered the impact of society on the sexual lives of the citizens, and vice versa.
Now Circlet Press brings its uniquely erotic treatment of speculative fiction to the utopian exercise. These authors arouse,…
It took me far too long to realize that I, childhood absorber of all things fantastical, countedas an SFF fan; all the books I saw listed as “popular” or “classic” SFF were cis/het white dude parties. But SFF at its best uses the fantastical as metaphor for the mundane; imagines better (or worse) worlds; does something different, in screaming color! Who can do that better than the books lost on the fringes? To that end, I’ve organized this list based on rough reverse popularity, so if you don’t find something new by the beginning, you’ll almost certainly get it by the end. Happy reading!
With her singular art style and effortless storytelling skill, Emily Carroll has long been a favorite of mine. When I Arrived at the Castle is a tour de force in erotic horror, comic artistry, and, yes, a very complicated catgirl x vampiress relationship. This is one of those books I am shocked even exists, so thoroughly does it cater to my deepest desires: lush shots of catgirls in bathtubs, peeks at vampiresses through their bedroom keyholes, metaphors so subtle I always find something new when I reread. Carroll outdoes herself with suspense, sexuality, and a sexy red-black-and-grey limited color palette.
Like many before her that have never come back, she’s made it to the Countess’ castle determined to snuff out the horror, but she could never be prepared for what hides within its turrets; what unfurls under its fluttering flags. Emily Carroll has fashioned a rich gothic horror charged with eroticism that doesn’t just make your skin crawl, it crawls into it.
I am a science fiction and fantasy novelist and also a screenwriter and prolific writer of audio dramas for BBC Radio. I began my career many eons ago writing for the crime drama series The Bill and during that period I spent a lot of time mixing with coppers & villains and attending crime scenes. I have a great passion for detective and crime writing as well as all forms of speculative fiction, and I’m a sucker for crime/fantasy mash-ups.
Dante Valentine is a Necromance who works as an investigator for the police—solving murders by conjuring up the spirit of the dead person then asking, ‘Hey, who did this?’ Like Jim Butcher, Lilith blends humour and action, and she locates her stories in a unique futuristic/fantasy world in which demons wear black jeans. These books are afire with narrative energy and also brim with passion and love and eroticism. Dante Valentine is a superb kick-ass heroine and if you like a walk on the dark side, I’d warmly recommend the five volumes in this series.
When the Devil needs a rogue demon killed, who does he call? The Player: Necromance-for-hire Dante Valentine is choosy about her jobs. Hot tempered and with nerves of steel, she can raise the dead like nobody's business. But one rainy Monday morning, everything goes straight to hell. The Score: The Devil hires Dante to eliminate a rogue demon: Vardimal Santino. In return, he will let her live. It's an offer she can't refuse. The Catch: How do you kill something that can't die?
