Here are 100 books that Maurice fans have personally recommended if you like
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Thanks to my mother, I grew up immersed in English literature. I was educated in Delhi and co-founded the first nationwide feminist magazine, but same-sex love was never mentioned either in the classroom or in the women’s movement. I educated myself in Indian literature and discovered that same-sex sexuality had been practiced and written about until the British criminalized it. I wrote several books about same-sex unions in Indian literature and history and translated poetry and fiction from Hindi and Urdu to English. My first novel, Memory of Light, is a love story between two courtesans, based in pre-colonial India, where poets freely wrote about same-sex, as well as cross-sex love.
This is one of the first books I found when I was scrounging around for gay literature in Indian bookshops in the early 1980s. I re-read it every few years; as one of Oscar Wilde’s characters remarks, “If one cannot enjoy reading a book over and over again, there is no use in reading it at all.”
Renault brings the ancient Greek world to life as no other novelist has. She delineates the wonderfully erotic and moving relationship between Alexander the Great and his Persian lover, Bagoas, who narrates the story.
The Persian Boy traces the last years of Alexander's life through the eyes of his lover, Bagoas. Abducted and gelded as a boy, Bagoas is sold as a courtesan to King Darius of Persia, but finds freedom with Alexander the Great after the Macedon army conquers his homeland. Their relationship sustains Alexander as he weathers assassination plots, the demands of two foreign wives, a sometimes mutinous army, and his own ferocious temper. After Alexander's mysterious death, we are left wondering if this Persian boy understood the great warrior and his ambitions better than anyone.
Growing up gay in Missouri in the 1970s, it was LGBTQ novels that opened the door to the unraveling and discovery of my best self, my true queer identity. Initially potboilers with side gay characters (I hid my copy of Valley of the Dolls from the nuns in grade school) I soon discovered writers that unlocked worlds I did not know existed representing choices, loves, and adventures I would later make my own. As a writer, it was risk-taking, gorgeous LGBTQ novels that urged me along in my literary journey and helped me find and define my voice.
The fact that this queer masterpiece was written entirely in the solitude of a prison cell is only the first of many awe-inspiring truths about the book and its author. The drag queen Divine, a pimp named Darling Daintyfoot and Our Lady populate the book (published in 1943) offering a glimpse into a voluptuous Parisian fringe world. It was the thrilling—at times disturbing—story that first drew me in as a budding writer, but ultimately it was my realization that a book can be at once highly artful and literary as well as deeply erotic. It opened up a new freedom that I draw on every day as a novelist.
Jean Genet's masterpiece, composed entirely in the solitude of his prison cell. With an introduction by Jean-Paul Sartre.
Jean Genet's first, and arguably greatest, novel was written while he was in prison. As Sartre recounts in his introduction, Genet penned this work on the brown paper which inmates were supposed to use to fold bags as a form of occupational therapy. The masterpiece he managed to produce under those difficult conditions is a lyrical portrait of the criminal underground of Paris and the thieves, murderers and pimps who occupied it. Genet approached this world through his protagonist, Divine, a male…
As an academic researcher, I’ve taken the plunge into areas that others often fear to tread to trace something of the hidden erotic history of Britain. In this stretch of experience, you’ll find crystalized the changes of manners and mores, emerging fronts against reactionary governments, world-making among communities marginalized, ostracised, and endangered, censorship and legislation and debate, and the long tail of civil upheavals around the Summer of Love, gay rights, trans rights, and more. This is often the history of the suburbs, of dreams and imaginations, of reprehensible interlopers, of freethinking paradigm-breakers, and the index of what British society offered its citizens.
Despite draft-stage admonitions from his great friend, the Jesuit priest Ronald Knox, the amount of sex Waugh layers into Brideshead Revisited is surprising for 1945: functionally heterosexual couplings, more given over to class imperatives of property, inheritance and trophy wives, and the tentatively homosexual (depending on interpretation), as located in the awakenings of young adulthood, as sluiced by wine, aesthetic beauty, cigars and Venice in Summer.
But it’s Venice and its architecture that’s the actual location of the full sensual awakening, triggering the protagonist’s eventual journey to Catholicism as he passes time among the Venetian stone of churches… and a fountain: “This was my conversion to the baroque...I felt a whole new system of nerves alive within me, as though the water that spurted and bubbled among its stones was indeed a life-giving spring.” Eroticized Ruskinalia, finally stepping beyond the Anglo-Catholicism of the Oxford Movement.
It is WW2 and Captain Charles Ryder reflects on his time at Oxford during the twenties and a world now changed. As a lonely student Charles was captivated by the outrageous and decadent Sebastian Flyte and invited to spend time at the Flyte's family home - the magnificent Brideshead. Here Charles becomes infatuated by its eccentric, aristocratic inhabitants, and in particular with Julia, Sebastian's startling and remote sister. But as his own spiritual and social distance becomes marked, Charles discovers a crueller world, where duty and desire, faith and happiness can only ever conflict.
I came out as bisexual way back in 1991, and experienced a lot of discrimination, hostility, and ridicule from both the gay and straight communities. Finding stories about me and my own experience has always been vital, to help me explore and understand more about myself and how I “fit in” in a world that seems to be so locked into an either/or framework. True, I have witnessed a number of positive changes for bi+ folks in the decades since I came out, but there's still a long way to go in terms of visibility, acceptance, and understanding.
As a writer, each time I read anything by James Baldwin, it´s like I´m getting a master class in how to capture a feeling and translate that into an articulate thought. When a friend told me to read this book over 30 years ago, shortly after I came out, they said this was “the best, and perhaps the most tragic novel about bisexuality ever written.”
Years later, it still kicks me in the gut each time I read it. Baldwin´s detailed examination of David´s desire for Giovanni while simultaneously being engaged to his fiancé, Hella, remains achingly beautiful.
When David meets the sensual Giovanni in a bohemian bar, he is swept into a passionate love affair. But his girlfriend's return to Paris destroys everything. Unable to admit to the truth, David pretends the liaison never happened - while Giovanni's life descends into tragedy.
United by the theme of love, the writings in the Great Loves series span over two thousand years and vastly different worlds. Readers will be introduced to love's endlessly fascinating possibilities and extremities: romantic love, platonic love, erotic love, gay love, virginal love, adulterous love, parental love, filial love, nostalgic love, unrequited love, illicit love,…
I’m an English professor, a poet, a lover of reading, and a happy husband and father. How did all this happen; what historical processes made my good fortunes possible? I get answers to these questions from great fiction and great nonfiction. It’s hard to find two more sensitive and beautifully written novels about marriage’s personal and social dimensions than Virginia Woolf’s Mrs. Dalloway and E. M. Forster’s Howards End. Their psychological insights are complemented by two marriage historians and one sociologist with broad knowledge about love’s evolution over the centuries. I’ve read these books multiple times and shared them with many students (and friends)! They never get old.
I love this novel because of its ravishingly beautiful prose and deep insights into sexual selfhood. Set one day in June 1923, this book takes us into the mind of its middle-aged heroine, Clarissa Dalloway, as she prepares to host a party and reminisces about her life three decades ago.
As a teenager, she loved a daring, aristocratic woman (Sally), a passionate but troubled man (Peter), and a comparatively boring but dependable man (Richard, to whom she has long been married). What did love mean to her thirty years ago, and what does it mean now? Did she make the right romantic choice, given the constraints of her society? Virginia Woolf leaves her readers space to ponder these questions for themselves.
The working title of Mrs. Dalloway was The Hours. The novel began as two short stories, "Mrs. Dalloway in Bond Street" and the unfinished "The Prime Minister". It describes Clarissa's preparations for a party she will host in the evening, and the ensuing party. With an interior perspective, the story travels forward and back in time and in and out of the characters' minds to construct an image of Clarissa's life and of the inter-war social structure.
In October 2005, Mrs. Dalloway was included on Time's list of the 100 best English-language novels written since Time debuted in 1923.
I have always been a lover of love stories, yet it can be difficult to find “love stories” that aren’t put into other boxes or aren’t genre romances. My debut is also a family drama that spans sixty years of the twentieth century, but it’s a love story at its core. It’s sometimes classified as a romance because it’s a love story set on a beach. Still, it doesn’t quite fit into typical romance frameworks, which have characters meet and pulled apart before finally ending up back together. My book, instead, explores the reality of loving someone over decades and building a life together.
This is one of those books I am in awe of. Deeply immersive, I had to be pried away from this story once I began. The writing is spectacular and an absolute masterclass on writing chemistry between characters and writing young love.
This book falls on nearly any top-five list of mine. It is truly stunning and heartbreaking in turn. (Sorry, this isn’t a very light list, is it??) But to me, what makes love stories powerful is all the ways that love can be lost, the truth that love can be fleeting, impossible to hold onto forever, even if you have spent a lifetime with the one you love, at some point we all have to say goodbye. This is what makes love so beautiful.
Now a Major Motion Picture from Director Luca Guadagnino, Starring Armie Hammer and Timothee Chalamet, and Written by James Ivory
WINNER BEST ADAPTED SCREENPLAY ACADEMY AWARD Nominated for Four Oscars
A New York Times Bestseller A USA Today Bestseller A Los Angeles Times Bestseller A Vulture Book Club Pick
An Instant Classic and One of the Great Love Stories of Our Time
Andre Aciman's Call Me by Your Name is the story of a sudden and powerful romance that blossoms between an adolescent boy and a summer guest at his parents' cliffside mansion on the Italian Riviera. Each is unprepared…
I’ve read a lot of books that feature gay characters. These characters often partition into two main groups: angsty men who are victims of oppression or illness, or camp stereotypes who provide the light relief. I prefer to read about heroes who happen to be gay. That’s why I started writing novels. My recent books are historical novels inspired by real gay heroes. The feedback I get from readers indicates that there are a lot of people who want the same as I do.
This book affected me very deeply because it’s set in the 80s and 90s when I was in my twenties and thirties. It describes with astonishing accuracy the political cruelty that abounded at that time. For me, the real hero of the book is Leo. He’s not only gay but also Black which makes him a double target for the prejudice of the time. The way he tackles it head on in the book is breathtaking.
In the summer of 1983, 20-year-old Nick Guest moves into an attic room in the Notting Hill home of the Feddens: Tory MP Gerald, his wealthy wife Rachel, and their two children, Toby - whom Nick had idolized at Oxford - and Catherine, always standing at a critical angle to the family and its assumptions and ambitions.
As the Thatcher boom-years unfold, Nick, an innocent in the worlds of politics and money, finds his life altered by the rising fortunes of the glamorous family he is entangled with. Two vividly contrasting love-affairs, with a young black clerk and a Lebanese…
Thanks to my mother, I grew up immersed in English literature. I was educated in Delhi and co-founded the first nationwide feminist magazine, but same-sex love was never mentioned either in the classroom or in the women’s movement. I educated myself in Indian literature and discovered that same-sex sexuality had been practiced and written about until the British criminalized it. I wrote several books about same-sex unions in Indian literature and history and translated poetry and fiction from Hindi and Urdu to English. My first novel, Memory of Light, is a love story between two courtesans, based in pre-colonial India, where poets freely wrote about same-sex, as well as cross-sex love.
This intricately plotted semi-comic, semi-tragic novel, riffing off Much Ado about Nothing and A Midsummer Night’s Dream, keeps the reader guessing to the end.
Simon and Axel are the best gay male couple in fiction, for my money, quirky; adorable; absolutely believable characters whose relationship the villain tries to destroy as he does several other relationships.
I love the story of how they first met, their erotic banter, their clothes, their food and wine, and the way they move towards being more open about their relationship.
An exploration of love and its excesses, missteps, and modest triumphs, from the Booker Prize-winning author of The Sea, The Sea
In a dark comedy of errors, Iris Murdoch portrays the mischief wrought by Julius, a cynical intellectual who decides to demonstrate through a Machiavellian experiment how easily loving couples, caring friends, and devoted siblings can betray their loyalties. As puppet master, Julius artfully plays on the human tendency to embrace drama and intrigue and to prefer the distraction of confrontations to the difficult effort of communicating openly and honestly.
For more than seventy years, Penguin has been the leading…
Growing up gay in Missouri in the 1970s, it was LGBTQ novels that opened the door to the unraveling and discovery of my best self, my true queer identity. Initially potboilers with side gay characters (I hid my copy of Valley of the Dolls from the nuns in grade school) I soon discovered writers that unlocked worlds I did not know existed representing choices, loves, and adventures I would later make my own. As a writer, it was risk-taking, gorgeous LGBTQ novels that urged me along in my literary journey and helped me find and define my voice.
I confess to a huge writer crush on Sjon. I immediately fell head over heels for his vibrant, visceral prose in this magical moving story set in Reykjavik in 1918 (the same year I set my novella Lightning). There is nothing comparable to this author’s dreamy style (after discovering him I read his entire catalogue) and the journey of young queer Manni Steinn is unforgettable. I have to admit: I went so far as to reach out to the author on social media the year we were both nominated for a Lambda Literary Award and ask him to coffee. I did not expect an answer, but he wrote me saying he was not attending the NYC event but thanked me for the offer! Brilliant and approachable!
The mind-bending miniature historical epic is Sjón's specialty, and Moonstone: The Boy Who Never Was is no exception. But it is also Sjón's most realistic, accessible, and heartfelt work yet. It is the story of a young man on the fringes of a society that is itself at the fringes of the world--at what seems like history's most tumultuous, perhaps ultimate moment.
Máni Steinn is queer in a society in which the idea of homosexuality is beyond the furthest extreme. His city, Reykjavik in 1918, is homogeneous and isolated and seems entirely defenseless against the Spanish flu, which has already…
Stephanie Cowell has been an opera singer, balladeer, founder of Strawberry Opera and other arts venues including a Renaissance festival in NYC. She is the author of Nicholas Cooke, The Physician of London, The Players: a novel of the young Shakespeare, Marrying Mozart, Claude & Camille: a novel of Monet, and The Boy in the Rain. Her work has been translated into nine languages and made into an opera. Stephanie is the recipient of an American Book Award. She has lived in NYC all her life.
Like so many marvelous novels, this one has traveled through the underground of the fiction world too little known, despite catching many awards and the intense praise of people such as Stephen Fry.
It is set in France during the final bloody months of World War I and features an unexpected love affair between two ordinary young soldiers, Australian and American. What is amazing is that the author is such a vivid, meticulous historian, such a fine military researcher, and yet can write so intimately.
I became so involved with Tommy and David. Will they survive the last months of the war and go on together hiding their relationship from condemning neighbors, or will the war cancel their great love?
Gold Winner -- Foreword Indies Book of the Year Award (War & Military Fiction) and IBPA Benjamin Franklin Award (Fiction: Romance)Silver Winner -- IBPA Benjamin Franklin Award (LGBTQ)Bronze Medal -- Independent Publisher Book Award (Military/Wartime Fiction)Finalist -- Lambda Literary Award (Gay Romance) Lance Ringel's Flower of Iowa is a sprawling tale of battle and romance during the First World War, the four years that tore Europe in half and hastened the end of an era. In the tradition of stirring historical novels, this grand epic showcases courage, the resilience of the human spirit, and the transformative power of love. Flower…
