I’m an English professor, a poet, a lover of reading, and a happy husband and father. How did all this happen; what historical processes made my good fortunes possible? I get answers to these questions from great fiction and great nonfiction. It’s hard to find two more sensitive and beautifully written novels about marriage’s personal and social dimensions than Virginia Woolf’s Mrs. Dalloway and E. M. Forster’s Howards End. Their psychological insights are complemented by two marriage historians and one sociologist with broad knowledge about love’s evolution over the centuries. I’ve read these books multiple times and shared them with many students (and friends)! They never get old.
I wrote
Love, Friendship, and Narrative Form After Bloomsbury: The Progress of Intimacy in History
I love this novel because of its ravishingly beautiful prose and deep insights into sexual selfhood. Set one day in June 1923, this book takes us into the mind of its middle-aged heroine, Clarissa Dalloway, as she prepares to host a party and reminisces about her life three decades ago.
As a teenager, she loved a daring, aristocratic woman (Sally), a passionate but troubled man (Peter), and a comparatively boring but dependable man (Richard, to whom she has long been married). What did love mean to her thirty years ago, and what does it mean now? Did she make the right romantic choice, given the constraints of her society? Virginia Woolf leaves her readers space to ponder these questions for themselves.
The working title of Mrs. Dalloway was The Hours. The novel began as two short stories, "Mrs. Dalloway in Bond Street" and the unfinished "The Prime Minister". It describes Clarissa's preparations for a party she will host in the evening, and the ensuing party. With an interior perspective, the story travels forward and back in time and in and out of the characters' minds to construct an image of Clarissa's life and of the inter-war social structure.
In October 2005, Mrs. Dalloway was included on Time's list of the 100 best English-language novels written since Time debuted in 1923.
I love this novel’s insights into human psychology and society and its sense of humor. When its two main characters—young women from a sensitive, artistic family—fall in love with men from a hard-hearted, business-oriented family, sharp observations about English society in 1910 unfold. But so, too, do probing love stories.
What if you learn that your fiancé is hypocritical—can you love him anyway? What happens when love for your family tugs against love for your spouse; what do you learn about yourself? E. M. Forster explores these questions in a witty, urbane narrative style that is one of the novel’s main charms.
"Howards End" is E. M. Forster's classic story of the varying struggles of members of different strata of the English middle class. The story centers around three families; the Wilcoxes, who made their fortune in the American colonies; the Schlegels, three siblings who represent the intellectual bourgeoisie; and the Basts, a young struggling lower middle-class couple. "Howards End", one of Forster's greatest works, is a classic dramatization of the differences in life amongst the English middle class.
This book taught me a huge amount about the history of love and marriage. Who knew that, prior to the nineteenth century, the idea of marrying for love was so rare? With this historical insight in mind, it became clearer to me why marriages based on love, with their high expectations for life-long partnership, sexual compatibility, and emotional intimacy, are so challenging—and often end in divorce.
Stephanie Coontz makes these topics entertaining and accessible, from marriage in the ancient world, to 1950s-era nuclear families, to the challenges and opportunities that lovers, spouses, and families face in the twenty-first century.
Just when the clamor over "traditional" marriage couldn’t get any louder, along comes this groundbreaking book to ask, "What tradition?" In Marriage, a History, historian and marriage expert Stephanie Coontz takes readers from the marital intrigues of ancient Babylon to the torments of Victorian lovers to demonstrate how recent the idea of marrying for love is—and how absurd it would have seemed to most of our ancestors. It was when marriage moved into the emotional sphere in the nineteenth century, she argues, that it suffered as an institution just as it began to thrive as a personal relationship. This enlightening…
This book got me thinking about the future with its bold claim that today's best marriages are the best ones the world has ever known—because (some) spouses are freer and more compatible than those of earlier eras. But it also got me thinking with its claim that for the less fortunate members of today’s societies, including people struggling with poverty, marriage can be very hard.
The book also ranges back in time to show what marriages were like—and what people expected from them—in past eras. These history lessons are super-valuable. Also, even though this isn’t primarily a self-help book, it gave me lots of food to think about my marriage and why it’s so valuable to me.
“After years of debate and inquiry, the key to a great marriage remained shrouded in mystery. Until now...”—Carol Dweck, author of Mindset: The New Psychology of Success
Eli J. Finkel's insightful and ground-breaking investigation of marriage clearly shows that the best marriages today are better than the best marriages of earlier eras. Indeed, they are the best marriages the world has ever known. He presents his findings here for the first time in this lucid, inspiring guide to modern marital bliss.
The All-or-Nothing Marriage reverse engineers fulfilling marriages—from the “traditional” to the utterly nontraditional—and shows how any marriage can be…
This book from the early 1990s continues to speak volumes about society today. In completely accessible writing, it helped me to see how major historical developments (the spread of democracy and belief in human equality) occur in tandem with people’s daily lives (marriages that pursue the ideal of “democracy in intimacy”).
Couples who pursue “pure relationships” founded on sexual and emotional equality are doing something revolutionary—in a revolution that has been gathering momentum for over two centuries. Each of Anthony Giddens’s chapters illuminates different aspects of this large story, and each gave me insights into what it means to be a man or a woman seeking love and happiness in a changing world.
The sexual revolution: an evocative term, but what meaning can be given to it today? How does "sexuality" come into being, and what connections does it have with the changes that have affected personal life more generally? In answering these questions, the author disputes many of the dominant interpretations of the role of sexuality in modern culture.
The author suggests that the revolutionary changes in which sexuality has become cauth up are more long-term than generally conceded. He sees them as intrinsic to the development of modern societies as a whole and to the broad characteristics of that development. Sexuality…
My book makes a hopeful argument about historical progress in public and private spheres since the late 1700s. In the public sphere, this entails spreading democratic values such as sexual equality and expanding freedoms, including for women. In the private sphere, this means that people can be happier in marriages (which are more tailored to their needs), in friendships (including Platonic ones between men and women), and in families (as childrearing practices become less authoritarian).
But is this hopeful story incomplete? I probe its limits from various angles, including by considering evidence of loneliness and despair in our time. I use great novelists, including Virginia Woolf and Ian McEwan, to tease out the complexities of love’s evolution since the Enlightenment.
The anthology form unites diverse voices around a common theme—in the case ofDistant Flickers, identity and loss. The stories in the anthology explore intense personal relationships—of mother and child, old lovers, etc. Some of the stories are in the moment and some recounted with the perspective of time, some are fable-like, some formal, and others more colloquial. Reading them the reader is struck by the variety of approaches a writer might take to a subject. The device of the contributor’s notes enables the reader to see the story behind the story and how life informs art—life furnishing the raw material or day residue of the story.
Ophelia, a professor of Dante, is stricken when she discovers that her husband Andy has been cheating on her with a winsome colleague. What follows is Ophelia’s figurative descent into hell as she obsessively tracks her subjects, performs surveillance in her beat-up Volvo, and moves into the property next door to Amber’s, which has gone into foreclosure.
She spies on the lovers, growing more and more estranged from reality. Andy’s betrayal reawakens the earlier trauma of abandonment by her mother at the age of eight. When Andy and Amber become engaged, Ophelia snaps. The story is a jailhouse confessional, a…
Ophelia, a professor of Dante, is stricken when she discovers that her husband Andy has been cheating on her with a winsome colleague. What follows is Ophelia's figurative descent into hell as she obsessively tracks her subjects, performs surveillance in her beat-up Volvo, and moves into the property next door to Amber's, which has gone into foreclosure. She spies on the lovers, growing more and more estranged from reality. Andy's betrayal reawakens the earlier trauma of abandonment by her mother at the age of eight. When Andy and Amber become engaged, Ophelia snaps. The story is a jailhouse confessional, a…
![Book cover of Shapely Ankle Preferr'd: A History of the Lonely Hearts Ad [1695-2010]](https://res.cloudinary.com/hzpwrwfdi/image/upload/w_220/media/covers/61-5BRaHc3L_uyqt7s.webp "Book cover of Shapely Ankle Preferr'd: A History of the Lonely Hearts Ad [1695-2010]")
