My twenty novels tend to focus on characters who face great challenges, and I have a particular appreciation for beautiful prose. I don’t read for distraction or entertainment, but to be enlightened, moved, and made more compassionate about different kinds of people in different environments.
A fictional road trip with an offbeat, loving Buddhist master and an ordinary American father and husband, focusing on the idea of crazy generosity. This is the last in my “Buddha” series, which began with Breakfast with Buddha. That novel has sold over a quarter of a million copies and was followed by Lunch with Buddha and Dinner with Buddha.
These novels are funny but not fluffy. The spiritual material is open-minded, not preachy, and not too closely aligned with scholarly Buddhism. They’ve been book club favorites from the start and include accurate descriptions of actual American road trips and a variety of good and not-so-good meals.
It’s a beautiful memoir by a Jewish doctor/painter/political activist who was sent into exile by Mussolini for his anti-fascist political activism. It’s deeply heartfelt and gorgeously written as Levi gets to know the extraordinarily poor peasants of a tiny village in interior southern Italy.
I love all things Italian and so it speaks to me, but I also have a great deal of compassion for the have-nots of this world. Levi describes them with wonderful sympathy and respect (at the same time sharply criticizing the petty bureaucrats and the puffed-up local officials).
'There should be a history of this Italy, a history outside the framework of time, confining itself to that which is changeless and eternal, in other words, a mythology. This Italy has gone its way in darkness and silence, like the earth, in a sequence of recurrent seasons and recurrent misadventures. Every outside influence has broken over it like a wave, without leaving a trace.'
So wrote Carlo Levi - doctor, painter, philosopher, and man of conscience - in describing the land and the people of Lucania, where he was banished in 1935, at the start of the Ethiopian war,…
This is the story of a highly educated writer living with the poorest of the poor in the U.S. Agee was sent to live with Alabama sharecroppers during the Depression. His assignment was to write about them for a magazine, but he ended up making it into a magnificent memoir (Jimmy Carter’s favorite memoir) that is often paired with Walker Evans’ photos. They lived and worked as a team.
Agee is a well-educated, well-off writer, but manages to describe the lives of the poorest of the poor with great respect, artistic originality, and sincerity, and to give us a full, if painful, understanding of the lives of people who could not afford shoes and were worked to the bone by the landowners.
It’s a deeply spiritual work, artistically original in structure and language, a long, slow, magnificent read that has touched me deeply each time I’ve read it.
In the summer of 1936, Agee and Evans set out on assignement for Fortune magazine to explore the daily lives of sharecroppers in the South. Their journey would prove an extraordinary collaboration and a watershed literary event when in 1941 Let Us Now Praise Famous Men was first published to enourmous critical acclaim. This unspairing record of place, of the people who shaped the land, and of the rhythm of their lives today stands as one of the most influential books of the twentieth century.
I think Robert Stone was one of the greatest American novelists of the recent era, a man with a profound concern for how political situations affect the individual. I love Stone’s ability to delve into complex situations.
This is fiction, unlike the last two recommendations mentioned above, and takes place in Central America during the Seventies. I love books about political situations, and I love novels set in other countries. Stone is a master of both.
He was also a humble, good man, though maybe I’m not completely objective because he provided a generous blurb for my first novel. I had the pleasure of spending a little time with him after my novel was published, and I found him to be brilliant, funny, modest, and just a fun person to be around.
Like Dostoevsky, he was able to delve into deep matters by telling a great story with amazing characters. I recommend all his books, but this one remains my favorite.
I sometimes enjoy novels in which the action is mainly interior. Not a lot happens here, but Virginia Woolf had a deep grasp of human psychology and a luminous prose style, and her characters just leap off the page. I could linger over sentences and pages for long minutes and have read this multiple times.
I always come away from her work with a greater appreciation for the amazing miracle of simply being alive on this earth and for the beauty of the English language.
The working title of Mrs. Dalloway was The Hours. The novel began as two short stories, "Mrs. Dalloway in Bond Street" and the unfinished "The Prime Minister". It describes Clarissa's preparations for a party she will host in the evening, and the ensuing party. With an interior perspective, the story travels forward and back in time and in and out of the characters' minds to construct an image of Clarissa's life and of the inter-war social structure.
In October 2005, Mrs. Dalloway was included on Time's list of the 100 best English-language novels written since Time debuted in 1923.
I speak Russian and spent several years working in the former USSR on cultural exchange exhibitions. I majored in Russian Language and Literature at Brown and have a Master’s in those subjects, also from Brown, and I love Turgenev even more than I love his great contemporaries, Tolstoy and Dostoevsky.
In this short novel, Turgenev speaks to political differences across generations, something pertinent to the American political scene now and to the tension between activism and domestic life.
As a novelist, I’m also blown away by his ability to put so much into a very short piece of fiction. It’s helpful, but not essential, to have a bit of knowledge about pre-Revolutionary Russia, but like his masterful Sportsman’s Sketches, he is a genius at bringing characters, both real and imagined, to life.
Ivan Turgenev's Fathers and Sons explores the ageless conflict between generations through a period in Russian history when a new generation of revolutionary intellectuals threatened the state. This Penguin Classics edition is translated from the Russian by Peter Carson, with an introduction by Rosamund Bartlett and an afterword by Tatyana Tolstaya.
Returning home after years away at university, Arkady is proud to introduce his clever friend Bazarov to his father and uncle. But their guest soon stirs up unrest on the quiet country estate - his outspoken nihilist views and his scathing criticisms of the older men expose the growing…
Meet Tony Valenti. His high-flying corporate law career just cratered. His society marriage blew up in a bitter divorce. He's returned to the Chicago suburbs to lick his wounds and regroup in the haven of the Valenti family home. But time to heal isn't in the cards.
Tony's elderly father inexplicably shoots a sheriff's deputy on their front porch. Nobody knows why, and Papa isn't talking. Then their house becomes an unlikely target for condemnation and expropriation by corrupt local officials and their cronies.
With money and hope dwindling, Tony steps up to defend his father and take to city hall, and quickly finds himself in peril when he unearths sinister connections between the cases. The audacity of the plot against them fuels a gritty determination to get to the bottom of what really happened—regardless of the risks and ultimate cost to himself. To win, Tony must earn his father's trust and outwit his wily opponents.
Meet Tony Valenti. His high-flying corporate law career just cratered. His society marriage blew up in a bitter divorce. He’s returned to the Chicago suburbs to lick his wounds and regroup in the haven of the Valenti family home. But time to heal isn’t in the cards.
Tony’s elderly father inexplicably shoots a sheriff’s deputy on their front porch. Nobody knows why, and Papa isn’t talking. Then their house becomes an unlikely target for condemnation and expropriation by corrupt local officials and their cronies.
With money and hope dwindling, Tony steps up to defend…
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