The most recommended Leo Tolstoy books

There is no escaping that name when broaching the subject Graffiti. Banksy is the king. In Wall And Piece you get a broad study of his creations. You can leaf through and enjoy the pictures, but I highly recommend that you invest the time to read the witty and through-provoking text accompanying them. I am not saying that a comparison to Tolstoy immediately came to mind. All I am saying is that I continued to think about the book days and weeks after reading it.

Using short stories, essays, and memoir selections from such authors as Poe, Tolstoy, Dorthey Parker, and Cheever, this book is an anthology of literature on addiction. Poe’s short story, “The Black Cat,” captures the madness that comes of alcoholism. Tolstoy’s essay offers sage advice about the nature of addiction. A lesser-known but standout story by Donna Steiner, “Sleeping with Alcohol,” teaches us what it’s like to be in love with an alcoholic and watching that person self-destruct. I’m a professor of English, and I used this book in a class I taught called “The Literature of Addiction,” alongside Dirk Hanson’s The Chemical Carousel as a primer for better understanding addiction before launching into stories, essays, and memoirs about it. The short stories in Under the Influence: The Literature of Addiction are entertaining as well as enlightening, and its other selections are just as informative as the books I previously mentioned.

After worshiping Leo Tolstoy and his writing for long decades, the much later discovery of Sophia’s diaries came to me as a huge revelation: I learnt that no writer or artist is an island, but always part of a human ecosystem that nurtures and feeds their art. In the case of Tolstoy, it was his family and most particularly his wife. In her personal writings we meet the woman behind the great writer, married to him for 48 years, and who bore him 13 children. She was pivotal to his work, encouraging and supporting his literary career. Through her pages, we find out about her love for Tolstoy and their tormented marriage, in which she often felt neglected and provoked. We see the hidden, dark side of the great man of letters, a vastly gifted but troubled individual, and we also learn about Sophia’s undying vital energy that allowed her… show more.

Ursula K.Le Guin is perhaps best known as a novelist and science fiction writer. But her non-fiction is very much worth reading too. I love her values, her courage, her clarity, her persistence. Right to the end of her very long life (she died in 2018 at the age of 88), she was thinking about the art and craft of writing. I find myself deeply inspired and encouraged by Le Guin, and in particular, this book.

Although published posthumously in 2021, Silverview was substantially written, then set aside, some time before John le Carré died. His son Nick Cornwell (aka novelist Nick Harkaway), who edited the book for publication, speculates in an afterword that this was because its view of British Intelligence was more disenchanted than any of Le Carré’s previous novels.

I wonder whether there were two further reasons, one profound and one prosaic: that the novel is suffused with death and would therefore make an appropriately elegiac swansong, and that as his shortest novel in nearly 40 years, it would better bookend his 1961 debut, Call for the Dead.

Whatever the reason, it’s a classic Le Carré tale of loyalty and betrayal - and a book that will always be one of my favorite reads in any given year.

I didn’t expect to like this book so much!

Caveat, I’ve studied Soviet history and my husband is Ukrainian, so when I saw Kissing Tolstoy was heavily drenched in Eastern European commentary—the hero being a Russian Literature Professor—I worried the author would miss a lot of the nuance. But she didn’t!

Now, you don’t need my background to like this book, but I did laugh out loud at some of the aptly put cultural quirks. Kissing Tolstoy is a wonderful mix of inner-city edge, meets intellectual romance.

A real treat if you’re looking for something fun and with depth!

Hidden in Plain View makes us see Tolstoy in a completely new light. I find Morson one of the most engaging critics of the Russian classics, and this is perhaps his best and most curmudgeonly argumentative book.

It offers a brilliant reading of War and Peace as an “anti-novel”—as an attack on the form and philosophical suppositions of the “novel” (the word in Russian can also refer to a literary or real-life “romance”).

It follows in the footsteps of the Russian critic-philosopher Mikhail Bakhtin, who viewed the novel as a dialogical, open-ended “anti-genre,” without a fixed form, that cannibalizes all other genres. In War and Peace, this also serves to explain Tolstoy’s attack on history-writing, which shares the false, “closed” narrative presumptions as novel romances. 

In philosophy that focuses upon the meaning of life it is not long before one comes across the name of Joshua Seachris.

He wrote the introduction to this book and each of his fellow editors introduce their respective sections.

Thaddeus Metz introduces ‘Understanding the Question of Life’s Meaning’; John Cottingham introduces ‘What Does God have to do with the meaning of life?’; Garrett Thomson introduces ‘The Loss of Meaning in a World without God’; Erik J. Wielenberg introduces ‘Finding Meaning in a World without God’; and John Martin Fischer introduces ‘The Meaning of Life and the Way Life Ends: Death Futility and Hope’. 

Each section consists of about six different essays, from authors as diverse as Bertrand Russell, C.S. Lewis, and Leo Tolstoy.

Being a New Englander, I don’t care much about Southern literature but Wolfe transcends it and also influenced Jack Kerouac, who would be my sixth choice. It was recommended to me by Joe Fineman, son of novelist Irving Fineman, after I flunked out of Caltech (Joe didn’t), saying “This is your book.” I have no idea who my influences are but I wouldn’t be surprised if someone told me that they thought Thomas Wolfe was one of them. He probably is. 

What amazes me about A Confession is that here is Tolstoy, one of the giants of world literature, at the top of his game, lamenting that there is no meaning to his life. This made me realize that there is no one immune from this feeling of purposelessness and that there are no prizes, accolades, awards, or other external things that will prevent you from feeling existential angst.

The book also shows how Tolstoy worked through his crisis, and although I do not agree with his conclusions, the path that he takes in the book was very useful for me in my own journey to meaning.