I’ve researched and taught on contemporary social problems for over a decade. Much of this work focused on violence and, especially, torture. Not surprisingly, it often left me overwhelmed about the human condition and about the possibility of creating a better world. The students I taught often felt similarly. During the COVID-19 pandemic, when hope seemed in short supply, I began rethinking how I talk about, teach about, and study politics, problems, and the possibilities of change. As an antidote to despair, helplessness, and denial, hope became a defining feature of my work on violence and now, as I’ve pivoted toward studying the environment, climate change.
This book forever changed how I think. After languishing on my bookshelves for several months, I turned to Rebecca Solnit’s brief but transformative book during the first few months of the COVID-19 pandemic. The book had its intended effect: it made me realize that hope, even in the most difficult moments, is still possible.
As a self-identified pessimist, I long assumed hope wasn’t for me. It seemed too idealistic. But for Solnit (and now for me), hope is something entirely different from the naïve belief that the future will inevitably be better. It is faith that the future is not yet determined. And in the openness of the future is the possibility that our efforts to make a better world can make a real difference.
At a time when political, environmental and social gloom can seem overpowering, this remarkable book offers a lucid, affirmative and well-argued case for hope.
This exquisite work traces a history of activism and social change over the past five decades - from the fall of the Berlin Wall to the worldwide marches against the war in Iraq. Hope in the Dark is a paean to optimism in the uncertainty of the twenty-first century. Tracing the footsteps of the last century's thinkers - including Woolf, Gandhi, Borges, Benjamin and Havel - Solnit conjures a timeless vision of cause and effect that…
If you thought the Cold War was over when the Berlin Wall came down, think again. My love of history and current events drew me into this book from the first page.
I was in Berlin when the Berlin Wall came down, so Nelson and Alex DeMille's book impacted me on multiple fronts. The comparisons and, more frighteningly, the similarities between Germany now and when the country was divided into East and West Germany blew my mind.
The Army CID tag team of Scott Brodie and Maggie Taylor keeps you tethered to reality as Berlin teeters on the brink of chaos. The story reinforces the notion that history never forgets, no matter how desperately the powers that be try to rearrange past events or erase them altogether.
From New York Times bestselling authors Nelson DeMille and Alex DeMille, Blood Lines features the return of Special Agents Brodie and Taylor who are on the hunt for the cold-blooded murderer of one of their fellow agents.
Army Criminal Investigation Agents Scott Brodie and Maggie Taylor have been separated for five months following their last assignment, a dangerous mission in Venezuela to locate and detain an infamous Army deserter. Now, in Berlin, they are reunited and tasked with investigating the murder of one of their own: CID Special Agent Harry Vance of the 5th MP Battalion, an accomplished counterterrorism agent…
For over a decade I’ve been writing about the lines that define us. Whether it’s the work we do or the communities we live in, we all create “borders” in our everyday lives. I’ve interviewed thousands of people from all walks of life to gain a better understanding of the lines we use to carve out our identities and our place in this world, whether it’s on the individual level, within a small community, or on a national scale. My work is always getting at how these lines of separation function, practically speaking, particularly in an increasingly globalized, interconnected world.
We know a lot about the hot-button issues surrounding borders – family separations, deportation, smuggling – but borders also have wildly underestimated psychological effects on individuals. Wapner impressively synthesizes data and research collected on the effects of border barriers from some of the most volatile regions in the world including India and Pakistan, Mexico and the U.S., and both sides of the peace lines of Northern Ireland. The mental health issues caused by militarized borders are alarming and almost entirely unrecognized in today’s world; Wapner brings these shocking and revelatory dynamics to light.
A groundbreaking investigation into the hidden mental health effects of border walls, revealing the harm they bring to all who live near them.
Today, there are at least seventy border walls: from the US-Mexico border to the seventeen thousand miles of barbed wire that wall off Bangladesh from India, as well as the five-layer fence between Saudi Arabia and Iraq. Border walls protect us, the argument goes, because they keep danger out. But what if the walls themselves endanger everyone who lives near them - on both sides?
In this thoroughly reported, eye opening work, science journalist Jessica Wapner reveals…
As a fan of the Tom Clancy genre, I felt like I was right back reading Clancy’s classics when I picked up Red Winter. Most of the new Clancy fiction surrounds Jack Ryan, Jr., and while I enjoy those works as well, it was fun to return to the Cold World era.
Cameron pays homage to the greatness that was Clancy, and while I can no longer read the master of modern-day political thrillers, I found a worthy successor.
I enjoyed uncovering a past mission of Jack Ryan, who is one of my all-time favorite characters in fiction. As a child of the Cold War, it was a fun ride behind the Iron Curtain.
A top secret F117 aircraft crashes into the Nevada desert. The Nighthawk is the most advanced fighting machine in the world and the Soviets will do anything to get their hands on its secrets.
In East Berlin, a mysterious figure contacts the CIA with an incredible offer: invaluable details of his government's espionage plans in return for asylum. With the East German secret police closing in, someone will have to go to behind the Berlin Wall to investigate the potential defector. It's a job Deputy Director James Greer can only…
I'm a retired 4-star Admiral who spent over forty years at sea, rising from Midshipman at the Naval Academy to Supreme Allied Commander at NATO. I studied literature and published eleven books, many dealing with the oceans. My PhD from Tufts University, where I served as Dean of The Fletcher School of Law and Diplomacy, centered on the Law of the Sea Treaty. My father was a seagoing US Marine, my wife grew up in the Navy with a father who was a Navy pilot, and my daughter was a Navy nurse. Finally, my basset hound is named Penelope, after the wife of Ulysses who waited for her husband to return from ten years at sea.
This fascinating little gem of a book is concerned with tiny, largely unknown islands scattered around the world. Schalansky essentially selected them largely for how far they are from big, continental lands. Even after spending a significant portion of my life at sea, I can only claim to have visited or even sailed within sight of about a dozen of them. Most of these small atolls are far from their mother countries. But each of these isolated islands has a story that is inextricably tied to the sea.
Judith Schalansky was born in 1980 on the wrong side of the Berlin Wall. The Soviets wouldn't let anyone travel so everything she learnt about the world came from her parents' battered old atlas. An acclaimed novelist and award-winning graphic designer, she has spent years creating this, her own imaginative atlas of the world's loneliest places. These islands are so difficult to reach that until the late 1990s more people had set foot on the moon than on Peter I Island in the Antarctic.
On one page are perfect maps, on the other unfold bizarre stories from the history of…
For anyone who loves John le Carré novels as much as I do, this book is a must-read.
The
letters, chosen and commented on by one of le Carré’s sons, are superbly
written and span almost the whole of the famous author’s life, from age
thirteen until just two weeks before he died in December 2020.
Recipients
include a prime minister, actors, agents, politicians, family and fans. The
letters reveal a man deeply affected by a troubled childhood – abandoned by his
mother at age five, brought up at arm’s length by a con-man father – and give
clues as to why his writing is populated by characters who keep secrets and don’t
know whom they can trust.
John le Carre was a defining writer of his time. This enthralling collection letters - written to readers, publishers, film-makers and actors, politicians and public figures - reveals the playfully intelligent and unfailingly eloquent man behind the penname. _____
'The symbiosis of author and editor, father and son, has resulted in a brilliant book, le Carre's final masterpiece' 5*, Jake Kerridge, Sunday Telegraph _____
A Private Spy spans seven decades and chronicles not only le Carre's own life but the turbulent times to which he was witness. Beginning with his 1940s childhood, it includes accounts of his National Service and…
I am a researcher and teacher who studies global security. I first thought this meant the study of various forms of violence: wars, terrorism, genocides. And, I still study all of that. But the events of the Arab Spring in particular led me to see the importance of nonviolent protest movements as an important form of global conflict. These movements, often called “civil resistance,” have proved surprisingly capable of toppling dictators and bringing about democratization. But the news is not all good: they also frequently spark mass repression, civil wars, and even wars between countries. Understanding contemporary global conflict requires understanding how nonviolent movements work.
Sharon Nepstad analyzes the success and failure of nonviolent resistance movements across a set of global case studies. Her findings highlight two dimensions that probably don’t get as much attention as they deserve.
First, she reveals the importance of civil-military relations in protest movements: the behavior of the military and other state security forces is often decisive to the fate of unarmed uprisings. And this behavior, in turn, is shaped by the recruitment patterns, training, and organizational structure of those forces. The Tianamen Square massacre, for example, only happened after the Chinese government replaced the local patrolling units with military forces from the country's periphery.
Second, Nepstad shows how international support to nonviolent movements can often be counterproductive, as it allows dictators to wave the flag of nationalism against foreign interference. This is an important caution for policymakers and activists thinking about how they can help nonviolent movements around the…
In the spring of 1989, Chinese workers and students captured global attention as they occupied Tiananmen Square, demanded political change, and then experienced a tragic crackdown at the hands of the Chinese army. Months later, East German civilians rose up nonviolently, bringing down the Berlin Wall and dismantling their regime. Although both movements used the tactics of civil resistance, their outcomes were different.
In Nonviolent Revolutions, Sharon Erickson Nepstad examines these two movements, along with citizen uprisings in Panama, Chile, Kenya, and the Philippines. Through a comparative approach that includes both successful and failed cases, she analyzes the effects of…
I'm sure you’ve heard of method acting. A technique by which an actor embodies the character they're portraying 24/7. I'm a method writer. I embody the world of the novels that I write. However, when the time came to write a novel inspired by graffiti, I faced a particular frustration. Graffiti is illegal. I felt a strong desire to grab a spray paint can to decorate public spaces. And yet the fear of a jail cell prevented me from acting on the impulse. I had to find a different outlet for that desire. I poured over every book and movie on the subject. I believe I became a bit of an expert.
There is no escaping that name when broaching the subject Graffiti. Banksy is the king. In Wall And Piece you get a broad study of his creations. You can leaf through and enjoy the pictures, but I highly recommend that you invest the time to read the witty and through-provoking text accompanying them. I am not saying that a comparison to Tolstoy immediately came to mind. All I am saying is that I continued to think about the book days and weeks after reading it.
Artistic genius, political activist, painter and decorator, mythic legend or notorious graffiti artist? The work of Banksy is unmistakable, except maybe when it's squatting in the Tate or New York's Metropolitan Museum. Banksy is responsible for decorating the streets, walls, bridges and zoos of towns and cities throughout the world. Witty and subversive, his street art depicts monkeys with weapons of mass destruction, policemen with smiley faces, rats with drills and the iconic young girl with the heart-shaped balloon. If you look hard enough you'll find your own. His statements, incitements, ironies and epigrams are by turns intelligent and cheeky…
I am a historian of cities and the ways people shape them. Living in Berlin, both before and after the Wall came down, made me aware of how the shared experiences and memories of particular places give meaning to civic life. (And for a historian it was thrilling to find a place where history was taken very seriously.) Although I have since written broader studies—of cars and cities (Autophobia) and of earlier street life (The Streets of Europe)–it was the experience of living in Berlin while learning its history that enabled me to see the layers of meaning embedded in buildings and streets.
1980s Berlin is famous for two things: a wild counterculture and the sudden demise of the Wall. In recalling the outsize personalities he got to know on both sides of the Wall, Paul Hockenos brings the two strands of history as close together as can be done. The music and party scene, the communes and the squats, arose during this quiet lull in the Cold War, as political, musical, and sexual misfits found their niche in the dead zones along the Wall. Most of us living in Berlin in the 80s enjoyed the peace and quiet. This book shows what most of us were missing out on.
Berlin Calling is a gripping account of the 1989 'peaceful revolution' in East Germany that upended communism and the tumultuous years of artistic ferment, political improvisation, and pirate utopias that followed. It's the story of a newly undivided Berlin when protest and punk rock, bohemia and direct democracy, techno and free theatre were the order of the day. Berlin Calling is a unique account of how Berlin became hip, and of why it continues to attract creative types from the world over.
I’ve always loved movies. In my 20s, I went to film school – perhaps you can still find a couple of the short films I wrote with animator Matthew Hood on Vimeo (Hourglass and Metalstasis) – and I worked a little in the UK film industry reading scripts for Film4, among others. I’ve also interviewed filmmakers, including Nicolas Winding Refn, Christopher Hampton, Life of Brian producer John Goldstone and editor Anne V. Coates. And I’ve always found a romance, despite the seedy aspects, of Tinseltown being developed out in Hollywoodland, a place of orange groves and pepper trees where people from the Midwest went to retire in the sun.
In contrast to Hollywood, Krzysztof Kieslowski worked under Polish Communism for the first 20 years of his career, before he became better known in the West with the Three Colours Trilogy. In Poland, it wasn’t the box office that determined a filmmaker’s fate but what the state censors thought. His film Blind Chance wasn’t released for six years because it suggested that a person’s political affiliation – whether they become a dissident or party member – was up to, well, blind chance. This is a wonderfully thoughtful book not only about film-making, but working under Communism, what it is to be a creative artist, and, if I may, life.
Decalogue, The Double Life of Veronique and his trilogy, Three Colours, earned Kieslowski his reputation as a world-class film-maker. Kieslowski was notoriously reticent, and even dismissive of his work and talent, but these frank and detailed discussions show a passion for film-making and a career which was often threatened by political and economic change within Poland. In the book he talks at length about his life: his childhood, disrupted by Hitler and Stalin; his four attempts to get into film school; and what Poland and its future meant to him at the time of writing, before his death in 1996.
