I have been a surrealist since I discovered Salvador Dali and David Lynch at the age of 14. I have been on a path to combine the art world’s depth in style; symbols and metaphors with storytelling. Becoming a comic artist was a natural path and the media is great for expressing the many complex questions in life; what it is to be human and a woman in this world. I have become an artist who revolves around feminism and surrealism, eros and doubt.
This book is contemporary art. The graphics are on a different artistic level than most comics or graphic novels. It made me realize that the contemporary art scene can live and flourish in storytelling, which by the end of the day led me on my path to becoming a comic artist. The story about W the Whore has a weird poetic feel. It is not about a prostitute, but about a woman and that is the symbolism and metaphors Feuchtenberger introduces in her surreal landscape.
The experiences of womanhood are heightened and transformed in these eerie, fairy tale–like comics by a gifted artist-writer duo.
Soon after the fall of the Berlin Wall, the West German–born Katrin de Vries read a magazine featuring the drawings of the East German–born Anke Feuchtenberger. De Vries wrote to ask Feuchtenberger if she might want to collaborate, and together they’ve produced some of the most striking German comics of the last thirty years, most notably W the Whore.
Collected here in English for the first time, W the Whore, W the Whore Makes Her Tracks, and W the Whore Throws…
For anyone who loves John le Carré novels as much as I do, this book is a must-read.
The
letters, chosen and commented on by one of le Carré’s sons, are superbly
written and span almost the whole of the famous author’s life, from age
thirteen until just two weeks before he died in December 2020.
Recipients
include a prime minister, actors, agents, politicians, family and fans. The
letters reveal a man deeply affected by a troubled childhood – abandoned by his
mother at age five, brought up at arm’s length by a con-man father – and give
clues as to why his writing is populated by characters who keep secrets and don’t
know whom they can trust.
John le Carre was a defining writer of his time. This enthralling collection letters - written to readers, publishers, film-makers and actors, politicians and public figures - reveals the playfully intelligent and unfailingly eloquent man behind the penname. _____
'The symbiosis of author and editor, father and son, has resulted in a brilliant book, le Carre's final masterpiece' 5*, Jake Kerridge, Sunday Telegraph _____
A Private Spy spans seven decades and chronicles not only le Carre's own life but the turbulent times to which he was witness. Beginning with his 1940s childhood, it includes accounts of his National Service and…
I am a researcher and teacher who studies global security. I first thought this meant the study of various forms of violence: wars, terrorism, genocides. And, I still study all of that. But the events of the Arab Spring in particular led me to see the importance of nonviolent protest movements as an important form of global conflict. These movements, often called “civil resistance,” have proved surprisingly capable of toppling dictators and bringing about democratization. But the news is not all good: they also frequently spark mass repression, civil wars, and even wars between countries. Understanding contemporary global conflict requires understanding how nonviolent movements work.
Sharon Nepstad analyzes the success and failure of nonviolent resistance movements across a set of global case studies. Her findings highlight two dimensions that probably don’t get as much attention as they deserve.
First, she reveals the importance of civil-military relations in protest movements: the behavior of the military and other state security forces is often decisive to the fate of unarmed uprisings. And this behavior, in turn, is shaped by the recruitment patterns, training, and organizational structure of those forces. The Tianamen Square massacre, for example, only happened after the Chinese government replaced the local patrolling units with military forces from the country's periphery.
Second, Nepstad shows how international support to nonviolent movements can often be counterproductive, as it allows dictators to wave the flag of nationalism against foreign interference. This is an important caution for policymakers and activists thinking about how they can help nonviolent movements around the…
In the spring of 1989, Chinese workers and students captured global attention as they occupied Tiananmen Square, demanded political change, and then experienced a tragic crackdown at the hands of the Chinese army. Months later, East German civilians rose up nonviolently, bringing down the Berlin Wall and dismantling their regime. Although both movements used the tactics of civil resistance, their outcomes were different.
In Nonviolent Revolutions, Sharon Erickson Nepstad examines these two movements, along with citizen uprisings in Panama, Chile, Kenya, and the Philippines. Through a comparative approach that includes both successful and failed cases, she analyzes the effects of…
I grew up in Germany and have been living all over the globe since I was 18, including the US. I married a New Yorker 15 years ago. I am drawn to stories that combine both the German and American cultures — two worlds I feel at home in — and as reflected in my debut novel. The next one will take place between the US and East Germany - we had relatives on the other side of the Iron Curtain whom we visited frequently. I will never forget surprising my 17-year-old cousin sitting alone in the garden, crying… over a can of Coke that we had smuggled over the border to him.
First of all: am I the only one who thinks Franzen looks a bit like Stephen King? This resemblance might very well be the only thing they have in common (aside from both making a living solely with their writing). English isn’t my native language, so it probably took me a bit longer than the average native speaker to read his (long!) book - which is a stark contrast to Follett’s, and not only in terms of prose style. I had no idea that Franzen studied in Germany and is fluent in my mother language. I only looked this up after his chapter aptly titled "The Republic of Bad Taste" — Franzen’s name for East Germany.
With the character of Andreas Wolf, we’re looking into the mind of a criminal, the offspring of a high-level informant — his father. Andreas Wolf murders the sexually abusive father of a girl he…
The Sunday Times bestseller from the author of Freedom and The Corrections
Young Pip Tyler doesn't know who she is. She knows that her real name is Purity, that she's saddled with $130,000 in student debt, that she's squatting with anarchists in Oakland, and that her relationship with her mother - her only family - is hazardous. But she doesn't have a clue who her father is, why her mother chose to live as a recluse with an invented name, or how she'll ever have a normal life.
Enter the Germans. A glancing encounter with a German peace activist leads…
I am a historian of cities and the ways people shape them. Living in Berlin, both before and after the Wall came down, made me aware of how the shared experiences and memories of particular places give meaning to civic life. (And for a historian it was thrilling to find a place where history was taken very seriously.) Although I have since written broader studies—of cars and cities (Autophobia) and of earlier street life (The Streets of Europe)–it was the experience of living in Berlin while learning its history that enabled me to see the layers of meaning embedded in buildings and streets.
1980s Berlin is famous for two things: a wild counterculture and the sudden demise of the Wall. In recalling the outsize personalities he got to know on both sides of the Wall, Paul Hockenos brings the two strands of history as close together as can be done. The music and party scene, the communes and the squats, arose during this quiet lull in the Cold War, as political, musical, and sexual misfits found their niche in the dead zones along the Wall. Most of us living in Berlin in the 80s enjoyed the peace and quiet. This book shows what most of us were missing out on.
Berlin Calling is a gripping account of the 1989 'peaceful revolution' in East Germany that upended communism and the tumultuous years of artistic ferment, political improvisation, and pirate utopias that followed. It's the story of a newly undivided Berlin when protest and punk rock, bohemia and direct democracy, techno and free theatre were the order of the day. Berlin Calling is a unique account of how Berlin became hip, and of why it continues to attract creative types from the world over.
I’m a Scottish journalist. In the 1980s, I studied German at Karl-Marx University in Leipzig, East Germany. It was a fascinating experience that changed my perceptions of the world. I didn’t become a communist, but I did begin to see that where you stand depends on where you sit and that principles are easy to maintain when it costs you nothing to do so. There was a bleak glamour to East Germany that I loved, and so I decided to set my first novel in the shadowy world of intense personal connections, underground artists, and unofficial informers that I’d found in Leipzig.
In Times of Fading Light is a masterful five-decade family saga that melds the personal and the political to create a fascinating portrait of East Germany before and after the fall of the Berlin Wall. Intelligent, fearless, and full of dark humor, it is both an ingeniously structured page-turner, moving back and forward in time, and a literary tour de force. Eugen Ruge was a 35-year-old playwright when the Wall fell, and In Times of Fading Light, published in 2011, was his first novel. It provides a rich understanding of how people lived and loved in East Germany that scotches both nostalgia for the old East and Western clichés. Shining a bright light into the darker corners of family dynamics, it is also a tale with universal resonance.
I was born in East Germany and experienced the disappearance of that country and the huge changes that followed as a child. My history teachers reflected this fracture in the narratives they constructed, switching between those they had grown up with and the new version they had been told to teach after 1990. It struck me how little resemblance the neat division of German history into chapters and timelines bears to people’s actual lives which often span one or even several of Germany’s radical fault lines. My fascination with my country’s fractured memory has never left me since.
As someone who was born in East Germany, I have experienced, studied, read, and heard a fair bit about the German Democratic Republic and the famous Wall that separated it from the West. As the fault line of the Cold War, it’s hard to overestimate the symbolic significance of this structure and it is therefore hardly surprising that so much has been written about it. Taylor’s book stood out to me because it is about people as well as politics. The many anecdotes that lace his book shed light on the personal stories behind this inanimate object as well as making it a great read.
The astonishing drama of Cold War nuclear poker that divided humanity - reissued with a new Postscript to commemorate the thirtieth anniversary of the fall of the wall.
During the night of 12-13 August 1961, a barbed-wire entanglement was hastily constructed through the heart of Berlin. It metamorphosed into a structure that would come to symbolise the insanity of the Cold War: the Berlin Wall. Frederick Taylor tells the story of the post-war political conflict that led to a divided Berlin and unleashed an East-West crisis, which lasted until the very people the Wall had been built to imprison breached…
Graeme Brooker is a Professor and Head of Interior Design at the Royal College of Art London. He has written and published fifteen books on the histories and theories of inside spaces, many of which focus on the reuse of existing artefacts, buildings, and cities. Apart from teaching and writing, when he isn’t cycling, he is often staring intently at the sea in Brighton, where he currently lives.
This book is a provocative and stimulating read, offering a series of stories on and about interior spaces and the buildings they are situated in. The stories of buildings and their changes are fascinating, providing boundless enthusiasm to communicate the ideas and stories of each space. Hollis states that many conversations are started and that maybe not all of them are ever finished, this book provides an inspired beginning for any person who wants to begin an exploration of the art of adapting and altering existing buildings.
The plans are drawn up, a site is chosen, foundations are dug: a building comes into being with the expectation that it will stay put and stay for ever. But a building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation. In this radical reimagining of architectural history, Edward Hollis tells the stories of thirteen buildings, beginning with the 'once upon a time' when they first appeared, through the years of appropriation, ruin and renovation, and ending with a temporary 'ever after'. In spell-binding prose, Hollis follows his buildings…
My mother grew up in Germany during World War Two and her family (or what was left of it) settled in the Soviet Zone that eventually became East Germany. She managed to get out in 1953 by sneaking across the border with a weekend pass, but other members of the family remained. This history has been close to my heart as a result and is what inspired me to write my novel, The House of One Thousand Eyes. I had to do a lot of research to evoke an authentic setting for my novel. This reading list comes from my research of, and fascination with, that time in history.
The author of this non-fiction book interviews eight people who were born and raised in East Germany’s totalitarian regime and have had to adjust to a new life after the Wall comes down. I liked this book because it gave me a different perspective on East Germany and how people felt about the regime. Turns out it was a little more complicated than simply thinking everything was bad. And once the Wall came down, many things became difficult for easterners, particularly the higher cost of living and the scorn they experienced from westerners.
The changes that followed the fall of the Berlin Wall in November 1989 were particularly dramatic for East Germans. With the German Democratic Republic effectively taken over by West Germany in the reunification process, nothing in their lives was immune from change and upheaval: from the way they voted, the newspapers they read, to the brand of butter they bought.
But what was it really like to go from living under communism one minute, to capitalism the next? What did the East Germans make of capitalism? And how do they remember the GDR today? Are their memories dominated by fear…
I'm a retired 4-star Admiral who spent over forty years at sea, rising from Midshipman at the Naval Academy to Supreme Allied Commander at NATO. I studied literature and published eleven books, many dealing with the oceans. My PhD from Tufts University, where I served as Dean of The Fletcher School of Law and Diplomacy, centered on the Law of the Sea Treaty. My father was a seagoing US Marine, my wife grew up in the Navy with a father who was a Navy pilot, and my daughter was a Navy nurse. Finally, my basset hound is named Penelope, after the wife of Ulysses who waited for her husband to return from ten years at sea.
This fascinating little gem of a book is concerned with tiny, largely unknown islands scattered around the world. Schalansky essentially selected them largely for how far they are from big, continental lands. Even after spending a significant portion of my life at sea, I can only claim to have visited or even sailed within sight of about a dozen of them. Most of these small atolls are far from their mother countries. But each of these isolated islands has a story that is inextricably tied to the sea.
Judith Schalansky was born in 1980 on the wrong side of the Berlin Wall. The Soviets wouldn't let anyone travel so everything she learnt about the world came from her parents' battered old atlas. An acclaimed novelist and award-winning graphic designer, she has spent years creating this, her own imaginative atlas of the world's loneliest places. These islands are so difficult to reach that until the late 1990s more people had set foot on the moon than on Peter I Island in the Antarctic.
On one page are perfect maps, on the other unfold bizarre stories from the history of…
