Here are 100 books that W the Whore fans have personally recommended if you like
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By François Vigneault and Jonas Madden-ConnorAuthor
Why are we passionate about this?
We’re a couple of award-winning graphic novel creators who happen to have been friends since middle school. We’ve been enmeshed in films and comic books for our entire lives, and always enjoyed discussing them with each other, sharing hidden gems, and staying up late to pore over what went right (or wrong) when a favorite comic was made into a movie or TV show. We’re in the middle of an ongoing wave of cinematic adaptations, with billion-dollar blockbusters and indie gems alike looking to graphic novels for inspiration. Read these five books now before they show up on a screen near you, and you’ll have the sweet pleasure of pronouncing “The graphic novel was better!”
Black Hole is a striking tale of a sexually transmitted plague running rampant amongst a community of teenagers in suburban Washington in the 1970s, all illustrated in creator Charles Burns’ almost inhumanly precise and dark art style. Mind-bending and terrifying, this graphic novel has come close to being adapted many times over the year, and its mix of eminently relatable interpersonal drama and existential dread make it a perfect fit for the screen, a horror story with heart and soul.
“The best graphic novel of the year” (Time) tells the story of a strange plague devastating the lives of teenagers in mid-1970s suburban Seattle, revealing the horrifying nature of high school alienation—the savagery, the cruelty, the relentless anxiety, and the ennui.
We learn from the outset that a strange plague has descended upon the area’s teenagers, transmitted by sexual contact. The disease is manifested in any number of ways—from the hideously grotesque to the subtle (and concealable)—but once you’ve got it, that’s it. There’s no turning back.
As we inhabit the heads of several key characters—some kids who have it,…
I have been a surrealist since I discovered Salvador Dali and David Lynch at the age of 14. I have been on a path to combine the art world’s depth in style; symbols and metaphors with storytelling. Becoming a comic artist was a natural path and the media is great for expressing the many complex questions in life; what it is to be human and a woman in this world. I have become an artist who revolves around feminism and surrealism, eros and doubt.
This comic is a 1:1 dream story. It has the weirdness and absurdity of dreams. It is about Juliet herself and is an autobiographical classic. And it made me wonder how very personal feelings in your dreams are actually universal. It also has feministic potential, being very honest with all its dreamy gender chaos and strangeness.And it’s funny.
Doucet has transcribed her intimate dreams i nto intensely drawn comic book stories, remembering everythi ng from tormenting nightmares to her most secret desires. Th e widely acclaimed young cartoonist offers us a unique psych edelic trip. '
I have been a surrealist since I discovered Salvador Dali and David Lynch at the age of 14. I have been on a path to combine the art world’s depth in style; symbols and metaphors with storytelling. Becoming a comic artist was a natural path and the media is great for expressing the many complex questions in life; what it is to be human and a woman in this world. I have become an artist who revolves around feminism and surrealism, eros and doubt.
Arsène Schrauwen has the simplicity and length to give you this feeling of never being able to escape your sickness or your loneliness. Olivier Schrauwen works with graphic novels as a contemporary artist. His drawings are so precise and weird, they make me think of great folk art as done by Bill Traylor. We realize the inner truth in his simple line and the awkwardness of life. This book is an experience like a dream; both utterly original and strangely familiar.
In 1947, the author’s grandfather, Arsene Schrauwen, traveled across the ocean to a mysterious, dangerous jungle colony at the behest of his cousin. Together they would build something deemed impossible: a modern utopia in the wilderness — but not before Arsene falls in love with his cousin’s wife, Marieke. Whether delirious from love or a fever-inducing jungle virus, Arsene’s loosening grip on reality is mirrored by the graphic novel reader’s uncertainty of what is imagined or real by Arsene.
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: “Are his love songs closer to heaven than dying?” Others wonder how he wrote a song so sad, everyone who heard it…
I have been a surrealist since I discovered Salvador Dali and David Lynch at the age of 14. I have been on a path to combine the art world’s depth in style; symbols and metaphors with storytelling. Becoming a comic artist was a natural path and the media is great for expressing the many complex questions in life; what it is to be human and a woman in this world. I have become an artist who revolves around feminism and surrealism, eros and doubt.
The Bun Field is a dream journey of a genderless child. It has a strange and nightmarish feel to it; the protagonist is being so vulnerable and kind of hurt, but it is not without a constant dark sense of humor. Dark as the country Finland in wintertime. It has a delicious pencil-smudged style as the school of Feuchtenberger has influenced many northern artists, myself included.
An introduction to the work of a new artist not to be missed Characterized by an intriguing disjointed rhythm and delicious pencil-smudged style, The Bun Field is defined by a surreal ebb and flow, possessing a deep sense of foreboding and hurt, yet maintaining a biting sense of humor. Amanda Vähämäki’s first graphic novel is infused with a sense of abbreviated adolescence and a kind of gray-sky banality. In this story, a young girl dreams of a dinosaur eating Donald Duck; wakes to find a bald, hulking stranger sharing her breakfast; leaves to take a car trip with a bear;…
I am a historian of cities and the ways people shape them. Living in Berlin, both before and after the Wall came down, made me aware of how the shared experiences and memories of particular places give meaning to civic life. (And for a historian it was thrilling to find a place where history was taken very seriously.) Although I have since written broader studies—of cars and cities (Autophobia) and of earlier street life (The Streets of Europe)–it was the experience of living in Berlin while learning its history that enabled me to see the layers of meaning embedded in buildings and streets.
This book is unjustly neglected because it was published just days before the Berlin Wall fell, an event the author, like the rest of us, failed to foresee. Wyden, a prolific writer who grew up Jewish in Hitler’s Berlin, uses his knowledge of the city to situate stories of highwire diplomacy and sensational escapes against a backdrop of ordinary lives marked by grim repression.
Discusses the events surrounding the erection of the Berlin Wall, the Wall's devastating effect on those living near it, and its major impact on East-West relations
I love short-story collections. I’ve read dozens to hundreds of them, starting as a child reading Richard Scarry, and I still make them a regular part of my reading diet. I started trying my own hand at short fiction in 2012 and have since finished more than one hundred stories, including the ones in Animal Husbandry. I’m now working on my first novel after years as a short-story writer, and it gives me additional admiration for how many outstanding novelists are also able to master short fiction. It’s two different skill sets, and the five authors I mentioned here (among many others) excel at both.
This is a truly beautiful collection, and I love the way many of the stories place the protagonists in fraught situations that reveal what they will do to survive.
Some of my favorites are “The Worst You Ever Feel” and “The Briefcase” for how they show war’s impact on survivors, and “Painted Ocean, Painted Ship” and “The Miracle Years of Little Fork” for combining the tragic and the absurd in creative ways.
A short-story collection from the acclaimed author of The Great Believers
Named a must-read by the Chicago Tribune, O Magazine, BuzzFeed, The Huffington Post, Minneapolis Star-Tribune, and The L Magazine
Rebecca Makkai's first two novels, The Borrower and The Hundred-Year House, have established her as one of the freshest and most imaginative voices in fiction. Now, the award-winning writer, whose stories have appeared in four consecutive editions of The Best American Short Stories, returns with a highly anticipated collection bearing her signature mix of intelligence, wit, and heart.
A reality show producer manipulates two contestants into falling in love, even…
Forsaking Home is a story about the life of a man who wants a better future for his children. He and his wife decide to join Earth's first off-world colony. This story is about risk takers and courageous settlers and what they would do for more freedom.
I’ve researched and taught on contemporary social problems for over a decade. Much of this work focused on violence and, especially, torture. Not surprisingly, it often left me overwhelmed about the human condition and about the possibility of creating a better world. The students I taught often felt similarly. During the COVID-19 pandemic, when hope seemed in short supply, I began rethinking how I talk about, teach about, and study politics, problems, and the possibilities of change. As an antidote to despair, helplessness, and denial, hope became a defining feature of my work on violence and now, as I’ve pivoted toward studying the environment, climate change.
This book forever changed how I think. After languishing on my bookshelves for several months, I turned to Rebecca Solnit’s brief but transformative book during the first few months of the COVID-19 pandemic. The book had its intended effect: it made me realize that hope, even in the most difficult moments, is still possible.
As a self-identified pessimist, I long assumed hope wasn’t for me. It seemed too idealistic. But for Solnit (and now for me), hope is something entirely different from the naïve belief that the future will inevitably be better. It is faith that the future is not yet determined. And in the openness of the future is the possibility that our efforts to make a better world can make a real difference.
At a time when political, environmental and social gloom can seem overpowering, this remarkable book offers a lucid, affirmative and well-argued case for hope.
This exquisite work traces a history of activism and social change over the past five decades - from the fall of the Berlin Wall to the worldwide marches against the war in Iraq. Hope in the Dark is a paean to optimism in the uncertainty of the twenty-first century. Tracing the footsteps of the last century's thinkers - including Woolf, Gandhi, Borges, Benjamin and Havel - Solnit conjures a timeless vision of cause and effect that…
I was born in East Germany and experienced the disappearance of that country and the huge changes that followed as a child. My history teachers reflected this fracture in the narratives they constructed, switching between those they had grown up with and the new version they had been told to teach after 1990. It struck me how little resemblance the neat division of German history into chapters and timelines bears to people’s actual lives which often span one or even several of Germany’s radical fault lines. My fascination with my country’s fractured memory has never left me since.
As someone who was born in East Germany, I have experienced, studied, read, and heard a fair bit about the German Democratic Republic and the famous Wall that separated it from the West. As the fault line of the Cold War, it’s hard to overestimate the symbolic significance of this structure and it is therefore hardly surprising that so much has been written about it. Taylor’s book stood out to me because it is about people as well as politics. The many anecdotes that lace his book shed light on the personal stories behind this inanimate object as well as making it a great read.
The astonishing drama of Cold War nuclear poker that divided humanity - reissued with a new Postscript to commemorate the thirtieth anniversary of the fall of the wall.
During the night of 12-13 August 1961, a barbed-wire entanglement was hastily constructed through the heart of Berlin. It metamorphosed into a structure that would come to symbolise the insanity of the Cold War: the Berlin Wall. Frederick Taylor tells the story of the post-war political conflict that led to a divided Berlin and unleashed an East-West crisis, which lasted until the very people the Wall had been built to imprison breached…
For over a decade I’ve been writing about the lines that define us. Whether it’s the work we do or the communities we live in, we all create “borders” in our everyday lives. I’ve interviewed thousands of people from all walks of life to gain a better understanding of the lines we use to carve out our identities and our place in this world, whether it’s on the individual level, within a small community, or on a national scale. My work is always getting at how these lines of separation function, practically speaking, particularly in an increasingly globalized, interconnected world.
We know a lot about the hot-button issues surrounding borders – family separations, deportation, smuggling – but borders also have wildly underestimated psychological effects on individuals. Wapner impressively synthesizes data and research collected on the effects of border barriers from some of the most volatile regions in the world including India and Pakistan, Mexico and the U.S., and both sides of the peace lines of Northern Ireland. The mental health issues caused by militarized borders are alarming and almost entirely unrecognized in today’s world; Wapner brings these shocking and revelatory dynamics to light.
A groundbreaking investigation into the hidden mental health effects of border walls, revealing the harm they bring to all who live near them.
Today, there are at least seventy border walls: from the US-Mexico border to the seventeen thousand miles of barbed wire that wall off Bangladesh from India, as well as the five-layer fence between Saudi Arabia and Iraq. Border walls protect us, the argument goes, because they keep danger out. But what if the walls themselves endanger everyone who lives near them - on both sides?
In this thoroughly reported, eye opening work, science journalist Jessica Wapner reveals…
Forsaking Home is a story about the life of a man who wants a better future for his children. He and his wife decide to join Earth's first off-world colony. This story is about what risk takers and courageous settlers and what they would do for more freedom.
I’m a professor of modern European history. But before that, my first loves were Star Wars, heavy metal, and comic books. When I started my degree, it only made sense to combine my love of popular culture with my academic interest in the Soviet Bloc states. Cultural history and the history of everyday life, examining the world through cars, comics, film, food, music, or whatever, provide us with a lens through which to see how people understood themselves and came to terms with the society around them, and for my work, to understand how those living under dictatorship resisted and carved out their own niche within a police state.
Weaving together the influence of film, television, sport, and punk rock, Horten’s book describes how Western media or, specifically, how the East German population’s desire for Western media and consumer culture and the regime’s efforts to satisfy those desires contributed to the peaceful revolution in 1989.
Despite assumptions that the socialist dictatorship in East Germany was omnipresent, this book, like many others about everyday life under communism, undermines that notion. Horten shows the regime locked in a downward spiral. Faced with economic crises and increasingly unable to afford domestic television and film production, the regime turned to Western imports.
This fed the people’s desire for Western media while increasing that appetite and exposing the regime’s weaknesses in the process.
The fall of the Berlin Wall is typically understood as the culmination of political-economic trends that fatally weakened the East German state. Meanwhile, comparatively little attention has been paid to the cultural dimension of these dramatic events, particularly the role played by Western mass media and consumer culture. With a focus on the 1970s and 1980s, Don't Need No Thought Control explores the dynamic interplay of popular unrest, intensifying economic crises, and cultural policies under Erich Honecker. It shows how the widespread influence of (and public demands for) Western cultural products forced GDR leaders into a series of grudging accommodations…
