Here are 100 books that Don't Need No Thought Control fans have personally recommended if you like
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I’m a professor of modern European history. But before that, my first loves were Star Wars, heavy metal, and comic books. When I started my degree, it only made sense to combine my love of popular culture with my academic interest in the Soviet Bloc states. Cultural history and the history of everyday life, examining the world through cars, comics, film, food, music, or whatever, provide us with a lens through which to see how people understood themselves and came to terms with the society around them, and for my work, to understand how those living under dictatorship resisted and carved out their own niche within a police state.
This is another book that drew me in with the title. I appreciated how McLellan fought the stereotype, advanced by some of her academic peers, of sexual repressiveness in East Germany. Though public discussions of sexuality were tightly controlled by the state, McLellan deftly shows that East Germany experienced a sexual revolution of its own.
Maybe not a revolution as loud and proud as in the West, challenging gender norms and sexual identities, but divorce rates soared as did birth rates outside marriage, nudism became a state-sanctioned activity, and erotica became increasingly available to the public and found in private collections.
McLellan’s narrative is fascinating, illuminating, and at times humorous, drawing on interviews, magazine publications, heterosexual and queer photography collections, films, and state-sponsored information guides and handbooks.
In the aftermath of the reunification of Germany one former dissident recalled nostalgically that under the East German regime 'we had more sex and we had more to laugh about'. Love in the Time of Communism is a fascinating history of the GDR's forgotten sexual revolution and its limits. Josie McLellan shows that under communism divorce rates soared, abortion become commonplace and the rate of births outside marriage was amongst the highest in Europe. Nudism went from ban to state-sponsored boom, and erotica became common currency in both the official economy and the black market. Public discussion of sexuality was,…
I’m a professor of modern European history. But before that, my first loves were Star Wars, heavy metal, and comic books. When I started my degree, it only made sense to combine my love of popular culture with my academic interest in the Soviet Bloc states. Cultural history and the history of everyday life, examining the world through cars, comics, film, food, music, or whatever, provide us with a lens through which to see how people understood themselves and came to terms with the society around them, and for my work, to understand how those living under dictatorship resisted and carved out their own niche within a police state.
Sometimes, I’m drawn to a book for its title, and this title sold me immediately. I was intrigued by the idea that local institutions and people could come together despite, or in spite of, waning faith in East German communism and the flagging legitimacy of the centralized regime.
I loved the idea that Leipzig’s population and local officials worked to save and renew their city during the last days of the communist regime by building a bowling alley, nearly synonymous with the American working class in the late twentieth century, as a shared public space.
Bowling for Communism illuminates how civic life functioned in Leipzig, East Germany's second-largest city, on the eve of the 1989 revolution by exploring acts of "urban ingenuity" amid catastrophic urban decay. Andrew Demshuk profiles the creative activism of local communist officials who, with the help of scores of volunteers, constructed a palatial bowling alley without Berlin's knowledge or approval. In a city mired in disrepair, civic pride overcame resentment against a regime loathed for corruption, Stasi spies, and the Berlin Wall.
Reconstructing such episodes through interviews and obscure archival materials, Demshuk shows how the public sphere functioned in Leipzig before…
I’m a professor of modern European history. But before that, my first loves were Star Wars, heavy metal, and comic books. When I started my degree, it only made sense to combine my love of popular culture with my academic interest in the Soviet Bloc states. Cultural history and the history of everyday life, examining the world through cars, comics, film, food, music, or whatever, provide us with a lens through which to see how people understood themselves and came to terms with the society around them, and for my work, to understand how those living under dictatorship resisted and carved out their own niche within a police state.
Given the title I selected for this list, including this book was a bit of a cheat since it addresses Poland through most of the twentieth century. But, in many ways, I wish I had written this book or one like it.
Stańczyk brilliantly narrates the history of modern Poland through the lens of comic books. Across the political transformations of the Polish state since its re-formation after the First World War, Stańczyk discusses the state’s approach to imported Western comics and translation, the development of a domestic comic book industry, and the post-communist boom in Japanese manga to dissect Poland’s self-image in relation to the Western world, especially the United States, the East, democracy, and communism.
Winner, 2023 Comics Studies Society Charles Hatfield Book Prize
Comics and Nation offers a fresh perspective on the role of popular culture in the one-hundred-year history of the Polish state, from its foundation in 1918 to the present. Drawing on dozens of press articles, interviews, and readers’ letters, Ewa Stańczyk discusses how journalists, artists, and audiences used comics to probe the boundaries of national culture and scrutinize the established notions of Polishness. Critical moments of Poland’s political transformation ––the establishment of the interwar Polish Republic, the Cold War, the liberalization of the 1970s, the 1989 democratic transition, the turn to…
Marriage and Fatherhood in the Nazi SS
By
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
I’m a professor of modern European history. But before that, my first loves were Star Wars, heavy metal, and comic books. When I started my degree, it only made sense to combine my love of popular culture with my academic interest in the Soviet Bloc states. Cultural history and the history of everyday life, examining the world through cars, comics, film, food, music, or whatever, provide us with a lens through which to see how people understood themselves and came to terms with the society around them, and for my work, to understand how those living under dictatorship resisted and carved out their own niche within a police state.
I love books that explore the Soviet Bloc through its development of consumer culture. Much as they were in the West, in the East, cars were symbolic of progress and modernity. Unlike the West, production and distribution problems created a car culture focused on access.
Still, the regimes struggled to control the excesses of consumer impulse more than they did the abuses of authority. This volume is fascinating as it asserts that the Soviet Bloc states were consumer-driven societies, given the same desires and demands as the West, despite their communist ideology.
Cars were political, and acquiring one may demand demonstrations of loyalty to the system. On the other hand, owning a car allowed for a perceived freedom from the regime, socialism, and social norms.
Across the Soviet Bloc, from the 1960s until the collapse of communism, the automobile exemplified the tension between the ideological imperatives of political authorities and the aspirations of ordinary citizens. For the latter, the automobile was the ticket to personal freedom and a piece of the imagined consumer paradise of the West. For the authorities, the personal car was a private, mobile space that challenged the most basic assumptions of the collectivity. The "socialist car"-and the car culture that built up around it-was the result of an always unstable compromise between official ideology, available resources, and the desires of an…
I am a historian of cities and the ways people shape them. Living in Berlin, both before and after the Wall came down, made me aware of how the shared experiences and memories of particular places give meaning to civic life. (And for a historian it was thrilling to find a place where history was taken very seriously.) Although I have since written broader studies—of cars and cities (Autophobia) and of earlier street life (The Streets of Europe)–it was the experience of living in Berlin while learning its history that enabled me to see the layers of meaning embedded in buildings and streets.
1980s Berlin is famous for two things: a wild counterculture and the sudden demise of the Wall. In recalling the outsize personalities he got to know on both sides of the Wall, Paul Hockenos brings the two strands of history as close together as can be done. The music and party scene, the communes and the squats, arose during this quiet lull in the Cold War, as political, musical, and sexual misfits found their niche in the dead zones along the Wall. Most of us living in Berlin in the 80s enjoyed the peace and quiet. This book shows what most of us were missing out on.
Berlin Calling is a gripping account of the 1989 'peaceful revolution' in East Germany that upended communism and the tumultuous years of artistic ferment, political improvisation, and pirate utopias that followed. It's the story of a newly undivided Berlin when protest and punk rock, bohemia and direct democracy, techno and free theatre were the order of the day. Berlin Calling is a unique account of how Berlin became hip, and of why it continues to attract creative types from the world over.
I am both a musician and an author: a Juilliard-trained professional composer who fell into writing after a Ph.D. in electronic music at NYU. Both of my biographies—a favorite genre—chronicle the lives of inventors who married music to electronics and altered the trajectory of music. But their lives each took strange turns—sometimes in almost fictional dimensions—demonstrating that leaving a technological and artistic mark on posterity often has a black side that history overlooked. I’m fascinated by the psychic profiles of my subjects, and I love books that show how character is not black and white—that those who moved the needle of human progress also harbored dark realms in their personalities.
If you’ve ever wondered (or haven’t) what Richard Nixon, Jane Fonda, Linda Ronstadt, All in the Family, and the films Chinatown and Shampoo share in common, and why it matters, author and political correspondent Ronald Brownstein connects the dots in a compelling examination of how the seismic cultural upheavals we attribute to the late 60s were in fact late bloomers, leaving their mark only in the early 70s.
Part nostalgia, part pop and TV history, part political analysis, this book zeros in on the cast of personalities and classic artistic works that collectively made 1974 the pivotal year in the modern American zeitgeist. Something for everyone who lived through that time—I can attest to that—and a timely cultural history lesson for those who didn’t.
In this exceptional cultural history, Atlantic Senior Editor Ronald Brownstein-"one of America's best political journalists" (The Economist)-tells the kaleidoscopic story of one monumental year that marked the city of Los Angeles' creative peak, a glittering moment when popular culture was ahead of politics in predicting what America would become.
Los Angeles in 1974 exerted more influence over popular culture than any other city in America. Los Angeles that year, in fact, dominated popular culture more than it ever had before, or would again. Working in film, recording, and television…
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places…
I am a journalist and NYU professor whose primary field is American foreign policy. As a biographer, however, I am drawn to American history and, increasingly, to the history of liberalism. I am now writing a biography of that arch-liberal, Hubert Humphrey. My actual subject thus appears to be wars of ideas. I began reading in-depth about the 1850s, when the question of slavery divided the nation in half, while writing a short biography of Judah Benjamin, Secretary of State of the Confederacy. (Judah Benjamin: Counselor To The Confederacy will be published in October.) It was the decade in which the tectonic fault upon which the nation was built erupted to the surface. There's a book for me in there somewhere, but I haven't yet found it.
Southerners rarely spoke of "the South" until slavery began to be threatened in the 1840s; slavery made the South. The North was far more fragmented--until an anti-slavery culture took hold in the 1850s. Brooke is highly sensitive to the role of popular culture in forging that consensus--not just Uncle Tom's Cabin, the most influential novel in American history, but local theatricals and the poetry of John Greenleaf Whittier. Here was the original, unbridgeable division between red and blue states.
How does political change take hold? In the 1850s, politicians and abolitionists despaired, complaining that the "North, the poor timid, mercenary, driveling North" offered no forceful opposition to the power of the slaveholding South. And yet, as John L. Brooke proves, the North did change. Inspired by brave fugitives who escaped slavery and the cultural craze that was Uncle Tom's Cabin, the North rose up to battle slavery, ultimately waging the bloody Civil War.
While Lincoln's alleged quip about the little woman who started the big war has been oft-repeated, scholars have not fully explained the dynamics between politics and…
I am a lecturer in the School of Media and Communication at the University of Westminster. I write regularly on popular music and culture in scholarly form and as a critic in various publications. I am convinced that popular music can gesture at utopia despite its emergence from within a capitalist market society.
Iton’s book isn’t restricted to popular music but ranges more widely across Black popular cultures.
However, in the ways he understands the historical intersection of popular music and institutional politics (especially in a magisterial chapter on soul music), Iton gave me a way of conceptualizing music as a form of political expression and organization in itself.
*Named one of CHOICE 's "Outstanding Academic Titles for 2009"*
Prior to the 1960s, when African Americans had little access to formal political power, black popular culture was commonly seen as a means of forging community and effecting political change.
But as Richard Iton shows in this provocative and insightful volume, despite the changes brought about by the civil rights movement, and contrary to the wishes of those committed to narrower conceptions of politics, black artists have continued to play a significant role in the making and maintenance of critical social spaces.…
I am a historian of twentieth century Germany and the Holocaust, but I am also a voracious consumer of popular culture. How do I justify spending so much time watching and analyzing horror and science fiction film and television? Well, write a book about it, of course. The first thing I realized is that many other brilliant scholars have thought about why this imagery permeates contemporary culture, even if I asked different questions about why. I hope you are as inspired and enlightened by this book list as I was.
Eric Kurlander is a brilliant historian of modern Germany who finally treats this topic with the seriousness it deserves. Lots of charlatans and amateurs on the History Channel love to speculate about the Nazis and the occult, but Kurlander brings a historian’s rigor to the subject and reveals a complex relationship between the supernatural and the Nazi worldview. Among his findings is that key Nazi figures used the vast propaganda machinery, including film, to depict its “racial enemies” as monstrous. Kurlander also breaks down absurd beliefs like World Ice Theory and determines the truth behind Hitler’s fascination with the “Spear of Destiny.”
The definitive history of the supernatural in Nazi Germany-the occult ideas, esoteric sciences, and pagan religions touted by the Third Reich in the service of power
"[Kurlander] shows how swiftly irrational ideas can take hold, even in an age before social media."-Michael Dirda, The Washington Post
"A careful, clear-headed, and exhaustive examination of a subject so lurid that it has probably scared away some of the serious research it merits."-National Review
The Nazi fascination with the occult is legendary, yet today it is often dismissed as Himmler's personal obsession or wildly overstated for its novelty. Preposterous though it was, however,…
It didn’t begin with Donald Trump. When the Republican Party lost five straight presidential elections during the 1930s and 1940s, three things happened: (1) Republicans came to believe that presidential elections are rigged; (2) Conspiracy theories arose and were believed; and (3) The presidency was elevated to cult-like status.
I started worrying about populism in 2008, when vice-presidential candidate Sarah Palin chastised the elitists, whom she defined as “people who think they’re better than anyone else.” Meanwhile, she thought she was so much better than anyone else that she could serve as backup leader of the world despite the fact that she believed that the political leader of the United Kingdom is the queen. After she lost she vowed, “I’m never going to pretend like I know more than the next person. I’m not going to pretend to be an elitist. In fact, I’m going to fight the elitist.” She was unaware that there is a third option: to study so that you know more than the next person.
The co-creator of SPY magazine, Kurt Andersen was my hero in high school. He’s been an NPR radio host, a novelist, a magazine editor, and a co-author with Alec Baldwin on their Trump book. But this book feels like all the thinking he’s done in those places put in one place. It’s a textbook of American history from the Puritans until today, through the lens of our special predilection for conspiracy, con artists, and fabulists, both on the left and the right, and how it all culminates in the 1960s. So smart, so funny, so jealous.
You're entitled to your own opinion but not your own facts
Fantasy is the USA's primary product. From the Pilgrim Fathers onward America has been a place where renegades and freaks came in search of freedom to create their own realities with little objectively regulated truth standing in their way. The freedom to invent and believe whatever the hell you like is, in some ways, an unwritten constitutional right. But, this do-your-own-thing freedom also is the driving credo of America's current transformation where the difference between opinion and fact is rapidly crumbling.
