Fans pick 100 books like Bowling for Communism

This is another book that drew me in with the title. I appreciated how McLellan fought the stereotype, advanced by some of her academic peers, of sexual repressiveness in East Germany. Though public discussions of sexuality were tightly controlled by the state, McLellan deftly shows that East Germany experienced a sexual revolution of its own.

Maybe not a revolution as loud and proud as in the West, challenging gender norms and sexual identities, but divorce rates soared as did birth rates outside marriage, nudism became a state-sanctioned activity, and erotica became increasingly available to the public and found in private collections.

McLellan’s narrative is fascinating, illuminating, and at times humorous, drawing on interviews, magazine publications, heterosexual and queer photography collections, films, and state-sponsored information guides and handbooks.  

Weaving together the influence of film, television, sport, and punk rock, Horten’s book describes how Western media or, specifically, how the East German population’s desire for Western media and consumer culture and the regime’s efforts to satisfy those desires contributed to the peaceful revolution in 1989.

Despite assumptions that the socialist dictatorship in East Germany was omnipresent, this book, like many others about everyday life under communism, undermines that notion. Horten shows the regime locked in a downward spiral. Faced with economic crises and increasingly unable to afford domestic television and film production, the regime turned to Western imports.

This fed the people’s desire for Western media while increasing that appetite and exposing the regime’s weaknesses in the process.

Given the title I selected for this list, including this book was a bit of a cheat since it addresses Poland through most of the twentieth century. But, in many ways, I wish I had written this book or one like it. 

Stańczyk brilliantly narrates the history of modern Poland through the lens of comic books. Across the political transformations of the Polish state since its re-formation after the First World War, Stańczyk discusses the state’s approach to imported Western comics and translation, the development of a domestic comic book industry, and the post-communist boom in Japanese manga to dissect Poland’s self-image in relation to the Western world, especially the United States, the East, democracy, and communism.

I love books that explore the Soviet Bloc through its development of consumer culture. Much as they were in the West, in the East, cars were symbolic of progress and modernity. Unlike the West, production and distribution problems created a car culture focused on access. 

Still, the regimes struggled to control the excesses of consumer impulse more than they did the abuses of authority. This volume is fascinating as it asserts that the Soviet Bloc states were consumer-driven societies, given the same desires and demands as the West, despite their communist ideology.

Cars were political, and acquiring one may demand demonstrations of loyalty to the system. On the other hand, owning a car allowed for a perceived freedom from the regime, socialism, and social norms.

This is a memoir written by a young man who grew up in East Germany. I picked this one up for research but found myself completely enthralled by the story. His attention to detail is excellent. If you ever want to know what it was like to grow up in East Germany on a day-to-day basis, this is a great source of information. When the author finally goes to West Berlin for the first time in his life, it made me cry. 

When the Berlin Wall goes up, Gerta’s family is divided.

Her father and one brother are in the west. Gerta, her mother, and her brother Fritz are in the east. Four years later, the Statsi has their eye on Gerta’s family, Fritz is due to be drafted, and then Gerta catches sight of her father on the other side of the wall, signaling something about digging.

If they’re ever going to be free, they must do something daring, and do it soon. Though written for young readers, the excellent pacing, realistic characters, and powerful themes about freedom and family make this book a great read for all ages. 

Did you know that the beautiful German city of Dresden was part of what the Eastern Germans called ‘The Valley of the Clueless’? Dresden, along with another section in the north, wasn’t able to receive any broadcasts from the West German TV channels existing at that time. Tellkamp’s novel sheds light on the last decade of the German Democratic Republic, leading all the way up to its fall in 1989. None of its three protagonists are too likable, and this is exactly what I appreciate about Tellkamp’s writing. He isn’t afraid to sketch them as such. The speed of the novel varies, and I can’t lie: I have to say that some passages took me an effort to get through. Still, I’d recommend this book to anyone who wants to dwell in Tellkamp’s memories of a time long gone - and ironically, still so present.

The author of this non-fiction book interviews eight people who were born and raised in East Germany’s totalitarian regime and have had to adjust to a new life after the Wall comes down. I liked this book because it gave me a different perspective on East Germany and how people felt about the regime. Turns out it was a little more complicated than simply thinking everything was bad. And once the Wall came down, many things became difficult for easterners, particularly the higher cost of living and the scorn they experienced from westerners. 

First of all: am I the only one who thinks Franzen looks a bit like Stephen King? This resemblance might very well be the only thing they have in common (aside from both making a living solely with their writing). English isn’t my native language, so it probably took me a bit longer than the average native speaker to read his (long!) book - which is a stark contrast to Follett’s, and not only in terms of prose style. I had no idea that Franzen studied in Germany and is fluent in my mother language. I only looked this up after his chapter aptly titled "The Republic of Bad Taste" — Franzen’s name for East Germany.

With the character of Andreas Wolf, we’re looking into the mind of a criminal, the offspring of a high-level informant — his father. Andreas Wolf murders the sexually abusive father of a girl he… show more.

Set in 1955-56, The Architects by German-Jewish author Stefan Heym is a rare find. It delivers a stark portrait of East Germany in the period around Khrushchev’s “secret speech” denouncing Stalin, which Heym lived through. The author uses the politics of architecture to expose hypocrisy and personal jealousy in the new “anti-Fascist” German state. At the heart of the book is a devastating personal betrayal that gives the lie to communist claims of moral superiority. Written in the 1960s’, The Architects is a searing critique of the New Germany by a convinced socialist. This helps explain why Heym wrote it in English and did not publish it until 2000, a year before his death, in his own German translation.