Here are 100 books that Love in the Time of Communism fans have personally recommended if you like
Love in the Time of Communism.
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As an ethnographer, I have been studying the lives of ordinary women in socialist and post-socialist countries in Eastern Europe for over twenty-five years. I have always been fascinated by the differences in women’s life options in the presence or absence of robust social safety nets. As a scholar, I’ve spent decades working in archives and interviewing people across the region, and I have written eight books about the various gendered experiences of everyday life in Eastern Europe. As a professor, I have taught a course called “Sex and Socialism,” almost every year for eighteen years and I am always reading widely in this field to look for new material for my syllabi.
Written while August Bebel was serving a jail term under Germany’s anti-socialist laws, Woman and Socialismwas published in over fifty editions and in more than twenty languages between 1879 and 1914. The first English edition was published in 1908 and became something of a sensation in the United Kingdom and the United States. Unlike other men in the labor movement at the time, Bebel believed that women were the full equals of men and should have the same economic, social, and political rights. More importantly, he argued that socialism would give women economic independence, and that this would allow them more freedom in their personal lives, including in their choice of a sexual partner. The book sometimes feels as radical today as it was 150 years ago.
This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.
As an ethnographer, I have been studying the lives of ordinary women in socialist and post-socialist countries in Eastern Europe for over twenty-five years. I have always been fascinated by the differences in women’s life options in the presence or absence of robust social safety nets. As a scholar, I’ve spent decades working in archives and interviewing people across the region, and I have written eight books about the various gendered experiences of everyday life in Eastern Europe. As a professor, I have taught a course called “Sex and Socialism,” almost every year for eighteen years and I am always reading widely in this field to look for new material for my syllabi.
Engels provides the canonical theoretical framework for understanding how capitalism uniquely impacts women’s lives and how a more collectivized economy lays the foundation for women’s full emancipation. While many subsequent feminist and socialist scholars have disagreed with this book, The Origin of the Family is a classic that has inspired countless generations of theorists and activists.
The Origin of the Family, Private Property, and the State: in the Light of the Researches of Lewis H. Morgan (German: Der Ursprung der Familie, des Privateigenthums und des Staats) is an 1884 historical materialist treatise by Friedrich Engels. It is partially based on notes by Karl Marx to Lewis H. Morgan's book Ancient Society (1877). The book is an early anthropological work and is regarded as one of the first major works on family economics.
Following the death of his friend and co-thinker Karl Marx in 1883, Friedrich Engels served as his literary executor, actively organizing and preparing for…
As an ethnographer, I have been studying the lives of ordinary women in socialist and post-socialist countries in Eastern Europe for over twenty-five years. I have always been fascinated by the differences in women’s life options in the presence or absence of robust social safety nets. As a scholar, I’ve spent decades working in archives and interviewing people across the region, and I have written eight books about the various gendered experiences of everyday life in Eastern Europe. As a professor, I have taught a course called “Sex and Socialism,” almost every year for eighteen years and I am always reading widely in this field to look for new material for my syllabi.
This deeply researched book explores the massive upheavals that followed the Bolshevik Revolution in the young Soviet Union. By mining a rich body of archival research, Goldman reveals just how radical Soviet policies to emancipate women really were in their historical context. More importantly, she uncovers the heated debates that characterized this early period of Soviet history before the rigidity and paranoia of Stalinism takes over and he reverses many of the early gains.
When the Bolsheviks came to power in 1917, they believed that under socialism the family would 'wither away.' They envisioned a society in which communal dining halls, daycare centres, and public laundries would replace the unpaid labour of women in the home. Yet by 1936 legislation designed to liberate women from their legal and economic dependence had given way to increasingly conservative solutions aimed at strengthening traditional family ties and women's reproductive role. This book explains the reversal, focusing on how women, peasants, and orphans responded to Bolshevik attempts to remake the family, and how their opinions and experiences in…
As an ethnographer, I have been studying the lives of ordinary women in socialist and post-socialist countries in Eastern Europe for over twenty-five years. I have always been fascinated by the differences in women’s life options in the presence or absence of robust social safety nets. As a scholar, I’ve spent decades working in archives and interviewing people across the region, and I have written eight books about the various gendered experiences of everyday life in Eastern Europe. As a professor, I have taught a course called “Sex and Socialism,” almost every year for eighteen years and I am always reading widely in this field to look for new material for my syllabi.
Katerina Liskova’s intriguing sociological and historical study provides a deep dive into the creation of “expert knowledge” by progressive sexologists in the former socialist state of Czechoslovakia. She argues convincingly that while American housewives pottered around their kitchens in the 1950s, Czechoslovak women experienced a sexual revolution after abortion was legalized, same sex love was decriminalized, and scientists focused on how to improve women’s sex lives. State efforts to promote the ideal of full gender equality within romantic relations gave women new opportunities for education and professional advancement that their mothers and grandmothers could scarcely have dreamed of.
This is the first account of sexual liberation in Eastern Europe during the Cold War. Katerina Liskova reveals how, in the case of Czechoslovakia, important aspects of sexuality were already liberated during the 1950s - abortion was legalized, homosexuality decriminalized, the female orgasm came into experts' focus - and all that was underscored by an emphasis on gender equality. However, with the coming of Normalization, gender discourses reversed and women were to aspire to be caring mothers and docile wives. Good sex was to cement a lasting marriage and family. In contrast to the usual Western accounts highlighting the importance…
I’m a professor of modern European history. But before that, my first loves were Star Wars, heavy metal, and comic books. When I started my degree, it only made sense to combine my love of popular culture with my academic interest in the Soviet Bloc states. Cultural history and the history of everyday life, examining the world through cars, comics, film, food, music, or whatever, provide us with a lens through which to see how people understood themselves and came to terms with the society around them, and for my work, to understand how those living under dictatorship resisted and carved out their own niche within a police state.
Sometimes, I’m drawn to a book for its title, and this title sold me immediately. I was intrigued by the idea that local institutions and people could come together despite, or in spite of, waning faith in East German communism and the flagging legitimacy of the centralized regime.
I loved the idea that Leipzig’s population and local officials worked to save and renew their city during the last days of the communist regime by building a bowling alley, nearly synonymous with the American working class in the late twentieth century, as a shared public space.
Bowling for Communism illuminates how civic life functioned in Leipzig, East Germany's second-largest city, on the eve of the 1989 revolution by exploring acts of "urban ingenuity" amid catastrophic urban decay. Andrew Demshuk profiles the creative activism of local communist officials who, with the help of scores of volunteers, constructed a palatial bowling alley without Berlin's knowledge or approval. In a city mired in disrepair, civic pride overcame resentment against a regime loathed for corruption, Stasi spies, and the Berlin Wall.
Reconstructing such episodes through interviews and obscure archival materials, Demshuk shows how the public sphere functioned in Leipzig before…
I’m a professor of modern European history. But before that, my first loves were Star Wars, heavy metal, and comic books. When I started my degree, it only made sense to combine my love of popular culture with my academic interest in the Soviet Bloc states. Cultural history and the history of everyday life, examining the world through cars, comics, film, food, music, or whatever, provide us with a lens through which to see how people understood themselves and came to terms with the society around them, and for my work, to understand how those living under dictatorship resisted and carved out their own niche within a police state.
Weaving together the influence of film, television, sport, and punk rock, Horten’s book describes how Western media or, specifically, how the East German population’s desire for Western media and consumer culture and the regime’s efforts to satisfy those desires contributed to the peaceful revolution in 1989.
Despite assumptions that the socialist dictatorship in East Germany was omnipresent, this book, like many others about everyday life under communism, undermines that notion. Horten shows the regime locked in a downward spiral. Faced with economic crises and increasingly unable to afford domestic television and film production, the regime turned to Western imports.
This fed the people’s desire for Western media while increasing that appetite and exposing the regime’s weaknesses in the process.
The fall of the Berlin Wall is typically understood as the culmination of political-economic trends that fatally weakened the East German state. Meanwhile, comparatively little attention has been paid to the cultural dimension of these dramatic events, particularly the role played by Western mass media and consumer culture. With a focus on the 1970s and 1980s, Don't Need No Thought Control explores the dynamic interplay of popular unrest, intensifying economic crises, and cultural policies under Erich Honecker. It shows how the widespread influence of (and public demands for) Western cultural products forced GDR leaders into a series of grudging accommodations…
I’m a professor of modern European history. But before that, my first loves were Star Wars, heavy metal, and comic books. When I started my degree, it only made sense to combine my love of popular culture with my academic interest in the Soviet Bloc states. Cultural history and the history of everyday life, examining the world through cars, comics, film, food, music, or whatever, provide us with a lens through which to see how people understood themselves and came to terms with the society around them, and for my work, to understand how those living under dictatorship resisted and carved out their own niche within a police state.
Given the title I selected for this list, including this book was a bit of a cheat since it addresses Poland through most of the twentieth century. But, in many ways, I wish I had written this book or one like it.
Stańczyk brilliantly narrates the history of modern Poland through the lens of comic books. Across the political transformations of the Polish state since its re-formation after the First World War, Stańczyk discusses the state’s approach to imported Western comics and translation, the development of a domestic comic book industry, and the post-communist boom in Japanese manga to dissect Poland’s self-image in relation to the Western world, especially the United States, the East, democracy, and communism.
Winner, 2023 Comics Studies Society Charles Hatfield Book Prize
Comics and Nation offers a fresh perspective on the role of popular culture in the one-hundred-year history of the Polish state, from its foundation in 1918 to the present. Drawing on dozens of press articles, interviews, and readers’ letters, Ewa Stańczyk discusses how journalists, artists, and audiences used comics to probe the boundaries of national culture and scrutinize the established notions of Polishness. Critical moments of Poland’s political transformation ––the establishment of the interwar Polish Republic, the Cold War, the liberalization of the 1970s, the 1989 democratic transition, the turn to…
I’m a professor of modern European history. But before that, my first loves were Star Wars, heavy metal, and comic books. When I started my degree, it only made sense to combine my love of popular culture with my academic interest in the Soviet Bloc states. Cultural history and the history of everyday life, examining the world through cars, comics, film, food, music, or whatever, provide us with a lens through which to see how people understood themselves and came to terms with the society around them, and for my work, to understand how those living under dictatorship resisted and carved out their own niche within a police state.
I love books that explore the Soviet Bloc through its development of consumer culture. Much as they were in the West, in the East, cars were symbolic of progress and modernity. Unlike the West, production and distribution problems created a car culture focused on access.
Still, the regimes struggled to control the excesses of consumer impulse more than they did the abuses of authority. This volume is fascinating as it asserts that the Soviet Bloc states were consumer-driven societies, given the same desires and demands as the West, despite their communist ideology.
Cars were political, and acquiring one may demand demonstrations of loyalty to the system. On the other hand, owning a car allowed for a perceived freedom from the regime, socialism, and social norms.
Across the Soviet Bloc, from the 1960s until the collapse of communism, the automobile exemplified the tension between the ideological imperatives of political authorities and the aspirations of ordinary citizens. For the latter, the automobile was the ticket to personal freedom and a piece of the imagined consumer paradise of the West. For the authorities, the personal car was a private, mobile space that challenged the most basic assumptions of the collectivity. The "socialist car"-and the car culture that built up around it-was the result of an always unstable compromise between official ideology, available resources, and the desires of an…
Even the purest of artists thrive under tension. For some artists, politics has provided a crucial source of tension which has led to great achievement. Usually, it doesn’t. Why? Because artists, like critics, are often poor at gauging political realities. (Artists are usually better off not getting involved with “ideological confusion and violence,” as Greenberg put it.) Occasionally, though, problems become so acute that being unserious about the world is not an option—the 1930s was like this for some, and maybe a second Trump presidency will have a similar effect on artists and critics today, although there is real room for doubt.
It is hard to describe what this book is about, except to say it is a profound attempt to think through the relation between memory and fact. Maybe the point is best summarized with the phrase, “One has to invent for the truth’s sake.”
Christa T. is Wolf’s creation and a real person, the act of writing her is an act of production, and maybe the best picture of Communism we have. Wolf is a complicated figure whose work—Marxist, feminist, deeply invested in subjectivity—is tougher and more serious about art and politics than any contemporary writer I know.
When The Quest for Christa T. was first published in East Germany ten years ago, there was an immediate storm: bookshops in East Berlin were given instructions to sell it only to well-known customers professionally involved in literary matters; at the annual meeting of East German Writers Conference, Mrs Wolf's new book was condemmed. Yet the novel has nothing eplicity to do with politics.
I was born in England, live in America, and write history books about Germany. I’ve published eight books in all (and co-edited two others), and I’m proud that two of them won prizes. I review books, too, in publications like the Guardian and the London Review of Books. History is how I make my living, but it is also a calling and a passion. I can’t imagine doing anything else. I have always enjoyed reading literature and find I am reading even more avidly since the pandemic. There are so many German novels I love it was hard to choose just five. I hope you enjoy my choices.
This is the best book I know (even better than a complex spy thriller!) about what the Berlin Wall meant to individual East Germans.
I first read this novel about divided lovers in a West German edition back in the 1980s, when the “other” Germany still existed. I have often used the book in classes since then because I like it so much, enjoying it more and more as I peeled back the layers, admiring how cleverly Christa Wolf interweaves the personal and political.
She talks about “this strange stuff called life,” and that is one of the things I most love about the book: how it makes things that are apparently obvious and familiar seem strange.
First published in 1963, in East Germany, They Divided the Sky tells the story of a young couple, living in the new, socialist, East Germany, whose relationship is tested to the extreme not only because of the political positions they gradually develop but, very concretely, by the Berlin Wall, which went up on August 13, 1961. The story is set in 1960 and 1961, a moment of high political cold war tension between the East Bloc and the West, a time when many thousands of people were leaving the young German Democratic Republic (the GDR) every day in order to…
