During the later Cold War, I grew up in neutral and peaceful Switzerland. My German mother’s family lived apart in divided Germany. I knew as a child that I would become a historian because I wanted to find out what had happened to my mother’s home and why there was a Cold War in the first place. My father’s service as a Swiss Red Cross delegate in Korea after 1953 raised my interest in East Asia. After learning Russian and Chinese, I wrote my first book on The Sino-Soviet Split. When I was finishing the book, I resolved to reinvent myself as a global historian, which is why I wrote my second book as a reinterpretation of the global Cold War as a series of parallel regional Cold Wars in Asia, the Middle East, and Europe.
Ned Richardson-Little explores the mostly forgotten history of the human rights discourse in a Communist dictatorship. Believe it or not, East Germany tried to pose as a promoter of human rights in international and domestic affairs. It spent much effort and many resources on constructing an alternative to Western-dominated human rights debates. Even if Communist Germany disappeared in 1989/90, its warped human rights discourse beforehand had exerted a major influence on dissidents and their increasing opposition to the authoritarian police state in which they were living.
Richardson-Little exposes the forgotten history of human rights in the German Democratic Republic, placing the history of the Cold War, Eastern European dissidents and the revolutions of 1989 in a new light. By demonstrating how even a communist dictatorship could imagine itself to be a champion of human rights, this book challenges popular narratives on the fall of the Berlin Wall and illustrates how notions of human rights evolved in the Cold War as they were re-imagined in East Germany by both dissidents and state officials. Ultimately, the fight for human rights in East Germany was part of a global…
I’m a Scottish journalist. In the 1980s, I studied German at Karl-Marx University in Leipzig, East Germany. It was a fascinating experience that changed my perceptions of the world. I didn’t become a communist, but I did begin to see that where you stand depends on where you sit and that principles are easy to maintain when it costs you nothing to do so. There was a bleak glamour to East Germany that I loved, and so I decided to set my first novel in the shadowy world of intense personal connections, underground artists, and unofficial informers that I’d found in Leipzig.
In Times of Fading Light is a masterful five-decade family saga that melds the personal and the political to create a fascinating portrait of East Germany before and after the fall of the Berlin Wall. Intelligent, fearless, and full of dark humor, it is both an ingeniously structured page-turner, moving back and forward in time, and a literary tour de force. Eugen Ruge was a 35-year-old playwright when the Wall fell, and In Times of Fading Light, published in 2011, was his first novel. It provides a rich understanding of how people lived and loved in East Germany that scotches both nostalgia for the old East and Western clichés. Shining a bright light into the darker corners of family dynamics, it is also a tale with universal resonance.
I’m a Scottish journalist. In the 1980s, I studied German at Karl-Marx University in Leipzig, East Germany. It was a fascinating experience that changed my perceptions of the world. I didn’t become a communist, but I did begin to see that where you stand depends on where you sit and that principles are easy to maintain when it costs you nothing to do so. There was a bleak glamour to East Germany that I loved, and so I decided to set my first novel in the shadowy world of intense personal connections, underground artists, and unofficial informers that I’d found in Leipzig.
Set in 1955-56, The Architects by German-Jewish author Stefan Heym is a rare find. It delivers a stark portrait of East Germany in the period around Khrushchev’s “secret speech” denouncing Stalin, which Heym lived through. The author uses the politics of architecture to expose hypocrisy and personal jealousy in the new “anti-Fascist” German state. At the heart of the book is a devastating personal betrayal that gives the lie to communist claims of moral superiority. Written in the 1960s’, The Architects is a searing critique of the New Germany by a convinced socialist. This helps explain why Heym wrote it in English and did not publish it until 2000, a year before his death, in his own German translation.
Written between 1963 and 1966, when its publication would have proved to be political dynamite - and its author's undoing - this novel of political intrigue and personal betrayal takes readers into the German Democratic Republic in the late 1950s, shortly after Khruschev's ""secret speech"" denouncing Stalin and his methods brought about a ""thaw"" in the Soviet bloc and, with it, the release of many victims of Stalinist brutality. Among these is Daniel, a Communist exile from Hitler who has been accused of treachery while in Moscow and who now returns to Germany after years of imprisonment. A brilliant architect,…
I’m a traditional sculptor with more than 25 years of experience. Being a dyslectic student in the 2000s, I developed a systematic approach to translating medical anatomy texts into visual information that I could use while sculpting. All the anatomy books for artists at the time were text-centered. My reference sketches became quite popular among colleagues. It was clear that visual artists perceive information best when it’s visual, and that is how I got the idea for my first book. Now the Anatomy for Sculptors handbooks are bestsellers among visual artists striving to better understand the human form.
While the West was busy with postmodernism, the Soviet world cultivated social realism based on the 19th-century figurative tradition of the École des Beaux-Arts in Paris. East Germany was no exception with its own figurative tradition at Dresden Academy of Fine Arts. Gottfried Bammes was a professor of art there, and he further developed classical anatomy studies by introducing a more scientific approach. Illustrations in Der Nackte Mensch are precisely measured and reliable, and each of them introduces a new way to look at human anatomy. Concepts such as wire-framing and splitting organic form into geometric shapes appear here. This book is full of ideas, and it has been a huge influence on how I perceive human anatomy. Gottfried Bammes is, in my opinion, the greatest anatomist of the 20th century!
Gottfried Bamme - The naked man. Hand and textbook of anatomy for artists VEB Verlag of Art | 1982 | ISBN: 3364000166 | German | 480 pages Shown with special reference of their own tasks, objectives and methodological problems. With around 840 individual anatomical drawings by the author, over 120 examples of masterpieces of the fine arts, model 190 single shots and many students work.
My mother grew up in Germany during World War Two and her family (or what was left of it) settled in the Soviet Zone that eventually became East Germany. She managed to get out in 1953 by sneaking across the border with a weekend pass, but other members of the family remained. This history has been close to my heart as a result and is what inspired me to write my novel, The House of One Thousand Eyes. I had to do a lot of research to evoke an authentic setting for my novel. This reading list comes from my research of, and fascination with, that time in history.
This is a memoir written by a young man who grew up in East Germany. I picked this one up for research but found myself completely enthralled by the story. His attention to detail is excellent. If you ever want to know what it was like to grow up in East Germany on a day-to-day basis, this is a great source of information. When the author finally goes to West Berlin for the first time in his life, it made me cry.
Ever wondered what it must have been like growing up behind the Iron Curtain, on the wrong side of the Berlin Wall? Would your days have been haunted by the shadow of the omnipresent secret service, the Stasi, or was reality somewhat more mundane? In this humorous and touching memoir, Oliver Fritz takes us behind the myths, into a world of bottled fruit, corny commie jokes, socialist folk songs, sticky-taped plastic bags and Trabant cars. Where kids are counting the years to retirement, pensioners have no qualms breaking the law, holidays involve smuggling western newspapers from the Soviet Union or…
I love a well-written historical fiction novel that immerses me in the time period and introduces a female character I can relate to. We may live in different times, but women in all eras feel love, attempt and fail, find strength, perform heroic deeds, suffer mishaps, and experience life. Escaping into their stories makes me question what I would have done in their shoes as well as think about how my own story is still being written. As a historical fiction author, I seek to create those relationships between my characters and readers.
Berlin, 1989. Anne Simpson, an American who works as a translator at the Joint Operations Refugee Committee, thinks she is in a normal marriage with a charming East German. But then her husband disappears and the CIA and Western German intelligence arrive at her door. Nothing about her marriage is as it seems. Anne had been targeted by the Matchmaker - a high level East German counterintelligence officer - who runs a network of Stasi agents. These agents are his 'Romeos' who marry vulnerable women in West Berlin to provide them with cover as they report back to the Matchmaker.…
I’m a professor of modern European history. But before that, my first loves were Star Wars, heavy metal, and comic books. When I started my degree, it only made sense to combine my love of popular culture with my academic interest in the Soviet Bloc states. Cultural history and the history of everyday life, examining the world through cars, comics, film, food, music, or whatever, provide us with a lens through which to see how people understood themselves and came to terms with the society around them, and for my work, to understand how those living under dictatorship resisted and carved out their own niche within a police state.
Sometimes, I’m drawn to a book for its title, and this title sold me immediately. I was intrigued by the idea that local institutions and people could come together despite, or in spite of, waning faith in East German communism and the flagging legitimacy of the centralized regime.
I loved the idea that Leipzig’s population and local officials worked to save and renew their city during the last days of the communist regime by building a bowling alley, nearly synonymous with the American working class in the late twentieth century, as a shared public space.
Bowling for Communism illuminates how civic life functioned in Leipzig, East Germany's second-largest city, on the eve of the 1989 revolution by exploring acts of "urban ingenuity" amid catastrophic urban decay. Andrew Demshuk profiles the creative activism of local communist officials who, with the help of scores of volunteers, constructed a palatial bowling alley without Berlin's knowledge or approval. In a city mired in disrepair, civic pride overcame resentment against a regime loathed for corruption, Stasi spies, and the Berlin Wall.
Reconstructing such episodes through interviews and obscure archival materials, Demshuk shows how the public sphere functioned in Leipzig before…
I have a degree in history and political science, with a particular interest in military history—especially World War II history, and most especially Eastern Front history. My family has Polish roots, and my own stories tend to focus on the Polish and Ukrainian experiences, but I keenly feel the need for more YA books not only about the Eastern Front but about other, even lesser-known theaters of World War II.
This is a haunting and uncomfortable book, in the best way; it’s one that you can’t stop thinking about because it raises difficult questions without providing easy answers. Barker writes about the immediate postwar period through the eyes of a German girl who must come to terms with what her country and her own family have done during the war. This book doesn’t gloss over anything; we see firsthand what the Soviet occupation means for the German civilian population, and we must grapple with questions of culpability and justice, of who deserves judgment and who has the right to mete it out.
A brilliant historical YA that asks: how do you choose between survival and doing the right thing?
The arrival of the Soviet army in Germany at the end of World War II sends sixteen-year-old Katja and her family into turmoil. The fighting has stopped, but German society is in collapse, resulting in tremendous hardship. With their father gone and few resources available to them, Katja and her sister are forced to flee their home, reassured by their mother that if they can just reach a distant friend in a town far away, things will get better. But their harrowing journey…
I grew up in Germany and have been living all over the globe since I was 18, including the US. I married a New Yorker 15 years ago. I am drawn to stories that combine both the German and American cultures — two worlds I feel at home in — and as reflected in my debut novel. The next one will take place between the US and East Germany - we had relatives on the other side of the Iron Curtain whom we visited frequently. I will never forget surprising my 17-year-old cousin sitting alone in the garden, crying… over a can of Coke that we had smuggled over the border to him.
Did you know that the beautiful German city of Dresden was part of what the Eastern Germans called ‘The Valley of the Clueless’? Dresden, along with another section in the north, wasn’t able to receive any broadcasts from the West German TV channels existing at that time. Tellkamp’s novel sheds light on the last decade of the German Democratic Republic, leading all the way up to its fall in 1989. None of its three protagonists are too likable, and this is exactly what I appreciate about Tellkamp’s writing. He isn’t afraid to sketch them as such. The speed of the novel varies, and I can’t lie: I have to say that some passages took me an effort to get through. Still, I’d recommend this book to anyone who wants to dwell in Tellkamp’s memories of a time long gone - and ironically, still so present.
In derelict Dresden a cultivated, middle-class family does all it can to cope amid the Communist downfall. This striking tapestry of the East German experience is told through the tangled lives of a soldier, surgeon, nurse and publisher. With evocative detail, Uwe Tellkamp masterfully reveals the myriad perspectives of the time as people battled for individuality, retreated to nostalgia, chose to conform, or toed the perilous line between East and West. Poetic, heartfelt and dramatic, The Tower vividly resurrects the sights, scents and sensations of life in the GDR as it hurtled towards 9 November 1989.
Even the purest of artists thrive under tension. For some artists, politics has provided a crucial source of tension which has led to great achievement. Usually, it doesn’t. Why? Because artists, like critics, are often poor at gauging political realities. (Artists are usually better off not getting involved with “ideological confusion and violence,” as Greenberg put it.) Occasionally, though, problems become so acute that being unserious about the world is not an option—the 1930s was like this for some, and maybe a second Trump presidency will have a similar effect on artists and critics today, although there is real room for doubt.
It is hard to describe what this book is about, except to say it is a profound attempt to think through the relation between memory and fact. Maybe the point is best summarized with the phrase, “One has to invent for the truth’s sake.”
Christa T. is Wolf’s creation and a real person, the act of writing her is an act of production, and maybe the best picture of Communism we have. Wolf is a complicated figure whose work—Marxist, feminist, deeply invested in subjectivity—is tougher and more serious about art and politics than any contemporary writer I know.
When The Quest for Christa T. was first published in East Germany ten years ago, there was an immediate storm: bookshops in East Berlin were given instructions to sell it only to well-known customers professionally involved in literary matters; at the annual meeting of East German Writers Conference, Mrs Wolf's new book was condemmed. Yet the novel has nothing eplicity to do with politics.
