I became fascinated by the science, technology, and social landscape of mining during my time teaching English in the Cerro Colorado copper mine in the north of Chile. Listening to miners and their families speak to each other gave me a small sense of the knowledge embedded in the language of mining communities. The experience showed me just how little I knew about metals and how much they shape our world, from the copper wiring in phone chargers to expressions like “mina” (mine/woman). That curiosity led me to a PhD program and to write my first book, Mining Language.
Although mining in the colonial period has lasting implications for contemporary public policy, extractive industries, and science and technology, few books can tell this 500-year history in the detail it requires. Kendall Brown’s History of Mining in Latin America is one of those few. In vivid prose, Brown explains key aspects of economic, technological, and labor history that shaped mining and metallurgical industries in the major mining zones of Mexico, Brazil, and the Andes, as well as less-studied regions like the Caribbean and Nueva Granada. Readers looking for a comprehensive regional synthesis that shows change over time will learn a lot from Brown’s book.
For twenty-five years, Kendall Brown studied Potosi, Spanish America's greatest silver producer and perhaps the world's most famous mining district. He read about the flood of silver that flowed from its Cerro Rico and learned of the toil of its miners. Potosi symbolised fabulous wealth and unbelievable suffering. New World bullion stimulated the formation of the first world economy but at the same time it had profound consequences for labor, as mine operators and refiners resorted to extreme forms of coercion to secure workers. In many cases the environment also suffered devastating harm.
I am a professor of Latin American history at the University of North Carolina at Chapel Hill. My teaching and research focus on Andean history, and I have written several books on the period of political violence that pitted guerrillas of the Shining Path and Tupac Amaru Revolutionary Movement (MRTA) against Peruvian security forces and peasant militias during the 1980s and 1990s. I have been researching in Peru for twenty years, from Lima’s shantytowns, to the Andes mountains, to the Amazon jungle. A Peruvian-American, I maintain strong family ties to the region and am a proud, yet frequently heartbroken, supporter of the national soccer team.
Few scholars possess the ability to take complex historical situations and present them in a manner that is equal parts educational, palatable, and engaging. Brooke Larson is one of those rare talents. When I was in graduate school, I devoured Larson’s Cochabamba, and soon found myself looking to get my hands on anything authored by her. Needless to say, I was eager to read Trials of Nation Makingwhen it was released. I was not disappointed. This wonderfully engaging history examines the role that race and ethnicity played in the framing, founding, and forming of Andean republics, where Creole elites sought to solve the so-called “Indian Problem.” But this is no top-down history. As Larson masterfully illustrates, Indigenous historical actors employed a range of strategies—from legal action to open rebellion—to demand participation in nation-making processes.
This book offers the first interpretive synthesis of the history of Andean peasants and the challenges of nation-making in the four republics of Colombia, Ecuador, Peru, and Bolivia during the turbulent nineteenth century. Nowhere in Latin America were postcolonial transitions more vexed or violent than in the Andes, where communal indigenous roots grew deep and where the 'Indian problem' seemed so daunting to liberalizing states. Brooke Larson paints vivid portraits of Creole ruling elites and native peasantries engaged in ongoing political and moral battles over the rightful place of the Indian majorities in these emerging nation-states. In this story, indigenous…
My connection with the Andean highlands of southern Peru stretches back to 1975 when I spent about a year in a small community of Quechua-speaking potato farmers and llama herders. I have returned there many times over the years, most recently in 2019. Its people, their way of life, and vision of the world are dear to my heart and are the subject of The Hold Life Hasas well as a play, creative nonfiction, and, more recently, poetry. I love the way anthropology forces me to think outside the box and experience the world with different eyes, something I aim to convey in my work.
What does it mean to be “indigenous”? The answer is never simple, and I particularly like the way Andrew Canessa approaches the question by drawing us into people’s lives in an Aymara-speaking community in highland Bolivia and exploring how the people themselves understand different ways of being indigenous in different contexts. In the process he shows how “indigenous” identity is complex and situationally defined.
Drawing on extended ethnographic research conducted over the course of more than two decades, Andrew Canessa explores the multiple identities of a community of people in the Bolivian highlands through their own lived experiences and voices. He examines how gender, race, and ethnic identities manifest themselves in everyday interactions in the Aymara village. Canessa shows that indigeneity is highly contingent; thoroughly imbricated with gendered, racial, and linguistic identities; and informed by a historical consciousness. Addressing how whiteness and indianness are reproduced as hegemonic structures in the village, how masculinities develop as men go to the mines and army, and how…
I’ve been an explorer since I was young. My first short trip was to Cahokia Mounds, a site so little is known about that researchers have yet to discover the name of the people who built the famous city of mounds. As I grew into an adult, I was drawn to visit the Pyramid of Chichen Itza in Mexico and Stonehenge in England. As a writer, I decided the one thing missing from the mysterious places field was a fun way to learn about them. So I wrote a mysterious places book in a trivia game format, as learning something new is always more fun when presented as a game.
Tiwanaku and Puma Punku are possibly the most mysterious places on earth.
Brien Foerster has been researching and leading tour groups to these mysterious abandoned cities for almost 20 years. He has a very understandable way of writing and conveying the mystery surrounding these two ancient places. This book hooked me with its captivating account of the mysterious Tiwanaku and Puma Punku.
Foerster delves deep into the unexplained stone-cutting technology that baffles researchers worldwide. Foerster explores the history, construction, and undiscovered creators through his research. As a reader, I found myself inspired by the unanswered questions and the desire to understand the origins of Tiwanaku and Puma Punku.
Ihighly recommend this and all of Brien Foerster’s books.
Of the megalithic ruins of the world, one that still stupefies visitors to South America, researchers and laymen alike, is the complex of Tiwanaku, also called Tiahuanaco in Bolivia. The most mysterious part of this archaeological site for many is Puma Punku, a cluster of shattered hard stone building block components that lie undisturbed in the high altitude grasslands near Lake Titicaca. The strangest thing about Puma Punku is that the stone cutting technology found there is not present at other locations in Bolivia, Peru, or in fact the world! This book looks at solving the riddles of who made…
History tells us who we are and what we can become. History in the Andes tells us that people of the African Diaspora have been a part of building that part of the world into what it is today for over 500 years. I have been fascinated by learning this history and inspired by leaders, writers, artists, and fellow historians who consider themselves Afro-Andean and are building the future. For 25 years now, I have been scouring historical archives in Peru, Spain, and the US to find more sources to help us recognize and understand that history as we use it to build a better, more just present and future.
Did you know that African and indigenous people worked together in what is today Bolivia and Argentina? They were both enslaved and those who had bought their freedom. Bolivia, high in the mountains, might seem remote, but in the 1500s and 1600s its rich silver mines were the motor of the Spanish Empire’s economy. And Spain was the superpower that dominated Europe, America, and the Atlantic.
Bolivia and the zones that supplied it with coerced and free workers, mules, food, wine, textiles, and the stimulant coca leaf was called Charcas, and it was the most valuable and important part of all of the Americas at the time.
This wonderfully detailed book by an outstanding Bolivian historian tells the story of the Black and indigenous laborers who made this possible.
This book investigates the phenomenon of slavery and other forms of servitude experienced by people of African or indigenous origin who were taken captive and then subjected to forced labor in Charcas (Bolivia) in the 16th and 17th centuries.
I’m probably too dishonest to write a real non-fiction book, but the sort of non-fiction book that has some wiggle room for me to “improve” on reality when I think it needs tightening up, or a little more schmaltz—that’s the strange twilight area the books I write live in, and all irresponsible history books dwell in this neighborhood. Remember, kids, as long as you make it clear when you’re lying, it still counts as non-fiction!
There have been many descriptions of Atlantis published before, but very few have been written by someone who has actually been there, via psychic time travel, or at least via a series of dreams inspired by Atlantean stone furniture in Bolivia.
Fortunately, Walter F. Laredo has left us just such a book, and if he sometimes plays coy (maybe it was all just a dream???), he wonderfully includes an appendix of technical schematics of Atlantean inventions (bionic eyes, “chemical laser” beams) alongside full-color paintings of Atlantean architecture and the occasional nude Atlantean woman.
A teenager, hiking in an uncharted territory among mountains, valleys, and rainforests, encounters wise prophets and the light of God in a dream while sleeping in a mountain cave. On his way home he stops to rest on a rock and uncovers an ancient, concealed time machine. He is taken on a whirlwind adventure to the land of Atlantis and the ancient wonders that its people hold.
If I needed an excuse to be an explorer, I’d say it was inherited wanderlust. My grandparents moved to China in the 1920s and my grandmother became an unconventional traveller by mule in the wilds. My mother spent her childhood there. And much of her married life in West Africa, where I was born and raised. The wildest places fill me with curiosity.
It’s an extraordinary journey, people said it was absurd and impossible. I read it as a teenager, and even then it struck a chord with me. And it showed that what people call impossible is merely a sign of challenge. It also shows what deep reserves of stamina we all have in us, only found if we dig deep enough. It stayed with me as an inspiration, and as a dream of adventure.
From the southeast coast of South America through an expanse of Peruvian sands en route to the West Coast, then onward through Central American jungles and rainforest, and finally to New York, Tschiffely’s journey was considered impossible and absurd by many newspaper writers in 1925. However, after two and a half years on horseback with two of his trusty and tough steeds, this daring trekker lived to tell his best-selling tale.
Tschiffely’s 10,000-mile journey was filled with adventure and triumph, but it also forced the traveler to deal with tremendous natural and man-made obstacles, as many countries in Central America…
Hello! I am Jane Yolen, author of almost 450 books. I write picture books and novels, poetry, and graphic novels–mostly for children. I have published books about just about every subject imaginable. But I’ve always loved fantasy books especially. I grew up on the Alice in Wonderland books and the Arthurian legends. I, of course, carried that love into my writing life–having written about monsters, mermaids, and unicorns. I’m fascinated by fairies; they show up in a lot of what I write. Give me a real kid and a mythical creature of some sort, sprinkle in a bit of magic–I’m in!
This fantastical collection is written and illustrated by the many authors and illustrators who belong to the Writer's Loft. It contains poems, both funny and dark, about creatures from Banshees to Baku and Selkies to Kelpies.
The poems are as varied as the creatures, and though the subject matter is fantasy, the historical elements that are fantasy lore are at the core of many of the poems. In the hardcover version, there is equally fun and fact-filled backmatter. A must-have collection if you are a fan of poetry, myth, and great art.
Travel the world of mythological creatures! GNOMES and UNGNOMES: Poems of Hidden Creatures is an expansive collection of original, illustrated poems about mythological creatures. Criss-cross the globe through the lens of over 100 authors and illustrators. From the nightmare-eating Baku of Japan to the weather-weaving Acalica fairies in Bolivia. Can you keep track of all seven heads of the Cambrian dragon? Do you want to know what's inside a unicorn's horn? Can you spot Spectre Moose in Maine? Flip the page to India and behold the stunning 9-animal patchwork Navagunjara. Or pop into a middle school dance just in time…
As the daughter of a prim and proper New England family, expectations were that I would follow societal norms: attend college, get married, and raise a family. I knew practically nothing about the world outside the United States, nor had I any curiosity about it. Everything changed in 1980 when I took a job as an accountant working for one of the world’s greatest adventurers, Richard Bangs. He literally dragged me, kicking and screaming, into the remotest heart of Africa, where I became infected by wanderlust. Ever since, as a single woman, I have embraced a life of adventure traveling around our amazing planet.
I lived in Bolivia in the late 1980s, and with three friends set off on a long wooden riverboat journey on the Rio Beni deep into the Amazon rainforest to the tiny jungle village of Rurrenebaque, a village strikingly similar to Ayachero where Ferencik set her story. I can verify that Ferencik’s detailed descriptions of the environment and its indigenous people perfectly capture the wilderness setting for this story.
The protagonist, Lily Bushwold, endures unimaginable challenges as she follows her new Bolivian love from La Paz back to his village. It is a world full of wonders and terrors, where she must use her wits to survive.
Featured in the New York Times Book Review Summer Reading Guide * A Crime by the Book "Most Anticipated" Novel * Featured in the New York Post Summer Round Up * Starred Publishers Weekly Review * A Publishers Weekly "Big Summer Books" * A Kirkus Reviews "Creepy Thrillers" Pick
In this pulse-pounding thriller from the author of the "haunting, twisting thrill ride" (Megan Miranda, New York Times bestselling author) The River at Night, a young woman leaves behind everything she knows to take on the Bolivian jungle, but her excursion abroad quickly turns into a fight for her life.
Arshin Adib-Moghaddam is a world-renowned scholar and author. A double graduate of Cambridge University, he received his Professorship in Global Thought at SOAS as one of the youngest academics in his field. Since then he has been elected to several honorary positions all over the world, some of them with the royal seal and including at Harvard University and Yunnan Academy of Social Sciences in Kunming, China.
I have given this the top spot, not because of the political ideals of the author, but the intimate portrayal of his passion for justice that this classic book portrays with such vivid humanity. Che Guevara was a gifted writer and in this book all the revolutionary idealism that fed into his life-long battle merge into a powerful narrative that is so symptomatic for the romanticism of a bygone era. The Cuban revolution firmly rooted the idea of independence in the political lexicon of resistance movements all over the world, as independence from outside interference, is a necessary step towards a progressive democracy. I read Guevara's books as a Junior Research Fellow at Oxford University in order to train my mind in the various methods of critique.
'Guevara was a figure of epic proportions. These diaries, stark and moving, will be his most enduring monument' Observer
The final diaries of Che Guevara begin in 1966, when he travelled to Bolivia to foment a revolution, and end just two days before his death in October 1967. They form an unvarnished account of his guerrilla campaign against CIA-backed Bolivian troops, fighting in the jungle and keeping his men's spirits up - even as the struggle started to fail. Found in Guevara's backpack and smuggled to Cuba after his execution, The Bolivian Diary is an inspiring record of, and a…
