I grew up in Germany and have been living all over the globe since I was 18, including the US. I married a New Yorker 15 years ago. I am drawn to stories that combine both the German and American cultures — two worlds I feel at home in — and as reflected in my debut novel. The next one will take place between the US and East Germany - we had relatives on the other side of the Iron Curtain whom we visited frequently. I will never forget surprising my 17-year-old cousin sitting alone in the garden, crying… over a can of Coke that we had smuggled over the border to him.
First of all: am I the only one who thinks Franzen looks a bit like Stephen King? This resemblance might very well be the only thing they have in common (aside from both making a living solely with their writing). English isn’t my native language, so it probably took me a bit longer than the average native speaker to read his (long!) book - which is a stark contrast to Follett’s, and not only in terms of prose style. I had no idea that Franzen studied in Germany and is fluent in my mother language. I only looked this up after his chapter aptly titled "The Republic of Bad Taste" — Franzen’s name for East Germany.
With the character of Andreas Wolf, we’re looking into the mind of a criminal, the offspring of a high-level informant — his father. Andreas Wolf murders the sexually abusive father of a girl he…
The Sunday Times bestseller from the author of Freedom and The Corrections
Young Pip Tyler doesn't know who she is. She knows that her real name is Purity, that she's saddled with $130,000 in student debt, that she's squatting with anarchists in Oakland, and that her relationship with her mother - her only family - is hazardous. But she doesn't have a clue who her father is, why her mother chose to live as a recluse with an invented name, or how she'll ever have a normal life.
Enter the Germans. A glancing encounter with a German peace activist leads…
I became fascinated by the science, technology, and social landscape of mining during my time teaching English in the Cerro Colorado copper mine in the north of Chile. Listening to miners and their families speak to each other gave me a small sense of the knowledge embedded in the language of mining communities. The experience showed me just how little I knew about metals and how much they shape our world, from the copper wiring in phone chargers to expressions like “mina” (mine/woman). That curiosity led me to a PhD program and to write my first book, Mining Language.
Although mining in the colonial period has lasting implications for contemporary public policy, extractive industries, and science and technology, few books can tell this 500-year history in the detail it requires. Kendall Brown’s History of Mining in Latin America is one of those few. In vivid prose, Brown explains key aspects of economic, technological, and labor history that shaped mining and metallurgical industries in the major mining zones of Mexico, Brazil, and the Andes, as well as less-studied regions like the Caribbean and Nueva Granada. Readers looking for a comprehensive regional synthesis that shows change over time will learn a lot from Brown’s book.
For twenty-five years, Kendall Brown studied Potosi, Spanish America's greatest silver producer and perhaps the world's most famous mining district. He read about the flood of silver that flowed from its Cerro Rico and learned of the toil of its miners. Potosi symbolised fabulous wealth and unbelievable suffering. New World bullion stimulated the formation of the first world economy but at the same time it had profound consequences for labor, as mine operators and refiners resorted to extreme forms of coercion to secure workers. In many cases the environment also suffered devastating harm.
World War II has been the background of my life. My Viennese family fled the Nazi regime. My childhood was peopled with Holocaust survivors and other people displaced by war. My uncle was a refugee and was trained as a Ritchie Boy and sent to war. I have been inspired by how people can survive traumatic times and come out stronger and kinder.
A well-written novel about a Jewish family from Vienna who escapes the Nazi regime and finds refuge in Bolivia. In a world so different from their own, the parents long for the music and culture they left behind, while their young daughter finds joy in the differences and in the people she meets. A lesson for all of us who face life-changing changes.
Based on an unexplored slice of World War II history, Exile Music is the captivating story of a young Jewish girl whose family flees refined and urbane Vienna for safe harbor in the mountains of Bolivia
As a young girl growing up in Vienna in the 1930s, Orly has an idyllic childhood filled with music. Her father plays the viola in the Philharmonic, her mother is a well-regarded opera singer, her beloved and charismatic older brother holds the neighborhood in his thrall, and most of her eccentric and wonderful extended family live nearby. Only vaguely aware of Hitler's rise or…
My connection with the Andean highlands of southern Peru stretches back to 1975 when I spent about a year in a small community of Quechua-speaking potato farmers and llama herders. I have returned there many times over the years, most recently in 2019. Its people, their way of life, and vision of the world are dear to my heart and are the subject of The Hold Life Hasas well as a play, creative nonfiction, and, more recently, poetry. I love the way anthropology forces me to think outside the box and experience the world with different eyes, something I aim to convey in my work.
What does it mean to be “indigenous”? The answer is never simple, and I particularly like the way Andrew Canessa approaches the question by drawing us into people’s lives in an Aymara-speaking community in highland Bolivia and exploring how the people themselves understand different ways of being indigenous in different contexts. In the process he shows how “indigenous” identity is complex and situationally defined.
Drawing on extended ethnographic research conducted over the course of more than two decades, Andrew Canessa explores the multiple identities of a community of people in the Bolivian highlands through their own lived experiences and voices. He examines how gender, race, and ethnic identities manifest themselves in everyday interactions in the Aymara village. Canessa shows that indigeneity is highly contingent; thoroughly imbricated with gendered, racial, and linguistic identities; and informed by a historical consciousness. Addressing how whiteness and indianness are reproduced as hegemonic structures in the village, how masculinities develop as men go to the mines and army, and how…
I’m a writer, living in southwest France since 1995, and previously in Kenya for 20 years. Travel has always been my passion. I’ve written about hiking across France in Best Foot Forward, touring the perimeter by camping car in Travels with Tinkerbelle, cycling through the Marne Valley in The Valley of Heaven and Hell, and a Kenyan safari in Safari Ants, Baggy Pants and Elephants. Recently, due to COVID and with an elderly dog that suffers from separation anxiety, I couldn't leave for any length of time; I satisfy my wanderlust by reading other people’s adventures. My taste is for tales that include plenty of humour, and I’ve selected five which I have particularly enjoyed.
A vivid, amusing account of the author and her friend cycling and sleeping in the wild from Bolivia to Argentina. It is a story of determination and endurance as they push themselves to the extreme, always taking the hardest, highest route. Exhaustion, frustration, and sickness put their friendship to the test.
As somebody who is the polar opposite, always seeking the easiest way, I was fascinated by this couple’s approach to adventure, and awed by their achievements.
**WINNER of the 2020 Amazon Kindle Storyteller Literary Award**
"Llama Drama is simply hilarious. If anyone wants something witty and moving at the same time. Also, something empowering, then this is the one for them. I literally inhaled it." - Claudia Winkleman, TV Presenter and Author
What Amazon readers are saying about Llama Drama:
★★★★★ “Loved every minute of it!”
★★★★★ “An antidote for the madness of 2020”
★★★★★ “Truly inspiring”
★★★★★ “A brilliant book for anyone interested in travel, conquering their fears, cycling, adventure, South America”
As the daughter of a prim and proper New England family, expectations were that I would follow societal norms: attend college, get married, and raise a family. I knew practically nothing about the world outside the United States, nor had I any curiosity about it. Everything changed in 1980 when I took a job as an accountant working for one of the world’s greatest adventurers, Richard Bangs. He literally dragged me, kicking and screaming, into the remotest heart of Africa, where I became infected by wanderlust. Ever since, as a single woman, I have embraced a life of adventure traveling around our amazing planet.
I lived in Bolivia in the late 1980s, and with three friends set off on a long wooden riverboat journey on the Rio Beni deep into the Amazon rainforest to the tiny jungle village of Rurrenebaque, a village strikingly similar to Ayachero where Ferencik set her story. I can verify that Ferencik’s detailed descriptions of the environment and its indigenous people perfectly capture the wilderness setting for this story.
The protagonist, Lily Bushwold, endures unimaginable challenges as she follows her new Bolivian love from La Paz back to his village. It is a world full of wonders and terrors, where she must use her wits to survive.
Featured in the New York Times Book Review Summer Reading Guide * A Crime by the Book "Most Anticipated" Novel * Featured in the New York Post Summer Round Up * Starred Publishers Weekly Review * A Publishers Weekly "Big Summer Books" * A Kirkus Reviews "Creepy Thrillers" Pick
In this pulse-pounding thriller from the author of the "haunting, twisting thrill ride" (Megan Miranda, New York Times bestselling author) The River at Night, a young woman leaves behind everything she knows to take on the Bolivian jungle, but her excursion abroad quickly turns into a fight for her life.
I’m probably too dishonest to write a real non-fiction book, but the sort of non-fiction book that has some wiggle room for me to “improve” on reality when I think it needs tightening up, or a little more schmaltz—that’s the strange twilight area the books I write live in, and all irresponsible history books dwell in this neighborhood. Remember, kids, as long as you make it clear when you’re lying, it still counts as non-fiction!
There have been many descriptions of Atlantis published before, but very few have been written by someone who has actually been there, via psychic time travel, or at least via a series of dreams inspired by Atlantean stone furniture in Bolivia.
Fortunately, Walter F. Laredo has left us just such a book, and if he sometimes plays coy (maybe it was all just a dream???), he wonderfully includes an appendix of technical schematics of Atlantean inventions (bionic eyes, “chemical laser” beams) alongside full-color paintings of Atlantean architecture and the occasional nude Atlantean woman.
A teenager, hiking in an uncharted territory among mountains, valleys, and rainforests, encounters wise prophets and the light of God in a dream while sleeping in a mountain cave. On his way home he stops to rest on a rock and uncovers an ancient, concealed time machine. He is taken on a whirlwind adventure to the land of Atlantis and the ancient wonders that its people hold.
If I needed an excuse to be an explorer, I’d say it was inherited wanderlust. My grandparents moved to China in the 1920s and my grandmother became an unconventional traveller by mule in the wilds. My mother spent her childhood there. And much of her married life in West Africa, where I was born and raised. The wildest places fill me with curiosity.
It’s an extraordinary journey, people said it was absurd and impossible. I read it as a teenager, and even then it struck a chord with me. And it showed that what people call impossible is merely a sign of challenge. It also shows what deep reserves of stamina we all have in us, only found if we dig deep enough. It stayed with me as an inspiration, and as a dream of adventure.
From the southeast coast of South America through an expanse of Peruvian sands en route to the West Coast, then onward through Central American jungles and rainforest, and finally to New York, Tschiffely’s journey was considered impossible and absurd by many newspaper writers in 1925. However, after two and a half years on horseback with two of his trusty and tough steeds, this daring trekker lived to tell his best-selling tale.
Tschiffely’s 10,000-mile journey was filled with adventure and triumph, but it also forced the traveler to deal with tremendous natural and man-made obstacles, as many countries in Central America…
I became fascinated by the science, technology, and social landscape of mining during my time teaching English in the Cerro Colorado copper mine in the north of Chile. Listening to miners and their families speak to each other gave me a small sense of the knowledge embedded in the language of mining communities. The experience showed me just how little I knew about metals and how much they shape our world, from the copper wiring in phone chargers to expressions like “mina” (mine/woman). That curiosity led me to a PhD program and to write my first book, Mining Language.
Kris Lane’s new work on Potosí does in words what Barragán does in images. Lane manages to tell a story that is at once global and comprehensive yet still rooted in local details of mineral extraction, assay, and coining. This book takes us from underground tunnels, adits, and galleys into refineries and, especially, the mint of Potosí. Readers seeking a big-picture view of the importance of Latin American mining and metallurgy to the story of the Spanish empire, and one told in vivid detail and readable prose, will find a lot to like here.
"For anyone who wants to learn about the rise and decline of Potosi as a city . . . Lane's book is the ideal place to begin."-The New York Review of Books
In 1545, a native Andean prospector hit pay dirt on a desolate red mountain in highland Bolivia. There followed the world's greatest silver bonanza, making the Cerro Rico or "Rich Hill" and the Imperial Villa of Potosi instant legends, famous from Istanbul to Beijing. The Cerro Rico alone provided over half of the world's silver for a century, and even in decline, it remained the single richest source…
I'm a historian of gender in colonial Latin America. I'm always looking for surprises in these stories: men's and women's lives in the past were not narrower than ours, and I love to find their strategies for dealing with a system that was often stacked against them. I enjoy learning that my expectations were wrong, and thinking about the past as a living world. As a researcher who is always stumbling on unusual documents that I have to confront with fresh eyes, I really love a book that challenges me to think about how we can even know about the past, especially in terms of race and gender.
Truly one of the most exhilarating and surprising books I have read in a long time!
Abercrombie found a cache of documents left from the trial of Antonio Yta, born María Yta, who lived as a man after being tossed out of five different Spanish convents in the late eighteenth century. Yta ended up in South America, where he became a petty bureaucrat and married a Spanish woman who eventually turned him in to authorities. Along the way, Yta received permission from the Vatican to live and dress as a man. The story is not only full of ups and downs, but Abercrombie has transcribed a lot of the documentary record to show readers how Yta's family, friends, and colleagues struggled with who he was.
The book is divided into parts that tell the story, engage with different academic literature, and imagine Yta's life so that a reader can tailor…
In 1803 in the colonial South American city of La Plata, Dona Martina Vilvado y Balverde presented herself to church and crown officials to denounce her husband of more than four years, Don Antonio Yta, as a "woman in disguise." Forced to submit to a medical inspection that revealed a woman's body, Don Antonio confessed to having been Maria Yta, but continued to assert his maleness and claimed to have a functional "member" that appeared, he said, when necessary.
Passing to America is at once a historical biography and an in-depth examination of the sex/gender complex in an era before…
