Here are 23 books that Gnomes & Ungnomes fans have personally recommended if you like
Gnomes & Ungnomes.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Hello! I am Jane Yolen, author of almost 450 books. I write picture books and novels, poetry, and graphic novels–mostly for children. I have published books about just about every subject imaginable. But I’ve always loved fantasy books especially. I grew up on the Alice in Wonderland books and the Arthurian legends. I, of course, carried that love into my writing life–having written about monsters, mermaids, and unicorns. I’m fascinated by fairies; they show up in a lot of what I write. Give me a real kid and a mythical creature of some sort, sprinkle in a bit of magic–I’m in!
There is no doubt that this book is the classic example of a real kid with fantasy creatures. Not the first, but the one I return to over and over again. The first time I read it, I thought, “drat! Why didn’t I write this book?”
Not only is the story multi-layered, it is a story that reads like a poem and it has an unforgettable last line.
Read-along with the story in this book and CD edition!
One night Max puts on his wolf suit and makes mischief of one kind and another, so his mother calls him 'Wild Thing' and sends him to bed without his supper.
That night a forest begins to grow in Max's room and an ocean rushes by with a boat to take Max to the place where the wild things are. Max tames the wild things and crowns himself as their king, and then the wild rumpus begins.
But when Max has sent the monsters to bed, and everything is quiet,…
Hello! I am Jane Yolen, author of almost 450 books. I write picture books and novels, poetry, and graphic novels–mostly for children. I have published books about just about every subject imaginable. But I’ve always loved fantasy books especially. I grew up on the Alice in Wonderland books and the Arthurian legends. I, of course, carried that love into my writing life–having written about monsters, mermaids, and unicorns. I’m fascinated by fairies; they show up in a lot of what I write. Give me a real kid and a mythical creature of some sort, sprinkle in a bit of magic–I’m in!
The book's great front matter invites the child reader to experience a journey through the night to search for jumbies, which are, it explains, not friendly. But then, within the pages, the jumbies, though lying gently to the child, are, in fact, quite friendly. The darkness is, sort of, implied for later.
I love this ambiguity–gentle enough to allow this book to exist but mysterious enough to open up possibilities. This book will definitely serve as an introduction to the author’s middle-grade series. It is dark, luminous, and wonderful.
New York Times bestselling author Tracey Baptiste and acclaimed illustrator Amber Ren take readers on a fun, creepy, storytime-ready romp through a forest filled with creatures from Caribbean folklore.
I'm looking for a jumbie, I'm going to find a scary one.
But Mama says jumbies exist only in stories. So Naya sets out on a nighttime adventure to find out for herself.
No such thing, say the friends she makes along the way.
But Naya is sure that jumbies are real. Some have big mouths. Or thick fur. Or glowing skin. Or sharp teeth. Kind of like her new friends....…
Hello! I am Jane Yolen, author of almost 450 books. I write picture books and novels, poetry, and graphic novels–mostly for children. I have published books about just about every subject imaginable. But I’ve always loved fantasy books especially. I grew up on the Alice in Wonderland books and the Arthurian legends. I, of course, carried that love into my writing life–having written about monsters, mermaids, and unicorns. I’m fascinated by fairies; they show up in a lot of what I write. Give me a real kid and a mythical creature of some sort, sprinkle in a bit of magic–I’m in!
This gorgeous book is both metaphoric and literal. A young boy learns about dragons (and himself, his grandmothers, and life) on a mythical bedtime story-walk to find two very different paths.
I love the message here (and that it isn’t too in-your-face message-y; the story is really primary). But the art is so gorgeous that I could dive back into it over and over again for that alone.
Lean in close, my darling bao bei, and I will whisper a most precious secret about a powerful magic that lives inside you.
Brought to life with lavish and ornate illustrations, The Truth About Dragons follows a young child on a journey guided by his mother's bedtime storytelling. He quests into two very different forests, as his two grandmothers help him discover two different, but equally enchanting, truths about dragons. Eastern and Western mythologies coexist and enrich each other in this warm celebration of mixed cultural identity.
Hello! I am Jane Yolen, author of almost 450 books. I write picture books and novels, poetry, and graphic novels–mostly for children. I have published books about just about every subject imaginable. But I’ve always loved fantasy books especially. I grew up on the Alice in Wonderland books and the Arthurian legends. I, of course, carried that love into my writing life–having written about monsters, mermaids, and unicorns. I’m fascinated by fairies; they show up in a lot of what I write. Give me a real kid and a mythical creature of some sort, sprinkle in a bit of magic–I’m in!
In this silly romp, a little girl, despite her obnoxiously doubting brother, goes in search of fairies and gets more than she bargains for. My favorite line was: “Then a mermaid arrived. She brought her own ocean…” There are ogre boogers (yes, you read that correctly), and the brother eventually becomes a reluctant believer.
In 1992, I graduated high school and although I did not then know how to read or speak Russian, I interviewed six Soviet veterans who happened to live in a nursing home in Rochester NY. I was blown away by their stories; each was missing at least one limb and had a tale to tell about it. The timing was fortuitous in that there was an exhibition at the U.S. Library of Congress that summer on “Revelations from the Russian archives,” which has just opened to researchers. Although it took me some years to master Russian, I resolved then and there to go to the source and research Soviet history in Moscow itself. I am a historian now and I have been working in Moscow archives for nearly a quarter-century now. Stalin’s War is my eighth book to date, all of which draw on this work in the Russian archives.
This book is the one exception to my rule about access to Soviet documents. Writing at a time when he had no such access, Tolstoy nonetheless blew up the field with bold arguments deriving from sources to which he did have access, from Soviet dissident memoirs to a vast trove of material he discovered in the Public Record Office in Kew Gardens, London, in particular on the often-neglected “Phony War” period of WWII between the fall of Poland and Hitler’s invasion of France and the Low Countries – a period during which Britain and France nearly went to war with the USSR after Stalin’s invasion of Finland. At a time when the Soviet bloc still denied Stalin’s responsibility for the “Katyn massacre” of Polish officers and elites in 1940, Tolstoy argued not merely for Stalin’s responsibility but explained why Stalin ordered the massacre when he did, confronted as the Soviet…
History tells us who we are and what we can become. History in the Andes tells us that people of the African Diaspora have been a part of building that part of the world into what it is today for over 500 years. I have been fascinated by learning this history and inspired by leaders, writers, artists, and fellow historians who consider themselves Afro-Andean and are building the future. For 25 years now, I have been scouring historical archives in Peru, Spain, and the US to find more sources to help us recognize and understand that history as we use it to build a better, more just present and future.
Did you know that African and indigenous people worked together in what is today Bolivia and Argentina? They were both enslaved and those who had bought their freedom. Bolivia, high in the mountains, might seem remote, but in the 1500s and 1600s its rich silver mines were the motor of the Spanish Empire’s economy. And Spain was the superpower that dominated Europe, America, and the Atlantic.
Bolivia and the zones that supplied it with coerced and free workers, mules, food, wine, textiles, and the stimulant coca leaf was called Charcas, and it was the most valuable and important part of all of the Americas at the time.
This wonderfully detailed book by an outstanding Bolivian historian tells the story of the Black and indigenous laborers who made this possible.
This book investigates the phenomenon of slavery and other forms of servitude experienced by people of African or indigenous origin who were taken captive and then subjected to forced labor in Charcas (Bolivia) in the 16th and 17th centuries.
As the daughter of a prim and proper New England family, expectations were that I would follow societal norms: attend college, get married, and raise a family. I knew practically nothing about the world outside the United States, nor had I any curiosity about it. Everything changed in 1980 when I took a job as an accountant working for one of the world’s greatest adventurers, Richard Bangs. He literally dragged me, kicking and screaming, into the remotest heart of Africa, where I became infected by wanderlust. Ever since, as a single woman, I have embraced a life of adventure traveling around our amazing planet.
I lived in Bolivia in the late 1980s, and with three friends set off on a long wooden riverboat journey on the Rio Beni deep into the Amazon rainforest to the tiny jungle village of Rurrenebaque, a village strikingly similar to Ayachero where Ferencik set her story. I can verify that Ferencik’s detailed descriptions of the environment and its indigenous people perfectly capture the wilderness setting for this story.
The protagonist, Lily Bushwold, endures unimaginable challenges as she follows her new Bolivian love from La Paz back to his village. It is a world full of wonders and terrors, where she must use her wits to survive.
Featured in the New York Times Book Review Summer Reading Guide * A Crime by the Book "Most Anticipated" Novel * Featured in the New York Post Summer Round Up * Starred Publishers Weekly Review * A Publishers Weekly "Big Summer Books" * A Kirkus Reviews "Creepy Thrillers" Pick
In this pulse-pounding thriller from the author of the "haunting, twisting thrill ride" (Megan Miranda, New York Times bestselling author) The River at Night, a young woman leaves behind everything she knows to take on the Bolivian jungle, but her excursion abroad quickly turns into a fight for her life.
My mom was an anthropologist, and when I was two, she took me to Sri Lanka, the island off the tip of India. After years of insisting that I wanted nothing to do with any social science, let alone anthropology, I ended up in graduate school studying… anthropology. Long story. Having taken up the family mantel, I returned to the village where I lived as a child and asked what had changed in the intervening years. Since then, my Sri Lankan interlocutors have suggested book topics that include labor migration, the use and abuse of alcohol, the aftermath of the Indian Ocean Tsunami, and the challenges of aging.
This book gets at questions near and dear to my own ethnographic explorations, namely how migration changes gender roles in households. Women don’t leave home without figuring out care for young children and frail elders. Tanja Bastia looks at how Bolivian families handle the challenge of transnational parenting. Grandmothers often fill in for their migrant daughters (there’s the aging connection!), and migrant women struggle to balance their financial opportunities with the social stigma of having ‘abandoned’ their children in search of wealth.
Intersectionality can be used to analyse whether migration leads to changes in gender relations. This book finds out how migrants from a peri-urban neighbourhood on the outskirts of Cochabamba, Bolivia, make sense of the migration journeys they have undertaken.
Migration is intrinsically related to social transformation. Through life stories and community surveys, the author explores how gender, class, and ethnicity intersect in people's attempts to make the most of the opportunities presented to them in distant labour markets. While aiming to improve their economic and material conditions, migrants have created a new transnational community that has undergone significant changes in…
Arshin Adib-Moghaddam is a world-renowned scholar and author. A double graduate of Cambridge University, he received his Professorship in Global Thought at SOAS as one of the youngest academics in his field. Since then he has been elected to several honorary positions all over the world, some of them with the royal seal and including at Harvard University and Yunnan Academy of Social Sciences in Kunming, China.
I have given this the top spot, not because of the political ideals of the author, but the intimate portrayal of his passion for justice that this classic book portrays with such vivid humanity. Che Guevara was a gifted writer and in this book all the revolutionary idealism that fed into his life-long battle merge into a powerful narrative that is so symptomatic for the romanticism of a bygone era. The Cuban revolution firmly rooted the idea of independence in the political lexicon of resistance movements all over the world, as independence from outside interference, is a necessary step towards a progressive democracy. I read Guevara's books as a Junior Research Fellow at Oxford University in order to train my mind in the various methods of critique.
'Guevara was a figure of epic proportions. These diaries, stark and moving, will be his most enduring monument' Observer
The final diaries of Che Guevara begin in 1966, when he travelled to Bolivia to foment a revolution, and end just two days before his death in October 1967. They form an unvarnished account of his guerrilla campaign against CIA-backed Bolivian troops, fighting in the jungle and keeping his men's spirits up - even as the struggle started to fail. Found in Guevara's backpack and smuggled to Cuba after his execution, The Bolivian Diary is an inspiring record of, and a…
Ever since I was a child, I have been fascinated by work and the ways that it organizes the rest of life. Mining is one of those activities that brings together economics, politics, gender, class, kinship, and cosmology in especially tight proximity. I am also fascinated by Latin America, a region where mining has been important for thousands of years. These interests led me to become an anthropologist specializing in mining in Mexico and Colombia. It has been my privilege to work in this area for over twenty-five years now, making lifelong friends, learning about their lives and struggles, and sharing that knowledge with students and readers.
This is not only a great ethnography (a book based on long-term anthropological fieldwork) giving a splendidly detailed and deeply humane account of the lives of Bolivian tin miners and their families in the 1970s, but also one of the most effective case studies within the framework of “dependency theory.”
The title, which comes from one of the author’s interviews with a miner, captures the violence and misery of tin mining, but I also love the way the book portrays its protagonists as ordinary people living and giving meaning to their lives as best they can.
In this powerful anthropological study of a Bolivian tin mining town, Nash explores the influence of modern industrialization on the traditional culture of Quechua-and-Aymara-speaking Indians.
