Here are 100 books that The Truth About Dragons fans have personally recommended if you like
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Hello! I am Jane Yolen, author of almost 450 books. I write picture books and novels, poetry, and graphic novels–mostly for children. I have published books about just about every subject imaginable. But I’ve always loved fantasy books especially. I grew up on the Alice in Wonderland books and the Arthurian legends. I, of course, carried that love into my writing life–having written about monsters, mermaids, and unicorns. I’m fascinated by fairies; they show up in a lot of what I write. Give me a real kid and a mythical creature of some sort, sprinkle in a bit of magic–I’m in!
There is no doubt that this book is the classic example of a real kid with fantasy creatures. Not the first, but the one I return to over and over again. The first time I read it, I thought, “drat! Why didn’t I write this book?”
Not only is the story multi-layered, it is a story that reads like a poem and it has an unforgettable last line.
Read-along with the story in this book and CD edition!
One night Max puts on his wolf suit and makes mischief of one kind and another, so his mother calls him 'Wild Thing' and sends him to bed without his supper.
That night a forest begins to grow in Max's room and an ocean rushes by with a boat to take Max to the place where the wild things are. Max tames the wild things and crowns himself as their king, and then the wild rumpus begins.
But when Max has sent the monsters to bed, and everything is quiet,…
Hello! I am Jane Yolen, author of almost 450 books. I write picture books and novels, poetry, and graphic novels–mostly for children. I have published books about just about every subject imaginable. But I’ve always loved fantasy books especially. I grew up on the Alice in Wonderland books and the Arthurian legends. I, of course, carried that love into my writing life–having written about monsters, mermaids, and unicorns. I’m fascinated by fairies; they show up in a lot of what I write. Give me a real kid and a mythical creature of some sort, sprinkle in a bit of magic–I’m in!
The book's great front matter invites the child reader to experience a journey through the night to search for jumbies, which are, it explains, not friendly. But then, within the pages, the jumbies, though lying gently to the child, are, in fact, quite friendly. The darkness is, sort of, implied for later.
I love this ambiguity–gentle enough to allow this book to exist but mysterious enough to open up possibilities. This book will definitely serve as an introduction to the author’s middle-grade series. It is dark, luminous, and wonderful.
New York Times bestselling author Tracey Baptiste and acclaimed illustrator Amber Ren take readers on a fun, creepy, storytime-ready romp through a forest filled with creatures from Caribbean folklore.
I'm looking for a jumbie, I'm going to find a scary one.
But Mama says jumbies exist only in stories. So Naya sets out on a nighttime adventure to find out for herself.
No such thing, say the friends she makes along the way.
But Naya is sure that jumbies are real. Some have big mouths. Or thick fur. Or glowing skin. Or sharp teeth. Kind of like her new friends....…
Hello! I am Jane Yolen, author of almost 450 books. I write picture books and novels, poetry, and graphic novels–mostly for children. I have published books about just about every subject imaginable. But I’ve always loved fantasy books especially. I grew up on the Alice in Wonderland books and the Arthurian legends. I, of course, carried that love into my writing life–having written about monsters, mermaids, and unicorns. I’m fascinated by fairies; they show up in a lot of what I write. Give me a real kid and a mythical creature of some sort, sprinkle in a bit of magic–I’m in!
In this silly romp, a little girl, despite her obnoxiously doubting brother, goes in search of fairies and gets more than she bargains for. My favorite line was: “Then a mermaid arrived. She brought her own ocean…” There are ogre boogers (yes, you read that correctly), and the brother eventually becomes a reluctant believer.
Hello! I am Jane Yolen, author of almost 450 books. I write picture books and novels, poetry, and graphic novels–mostly for children. I have published books about just about every subject imaginable. But I’ve always loved fantasy books especially. I grew up on the Alice in Wonderland books and the Arthurian legends. I, of course, carried that love into my writing life–having written about monsters, mermaids, and unicorns. I’m fascinated by fairies; they show up in a lot of what I write. Give me a real kid and a mythical creature of some sort, sprinkle in a bit of magic–I’m in!
This fantastical collection is written and illustrated by the many authors and illustrators who belong to the Writer's Loft. It contains poems, both funny and dark, about creatures from Banshees to Baku and Selkies to Kelpies.
The poems are as varied as the creatures, and though the subject matter is fantasy, the historical elements that are fantasy lore are at the core of many of the poems. In the hardcover version, there is equally fun and fact-filled backmatter. A must-have collection if you are a fan of poetry, myth, and great art.
Travel the world of mythological creatures! GNOMES and UNGNOMES: Poems of Hidden Creatures is an expansive collection of original, illustrated poems about mythological creatures. Criss-cross the globe through the lens of over 100 authors and illustrators. From the nightmare-eating Baku of Japan to the weather-weaving Acalica fairies in Bolivia. Can you keep track of all seven heads of the Cambrian dragon? Do you want to know what's inside a unicorn's horn? Can you spot Spectre Moose in Maine? Flip the page to India and behold the stunning 9-animal patchwork Navagunjara. Or pop into a middle school dance just in time…
Dragons are my passion, I've lovingly been referred to as The World's Foremost Dragon Authority, and I've made it my mission to consume as much dragon media as I can. As someone who also loves science, I'm especially drawn to media that addresses draconic physiology, evolution, and culture. I can name every taxonomic family, genus, and species in the order Draconidae, and there's nothing I love more than sharing my dragon knowledge and stories with others!
Although this book is aimed at a younger audience, it's one of the most compelling villain origin stories I've ever read. It's a spinoff novel based on lore from the bestselling Wings of Fire series, but can be read as a standalone. It shows the early life of the titular dragon, Darkstalker, who becomes a deadly antagonist in the main novel series.
This was shockingly dark and graphic for a middle grade novel, but I loved that about it, too. Add in the fact that every character in this book is a dragon, and you have a recipe for success. Though the narrative voice reads a little young (hey, it is meant for young readers), Darkstalker's journey toward evil is realistic, poignant, and, at times, heartbreaking.
In the SeaWing kingdom, a young prince learns he is an animus-capable of wonderful magic that comes with a terrible price. In the mind of a NightWing dragonet, a thousand futures unfold-and almost all of them, she knows, lead to disaster and destruction. And under three full moons and the watchful eyes of his NightWing mother and IceWing father, the most powerful dragon Pyrhhia will ever know is clawing his way out of his egg. Darkstalker, the dragon who will change the world forever.
As a writer, I’ve always been interested in ambiguity and ambivalence. How does that apply to the self? What does it mean to present myself to others? How do I appear to the world and how close is that to what I see myself to be? Are we ever truly seen—or willing to be seen? In a world where cameras exist everywhere and we are encouraged to record rather than simply be, how do we look in a mirror? Hannah Arendt said that we could tell reality from falsehood because reality endures. But I feel that nothing I experience endures; nothing remains the same, including the reflection. If anything lasts, it may be my own make-believe. Everything I write is, in some way, this question. Who is that?
A short, powerful investigation of how we construct and succumb to the lies of gender. Chu explores our fears of desire and how we allow politics to corrupt identity, believing gender to be so constructed that it can only be given and not created. Female is a quality we all carry, whatever label we use. Chu forces the reader to look in the mirror with a question instead of a statement, always uncertain about who that person really is.
So begins Andrea Long Chu's genre-defying investigation into sex and lies, desperate artists and reckless politics, the smothering embrace of gender and the punishing force of desire.
Drawing inspiration from a forgotten play by Valerie Solanas-the woman who wrote the SCUM Manifesto and shot Andy Warhol-Chu aims her searing wit and surgical intuition at targets ranging from performance art to psychoanalysis, incels to porn, and even feminists like herself. Each step of the way she defends the indefensible claim that femaleness is less a biological state of women and more a fatal existential…
Horses have helped me negotiate the world since early childhood. I’ve worked as a horse trainer, show competitor, catch rider, barn grunt, and riding instructor. As a UCLA-trained brain scientist and full professor, I also taught human perception, language, memory, and thought for almost 25 years.
Combining these interests produced an “aha” moment, leading to my development of brain-based horsemanship. Successful horse-and-human teams require an understanding of how prey and predator brains interact. With that understanding, both species learn to communicate mutually via body language. We humans cooperate in this fashion and degree with no other species of prey animal—it’s a rare and special bond!
A
collection of stories written by respected authors explaining how horses help
their everyday lives. Jane Smiley, Maggie Shipstead, and Carmen Maria Machado
are all here, along with many other excellent women writers. I feel deep
appreciation and respect for all the horses I have known—especially those who
taught me the most painful lessons, and even the few who taught in a painful or
frightening way. Every horse is unique, and every horse offers something you
can’t get anywhere else. It was magical to read what some of the world’s best
writers have to say about the bonds they created with their own mounts.
“A wild, rollicking ride into the heart of horse country—these essays get at what it means to love horses, in all that love's complexity.” —Anton DiSclafani, author of The Yonahlossee Riding Camp for Girls
A compelling and provocative essay collection that smashes stereotypes and redefines the meaning of the term “horse girl,” broadening it for women of all cultural backgrounds.
As a child, horses consumed Halimah Marcus’ imagination. When she wasn’t around horses she was pretending to be one, cantering on two legs, hands poised to hold invisible reins. To her classmates, girls like Halimah were known as “horse girls,”…
I’m an English writer based in Sheffield. I started reading dystopia when I was around 19 and in a very bad place mentally, it became an escape for me and I would read everything in the genre. It got to the point where I was writing in the notes on my phone (not very well, I might add). Somehow dystopia ignited my passion for writing and so I went to university to study it. Almost everything I wrote for both my undergrad degree and my master's was set in a future dystopian UK. It is where my passion still lies and I hope to create more futuristic worlds like those I have listed.
The prequel to this book had a big influence on me when writing my own book, as I wanted to explore how something so awful, like my trials and Terry’s slating process, could be introduced and the reasoning behind that. What I really love about Terry’s book is the science included. Slated explores wiping someone’s brain completely and giving them a blank slate. Her other books explore things like dark matter, think tanks (literally, the brains are in tanks), and global warming. Slated is where I started and is a series I read every year. While the subject matter is dark, it has become a comfort series, and Kyla a comfort character, for me.
The gripping first book of a rebellious trilogy about truth, power, and impossible choices, perfect for fans of Divergent and Legend.
Kyla’s memory has been erased, her personality wiped blank, her memories lost forever. She’s been slated. The government claims that she was a terrorist and they are giving her a second chance—if she plays by their rules. But scenes from the past haunt her as she tries to adjust to a new life, family, and school, leaving her unsettled. Who is she really? And if only criminals are meant to be slated, why are so many other teens disappearing?…
I am a professor who teaches and works in the field of African American History. Because I am both white and Jewish, I’ve been repeatedly asked to give talks about relationships between African Americans and white Jewish Americans, and about what “went wrong” to shatter the “grand alliance” of the civil rights movement embodied by Dr. Martin Luther King, Jr. and Rabbi Abraham Joshua Heschel. I had no answer, but I suspected that none of the stories that we had been told, whether good or bad, were fully true. So I went back to the sources and uncovered a complex and multilayered history. Black and Jewish collaboration was never a given, and underlying tensions and conflicts reflected the broader realities of race and class in the U.S. In the book I explored how these historical and political forces operated, and continue to resonate today.
Now that I’ve raised the issue of whiteness – ways in which American structures and institutions reflect the agendas and interests of white people, and the role those structures play in shaping opportunity and life experiences -- here I want to bring it front and center. Many white people don’t recognize how they benefit from having white skin (called “white privilege”) and many white ethnic groups, including many white Jews in the U.S., deny their white privilege altogether, insisting that they too have been the victim of white discrimination, and that anti-Black racism is no different. Brodkin offers a powerful counter-narrative, pointing out the many important ways that American Jews of European descent did indeed benefit from their white skin even when they did not realize it.
The fashion identities in the context of a wider conversation about American nationhood, to whom it belongs and what belonging means. Race and ethnicity, class, gender, and sexuality are all staple ingredients in this conversation. They are salient aspects of social being from which economic practices, political policies, and popular discourses create ""Americans."" Because all of these facets of social being have such significant meaning on a national scale, they also have major consequences for both individuals and groups in terms of their success and well-being, as well as how they perceive themselves socially and politically.
I always felt that Middle Eastern studies is different from other fields of history. Its ever-presence in our life, the news cycle, religious life, political life, yet, because of language barriers and other filters, there’s a gap in knowledge that is highly conspicuous when forming one’s opinion. When I started my academic training, I felt like I was swimming in this ocean of histories that were completely unknown to me. I studied the Jewish histories of the region only later in my training and found that this gap is even more visible when talking about the history of Jews in the Middle East, because of misconceptions of antisemitism, the Israel-Palestine conflict, political tilt of media outlet, and more. For me, entering this field was a way to understand long-term processes in my own society, and expand the body of scholarship to enrich the public conversation on top of the academic one.
Iraq was home to about 150,000 Jews until 1948-1951. Baghdad was a very much Jewish city. Iraqi Jews were very assimilated, but there was very little known about the political and social history of Iraqi Jews beyond the Zionist story. While many of the Iraqi Jews did indeed view Zionism as a viable solution for them, overlooking Jewish involvement in Iraqi national and communist organizations misses several of the most fascinating transformations of any Jewish community in the world. In this book, Bashkin analyzed the social, cultural, and national participation of Iraqi Jews from within the perspective of Iraqi society. Interestingly, many of the patterns continued even after their migration to Israel.
Although Iraqi Jews saw themselves as Iraqi patriots, their community-which had existed in Iraq for more than 2,500 years-was displaced following the establishment of the state of Israel. New Babylonians chronicles the lives of these Jews, their urban Arab culture, and their hopes for a democratic nation-state. It studies their ideas about Judaism, Islam, secularism, modernity, and reform, focusing on Iraqi Jews who internalized narratives of Arab and Iraqi nationalisms and on those who turned to communism in the 1940s. As the book reveals, the ultimate displacement of this community was not the result of a perpetual persecution on the…
