I am a psychiatrist and public health doctor, non-fiction writer, and lay and medical editor. For over 12 years, I have taught non-fiction writing for a general audience at Columbia medical and public health schools to physicians, neuroscientists, epidemiologists, psychologists, and other professionals. I have published 14 books and over 500 written articles and videos. I love to write and help others write...well.
This book is like a rainbow. In this book of essays, one color of (nonfiction) prose builds upon another. Its layered literary colors, like a rainbow, form a spectrum of writing whose whole is far more than its parts. A rainbow can disappear in a blink., but not the written word.
Inventing the Truth has 9 colors to its rainbow. They are the superb writings of Russell Baker, Jill Ker Conway, Annie Dillard, Frank McCourt, Toni Morrison, Alfred Kazin, Ian Frazier, Henry Louis Gates, Jr., and Eileen Simpson. Each essay illuminates a lesson from and about life. Their compilation is an incomparable bounty for every nonfiction writer.
For anyone who enjoys reading memoirs-or is thinking about writing one-this collection offers a master class from nine distinguished authors, including Annie Dillard, Frank McCourt, and others.
The events, memories, and emotions of the past often resist the orderly structure of a book. Inventing the Truth offers wisdom from nine notable memoirists about their process (Ian Frazier searched through generations of family papers to understand his parents' lives), the hurdles they faced (Annie Dillard tackles the central dilemma of memoir: what to put in and what to leave out), and the unexpected joys of bringing their pasts to the page.…
I read bios and memoirs because I need to know what really happened. I read several bios of the same person; then piece together a sense of the truth. As a journalist, I understand that all of a person’s life won’t make it into the final story. Editors have a mission of their own; books are molded by exigent demands and social mores. That’s why The Autobiography of Malcolm X in 1965 had one view of its subject, and Manning Marable’s bio in 2011 another. I’ve read both and other accounts to formulate my own ideas about the man and his times.
This coming-of-age story is set in Depression-era South Carolina. My relatives in Oklahoma from that era also were driven out of the South by racism, segregation, and the threat of death. Adam, who was my mentor and colleague at Laney College in Oakland, California, was a young Black male facing lynching. He was too intelligent to survive in the South. He reminds me of my father, a Tuskegee airman who fought the good fight and left the South for good also.
A memoir of an African American childhood in the Jim Crow South
At age nineteen, A. D. Miller sat in a jail cell. His crime? He passed a white girl a note that read, "I would like to get to know you better." For this he was accused of attempted rape.
"Ticket to Exile" recounts Miller's coming-of-age in Depression-era Orangeburg, South Carolina. A closet rebel who successfully evades the worst strictures of a racially segregated small town, Miller reconstructs the sights, sounds, and social complexities of the pre-civil rights South. By the time he is forced into exile, we realize…
I was completely engrossed in this book from the beginning. Brit Bennett took me on a ride from the 1950s to the 90s, from the Deep South to California, with such an original and thought-provoking plot and fully developed characters. She really made me think about how the past and our histories can shape us and our futures, and can help to explain why people do what they do.
THE SUNDAY TIMES TOP BESTSELLER #1 NEW YORK TIMES BESTSELLER
SHORTLISTED FOR THE WOMEN'S PRIZE LONGLISTED FOR THE ORWELL PRIZE
'An utterly mesmerising novel..I absolutely loved this book' Bernardine Evaristo, winner of the Booker Prize 2019
'Epic' Kiley Reid, O, The Oprah Magazine
'Favourite book [of the] year' Issa Rae
The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Ten years…
I am an award-winning, national best-selling author who loves reading as much as I love writing. Combine that with a good, smooth bourbon and it’s a win-win. Like my literary journey, my love for bourbon has been filled with surprises and challenges. Romance writing found me. I didn’t go looking for it. The journey introduced me to great writers and amazing stories and taught me to write better. Distilleries could extol the health benefits of bourbon, but I discovered it can be subtle, soul-searing, and pairs beautifully with a good meal and an even better book. Like my writing, bourbon leaves you feeling like you’ve had a great meal and threw in dessert!
Before being published I was very much a romance snob. I was a bookshelf elitist who thought that good literature did not include romance.
When my first book was labeled a romance novel, romance fans quickly let me know that what I’d written wasn’t true romance, but they loved the book. So, I had to learn how to write romance and what better way than to read it.
Night Song was my first foray into historical romance with characters who looked like me. It was life changing and one of the most beautiful tales I had ever read. Lesson learned! The romance genre includes incredible stories, superb writing, and bourbon-sipping storylines and I had been missing out.
Cara Lee Henson knows no soldier can be trusted to stay in one place—and that includes handsome Sergeant Chase Jefferson of the Tenth Cavalry. Dallying with the dashing man in blue could cost the pretty, independent Kansas schoolteacher her job and her reputation. So Cara is determined to repel Chase’s advances—even though her aloof facade barely masks her smoldering desire.
A Blazing Passion . . .
Never before has Chase longed for a woman the way he ached for lovely Cara Lee. The strong-willed ebony beauty, however, will not surrender easily. But with tender…
I have a youthful spirit, but an old soul. Perhaps, that’s why I love African American history and gravitated to Black Studies as my undergraduate degree. My reverence for my ancestors sends me time and again to African-American historical fiction in an effort to connect with our past. Growing up, I was that kid who liked being around my elders and eavesdropping on grown-ups' conversations. Now, I listen to my ancestors as they guide my creativity. I’m an award-winning hybrid author writing contemporary and historical novels, and I value each. Still, it’s those historical characters and tales that snatch me by the hand and passionately urge me to do their bidding.
While the minute details of the plot may have faded, I still recall the feelings Sisterhood left me with, its essence. As the middle of three daughters, sisterhood is highly important to me. Although the women in the book weren’t biologically connected, their bond and unification were definite. I consider our protagonist Bonnie Wilder (despite her own personal challenges), her best friend, Thora, and the women of Blackberry Corner heroic in their efforts to rescue abandoned children—thus, touching on another topic important to me: motherhood. If you like small-town stories with lively, colorful characters, historical references, and a touch of drama dive into The Sisterhood of Blackberry Corner. The sense of satisfaction I felt when reading it remains with me still.
Filled with compassion, humor, and tenacity in the face of almost insurmountable odds, here is a rich, inspiring tale of friendship and family, sisterhood and mother love . . . and of finding grace where you least expect it.
Canaan Creek, South Carolina, in the 1950s is a tiny town where the close-knit African-American community is united by long-term friendships and church ties. Bonnie Wilder has lived here, on Blackberry Corner, all her life, and would be content but for her deep desire to have a child. She and her husband Naz cannot conceive, and he refuses to adopt. Even…
I grew up in the Disability Rights movement in Canada, fighting for my brother’s right to go to school, to receive medical care, and to be part of our community. For decades, disabled people were institutionalized away from their families and communities, warehoused instead of schooled. My uncle Robert died of neglect in one of these terrible places as a child. My family has been involved in supporting a class action lawsuit against the Ontario government for its responsibility. Since then, the right to education has been better established, and the institutions were closed. But I continue to fight for inclusion and against ableism in education, healthcare, and across our culture.
Black Disability Politicsalso just came out in early Fall 2022, and I was very excited to receive my print copy. The book shows how Black people have long engaged with disability as a political issue tightly tied to race and racism. This, however, has not been the story told in disability studies or in mainstream histories of the Disability Rights movement. Schalk deeply explores archives (for instance those of the Black Panther Party) and layers these findings across interviews with contemporary Black disabled community organizers, to recognize the richness and power of Blackdisability politics. This book is full of surprises, memorable archival anecdotes, and powerful conversations between Schalk and others. You should read this book! If a goal within ableist and white supremacist society is liberation, Schalk shows how essential it is to engage in antiracist, feminist, andanti-ableist political and cultural coalition.
In Black Disability Politics Sami Schalk explores how issues of disability have been and continue to be central to Black activism from the 1970s to the present. Schalk shows how Black people have long engaged with disability as a political issue deeply tied to race and racism. She points out that this work has not been recognized as part of the legacy of disability justice and liberation because Black disability politics differ in language and approach from the mainstream white-dominant disability rights movement. Drawing on the archives of the Black Panther Party and the National Black Women's Health Project alongside…
I am passionate about bringing back to life persons from the past who have been forgotten, misunderstood, or even deliberately mischaracterized. In order to get to the truth, there are a host of myths that must be shattered or discarded. Most of the histories that I have written have done precisely this–showing the fallacy of familiar myths and discovering the hidden truths about people and events that have been distorted, often by some of the most popular literature. In order to achieve these results, I have had to spend years in “boring” archives in order to reveal people and events that are never boring.
This book told me a lot about both its heroine, Henrietta Wood, and its author, Caleb McDaniel. From an obscure 19th-century newspaper article mentioning a court case in Ohio, McDaniel learned of a female slave from Kentucky who had been freed in Cincinnati, kidnapped, and illegally sold back into slavery, and who, after the Civil War, returned to successfully sue for damages the men who had kidnapped and re-enslaved her.
Both the heroine and the author are untiring in their efforts to get to the truth and to convey that truth to a wider audience. I was impressed with McDaniel’s willingness to share with his readers his doubts and fears about recovering this story, and equally impressed by his efforts, successful in the end, to match the determination of Henrietta Wood.
The unforgettable saga of one enslaved woman's fight for justice--and reparations
Born into slavery, Henrietta Wood was taken to Cincinnati and legally freed in 1848. In 1853, a Kentucky deputy sheriff named Zebulon Ward colluded with Wood's employer, abducted her, and sold her back into bondage. She remained enslaved throughout the Civil War, giving birth to a son in Mississippi and never forgetting who had put her in this position.
By 1869, Wood had obtained her freedom for a second time and returned to Cincinnati, where she sued Ward for damages in 1870. Astonishingly, after eight years of litigation, Wood…
For more than thirty years, I worked as journalist covering the biggest news stories of the day—at Newsweek magazine (where I became the publication’s first African-American top editor), then as a news executive at NBC News and CNN. Now, I keep a hand in that world as a judge of several prestigious journalism awards while taking a longer view in my own work as a contributor for CBS Sunday Morning, Washington Post book reviewer, and author of narrative non-fiction books with a focus on key personalities and turning points in Black History.
An Alabama native who moved to Detroit as a young child, renowned Black press reporter Herb Boyd paints a lively, knowing portrait of the world that his fellow Southern migrants and their offspring made in his hometown. The sweeping study examines the role that Blacks played in shaping the American car industry and autoworkers union, and fleshes out the backstories of legends who were raised or came of age in Detroit and went on to transform our national culture, from Malcolm X and Aretha Franklin to record mogul Barry Gordy and the young local musicians who became the superstars of Motown Records.
The author of Baldwin’s Harlem looks at the evolving culture, politics, economics, and spiritual life of Detroit—a blend of memoir, love letter, history, and clear-eyed reportage that explores the city’s past, present, and future and its significance to the African American legacy and the nation’s fabric.
Herb Boyd moved to Detroit in 1943, as race riots were engulfing the city. Though he did not grasp their full significance at the time, this critical moment would be one of many he witnessed that would mold his political activism and exposed a…
I am a history professor at Ohio State, where I have taught for most of my career. I have always been fascinated by how people in different regions define their own identities, how other Americans perceive them, and how these ideas change over time. Having lived through several wars (as a civilian), I have observed that social and political conflicts on the homefront can be intense in their own right and that non-military events and military events are often connected. In my work, I have published on gender, race, slavery, family, material culture, legal history, and environmental history, from the Revolution through the Civil War.
Black people, enslaved and free, sued whites in court in Mississippi and Louisiana, and sometimes they won.
Welch researched hundreds of documents in some archives off the beaten path. She discovered a hitherto unknown chapter of African American life which changes our perspective on the legal system.
I felt inspired by the courage and resilience of the litigants.
In the antebellum Natchez district, in the heart of slave country, black people sued white people in all-white courtrooms. They sued to enforce the terms of their contracts, recover unpaid debts, recuperate back wages, and claim damages for assault. They sued in conflicts over property and personal status. And they often won. Based on new research conducted in courthouse basements and storage sheds in rural Mississippi and Louisiana, Kimberly Welch draws on over 1,000 examples of free and enslaved black litigants who used the courts to protect their interests and reconfigure their place in a tense society.
I have always been passionate about Black authors and Black children being writers and writing about their experiences or their children’s experiences since I was a young adult. Ever since the Trayvon Martin incident years ago, these Black history stories and books have been so meaningful to the Black community. I used to read just Urban fiction AA books back in high school, but ever since I became a writer/author I have taken a liking to reading children's books about self-love, fear, and going to college, especially for young black children. I read these books to remind me that we are strong-minded people. That no one can take our light from us.
It shows Black graduates graduating from an HBCU and inspiring younger Black children to follow their dreams. This is to educate young Black children to attend college. I feel this can help a parent get their kids into a Black college to be great and well educated. I personally loved this book because it showed encouragement and empowerment. It taught me to never give up.
Have you always dreamed of your child attending an HBCU? In Erica Stovall White’s debut children’s book, your child can have a glimpse into the joys of an HBCU. This fun and interactive ABC book uses rhyme and vibrant pictures to showcase the best that HBCUs offer, including lifelong friendships, caring professors, new social activities, and preparation for exciting careers. A Is for Ancestors includes engaging questions for younger readers and a resource guide for families and older children to explore the history and value of an HBCU education.
