Humans are absurd. We are. Short stories that present this in a true and honest fashion, without being cruel or vulgar are a rare and delicious gem. In all of these books there is not a single ounce of malice or bitterness. Humans are born, we live, we suffer, and then we die. These books don’t deny this, or ignore it, instead they choose to focus on the funny, the fun, the absurd lives that we live.
The pure and real absurdity of the stories in this book kept me coming back again and again. The cranky old backwoods-man, the paranoid mother, and the hard-as-nails grandmother all felt like real people to me, and you never knew when Strange the dog would show up. Experience the world through the eyes of a child growing up in early 20th-century backwoods America.
America’s “most gifted outdoor humorist” (Detroit Free Press) regales readers with this collection of gut-busting, man vs. nature tales originally published in such magazines as Field & Stream and Outdoor Living.
Patrick F. McManus’s hilarious and comic stories of camping and other nature-oriented activities reach ridiculous proportions in The Night the Bear Ate Goombaw. From teaching his stepfather the methods of madness behind farm work through his best friend’s grandmother’s fear of bears, McManus reveals that human behavior is even wilder than the wilderness.
I’m somebody that starts far too many sentences with the phrase “Remember when.” I have great sensory recollection of things from my past. As a high schooler in the 90s, I can still smell the CK One I was wearing during the Seinfeld finale and hear the Nirvana blaring through my 5-disc changer while I did my homework. I love using my writing to bring certain time periods back to life. I think because technology is moving so quickly – I struggle to understand TikTok – I like writing books and reading books that take me back to a time period that isn’t changing with status updates, new pictures, and Snaps every second.
I have long been a fan of Jennifer Weiner and expected another charming, funny (and modern) read when I picked up Mrs. Everything. But this book far surpassed my expectations. It was far more serious, ambitious, and sweeping than her other books. The story centers on two sisters growing up in 1950s Detroit, taking me back to an era where women were raised to be housewives alone, and follows them through the tumultuous sixties and beyond. Weiner’s writing and research are so strong, I felt like I experienced the historical milestones along with the characters.
In this instant New York Times bestseller and “multigenerational narrative that’s nothing short of brilliant” (People), two sisters’ lives from the 1950s to the present are explored as they struggle to find their places—and be true to themselves—in a rapidly evolving world from #1 New York Times bestselling author Jennifer Weiner.
Jo and Bethie Kaufman were born into a world full of promise.
Growing up in 1950s Detroit, they live in a perfect “Dick and Jane” house, where their roles in the family are clearly defined. Jo is the tomboy, the bookish rebel with a passion to make the world…
Few things bother me more than the negative stereotypes that portray Detroit as a deserted city in ruins - a crime-infested, neglected place where residents don’t care about their connections to the city’s history or its future. Detroit is a proud, living city. As a historical archaeologist at Wayne State University, I’ve been on the front lines of leading community-based archaeology projects in Detroit for the past decade. These projects involve advocacy for more inclusive historic preservation efforts, youth training initiatives, collaborative exhibits, and lots of interactions with the media and public. I view historical archaeology as a tool for serving local community interests, unearthing underrepresented histories, and addressing the legacies of social justice issues.
Detroit is a city shaped by social movements. Even in the city’s darkest times of violent uprisings, outmigration, and bankruptcy, ordinary Detroiters remained committed to transformative change - banding together to challenge issues of racial injustice, housing access, food sovereignty, workers’ rights, and accountable governance. A People’s Atlas of Detroit is community-based scholar-activism at its best.
The brilliantly illustrated collection of maps, essays, photographs, poetry, and interviews is the outcome of a multi-year project involving over fifty residents from all walks of life who are at the forefront of local social justice initiatives. Through its combination of radical cartography, historical perspectives, and firsthand reflections, APeople’s Atlas elevates the voices of the underrecognized people who are actively charting courses for a more equitable urban future.
In recent years, Detroit has been touted as undergoing a renaissance, yet many people have been left behind. A People's Atlas of Detroit, edited by Linda Campbell, Andrew Newman, Sara Safransky, and Tim Stallmann comes from a community-based participatory project called Uniting Detroiters that sought to use collective research to strengthen the organizing infrastructure of the city's long-vibrant grassroots sector and reassert residents' roles as active participants in the development process. Drawing on action research and counter-cartography, this book aims to both chart and help build movements for social justice in the city.
I’m a sociologist who studies American family life. About 20 years ago, I began to see signs of the weakening of family life (such as more single-parent families) among high-school educated Americans. These are the people we often call the “working class.” It seemed likely that this weakening reflected the decline of factory jobs as globalization and automation have proceeded. So I decided to learn as much as I could about the rise and decline of working-class families. The books I am recommending help us to understand what happened in the past and what’s happening now.
How and when did all this start? Historian Thomas Sugrue shows that the peak of industrial employment in cities such as Detroit, the focus of this book, occurred in the 1940s. Then as hundreds of thousands of industrial jobs were lost in Detroit (and millions elsewhere in the US), the position of the urban working class deteriorated. This decline was an important source of the “urban crisis” that started in the 1960s.
Once America's "arsenal of democracy," Detroit is now the symbol of the American urban crisis. In this reappraisal of America's racial and economic inequalities, Thomas Sugrue asks why Detroit and other industrial cities have become the sites of persistent racialized poverty. He challenges the conventional wisdom that urban decline is the product of the social programs and racial fissures of the 1960s. Weaving together the history of workplaces, unions, civil rights groups, political organizations, and real estate agencies, Sugrue finds the roots of today's urban poverty in a hidden history of racial violence, discrimination, and deindustrialization that reshaped the American…
I’ve been fascinated by altered states of consciousness and social change since childhood. Growing up in an esoteric home, I was immersed in a spiritual worldview, but this didn’t provide guidance on how to deal with grief or address social challenges. I sense that noticing and tending to the various forms of collective grief we are immersed in is a crucial place to begin. As a writer, artist, and somatic practitioner, I aim to create care networks to support liveable futures and world(s) where as many beings as possible can live with safety, dignity, and belonging.
I adore this book as it feels deeply woven with the legacy of Octavia Butler: gripping, socially engaged science fiction that is full of brilliant information about how to survive societal collapse.
I appreciate how adrienne shines a light on grief as it relates to the various social conditions that create hardship for folks. This systemic lack of care makes it hard for many folks to have their needs met in life, let alone have a dignified death. I gobbled this book up and was very sad to have finished it.
★ "It’s a strong precedent that will leave readers eager for more." —Publishers Weekly (starred review)
Grievers is the story of a city so plagued by grief that it can no longer function.
Dune’s mother is patient zero of a mysterious illness that stops people in their tracks—in mid-sentence, mid-action, mid-life—casting them into a nonresponsive state from which no one recovers. Dune must navigate poverty and the loss of her mother as Detroit’s hospitals, morgues, and graveyards begin to overflow. As the quarantined city slowly empties of life, she investigates what caused the plague, and what might end it, following…
The Beggar King and the Secret of
Happiness is a story about a storyteller who loses his
voice. What do writers want more than anything else? Yes, it’s to have an
original voice that readers love.
So, the metaphorical image of losing one’s
voice brings a great deal of fear to a writer, and it was the first reason this
story piqued my interest. No voice equals no storytelling and if a storyteller
can’t tell stories, then that’s a big problem.
This book makes the reader
question the concept of happiness. If we can’t do what we love most, if we lose
what we think makes us who we are, then how can we be happy? Is it possible
that we are more than what we do, more than what we project to the world?
The protagonist had to experience silence
and give up who he thought he was to…
"Wonderful!" (Grace Paley)."Heartwarming and smart and wonderfully written" (Detroit Free Press)."Provides edifying advice, intimately given, like the best-selling Tuesdays with Morrie" (the Dallas Morning News)."Altogether original" (Dr. Laura Schlessinger)."This story will speak to the humanity of the reader" (Jewish Book World).The Beggar King and the Secret of Happiness is that rare, magical book-a book that tells a good story but also shows us how the tales we learned when we were children shed light on our adult lives. Joel ben Izzy had the unusual opportunity to relive those lessons when he lost his voice and reconnected with his old teacher,…
It is a truth almost universally accepted that historically women had no way to support themselves except marriage…but it’s not true! I’m all-in on Happily-Ever-After, of course, but I absolutely love it when a heroine is smart, sensible, and able to support herself on her own. When she falls for someone, it’s got to be for real because she’s not afraid to take charge of her own life and make her own way, despite whatever obstacles are thrown at her.
This is a real battle of wills, between Dr. Viveca Lancaster, newly licensed physician, and Nate Grayson, manager of a newly-founded Michigan town in desperate need of a doctor. He hires her, sight unseen, and when she shows up, he tries to fire her, because he doesn’t want a female doctor, but Viveca is not having that. She’s going to prove herself, as one of the first Black women doctors in 1870s America, and Nate falls for her as a brilliant doctor as much as he does for her as a woman. It’s impossible to go wrong with a Beverly Jenkins book, but this one is extra delicious.
It's 1876 and Dr. Viveca Lancaster is frustrated by the limits placed upon female physicians of color. When she is offered the chance to set up a practice in the small all Black community of Grayson Grove, Michigan she leaves her California home and heads east. The very determined Viveca is one of the few nineteenth century Black women to graduate from the prestigious Woman's Medical College of Pennsylvania, so she knows all about fighting for her rights. But she may need more than determination to face down the distractingly handsome Nate Grayson, the Grove's bull-headed mayor.
I have tried Elmore Leonard books in the past and stalled. Not with this book, in which Leonard made a very bright mark for his reputation as a master crime novelist. This is Leonard at his best.
A tough-minded married couple witnesses a crime near the start of this tale and spends the rest of the pages avoiding a professional hitman and his bumbling associate from taking them out.
Someone once said, “Elmore Leonard writes dialogue like he invented it.” It’s absolutely true of this book. I highly recommend it.
The King of Cool returns with another thrilling tale of crime capers.
Arman 'The Blackbird' Degas is a professional hitman: one shot, one kill. But when he's carjacked by ex-con Richie Nix, he finds himself with a lethal partner.
Nix is on his way to shake down a realtor and the Blackbird is along for the ride. But they don't count on Carmen and Wayne Colson getting in their way. Exposed as eyewitnesses, the Colsons are placed in witness protection but soon discover the program contains as many predators as the underworld they're hiding from. But can they outrun the…
Crime fiction, true crime, mystery, and suspense books allow us to brush up against the worst society has to offer without getting hurt. There’s a lot to be said for vicarious thrills, isn’t there. I am just a simple man telling simple stories about good vs. evil. And sometimes, in my stories, fiction or not, the bad guys win. But I do love telling stories, and when I find a good one, I can’t wait to tell you aboutit. That’s what I have done here.
You have to love this book if only because the author, Loren D. Estleman, pounded out the words on a manual typewriter. Why would he do that in the 21st century? So he can keep working during power outages, that’s why.
There’s not a single one of Estleman’s books or stories I would not recommend. However, I chose Whiskey River for this review because it is historical crime fiction, taking place in the days of Prohibition.
Whiskey River is the story of a young, ambitious reporter who risks his life to expose police and city hall corruption.
As always, Estleman brings his characters and settings to life in a way few others can.
In Detroit in 1925 prohibition has been in force for a year longer than the rest of the States, police corruption is so rampant no-one notices the stench in City Hall. Into this scene comes Constantine Minor, a young and ambitious reporter. The author has twice won the Shamus Award.
David DeKok became interested in environmental disasters in his native Michigan in 1974, when PBB, a fire-retardant chemical, was accidentally mixed with animal feed, entered the food chain, and then most people in the state, probably including himself. As a journalist in Pennsylvania, he wrote extensively about the Centralia mine fire and the aftermath of the Three Mile Island nuclear accident, and is the author of four books. He tends to write about small towns and small-town people in crisis.
We Almost Lost Detroit was published in the mid-1970s at a time of growing concern over nuclear power in America that would reach a boiling point with the Three Mile Island nuclear accident in Pennsylvania in 1979. There was no love lost between the two sides. Utility executives were believed to be liars trying to save their investment in a costly, difficult technology. Nuclear critics were portrayed by the industry as deluded tree-huggers. It was a real debate with real consequences, and this book shows why. The cover of the Ballantine paperback edition shows the terrified face of a man inside a radiation protective suit.
A valuable contribution to the debate over nuclear power, this book documents the Fermi accident that so frightened the AEC and nuclear industry that they did not want the details and significance leaked to the public. At the time of the publication of this book, many critics of nuclear power were demanding to know all the pertinent information regarding the safety of nuclear reactors.
