I am a psychiatrist and public health doctor, non-fiction writer, and lay and medical editor. For over 12 years, I have taught non-fiction writing for a general audience at Columbia medical and public health schools to physicians, neuroscientists, epidemiologists, psychologists, and other professionals. I have published 14 books and over 500 written articles and videos. I love to write and help others write...well.
Who will make the critical decisions about the medical treatment you, your family, and your friends receive?
There is a war going on between profit-driven healthcare insurance corporations and the doctors, nurses, and hospitals who have the mission and duty to be of benefit to you. The corporations are winning, but the war is far from over. Crosshairs proves how ‘patient-first’ medical care can beat the ‘profits-first’ corporate kudzu strangling American healthcare. Play by play. And it reads like a novel!
I know that many doctors, scientists, psychologists, and professionals of all stripes want to give voice to their personal and professional experiences. But here’s the rub: writing is a craft, no different from being an equestrian or an electrician, a musician, an actor, or a teacher. Which means you have to learn the craft. Then keep working at it.
New writers used to be directed to Strunk & White’s paene to grammar and syntax, The Elements of Style. Good for proofreading but not creating. Writing well was becoming an endangered species. One day, a cranky Yankee journalist and university teacher with a very big heart was complaining to his wife about how so few knew how to write. She said, “…well, do something about it!”
He wrote, On Writing Well, The Classic Guide To Writing Nonfiction. Its principles (with many helpful examples) are clarity, simplicity, brevity, and humanity. There is no better map to writing well. On Writing Well has sold over 1.5 million copies. Because he nailed it. Thank you, Bill Zinsser.
On Writing Well has been praised for its sound advice, its clarity and the warmth of its style. It is a book for everybody who wants to learn how to write or who needs to do some writing to get through the day, as almost everybody does in the age of e-mail and the Internet.
Whether you want to write about people or places, science and technology, business, sports, the arts or about yourself in the increasingly popular memoir genre, On Writing Well offers you fundamental priciples as well as the insights of a distinguished writer and teacher. With more…
Yes, the same Stephen King: Carrie, The Shining, Misery, and dozens more. Fiction? Yes–his memoir is among the best books for writing nonfiction, not the best of nonfiction books.
Writers of every genre suffer the same troubles, like doubt, rejections, not enough days when the work “flows”, procrastination, alcohol, and drug abuse, having to bow and beg (until your success reverses the tables), and so on. In On Writing, Mr. King gives us his story: "the good, the bad, and the ugly", of writing.
Start with chapter 25 of “CV”, right to the meat of King’s memoir. Be sure you read his “Tool Box” for writing. From the “fundamentals” (e.g., read and write a lot, vocabulary, sentences, paragraphs) to the “craft” (e.g., subject, story-telling; clarity {again !}; people, personalities, and characters).
Twentieth Anniversary Edition with Contributions from Joe Hill and Owen King
ONE OF TIME MAGAZINE’S TOP 100 NONFICTION BOOKS OF ALL TIME
Immensely helpful and illuminating to any aspiring writer, this special edition of Stephen King’s critically lauded, million-copy bestseller shares the experiences, habits, and convictions that have shaped him and his work.
“Long live the King” hailed Entertainment Weekly upon publication of Stephen King’s On Writing. Part memoir, part master class by one of the bestselling authors of all time, this superb volume is a revealing and practical view of the writer’s craft, comprising the basic tools of the…
To play better tennis, watch Roger Federer; to be funny, tune in Mel Brooks, Sarah Silverman, or Nancy Meyers; to deliver great mystery/suspense, read Lee Child; to write poetry that penetrates our hearts, read Mary Oliver or Maya Angelou. Our brains are wired for “mirroring” the neural activity that reflexively has us act like who we see or hear.
Anne Lamott’s prose superbly (and seemingly) effortlessly paints word portraits of family, friends, circumstances, and (especially) herself that make us grin and laugh; feel mean, kindly or loving; chained or free; bemused or despondent. Wow! That’s literary range and brilliance.
My mirroring neurons are ignited by Anne Lamott. Not that I achieve her level of literary excellence or poise. But that’s what my brain thinks it can, without my knowing it.
NEW YORK TIMES BESTSELLER • An essential volume for generations of writers young and old. The twenty-fifth anniversary edition of this modern classic will continue to spark creative minds for years to come. Anne Lamott is "a warm, generous, and hilarious guide through the writer’s world and its treacherous swamps" (Los Angeles Times).
“Superb writing advice…. Hilarious, helpful, and provocative.” —The New York Times Book Review
For a quarter century, more than a million readers—scribes and scribblers of all ages and abilities—have been inspired by Anne Lamott’s hilarious, big-hearted, homespun advice. Advice that begins with the simple words of wisdom…
I loved this book because it demonstrates we can write about any subject we have a passion for: bowling, the bassoon, the Canary Islands, UFOs, opium, truffles, cats and dogs, evil and good, or cells!
Thomas starts his book by marveling about cells. Vivid imagination, not labor, carries him to subjects like insects, music, language, computers, and medicine. After all, they are interconnected, like we are.
Which means I need only start with one subject* that stirs my wonder or worry and holds meaning for me. I don’t need to hunt for something to write about, it is right in front of my eyes.
*BTW, the author of my book choice #1, Bill Zinsser, covered war, theatre, baseball, music, nonfiction writing, and memoirs. Note to self: One subject will do.
Elegant, suggestive, and clarifying, Lewis Thomas's profoundly humane vision explores the world around us and examines the complex interdependence of all things. Extending beyond the usual limitations of biological science and into a vast and wondrous world of hidden relationships, this provocative book explores in personal, poetic essays to topics such as computers, germs, language, music, death, insects, and medicine. Lewis Thomas writes, "Once you have become permanently startled, as I am, by the realization that we are a social species, you tend to keep an eye out for the pieces of evidence that this is, by and large, good…
This book is like a rainbow. In this book of essays, one color of (nonfiction) prose builds upon another. Its layered literary colors, like a rainbow, form a spectrum of writing whose whole is far more than its parts. A rainbow can disappear in a blink., but not the written word.
Inventing the Truth has 9 colors to its rainbow. They are the superb writings of Russell Baker, Jill Ker Conway, Annie Dillard, Frank McCourt, Toni Morrison, Alfred Kazin, Ian Frazier, Henry Louis Gates, Jr., and Eileen Simpson. Each essay illuminates a lesson from and about life. Their compilation is an incomparable bounty for every nonfiction writer.
For anyone who enjoys reading memoirs-or is thinking about writing one-this collection offers a master class from nine distinguished authors, including Annie Dillard, Frank McCourt, and others.
The events, memories, and emotions of the past often resist the orderly structure of a book. Inventing the Truth offers wisdom from nine notable memoirists about their process (Ian Frazier searched through generations of family papers to understand his parents' lives), the hurdles they faced (Annie Dillard tackles the central dilemma of memoir: what to put in and what to leave out), and the unexpected joys of bringing their pasts to the page.…
When Lara was four years old, her father moved from Rochester, New York, to Anchorage, Alaska, a distance of over 4,000 miles. She spent her childhood chasing after him, flying a quarter of the way around the world to tug at the hem of his jacket.
Now that he is in his eighties, she contemplates her obligation to an absentee father. The Truth About Unringing Phones is an exploration of responsibility and culpability told in experimental and fragmented essays.
When Lara was four years old, her father moved from Rochester, New York, to Anchorage, Alaska, a distance of over 4,000 miles. She spent her childhood chasing after him, flying a quarter of the way around the world to tug at the hem of his jacket. Now that he is in his eighties, she contemplates her obligation to an absentee father.
The Truth About Unringing Phones: Essays on Yearning is an exploration of responsibility and culpability told in experimental and fragmented essays.
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