I fell in love with Asia as a young boy growing up in Phoenix, Arizona. Many of my playmates were Asian Americans, and I was fascinated by the photos of their ancestors who had immigrated to America. That curiosity grew to a passion—one that led me to a long career as an Asian expert in the US Government. My first visit to China in the early 1980s took me to Shanghai before its incredible transformation. I knew much of its history, but walking the streets, seeing the buildings, and encountering its citizens made it real and left me wanting more. The history of Shanghai became a hobby.
What Pan Ling does for the Chinese side of the story, Grescoe does for the Western expats living in 1930s Shanghai. I stayed in the Cathay in the 1980s long after it had been renamed Peace Hotel.
But the old glamour shined through and I wondered what incredible things the building had seen. Grescoe’s book took me back to its glory days and introduced me to the people—and some of their more notorious doings—who frequented its salons, bars, and restaurants.
On the eve of WWII, the foreign controlled port of Shanghai was the rendezvous for the twentieth century's most outlandish adventurers, all under the watchful eye of the illustrious Sir Victor Sassoon. Emily Hahn was a legendary New Yorker writer who would cover China for nearly fifty years, playing an integral part in opening Asia up to the West. But at the height of the Depression, Emily "Mickey" Hahn, who had just arrived in Shanghai nursing a broken heart after a disappointing affair with an alcoholic Hollywood screenwriter, was convinced she would never love again. When she enters Sassoon's glamorous…
I’ve been fascinated by the feelings stories can evoke in readers since I cried over Bridge to Terabithia in middle school. From the time I was twelve, I’ve sought snapshots in time that ooze with a strong sense of place and flawed characters to capture my heart when reading. I’ve found well-researched historic Gothic family sagas to be the most consistent in delivering that raw emotional bond between the setting/characters and reader. As a writer, I strive to recreate what I crave when reading. The historic Gothic family sagas I’ve chosen represent an array of characters you will love—or love to hate—and cry over.
The seven-book saga featuring the Eden family by Marilyn Harris is an amazing read, but I found The Prince of Eden to be the most moving. Not only is Edward Eden the most likable (though still questionable) of the men in the family, the book sheds light on an era of British history I wasn’t very familiar with, the 1830s-50s. I became a spectator of the social unrest, opium dens, and more within these pages. The fictional characters move alongside historical people and events, leaving their own footprints in the world of possibility within this emotional read.
Young Edward Eden, maverick and social reformer who befriends the lowly of London, greatly disturbs his family by selling off parts of the Eden estate to help his friends and by seeking comfort for his personal sorrow in opium
Holly Grout is an Associate Professor of History at the University of Alabama. Her research interests include the cultural history of modern France, women and gender studies, and the history of beauty, fashion, celebrity, and consumer culture. Her current project, Playing Cleopatra: Inventing the Female Celebrity in Third Republic France, investigates many of the same themes around sexuality, female bodies, public decency, and spectacle. She chose these works in particular because they exemplify some of the best on sex and the city, and they address many of the same issues that Colette raised so long ago – suggesting that sex and the city was a turn-of-the-century fascination in Paris long before HBO turned it into an international cultural phenomenon.
Although best known to Anglophone readers for her novel Gigi (1944), Colette considered Ces Plaisirs (These Pleasures) later titled The Pure and the Impure, one of her best works. A titillating exploration into the erotic underground of early twentieth-century Paris, the novel’s semi-autobiographical characters pursue a range of sexual experiences and sensual pleasures. Traversing the capital city’s carnal playgrounds, from its fashionable opium dens to its commercial boudoirs, Colette troubles the complicated relationship between sex and love – presenting both as a worthy if ultimately futile human pursuit.
Colette herself considered The Pure and the Impure her best book, "the nearest I shall ever come to writing an autobiography." This guided tour of the erotic netherworld with which Colette was so intimately acquainted begins in the darkness and languor of a fashionable opium den. It continues as a series of unforgettable encounters with men and, especially, women whose lives have been improbably and yet permanently transfigured by the strange power of desire. Lucid and lyrical, The Pure and the Impure stands out as one of modern literature's subtlest reckonings not only with the varieties of sexual experience, but…
Some years ago, I believed that after I had read the “famous” 19th-century novelists Jane Austen at the beginning of the century, the Brontes, Thomas Hardy and Charles Dickens more or less in the middle, and Henry James, Mark Twain, and Edith Wharton at the end, I had “done” the century and was disappointed that there was no more of worth to entertain me. Wrong, of course. Maria Edgeworth (Anglo-Irish) was a revelation; Catherine Maria Sedgewick (American) opened my eyes to New England; Margaret Oliphant (Scottish) combined the “weird,” spiritual, and a ruthless realism about family dysfunction. So I'm still reading. The 19th-century novels of Great Britain and America are an avocation and a passion.
This novel was a big bestseller in 1856! I read it because I saw a reference to it as having religion as a strong theme and I thought it would be useful research for my book. While it turned out to be of little use for that, I found it fascinating for its picture of family life. I did not anticipate the subplot about the abuse of opium in infant care. Critics claim that the portrait of Ethel, the protagonist, made possible the later depictions of Jo March in Little Womenand Anne Shirley in Anne of Green Gables. It’s a bit long-winded but a good read. And if you are looking at my list, you probably like long-winded 19th-century novels anyway.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
This book was given to me by a friend who traveled the Sierra Madres of Western Mexico. I’d phone him after turning a page on each spine-stiffening episode to screech, “Are you crazy?!”
The landscape envelopes with stark beauty. The glimpses into the lives of the people who try to survive the human dangers helped me understand why families are willing to risk crossing the U.S. border. The human threat, on both sides of “the law” and the natural threat of the rough landscape, makes for a heart-pounding read.
I was sucked in by Richard Grant’s “Whew! We survived that one” style of writing. Laugh while their lives hang before your reading eyes.
From the acclaimed author of Dispatches From Pluto and Deepest South of All, a harrowing travelogue into Mexico’s lawless Sierra Madre mountains.
Twenty miles south of the Arizona-Mexico border, the rugged, beautiful Sierra Madre mountains begin their dramatic ascent. Almost 900 miles long, the range climbs to nearly 11,000 feet and boasts several canyons deeper than the Grand Canyon. The rules of law and society have never taken hold in the Sierra Madre, which is home to bandits, drug smugglers, Mormons, cave-dwelling Tarahumara Indians, opium farmers, cowboys, and other assorted outcasts. Outsiders are not welcome; drugs are the primary source…
I’m American but I’ve been a Francophile for ages. I didn’t get a chance to visit France until well into adulthood. So much history lives in France and it’s been my joy to illuminate it for readers who tell me they feel transported. There is no higher compliment, in my mind. I’ve been writing novels for thirty years, set in the Rocky Mountains, America’s heartland, and the scenic villages of France. The Bennett Sisters Mysteries are now up 18 books in the series, featuring settings from Paris to Champagne to the Dordogne, with more in the works. I must go back to France to research, oui?
I love weaving history into my mysteries so I was drawn to this dark tale of Paris in the Belle Époque. An English girl goes to Paris to study art but, desperately poor, throws her fate into the hands of some shady characters. The atmosphere and scene-setting of Paris during a terrible rainy winter are unforgettable.
Extra material includes a deleted scene and a Q&A with Imogen Robertson
Maud Heighton came to Lafond's famous Academy to paint, and to flee the constraints of her small English town. It took all her courage to escape, but Paris eats money. While her fellow students enjoy the dazzling joys of the Belle Epoque, Maud slips into poverty. Quietly starving, and dreading another cold Paris winter, Maud takes a job as companion to young, beautiful Sylvie Morel. But Sylvie has a secret: an addiction to opium. As Maud is drawn into the Morels' world of elegant luxury, their secrets become…
A book which is almost sure to teach you something you didn't know about Chinese history, in this case, the story of two families of refugees from the Middle East who settled in Shanghai 175 years ago - the Sassoons and the Kadoories. It traces their history and influence through the Opium Wars, foreign interventions, multiple revolutions and up until modern day. I've visited Shanghai multiple times over the last decade, and always thought of it as a very Chinese city, oblivious to the possibility it had such exotic origins.
"In vivid detail... examines the little-known history of two extraordinary dynasties."--The Boston Globe
"Not just a brilliant, well-researched, and highly readable book about China's past, it also reveals the contingencies and ironic twists of fate in China's modern history."--LA Review of Books
An epic, multigenerational story of two rival dynasties who flourished in Shanghai and Hong Kong as twentieth-century China surged into the modern era, from the Pulitzer Prize-winning journalist
The Sassoons and the Kadoories stood astride Chinese business and politics for more than one hundred seventy-five years, profiting from the Opium Wars; surviving Japanese occupation; courting Chiang Kai-shek; and…
Phil Halton has worked in conflict zones around the world as an officer in the Canadian Army and as a security consultant and has extensive experience in Afghanistan. He is the author of two novels and a history.He holds a Master's Degree in Defence Studies from Royal Military College of Canada, and a Graduate Certificate in Creative Writing from Humber College.
Drug trafficking has become entwined with Afghanistan in the minds of many, though the true situation is often misunderstood. Bradford’s meticulous research not only clearly explains the present situation, it places it in the broader historical context that is almost always missing. The legal trade in opium has deep roots in Afghanistan, and even in the present day, there are as many senior government officials benefiting from it as there are insurgent leaders. He also explores the growing problem with addiction that plagues Afghanistan, humanizing a complex problem.
Historians have long neglected Afghanistan's broader history when portraying the opium industry. But in Poppies, Politics, and Power, James Tharin Bradford rebalances the discourse, showing that it is not the past forty years of lawlessness that makes the opium industry what it is, but the sheer breadth of the twentieth-century Afghanistan experience. Rather than byproducts of a failed contemporary system, argues Bradford, drugs, especially opium, were critical components in the formation and failure of the Afghan state.
In this history of drugs and drug control in Afghanistan, Bradford shows us how the country moved from licit supply of the global…
I’m a professor of modern Britain with a specialty in nineteenth-century social history. I’m drawn to sources and topics that tell us about how everyday people lived and thought about their lives. One favorite part of my job is the challenge of discovering more about those groups, like working-class women or children, who weren’t the main focus of earlier histories. Since 2000, I’ve taught classes at Vassar College in Poughkeepsie, New York, on Victorian Britain, the British Empire, the First World War, and the history of childhood.
Yes, this is a domestic guide on how to create the ideal household, but it’s so much more than that!
I love that Beeton opens her book by comparing the mistress of the house to an army commander. The book includes hundreds of recipes, along with all kinds of domestic advice: how to hire servants, how to purchase a house, how to revive a child from a coma, how to set a broken bone, and how to treat opium overdose.
Best of all is the irony that the author of this middle-class domestic ideal worked outside the home alongside her publisher husband not only on The Book of Household Management but also as journalist and co-editor of The Englishwoman’s Domestic Magazine.
Emotions, we’ve all been told, are less than: less than logic, or spirituality, or anything else, really. Yet no matter how smart, spiritual, or talented people are, they can be brought to their knees by an emotion they don’t understand. Emotions have been thrown into the shadow, yet in the shadow lives immense power, so I dedicated my life to finding the power in the emotional realm. It’s been a magnificent adventure because our emotions contain genius, and they’re a part of everything we think and everything we do. Emotions aren’t less than anything; emotions are everything, and I’m so glad that they’ve welcomed me into their world.
We live with so many toxic myths about happiness, and many of these myths come from books about happiness! The Happiness Myth steps up to defend happiness from all the nonsense. It’s a rollicking and often-hilarious tour through the history of human happiness, full of surprises and strange-but-true ideas to ponder.
Historian and poet Jennifer Michael Hecht challenges our current certainties in this irreverent and well-researched exploration of what our ancestors (and we!) need to live happy lives. She’s a wonderful and witty person to spend time with, and she’ll help you become more intelligent about the true and everlasting nature of human happiness. Happy now?
Historian Jennifer Michael Hecht looks at contemporary happiness advice, explains why much of it doesn't work, and why it drives us crazy and makes us miserable. Using a social/pop-culture look at the world, she begins her inquiry through the lens of today's most oft perused paths towards attaining happiness - money, mood-managing drugs, knowledge, celebration, and bodies - and then reveals unsuspected insights about how these approaches have faired throughout history. With a new-found historical perspective, Hecht liberates us from the scolding, quasi-scientific messages that insist there's only one way to care for our minds and bodies. Rich with anecdotes…
