Some years ago, I believed that after I had read the “famous” 19th-century novelists Jane Austen at the beginning of the century, the Brontes, Thomas Hardy and Charles Dickens more or less in the middle, and Henry James, Mark Twain, and Edith Wharton at the end, I had “done” the century and was disappointed that there was no more of worth to entertain me. Wrong, of course. Maria Edgeworth (Anglo-Irish) was a revelation; Catherine Maria Sedgewick (American) opened my eyes to New England; Margaret Oliphant (Scottish) combined the “weird,” spiritual, and a ruthless realism about family dysfunction. So I'm still reading. The 19th-century novels of Great Britain and America are an avocation and a passion.
In the musty attic of an upstate New York house, a woman finds a clasped box, hidden away for over a century. Inside, wrapped in cambric and tied with a green ribbon, is an old manuscript written by a girl dreaming of a better life, fighting for survival, and coming of age in a time of chaos and danger. This wondrously told tale is a stirring adventure set in nineteenth-century England, a novel of rich history and vibrant imagination.
The sights and sounds of nineteenth-century England come vividly to life in Jonatha Ceely’s magnificent novel, a tale that explores the intricate relationship forged by two people in hiding. Moving and unforgettable, Mina is historical fiction at its finest—a novel that makes you think, feel, and marvel…until the last satisfying page is turned.
Curious about the century that produced works as varied as Pride and Prejudice,Jane Eyre, and Bleak House? This is the book for you! Because it is organized by topics—money and social precedence to begin and the workhouse and death to end—it is easy to dip in and out of. It has added greatly to my understanding of 19th-century fiction. The invaluable glossary at the end lists terms that are strange to us in the 21st century and gives clear brief definitions. Now I know that loowas not an English euphemism for a toilet and that aha-hawas not a joke!
A "delightful reader's companion" (The New York Times) to the great nineteenth-century British novels of Austen, Dickens, Trollope, the Brontes, and more, this lively guide clarifies the sometimes bizarre maze of rules and customs that governed life in Victorian England.
For anyone who has ever wondered whether a duke outranked an earl, when to yell "Tally Ho!" at a fox hunt, or how one landed in "debtor's prison," this book serves as an indispensable historical and literary resource. Author Daniel Pool provides countless intriguing details (did you know that the "plums" in Christmas plum pudding were actually raisins?) on the…
If you think all 19th century novels are either romances or tragedies like Tess of the D’Ubervilles this novel will surprise you. Published in 1883 the novel reflects the English banking crises of the 1850’s, life in a provincial town, and the many ways in which money, whether a man or a woman possesses it, greed for it, the thrill of speculating, and the ability to use it to control others shapes the characters of the strong and the flawed. Hester has to grow and to find her own path against the restrictions of women’s choices and bias against their intellectual power and a family secret that everyone except she knows.
Margaret Oliphant is one of the great Victorian novelists and "Hester" is a masterpiece of psychological realism published in 1883. In exploring the difficulty of understanding human nature, it is also a compulsive story of financial and sexual risk-taking that inevitably results in a searing climax.
"Hester" tells the story of the ageing but powerful Catherine Vernon, and her conflict with the young and determined Hester, whose growing attachment to Edward, Catherine's favourite, spells disaster for all concerned.
Catherine Vernon, jilted in her youth, has risen to power in a man's world as head of the family bank. She thinks…
There is something magical about this book. It’s a brilliant piece of research and a touching evocation of a particular summer when, among other things, the poets Robert Browning and Elizabeth Barrett were secretly planning their elopement, Tennyson was planning a walking tour in Switzerland that included a visit to Charles Dickens, P. T. Barnum was touring with “General Tom Thumb,” and the artist Benjamin Haydon was approaching suicide. I was bowled over by the richness of lives lived packed into just two hundred pages.
Wine and dine with Victorian London's literati in a heatwave in one of the first ever group biographies, introduced by Francesca Wade (author of Square Haunting).
Though she loved the heat she could do nothing but lie on the sofa and drink lemonade and read Monte Cristo .
'Never bettered.' Guardian 'Brilliant.' Julian Barnes 'Wholly original.' Craig Brown 'A pathfinder.' Richard Holmes 'Extraordinary.' Penelope Lively
June 1846. As London swelters in a heatwave - sunstroke strikes, meat rots, ice is coveted - a glamorous coterie of writers and artists spend their summer wining, dining and opining.
This novel was a big bestseller in 1856! I read it because I saw a reference to it as having religion as a strong theme and I thought it would be useful research for my book. While it turned out to be of little use for that, I found it fascinating for its picture of family life. I did not anticipate the subplot about the abuse of opium in infant care. Critics claim that the portrait of Ethel, the protagonist, made possible the later depictions of Jo March in Little Womenand Anne Shirley in Anne of Green Gables. It’s a bit long-winded but a good read. And if you are looking at my list, you probably like long-winded 19th-century novels anyway.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
I love primary sources and histories that reproduce them. Here is another amazing feat of historical detection. “Details have been taken from eye-witness accounts; original Certificates of Registration, paintings, and contemporary lithograph drawings have been reproduced,” may sound dry but this book is alive with the voices of immigrants telling both tragic and triumphant tales. Anyone whose Irish ancestors came to North America between 1846 and 1851 will want to examine the numerous passenger lists that Laxton includes. I think of this book and all it taught me when I visit my hometown and stop by the monument commemorating Irish immigrants on the shore of Lake Ontario.
Between 1846 and 1851, more than one-million people--the potato famine emigrants--sailed from Ireland to America. Now, 150 years later, The Famine Ships tells of the courage and determination of those who crossed the Atlantic in leaky, overcrowded sailing ships and made new lives for themselves, among them the child Henry Ford and the twenty-six-year-old Patrick Kennedy, great-grandfather of John F. Kennedy. Edward Laxton conducted five years of research in Ireland and interviewed the emigrants' descents in the U.S. Portraits of people, ships, and towns, as well as facsimile passenger lists and tickets, are among the fascinating memorabilia in The Famine…
Two women, a century apart, seek to rebuild their lives after leaving their homelands. Arriving in tropical Singapore, they find romance, but also find they haven’t left behind the dangers that caused them to flee.
Haunted by the specter of terrorism after 9/11, Aislinn Givens leaves her New York career and joins her husband in Southeast Asia when he takes a job there. She acquires several paintings by a colonial-era British artist that she believes are a warning.
The artist, Elizabeth Pennington, tells her own tumultuous story through diary entries that end when World War I reaches the colony with catastrophic results. In the present, Aislinn and her husband learn that terrorism takes many shapes when they are ensnared by local political upheaval and corruption.
"Aislinn Givens leaves a settled life in Manhattan for an unsettled life in Singapore. That painting radiates mystery and longing. So does Clifford Garstang's vivid and simmering novel, The Last Bird of Paradise." –John Dalton, author of Heaven Lake and The Inverted Forest
Two women, nearly a century apart, seek to rebuild their lives when they reluctantly leave their homelands. Arriving in Singapore, they find romance in a tropical paradise, but also find they haven't left behind the dangers that caused them to flee.
In the aftermath of 9/11 and haunted by the specter of terrorism, Aislinn Givens leaves her…
