Migrations is set in the near-future in a climate-ravaged world in which many species have gone or are going extinct. The lead character is a woman who's suffered great loss in her live and has now embarked on a desperate quest to save a dying species of bird. There's a mournful mood throughout the novel and tragic circumstances are gradually revealed, yet there's a glimmer of hope at the end.
'An extraordinary novel... as beautiful and as wrenching as anything I've ever read' Emily St. John Mandel
A dark past. An impossible journey. The will to survive.
Franny Stone is determined to go to the end of the earth, following the last of the Arctic terns on what may be their final migration to Antarctica.
As animal populations plummet, Franny talks her way onto one of the few remaining boats heading south. But as she and the eccentric crew travel further from shore and safety, the dark secrets of Franny's life begin to unspool.
It’s a true story that
reads like a mystery, thriller, and yet was an actual historical event.
There
were so many little things that could have gone differently that would have
changed the ultimate outcome for the Lusitania. It’s like a metaphor for life –
small differences can result in huge outcomes…sometimes wonderful, sometimes
terrible.
I loved it because of the intrigue, the rich
character descriptions, and how it reminded me of Greek tragedies with the
“hubris” of many of those involved in the ship’s ultimate fate. I was immersed
in a fascinating history lesson, story, and character study all in one
well-researched and well-written book. It was a nonfiction book that read like
a thriller.
On May 1, 1915, a luxury ocean liner as richly appointed as an English country house sailed out of New York, bound for Liverpool, carrying a record number of children and infants. The passengers were anxious. Germany had declared the seas around Britain to be a war zone, and for months, its U-boats had brought terror to the North Atlantic. But the Lusitania was one of the era's great transatlantic "Greyhounds" and her captain, William Thomas Turner, placed tremendous faith in the gentlemanly strictures of warfare that for a century had kept civilian ships safe from attack. He knew, moreover,…
I first started walking in cities at night in my late teens – mainly London but also the Italian cities I travelled through alone when I went interrailing after leaving school. I discovered that cities have a quite different character at night, and that you cannot know the streets of one intimately if you don’t explore it – safely! – after dark. In my professional career as a scholar and lecturer, I have for decades almost unconsciously been drawn to those writers who themselves discovered, to their horror or delight, that the city at night is a foreign country. The books I’ve listed, fictional or non-fictional, are postcards from this foreign land.
Dickens wrote this essay, which is one of his very best pieces of non-fictional writing, at a period when he was undergoing something of a crisis, largely because of the breakdown of his marriage. It describes a walk he took at night through the streets of London, though in fact it is probably a composite of many nocturnal strolls he took in the late 1850s. Although the piece is sharpened with Dickens’s characteristic spirit of satire, it is remarkable for the sympathetic warmth with which it sketches those who, in contrast to Dickens himself, have no choice but to inhabit the city at night – the lost, the lonely, the homeless. Movingly, he finds a sense of community in these isolated individuals who live on the margins of society.
Charles Dickens describes in Night Walks his time as an insomniac, when he decided to cure himself by walking through London in the small hours, and discovered homelessness, drunkenness and vice on the streets. This collection of essays shows Dickens as one of the greatest visionaries of the city in all its variety and cruelty.
GREAT IDEAS. Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them.…
I started writing my debut novel Kismet during the 2020 covid lockdown. I was quarantining in my small NYC apartment and, like many, wishing I could be anywhere else. Enter: the power of books. I’ve always loved reading for how it transports you around the world. My novel takes place in the eponymous sun-soaked beach town of Kismet, Fire Island, and writing it offered an escape. It reminded me of how reading books like below felt like embarking on my very own magical getaway, from Positano or London, to Alaska or Palm Springs, all from the comfort of home. I hope you find similar adventure in these novels’ pages.
If you’ve ever wanted to take an Alaskan cruise, The Unsinkable Greta Jamesis the perfect book for you.
The sights are breathtaking, the cruise culture is endearingly infectious, but it’s with the characters where this novel truly sings. And I don’t only mean that metaphorically speaking: the titular protagonist Greta James is a famous indie musician who has followed her career to great success, despite her father’s discouragement of the unstable path.
When Greta’s mother unexpectedly passes away, she decides to take her mom’s spot on the Alaskan cruise that her parents had booked to celebrate their anniversary. Over the course of the trip, Greta and her father must reconcile their differences, grieve their aching loss, and find a way back to each other.
An indie musician reeling from tragedy and a public breakdown reconnects with her father on a weeklong cruise in “a pitch-perfect story about the ways we recover love in the strangest places” (Rebecca Serle, bestselling author of In Five Years)
“The characters are drawn with a generosity that allows them to be wrong but also right, loving but also prone to missteps, and ultimately deserving of a resolution that’s full of hope.”—Linda Holmes, New York Times bestselling author of Flying Solo
Right after the sudden death of her mother—her first and most devoted fan—and just before the launch of her…
The refugee story is deeply rooted in my family, as my (great-/) grandparents fled Europe for a safer life in America. I grew up listening to their stories of escape and trying to integrate in their new land. Human rights were also a focus of my graduate studies – and later in founding the Human Rights Watch Committee NL and joining the Save the Children Board of Trustees. I am a writer and poet, Board member, and former strategy consultant who always wanted to write refugee stories for children. Their stories are difficult. But children should understand that although the world is not always safe or fair, there is always hope.
This wordless picture book uses gorgeous collage art to soften the frightening story of a wartime escape from Vietnam. The use of ants as a refugee metaphor, and the intertwined wordless stories of ants with a fleeing human family, may make the story a bit complex for very young readers. But the lack of text, in this case, makes it a perfect read-together book and conversation starter. It is a story of hope, courage, and kindness, which are key pillars for refugees to survive and thrive. Separately, we all tend to focus on the biggest, most current, refugee crises (and there are many!). Yet children should also hear refugee stories from around the world and through history. What do these journeys have in common? What makes them unique? What can we learn?
Named a best picture book of 2020 by Kirkus, School Library Journal, Booklist, New York Public Library, the Globe and Mail, CBC, and the Bulletin of the Center for Children’s Books ― a heartfelt and personal immigration story by critically acclaimed author Thao Lam
New from Thao Lam, the award-winning author of picture books My Cat Looks Like My Dad, Wallpaper, and Skunk on a String, comes a personal story inspired by her family’s refugee journey.
In The Paper Boat, Thao’s signature collage art tells the wordless story of one family’s escape from Vietnam―a journey intertwined with an ant colony’s…
Two things I absolutely loved growing up: fantasy novels and history. Swashbuckling pirate stories are like a fantastic combination of both, and the way that the age of sail touched all corners of the world creates an opportunity for so many different kinds of stories to be told through this lens. As a queer writer, my passion is writing the kind of stories I loved as a child. As a trans adult, I find joy in making the next generations feel comfortable in their own skin. Living in Vancouver, B.C. I write novels and animated television, and I also co-host a podcast about advertising called Ad Creeps.
I can’t help it, I am an absolute sucker for a girl dressing up as a boy. It’s a classic trope in lesbian fiction, and while it’s reminiscent of trans masculine narratives, it’s also a fantastical reflection of butch/femme dynamics, and these two things can co-exist in the literary world. Flora/Florian is a really special protagonist, and her relationship with Evelyn is as exciting as the overall story. Tokuda-Hall has clearly had so much fun weaving in a variety of fantasy elements, throwing us mermaids, witches, pirates, and, of course, the Sea.
In a world divided by colonialism and threaded with magic, a desperate orphan turned pirate and a rebellious imperial lady find a connection on the high seas. Aboard the pirate ship Dove, Flora the girl takes on the identity of Florian the man to earn the respect and protection of the crew. For Flora, former starving urchin, the brutal life of a pirate is about survival: don't trust, don't stick out, and don't feel. But on this voyage, Flora is drawn to the Lady Evelyn Hasegawa, who is headed to an arranged marriage she dreads. Flora doesn't expect to be…
I am Susie Black. Before I became an award-winning, humorous, cozy mystery author, I had a successful career as a ladies’ swimwear sales exec. As you can imagine, I spent a lot of time in Florida. I interacted with progressive, traditional, and conservative buyers and sellers from large cities to small towns all over the Sunshine State. My experiences gave me a unique perspective on the social mores and hierarchy of Florida’s diverse, multi-layered, and complicated society.
I bet it’s because I lived on a houseboat for ten years that this hilarious book grabbed me by the sea legs and never let me go. Nothing tickles my funny bone more than a group of people who have nothing in common and are thrown together on a boat out to sea but going in circles.
The antics of this ship of fools on a gambling boat who are seemingly clueless as to the ship’s nefarious real business make for a madcap tale of side-splitting laughter.
The Extravaganza of the Seas is a 5,000-ton cash cow, a top-heavy tub whose sole function is to carry gamblers three miles from the Florida coast, take their money, then bring them back so they can find more money. Travelling this trip are Fay Benton, a single mom and cocktail waitress, desperate for something to go right for a change; Johnny and the Contusions, a ship's band with so little talent they are, well, the ship's band; Arnold and Phil, two refugees from the Beaux Arts Senior Centre; Lou Tarant, a wide, bald man who has killed nine people, though…
After years dedicated to the hard facts of a newspaper reporter’s life, including a sting covering the police beat, Carmen Radtke has changed her focus to fiction. She’s been fascinated by both history and mystery as long as she can remember and stays dedicated to the truth behind the lie, and the joys of in-depth research. As a repeated emigrant, she is enthralled by voyages into the unknown and the courage (or madness) that takes.
Carolyn Hart is one of those cozy mystery writers who effortlessly reel me into their world. Set Sail for Murder satisfies my longing for travel with its itinerary and the lush vivid descriptions, as well as having an enjoyable mystery at its core. As a former journalist, I’m also a sucker for retired reporters turned sleuth. I read this first on a train, and it made the hours fly by. As soothing as the sound of waves gently lapping a boat.
Though retired newspaper reporter Henrietta O'Dwyer Collins, Henrie O to her friends, once turned down a marriage proposal from Jimmy Lennox, he's still one of her most cherished friends. So when he asks for her help on behalf of his wife, world-famous documentary filmmaker Sophia Montgomery, Henrie O reluctantly agrees to join them on a Baltic cruise. Sophia is the stepmother to the now-grown heirs of a great fortune, who are none too happy that she controls their inheritance. But do they really want her dead? Jimmy thinks so, and he wants Henrie O to prove it.
I’ve always enjoyed reading memoirs that pull me in, take me on a unique journey, and entertain me with real-life drama. Nonfiction can be better than fiction, when the experiences and a compelling voice are present. I have been a writer and a nomad since 2003 and, during my thirties, sailed throughout the Caribbean and South Pacific for eight years with a partner and two dogs. When publishing my own account of this journey, I merged the present tense with enticing elements of fiction writing, like flashbacks, foreshadowing, and cliffhangers. Using correct grammar and eliminating typos are important to me as well, which is why I am a picky reader.
The Motion of the Ocean has been a longtime favorite sailing memoir of mine, not in the least because I read it during my own sailing years and felt connected to the author.
I appreciate her humorous, honest, conversational, and compelling writing style and love the title of the book, which inspired me to keep adventuring by sailboat and even to write my own memoir.
The narrative focuses on Janna and her husband’s relationship on a small boat in a remote area of the world. It’s a story not unlike mine in regards to relationship idiosyncrasies, the Pacific territory, the couple’s ages, and some of their experiences.
Janna was a teacher in a previous life as well and shares my love for travel and writing. This is an entertaining, well-written book.
The humorous true story of a woman who abandons her tidy life to honeymoon across the Pacific on a leaky, old boat—only to find that sailing 17,000 miles is easier than keeping her relationship off the rocks.
“Somewhere fifty miles off the coast of oregon i realize the skipper of this very small ship is an asshole. he also happens to be my husband.”
While most thirty-somethings are climbing the corporate ladder or popping out babies, Janna Cawrse and her boyfriend Graeme take a different tack: they quit their jobs, tie the knot, and embark on a most unusual honeymoon…
As an emigrant myself (I left Ireland in the late 1980s), I’ve always been interested in understanding the process of moving from one place to another; of existing in that liminal space between “being here” and “being there.” I spent several years researching the letters and diaries of nineteenth-century Irish migrants for my book, The Coffin Ship, but found the answers led to new questions on how other peoples, in other places, have managed being somewhere between “here” and “there.” These are some of the books that have helped me along that long, emotional journey.
Washington Irving once famously described a long sea voyage as a “blank page in existence.” Stephen Berry’s analysis of James Oglethorpe’s Georgia Expedition, which sailed from England to colonial Georgia in 1735, shows that the opposite was true. Rather than merely serve as the stage on which the human drama of migration played out, the sea voyage was a dynamic actor in the experience itself. Far from land, migrants had time and space to reconsider their views on society, religion, and identity in ways that shaped their new lives in America.
A vivid and revealing portrait of shipboard life as experienced by eighteenth-century migrants from Europe to the New World
In October 1735, James Oglethorpe's Georgia Expedition set sail from London, bound for Georgia. Two hundred and twenty-seven passengers boarded two merchant ships accompanied by a British naval vessel and began a transformative voyage across the Atlantic that would last nearly five months. Chronicling their passage in journals, letters, and other accounts, the migrants described the challenges of physical confinement, the experiences of living closely with people from different regions, religions, and classes, and the multi-faceted character of the ocean itself.…
