After years dedicated to the hard facts of a newspaper reporter’s life, including a sting covering the police beat, Carmen Radtke has changed her focus to fiction. She’s been fascinated by both history and mystery as long as she can remember and stays dedicated to the truth behind the lie, and the joys of in-depth research. As a repeated emigrant, she is enthralled by voyages into the unknown and the courage (or madness) that takes.
Fast-paced, exciting, with enough twists to keep me reading without a single break – this is one of my all-time favourites by prolific author Alistair MacLean. I found myself chuckling and, in the next instant, holding my breath as the First Officer has to outwit terrorists who have taken over the tramp carrier cum cruise ship “Campari.” But what I enjoy most is the mix of humour and lightheartedness that balance the high octane thrills which are grounded in meticulous research.
A timeless classic of modern-day piracy from the acclaimed master of action and suspense.
Aboard the SS Campari, all is not well.
For Johnny Carter, the Chief Officer, the voyage has already begun badly; but it's only when the Campari sails that evening, after a succession of delays that he realises something is seriously wrong.
A member of the crew is suddenly missing and the stern-to-stern search only serves to increase tension. Then violence erupts and suddenly the whole ship is in danger. Is the Campari a victim of modern day piracy? And what of the strange cargo hidden below…
In my previous life, I would have loved to have traveled with my wife in one of the great ocean liners in their heyday. The glorious food, fine wines, and the general ambiance are wonderfully evoked in this book, and a well-chosen selection of recipes, contemporary photographs, and original menu cards enhances the text.
Your decision will be just what recipe to try first.
To sail first class on the great ocean liners was to experience the last word in luxury and service. The Captain's Table recalls not only the glamour and excitement of life on board, but also the rich creativity of the excellent cuisine.
The author has expertly recreated an inspiring selection of classic recipes from the First, Second and Tourist Class dining rooms for the modern cook, adding to them with fascinating research on their origins, including period memorabilia in the form of dining cards and menus.
Beautifully illustrated with a wealth of nostalgic imagery, this book exudes glamour and elegance,…
After years dedicated to the hard facts of a newspaper reporter’s life, including a sting covering the police beat, Carmen Radtke has changed her focus to fiction. She’s been fascinated by both history and mystery as long as she can remember and stays dedicated to the truth behind the lie, and the joys of in-depth research. As a repeated emigrant, she is enthralled by voyages into the unknown and the courage (or madness) that takes.
Carolyn Hart is one of those cozy mystery writers who effortlessly reel me into their world. Set Sail for Murder satisfies my longing for travel with its itinerary and the lush vivid descriptions, as well as having an enjoyable mystery at its core. As a former journalist, I’m also a sucker for retired reporters turned sleuth. I read this first on a train, and it made the hours fly by. As soothing as the sound of waves gently lapping a boat.
Though retired newspaper reporter Henrietta O'Dwyer Collins, Henrie O to her friends, once turned down a marriage proposal from Jimmy Lennox, he's still one of her most cherished friends. So when he asks for her help on behalf of his wife, world-famous documentary filmmaker Sophia Montgomery, Henrie O reluctantly agrees to join them on a Baltic cruise. Sophia is the stepmother to the now-grown heirs of a great fortune, who are none too happy that she controls their inheritance. But do they really want her dead? Jimmy thinks so, and he wants Henrie O to prove it.
Two things I absolutely loved growing up: fantasy novels and history. Swashbuckling pirate stories are like a fantastic combination of both, and the way that the age of sail touched all corners of the world creates an opportunity for so many different kinds of stories to be told through this lens. As a queer writer, my passion is writing the kind of stories I loved as a child. As a trans adult, I find joy in making the next generations feel comfortable in their own skin. Living in Vancouver, B.C. I write novels and animated television, and I also co-host a podcast about advertising called Ad Creeps.
I can’t help it, I am an absolute sucker for a girl dressing up as a boy. It’s a classic trope in lesbian fiction, and while it’s reminiscent of trans masculine narratives, it’s also a fantastical reflection of butch/femme dynamics, and these two things can co-exist in the literary world. Flora/Florian is a really special protagonist, and her relationship with Evelyn is as exciting as the overall story. Tokuda-Hall has clearly had so much fun weaving in a variety of fantasy elements, throwing us mermaids, witches, pirates, and, of course, the Sea.
In a world divided by colonialism and threaded with magic, a desperate orphan turned pirate and a rebellious imperial lady find a connection on the high seas. Aboard the pirate ship Dove, Flora the girl takes on the identity of Florian the man to earn the respect and protection of the crew. For Flora, former starving urchin, the brutal life of a pirate is about survival: don't trust, don't stick out, and don't feel. But on this voyage, Flora is drawn to the Lady Evelyn Hasegawa, who is headed to an arranged marriage she dreads. Flora doesn't expect to be…
I’ve always enjoyed reading memoirs that pull me in, take me on a unique journey, and entertain me with real-life drama. Nonfiction can be better than fiction, when the experiences and a compelling voice are present. I have been a writer and a nomad since 2003 and, during my thirties, sailed throughout the Caribbean and South Pacific for eight years with a partner and two dogs. When publishing my own account of this journey, I merged the present tense with enticing elements of fiction writing, like flashbacks, foreshadowing, and cliffhangers. Using correct grammar and eliminating typos are important to me as well, which is why I am a picky reader.
The Motion of the Ocean has been a longtime favorite sailing memoir of mine, not in the least because I read it during my own sailing years and felt connected to the author.
I appreciate her humorous, honest, conversational, and compelling writing style and love the title of the book, which inspired me to keep adventuring by sailboat and even to write my own memoir.
The narrative focuses on Janna and her husband’s relationship on a small boat in a remote area of the world. It’s a story not unlike mine in regards to relationship idiosyncrasies, the Pacific territory, the couple’s ages, and some of their experiences.
Janna was a teacher in a previous life as well and shares my love for travel and writing. This is an entertaining, well-written book.
The humorous true story of a woman who abandons her tidy life to honeymoon across the Pacific on a leaky, old boat—only to find that sailing 17,000 miles is easier than keeping her relationship off the rocks.
“Somewhere fifty miles off the coast of oregon i realize the skipper of this very small ship is an asshole. he also happens to be my husband.”
While most thirty-somethings are climbing the corporate ladder or popping out babies, Janna Cawrse and her boyfriend Graeme take a different tack: they quit their jobs, tie the knot, and embark on a most unusual honeymoon…
I’ve been fascinated by "sea stories" since I could read, maybe before. I was born in Liverpool, my dad was in the navy, my family ran an 18th-century inn named the Turk’s Head after a nautical knot, and I’ve directed or written more than twenty films, plays, and novels with the sea as their setting. But they’re not really about the sea. For me, the sea is a mirror to reflect the human condition, a theatre for all the human dramas I can imagine. More importantly, I’ve read over a hundred sea stories for research and pleasure, and those I’ve chosen for you are the five I liked best.
Golding will forever be remembered for Lord of the Flies, but I think this is better (and so did he, apparently, a lot better).
It’s the story of people on a seemingly endless voyage from England to Australia in the 19th century, but for me, it’s like a spaceship on a voyage to another planet, like the spaceship in Alien with its own monsters aboard, the social mores, the injustices, the class privileges and prejudices, the sexual hangups, and the guilty secrets they carry with them. Pity poor Australia!
For me, it demonstrates that the sea can be a metaphor for reading (and writing). You embark on a journey, and you want to get to the end, but in a way, you want it to last forever.
Sailing to Australia in the early years of the nineteenth century, Edmund Talbot keeps a journal to amuse his godfather back in England. Full of wit and disdain, he records the mounting tensions on the ancient, stinking warship, where officers, sailors, soldiers and emigrants jostle in the crammed spaces below decks.Then a single passenger, the obsequious Reverend Colley, attracts the animosity of the sailors, and in the seclusion of the fo'castle something happens to bring him into a 'hell of self-degradation', where shame is a force deadlier than the sea itself.
I am interested in immigration for both personal and professional reasons. A native of Dublin, Ireland, I did my undergraduate work in Edinburgh, Scotland, completed my graduate degree in New York City, moved to Austin, Texas for my first academic job and to Boston for my second job, and then returned to New City York to take up my current position at NYU, where I teach US immigration history and run Glucksman Ireland House, an interdisciplinary center devoted to the study of Irish history and culture. The key themes in my work—migration and diaspora—have been as central to my life journey as to my research and teaching.
The “coffin ship” is a haunting metaphor for the catastrophe that struck Ireland in the 1840s and 1850s, when more than 1 million people died of starvation and disease and another 2 million people emigrated.
In this deeply researched and beautifully written book, Cian McMahon accomplishes two main goals. First, he disentangles the myth of the “coffin ship” from the reality. Shipboard mortality, he finds, was generally low, yet on some fully one-quarter of the passengers perishing in the worst cases.
Second, McMahon fills in a huge gap in emigration history—which usually explains why people leave home and then takes up the story again when they arrive in America—by showing how emigrants grappled with life and death on board ships and built community in the process.
Honorable Mention, Theodore Saloutos Book Award, given by the Immigration and Ethnic History Society
A vivid, new portrait of Irish migration through the letters and diaries of those who fled their homeland during the Great Famine
The standard story of the exodus during Ireland's Great Famine is one of tired cliches, half-truths, and dry statistics. In The Coffin Ship, a groundbreaking work of transnational history, Cian T. McMahon offers a vibrant, fresh perspective on an oft-ignored but vital component of the migration experience: the journey itself.
Between 1845 and 1855, over two million people fled Ireland to escape the Great…
I started writing my debut novel Kismet during the 2020 covid lockdown. I was quarantining in my small NYC apartment and, like many, wishing I could be anywhere else. Enter: the power of books. I’ve always loved reading for how it transports you around the world. My novel takes place in the eponymous sun-soaked beach town of Kismet, Fire Island, and writing it offered an escape. It reminded me of how reading books like below felt like embarking on my very own magical getaway, from Positano or London, to Alaska or Palm Springs, all from the comfort of home. I hope you find similar adventure in these novels’ pages.
If you’ve ever wanted to take an Alaskan cruise, The Unsinkable Greta Jamesis the perfect book for you.
The sights are breathtaking, the cruise culture is endearingly infectious, but it’s with the characters where this novel truly sings. And I don’t only mean that metaphorically speaking: the titular protagonist Greta James is a famous indie musician who has followed her career to great success, despite her father’s discouragement of the unstable path.
When Greta’s mother unexpectedly passes away, she decides to take her mom’s spot on the Alaskan cruise that her parents had booked to celebrate their anniversary. Over the course of the trip, Greta and her father must reconcile their differences, grieve their aching loss, and find a way back to each other.
An indie musician reeling from tragedy and a public breakdown reconnects with her father on a weeklong cruise in “a pitch-perfect story about the ways we recover love in the strangest places” (Rebecca Serle, bestselling author of In Five Years)
“The characters are drawn with a generosity that allows them to be wrong but also right, loving but also prone to missteps, and ultimately deserving of a resolution that’s full of hope.”—Linda Holmes, New York Times bestselling author of Flying Solo
Right after the sudden death of her mother—her first and most devoted fan—and just before the launch of her…
Having seen this book referred to as one of the best
novels of the past few years, I decided to pick up a copy, and I could hardly put
it down after page one!
This beautiful story tells of a shipwrecked boy in the Indian Ocean who has to share a life raft
with a Bengal tiger. It delves into spirituality and the practicalities of life on
the ocean and is described as a fantasy adventure novel.
At times, I laughed out
loud; other times, there were a few tears in my eyes as the incredible story
unfolded with some graphic incidents that might not be for the faint-hearted! But
oh, what a story and testament to life and love.
After the sinking of a cargo ship, a solitary lifeboat remains bobbing on the wild blue Pacific. The only survivors from the wreck are a sixteen-year-old boy named Pi, a hyena, a wounded zebra, an orangutan—and a 450-pound Royal Bengal tiger.
Soon the tiger has dispatched all but Pi Patel, whose fear, knowledge, and cunning allow him to coexist with the tiger, Richard Parker, for 227 days while lost at sea. When they finally reach the coast of Mexico, Richard Parker flees to the jungle, never to be seen again. The Japanese authorities who interrogate Pi refuse to believe his…
As an emigrant myself (I left Ireland in the late 1980s), I’ve always been interested in understanding the process of moving from one place to another; of existing in that liminal space between “being here” and “being there.” I spent several years researching the letters and diaries of nineteenth-century Irish migrants for my book, The Coffin Ship, but found the answers led to new questions on how other peoples, in other places, have managed being somewhere between “here” and “there.” These are some of the books that have helped me along that long, emotional journey.
Washington Irving once famously described a long sea voyage as a “blank page in existence.” Stephen Berry’s analysis of James Oglethorpe’s Georgia Expedition, which sailed from England to colonial Georgia in 1735, shows that the opposite was true. Rather than merely serve as the stage on which the human drama of migration played out, the sea voyage was a dynamic actor in the experience itself. Far from land, migrants had time and space to reconsider their views on society, religion, and identity in ways that shaped their new lives in America.
A vivid and revealing portrait of shipboard life as experienced by eighteenth-century migrants from Europe to the New World
In October 1735, James Oglethorpe's Georgia Expedition set sail from London, bound for Georgia. Two hundred and twenty-seven passengers boarded two merchant ships accompanied by a British naval vessel and began a transformative voyage across the Atlantic that would last nearly five months. Chronicling their passage in journals, letters, and other accounts, the migrants described the challenges of physical confinement, the experiences of living closely with people from different regions, religions, and classes, and the multi-faceted character of the ocean itself.…
