The American-born son of Jewish refugees, I would have every reason to revile the erstwhile capital of The Third Reich. But ever since my first visit, as a Fulbright Fellow in 1973, Berlin, a city painfully honest about its past, captured my imagination. A bilingual, English-German author of fiction, nonfiction, plays, poetry, travel memoir, and translations from the German, Ghost Dance in Berlin charts my take as a Holtzbrinck Fellow at the American Academy in Berlin in a villa on Wannsee, Berlin’s biggest lake, an experience marked by memorable encounters with derelicts, lawyers, a taxi driver, a hooker, et al, and with cameo appearances by Henry Kissinger and the ghost of Marlene Dietrich.
This idiosyncratic biography of Rahel Levin Varnhagen, a 19th-century German-Jewish Berlin literary salon hostess may at first seem esoteric to the general reader. A prickly, contradictory character, Arendt’s portrayal of Rahel’s outsider status as a Jew in a largely hostile Christian society, her proto-feminist self-affirmation of her womanhood at a time when women were essentially groomed for marriage, and her paradoxical mix of intellectual self-assurance and crippling emotional insecurities make for a riveting read. You don’t have to be Jewish or a woman to appreciate the complexities of this prototypical Berliner.
Born in 1771 as the daughter of a Jewish merchant, Rahel Varnhagen would come to host one of the most prominent salons of the late 18th and early 19th centuries. Hannah Arendt discovered her writings some time in the mid-1920s, and soon began to re-imagine Rachel's inner life and write her biography. Arendt draws a lively and complex portrait of a woman during the period of the Napoleonic wars and the early emancipation of the Jews, a figure who met and corresponded with some of the most celebrated authors, artists, and politicians of her time. She documents Rahel's attempts to…
I have a passion for ships and the sea which I try and bring to my writing. I was first drawn to the Age of Sail by earlier novelists in the genre who opened my eyes to a fascinating world. I went on to study the 18th-century navy at university, I sail myself whenever I can, and have always loved the sea. When I decided to give up a well-paid job in industry to try my hand as an author, there was only one genre for me.
This book is always on my desk when I am writing. Nick Rodger is the greatest living authority on the Age of Sail, with an astounding knowledge of his subject from the grand strategy of fleets down to the daily life of individual sailors. The book is a distillation of a lifetime of careful research into a highly-readable, single volume that lets the reader step through a door into a vanished world.
Meticulously researched, Rodger's portrait draws the reader into this fascinatingly complex world with vivid, entertaining characters and full details of life below the decks. The Wooden World provides the most complete history of a navy at any age, and is sure to be an indispensable volume for all fans of Patrick O'Brian, English history, and naval history.
For fifty years I've studied the British sailing navy, fascinated by its workings, the slow communications, the vagaries of the winds and tides. In parallel with my work in archives, I've sailed in most of the European waters described in Convoys. I worked at the National Maritime Museum, Greenwich, for 27 years, leaving as Deputy Director in 2000. Since then, I've taught postgraduates and written about Nelson and the British government (Britain against Napoleon), and became convinced that Britain came very close to being defeated by Napoleonic France. If Napoleon had not thrown it all away by his invasion of Russia in 1812, I might be writing this in French, with a very different script!
It is an extraordinary fact that no one had written a book on the naval war after 1803 for nearly two hundred years.
In the same time period, hundreds of books have covered Trafalgar and Nelson, and some good books have appeared on parts of the war. But until James Davey’s extensive documentary research in this book, nobody had seen it as a whole. Engagingly written, full of telling stories, this tells the story of a worldwide war.
Battles, blockades, convoys, raids: how the indefatigable British Royal Navy ensured Napoleon's ultimate defeat
Horatio Nelson's celebrated victory over the French at the Battle of Trafalgar in 1805 presented Britain with an unprecedented command of the seas. Yet the Royal Navy's role in the struggle against Napoleonic France was far from over. This groundbreaking book asserts that, contrary to the accepted notion that the Battle of Trafalgar essentially completed the Navy's task, the war at sea actually intensified over the next decade, ceasing only with Napoleon's final surrender.
In this dramatic account of naval contributions between 1803 and 1815, James…
I became a historian of the American Revolution back in the early 1970s and have been working on that subject ever since. Most of my writings pivot on national politics, the origins of the Constitution, and James Madison. But explaining why the Revolution occurred and why it took the course it did remain subjects that still fascinate me.
The vast majority of books on the Revolutionary War are written by Americans, and they predictably focus on the conflict from the Patriot side. But throughout the war, the strategic initiative rested with Britain, not the United States. Through a series of brilliant biographical chapters, O’Shaughnessy traces the history of the war and the evolution of British strategy, and its ultimate failure, from the imperial side.
The loss of America was a stunning and unexpected defeat for the powerful British Empire. Common wisdom has held that incompetent military commanders and political leaders in Britain must have been to blame, but were they? This intriguing book makes a different argument. Weaving together the personal stories of ten prominent men who directed the British dimension of the war, historian Andrew O'Shaughnessy dispels the incompetence myth and uncovers the real reasons that rebellious colonials were able to achieve their surprising victory. In interlinked biographical chapters, the author follows the course of the war from the perspectives of King George…
In a long international business career, I’ve survived military coups, a guerrilla war, storms at sea, life in mangrove swamps, tropical forest, offshore oil platforms, and boardrooms. My passion for nineteenth-century history, and my understanding of the cutting-edge technology of that time, have inspired the Dawlish Chronicles. The Royal Navy officer, Nicholas Dawlish, and Florence, the love of his life, are real people to me. The challenges they face are strongly linked to actual events both overseas and in Britain in the late 19th century and I know most of the settings from personal experience.
Marryat is known as the “Father or Naval Fiction” who established a genre that still flourishes. In 1806, at fourteen, he joined the Royal Navy as a midshipman. In the next nine years he saw service—and battle—against the French and American navies, at one stage under the command of the legendary frigate captain Thomas Cochrane. Marryat retired as a captain in 1830 to devote himself to writing. This novel is based on his own early years in the navy. It’s light in tone and very readable but there’s no sentimentality when he deals with losses and injury. One suspects that it reflects the gallows' humour that carried the navy through those long years. I’ve always loved it!
Mr. Midshipman Easy (1836) is a novel by Frederick Marryat. Inspired by the author's experience as a captain in the Royal Navy, Mr. Midshipman Easy is a tale of bravery, foolishness, and the manifold reasons for men to take to the high seas. Frequently funny, often profound, Marryat's novel is an underappreciated classic of nineteenth century fiction that has been adapted twice for British cinema.
"'Then, father, all I have to say is, that I swear by the rights of man I will not go back to school, and that I will go to sea. Who and what is to…
Epic war novels follow traditions that trace to the earliest civilizations. An amateur historian since high school, I would nook away for hours reading the great campaigns of the past. As a combat veteran, I still love diving into a lengthy tome about Caesar versus the Gauls or the heroic Russian stand at Borodino. Retirement provided the time to indulge this passion by concentrating on the Western Theater of the American Civil War (ACW), an interest I have researched since the ACW Centennial. I enjoy writing rigorously researched stories to give more accurate descriptions of the events, attitudes, prejudices, and consequences of this critical period in American history.
This is the army counterpart to the Hornblower Series. The story begins in 1794 with 17 y/o Richard Sharpe deployed to Flanders as a private and continues through India, Spain, and France, ending as a lieutenant colonel at the Battle of Waterloo. A final volume carries the series to St. Helena and Chile, ending in 1820.
Sharpe and his men are always presented with challenges that require heroic acts of daring-do where Sharpe’s gutter-snipe cunning and that of his men ensure that he somehow accomplishes the mission. As one might expect, the size of his company of chosen riflemen dwindles continuously through the series, and becoming Sharpe’s love interest often seems a fatal prospect.
I enjoyed reading many of the stories at a time when I commuted regularly between the west and east coasts. The books are convenient in that one can begin a story during the outbound flight and…
Bernard Cornwell's action-packed series that captures the gritty texture of Napoleonic warfare--now beautifully repackaged
Captain Richard Sharpe prepares to lead his men against the army of Napoleon at Talavera in what will be the bloodiest battle of the war. After their cowardly loss of the regiment's colors, the men's resentment toward the upstart Sharpe turns to treachery, and Sharpe must fight to redeem the honor of his regiment.
I started reading classical books at a very young age. Granted, I did not understand a lot of things then. Rereading the same books again after years made me realize that more than what the author was trying to convey, my maturity made a world of difference when reading a book. It was the same text but with entirely different contexts and perspectives. I love old books. Books that take me back a century or more. It gives me an insight into how people lived, thought, and felt back then. It helps me connect with people across centuries.
Do I need a reason to love this book? There are too many characters, too many subplots, too many deaths, and the ruins of beloved characters. And yet, the entire picture it presents is beautiful. That is how life is– unpredictable and chaotic.
I learned a lot about war, the mentality of people who go to fight, and the mentality of the people left behind. Above all, it was such a good feeling to finish the big book–probably one of the biggest books I had read and loved!
From the award-winning translators of Anna Karenina and The Brothers Karamazov comes this magnificent new translation of Tolstoy's masterwork.
Nominated as one of America’s best-loved novels by PBS’s The Great American Read
War and Peacebroadly focuses on Napoleon’s invasion of Russia in 1812 and follows three of the most well-known characters in literature: Pierre Bezukhov, the illegitimate son of a count who is fighting for his inheritance and yearning for spiritual fulfillment; Prince Andrei Bolkonsky, who leaves his family behind to fight in the war against Napoleon; and Natasha Rostov, the beautiful young daughter of a nobleman who intrigues both…
I’m a very ordinary person. A history and literary nerd. A wife and mother. I don’t have any M.As or PhDs. I started teaching myself to write in 1991, and after joining the Romance Writers of America, Australia, and New Zealand, as well as Writing NSW (New South Wales), I had my first writing award, and first short story published in 1997. I got my first writing contract in 2000 (Silhouette Books, NY). I quit romance in 2012 to focus on historical fiction and YA, both of which I still love, and putting a little romance in there never hurts. I've given workshops and talks for the Historical Novel Societies of Australia and North America.
This compelling history goes “beyond the legend that Napoleon himself helped create, to form a new, genuinely international context for his military career.”
History is most often written by the victors, and real life is never so one-sided. Esdaile writes as though he lived Napoleon’s life, and shows that many times his decisions were made (or changed) because of acts, or provocation, by British diplomats or agents. The quote by Napoleon’s stepdaughter Hortense says it all: “Any man who becomes the sole head of a great country by means other than heredity can only maintain himself in power if he gives the nation either liberty or military glory – if he makes himself, in short, either a Washington or a conqueror...it was impossible for him to establish...an absolute power except by bemusing reason [and] by every three months presenting the French people with some new spectacle.” Esdaile brings this unspoken…
A glorious?and conclusive?chronicle of the wars waged by one of the most polarizing figures in military history
Acclaimed on both sides of the Atlantic as a new standard on the subject, this sweeping, boldly written history of the Napoleonic era reveals its central protagonist as a man driven by an insatiable desire for fame, and determined ?to push matters to extremes.? More than a myth-busting portrait of Napoleon, however, it offers a panoramic view of the armed conflicts that spread so quickly out of revolutionary France to countries as remote as Sweden and Egypt. As it expertly moves through conflicts…
I'm a writer based in Wisconsin. I write in a genre that exists much like its subjects: lurking in the shadows. It's something I call Gothic Espionage, which is the intersection of the Gothic and Espionage/Spy genres. My first novel, Bite of the Wolf, was the first synthesis of these two worlds, and continues with the follow up, slated for release in September, Operation Frankenstein. Appropriately enough, spies are often referred to as “spooks,” and these selections will highlight both the spooky and the spooks of Gothic Espionage, and I’ll highlight why both horror and spy novels can both be described as “thrillers.”
A precursor to Dracula, and largely forgotten today in the mainstream, the globe-hopping adventures of Varney bring to mind many spy adventure tales.
In this novel, one of the original “penny dreadfuls” the episodic tone (due to its original publication as a continuing weekly serial from 1845-1847), contributes to the espionage feel, especially as Varney takes on a cover as “Baron Stolmuyer Saltsburgh” in order to further his activities.
Also notable is, among the other vampiric Gothic traits displayed by Varney, he is also able to be revived by moonlight, a trope which is now more attributed to werewolves.
Varney the Vampire (1847) is a penny dreadful novel by British writers James Malcolm Rymer and Thomas Peckett Prest. Originally serialized in cheap volumes, the novel introduced some of the most recognizable tropes of vampire fiction still used today, including the depiction of fangs and the use of a Gothic setting. Set during the Napoleonic Wars, Varney the Vampire is a story of tragedy, damnation, and revenge that pioneered many of the themes common to horror and pulp fiction today. Sir Francis Varney was condemned to an eternity of vampiric life following his actions during the reign of Oliver Cromwell.…
I'm an Australian historian specializing in the French Revolution and Napoleon. I have spent a goodly part of my career writing a three-volume biography of Napoleon, alongside chapters, articles, and edited books that aimed at reassessing the man and the period. Working on Napoleon and the French as occupiers led me into the history of massacre and more broadly into the history of violence. I studied under the preeminent French Napoleonic scholar, Jean Tulard, at the University of Paris-Sorbonne, Paris IV.
Charles Esdaile, a specialist of Spanish history, is one of the more prolific writers on the Napoleonic Wars, so it was not easy choosing only one of the numerous books he has penned, including a general history of the wars. Spain, however, has always remained a bit of an outlier in the history of the period. Here we get an insider’s view of the situation in Spain leading to the overthrow of the Bourbon monarchy and an accessible, lively account of the often complicated events that followed. Esdaile doesn’t shy away from treating either the Spanish, the guerrillas, or Wellington head on.
For centuries Spain had been the most feared and predatory power in Europe - it had the largest empire and one of the world's great navies to defend it. Nothing could have prepared the Spanish for the devastating implosion of 1805-14. Trafalgar destroyed its navy and the country degenerated into a brutalized shambles with French and British armies marching across it at will. The result was a war which killed over a million Spaniards and ended its empire. This book is the first in a generation to come to terms with this spectacular and terrible conflict, immortalised by Goya and…
