Fans pick 100 books like Rahel Varnhagen

Charting the interactions of various low-life characters in a stream-of-consciousness collage, tracing the city’s restless pace, Berlin Alexanderplatz, a novel by Alfred Döblin, published in 1929, mines the underbelly of the seething metropolis bursting at the seams. Considered by many to be one of the modern masterpieces of 20th-century literature, the novel follows the peregrinations of Franz Biberkopf, a pimp just out of prison, and his interactions with his erstwhile love interests and various shady associates. Döblin presents his protagonist as a kind of Everyman. I swear I encountered Biberkopf’s reincarnation in a homeless derelict crooning the German version of Sinatra’s “I Did it My Way” at an outdoor karaoke arena.  

In Berlin Stories, the book that inspired the movie Cabaret, comprising two linked novellas by Christopher Isherwood loosely based on his first-hand experience as an expat in Berlin in the Twenties, the British novelist evokes the anything-goes atmosphere that reigned in the capital of the Weimar Republic immediately prior to the Nazi take-over. That free-wheeling, raucous spirit survived the Third Reich and still thrives in Berlin today.     

Kurt Tucholsky’s books were among the first to be banned and burned by the Nazis. And with good reason. A Jewish journalist of a left-leaning bent with a tart tongue and an acid wit, Tucholsky, who "wanted to stop a catastrophe with his typewriter," as per his contemporary, Erich Kästner, represented everything the Nazis sought to eradicate. Tucholsky tapped the anarchic spirit of 1920s Berlin just as painter Georg Grosz captured its bloated, pock-marked face. Berlin! Berlin! Dispatches from the Weimar Republic contain a representative sampling of Tucholsky’s pithiest texts. A forerunner of flash fiction, his concise writing style, and tongue-in-cheek tone are harbingers of new journalism and among the many influences on my own writing. 

Dreams often reveal as much as, if not more, about a person, time, or place than objective eye-witness accounts. In this chilling collection of the nightmares of some 300 fellow Berliners under the Nazi regime, Jewish Berlin-based journalist Charlotte Beradt sounded the depths of the insidious effects of a dictatorship on the minds of those in its dominion and their stubborn refusal to comply. The English language edition includes an essay by child psychologist Bruno Bettelheim, in which he remarked upon the potency of a totalitarian state, "forcing its enemies to dream dreams that showed that resistance was impossible & safety lay only in compliance." Nevertheless, such dreams are proof of the stubborn resistance of the psyche. For the very act of dreaming affirms the refusal of these Berliners to comply.  

If you are Jewish and have ambivalent feelings about visiting Berlin, then this could be the book for you.  Leonard Barkan is a professor at Princeton where he teaches in the Department of Comparative Literature. A Jewish American, growing up in a secular New York family, his book is a personal reflection on traveling in the city. 

Berlin for Jews is part history and part travel guide.  Barkan shows how, in the early nineteenth century, Jews dominated the arts, sciences, and public life and the way in which, despite the horrors of the Nazi era, they left an indelible imprint on the Berlin of today.  The book, described as a “love letter” to the city, takes the reader through some of the most iconic locations of Jewish life and describes the long-lost elegant Jewish suburbs, salons, writers, artists, politicians, philanthropists, art collectors, and intellectuals. And throughout, Barkan muses on what… show more.

Peter Gay was a child in Nazi Berlin in the 1930s. I read his book to see what life was like there while writing my third novel, much of which takes place in Nazi Berlin. Gay was an academic historian but this memoir is deeply personal, laced with self-deprecating humour. His assimilated life (he and his father were staunch atheists) was relatively unaffected by the regime until 1933 when he became a Jew overnight by law. The Nazis quickly stripped the Jews of all rights, culminating in the violent Kristallnacht in 1938. He and his parents managed to escape to the U.S. six months later. Many of his relatives were killed. The underlying question in the book: why didn’t his family—and by extension other Jewish families—leave right after 1933 when Nazi plans became clear?

A true account of how the Nazis confiscated a Berlin business property belonging to a Jewish family and the actions taken to secure restitution. The story has a twist in that the claim for restitution could not be made until after 1989 because the building is located in the Soviet sector of the city.

The property was the business headquarters for a fur company and parts of it were leased. In 1937, the Victoria Insurance Company forecloses on the mortgage and transferred ownership of the building to Hitler’s railway system. The granddaughter investigates her ancestry and the way the building was lost, and then takes up the fight to obtain restitution. After several disappointments, she is successful.

I enjoyed the storyline because it is remarkably similar to what happens in my book. It provides another perspective of how the Nazis confiscated Jewish property, and only by reading books like this… show more.

One of Rory Clements’ many writing skills is the ability to create tension and explore an angle of an historical event.

It’s London 1936, and the king is about to abdicate. A woman is murdered in Berlin, and a fascist-leaning couple in Britain are killed. I liked how Clements joins these seemingly separate tragedies into a memorable story. I liked his hero, an academic drawn into the world of spying, Professor Tom Wilde.

I think a great novel's elements are believable characters, forensic attention to detail, and terrific tension, and they are all here.

There are many books about the glitz and the cultural icons that we associate with Weimar Berlin. This one gives us a broader and deeper picture. Instead of concentrating on a few writers and artists, it anchors the city’s creative explosion in mass-market newspapers and their readers, turning our eyes to people in the streetcars and cafés and the stories they read about their own lives. We can read about sensational crimes just as Berliners did, and we find the prototypes of modern art in the layout and content of newspapers and in the chaos of the streets where they are hawked.

This is another book that manages to paint a picture of what life was like in Berlin during the war.  Roger Moorhouse tells some fascinating stories, such as that of Paul Ogorzow, the so-called S-Bahn Murderer. The fact that a serial killer was operating around Berlin’s railway system was a dilemma for the authorities who tried and failed to lay the blame on either Jews or Poles. Ogorzow was eventually captured convicted of the murder of eight women and of attacking thirty-seven more during 1940 and 1941. The fact he was a Nazi Party member was a deep embarrassment and didn’t help him: he was executed just days after his conviction.