Here are 100 books that Berlin Alexanderplatz fans have personally recommended if you like
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Rory MacLean is one of Britain's most innovative travel writers. His books – which have been translated into a dozen languages — include UK top tens Stalin's Nose and Under the Dragon as well as Pravda Ha Ha and Berlin: Imagine a City, "the most extraordinary work of history I've ever read" according to the Washington Post which named it a Book of the Year. He has won awards from the Canada Council and the Arts Council of England and was nominated for the International IMPAC Dublin Literary prize. He divides his time between Berlin, Toronto and the UK.
Berlin aches with absences as much as its brazen presence: the sense of lives lived, dreams realized and evils executed with an intensity so shocking that they rent the air and shook its fabric. In Mephisto, a vain and ruthless second-rate theatre actor becomes a national star by aligning himself with the Nazis. Haunting.
A searing indictment of evil in Hitler's Germany. Hendrik Hofgen is a man obsessed with becoming a famous actor. When the Nazis come to power in Germany, he willingly renounces his Communist past and deserts his wife and mistress in order to keep on performing. His diabolical performance as Mephistopheles in Faust proves to be the stepping-stone he yearned for: attracting the attention of Hermann Goering, it wins Hofgen an appointment as head of the State Theatre. The rewards - the respect of the public, a castle - like villa, a uplace in Berlin's highest circles - are beyond his…
I am a professor of history who specializes in the United States and the Cold War. A large part of my job involves choosing books that are informative, but that the students will actually want to read. That means I often select novels, memoirs, and works of history that have compelling figures or an entertaining narrative. After more than twenty years of teaching, I’ve assigned many different books in my classes. These are the ones that my students enjoyed the most.
I was immediately drawn to the suspense of this book. The novel begins at the Berlin Wall, where British intelligence agent Alec Leamas helplessly watches as East German guards murder his colleague.
As I followed the elaborate British plan to get revenge on an East German official, I had the nagging feeling that I was missing something. When I finally got to the end, I realized that I had been duped—much like many of the characters in the novel.
From the New York Times bestselling author of Tinker, Tailor, Soldier, Spy; Our Kind of Traitor; and The Night Manager, now a television series starring Tom Hiddleston.
The 50th-anniversary edition of the bestselling novel that launched John le Carre's career worldwide
In the shadow of the newly erected Berlin Wall, Alec Leamas watches as his last agent is shot dead by East German sentries. For Leamas, the head of Berlin Station, the Cold War is over. As he faces the prospect of retirement or worse-a desk job-Control offers him a unique opportunity for revenge. Assuming the guise of an embittered…
Rory MacLean is one of Britain's most innovative travel writers. His books – which have been translated into a dozen languages — include UK top tens Stalin's Nose and Under the Dragon as well as Pravda Ha Ha and Berlin: Imagine a City, "the most extraordinary work of history I've ever read" according to the Washington Post which named it a Book of the Year. He has won awards from the Canada Council and the Arts Council of England and was nominated for the International IMPAC Dublin Literary prize. He divides his time between Berlin, Toronto and the UK.
In 1989 when the Wall fell, Kaminer moved from Moscow to Berlin in a lucky wave of emigration. Russian Disco catches the euphoria and vodka-fueled madness of a city adrift in the flux of reunification with contract killer on the trams, black marketeers in sushi bars and artists dreaming of success as another week passes them by in non-stop, techno clubs.
Born in Moscow, Wladimir Kaminer emigrated to Berlin in the early '90s when he was 22. Russian Disco is a series of short and comic autobiographical vignettes about life among the emigres in the explosive and extraordinary multi-cultural atmosphere of '90s Berlin. It's an exotic, vodka-fuelled millennial Goodbye to Berlin. The stories show a wonderful, innocent, deadpan economy of style reminiscent of the great humorists. [Several of his European editors make a comparison with current bestseller David Sedaris.] Kaminer manages to say a great deal without seeming to say much at all. He speaks about the offbeat personal events of…
While a graduate student and then an army interpreter in Germany, I listened to reminiscences from both Third Reich military veterans and former French resistance fighters. Their tales picked up where my father's stories of pre-war European life always ended, and my fascination with this history knew no bounds. On occasion I would conceal my American identity and mentally play the spy as I traversed Europe solo.A dozen years later upon the death of my father, I learned from my mother his great secret: he had concealed his wartime life as an American spy inside the Reich. His private journals telling of bravery and intrigue inspire each of my novels.
Often overlooked by today's readers, this fine novel of 1940 Berlin by an author who never left Nazi Germany offers a realistic and touching portrayal of ordinary working citizens. A married couple whose life is upended by the loss of a soldier son encounters persistent Nazi propaganda discrediting their sacrifice. Inspired by actual historical figures, the protagonists courageously turn to modest acts of resistance, drawing the unrelenting focus of a Gestapo inspector determined to solve the case to further his career. Fallada's masterful storytelling and unforgettable characters will put you inside a righteous struggle to resist the oppressive state. This is a classic from an author who lived the place and time, and it shouldn't be missed.
A gripping portrait of life in wartime Berlin and a vividly theatrical study of how paranoia can warp a society gripped by the fear of the night-time knock on the door.
Based on true events, Hans Fallada's Alone In Berlin follows a quietly courageous couple, Otto and Anna Quangel who, in dealing with their own heartbreak, stand up to the brutal reality of the Nazi regime. With the smallest of acts, they defy Hitler's rule with extraordinary bravery, facing the gravest of consequences.
Translated and Adapted by Alistair Beaton (Feelgood, The Trial Of Tony Blair), this timely story of the…
The American-born son of Jewish refugees, I would have every reason to revile the erstwhile capital of The Third Reich. But ever since my first visit, as a Fulbright Fellow in 1973, Berlin, a city painfully honest about its past, captured my imagination. A bilingual, English-German author of fiction, nonfiction, plays, poetry, travel memoir, and translations from the German, Ghost Dance in Berlin charts my take as a Holtzbrinck Fellow at the American Academy in Berlin in a villa on Wannsee, Berlin’s biggest lake, an experience marked by memorable encounters with derelicts, lawyers, a taxi driver, a hooker, et al, and with cameo appearances by Henry Kissinger and the ghost of Marlene Dietrich.
In Berlin Stories, the book that inspired the movie Cabaret, comprising two linked novellas by Christopher Isherwood loosely based on his first-hand experience as an expat in Berlin in the Twenties, the British novelist evokes the anything-goes atmosphere that reigned in the capital of the Weimar Republic immediately prior to the Nazi take-over. That free-wheeling, raucous spirit survived the Third Reich and still thrives in Berlin today.
First published in the 1930s, The Berlin Stories contains two astonishing related novels, The Last of Mr. Norris and Goodbye to Berlin, which are recognized today as classics of modern fiction. Isherwood magnificently captures 1931 Berlin: charming, with its avenues and cafes; marvelously grotesque, with its nightlife and dreamers; dangerous, with its vice and intrigue; powerful and seedy, with its mobs and millionaires-this is the period when Hitler was beginning his move to power. The Berlin Stories is inhabited by a wealth of characters: the unforgettable Sally Bowles, whose misadventures in the demimonde were popularized on the American stage and…
The American-born son of Jewish refugees, I would have every reason to revile the erstwhile capital of The Third Reich. But ever since my first visit, as a Fulbright Fellow in 1973, Berlin, a city painfully honest about its past, captured my imagination. A bilingual, English-German author of fiction, nonfiction, plays, poetry, travel memoir, and translations from the German, Ghost Dance in Berlin charts my take as a Holtzbrinck Fellow at the American Academy in Berlin in a villa on Wannsee, Berlin’s biggest lake, an experience marked by memorable encounters with derelicts, lawyers, a taxi driver, a hooker, et al, and with cameo appearances by Henry Kissinger and the ghost of Marlene Dietrich.
Kurt Tucholsky’s books were among the first to be banned and burned by the Nazis. And with good reason. A Jewish journalist of a left-leaning bent with a tart tongue and an acid wit, Tucholsky, who "wanted to stop a catastrophe with his typewriter," as per his contemporary, Erich Kästner, represented everything the Nazis sought to eradicate. Tucholsky tapped the anarchic spirit of 1920s Berlin just as painter Georg Grosz captured its bloated, pock-marked face. Berlin! Berlin! Dispatches from the Weimar Republic contain a representative sampling of Tucholsky’s pithiest texts. A forerunner of flash fiction, his concise writing style, and tongue-in-cheek tone are harbingers of new journalism and among the many influences on my own writing.
Berlin! Berlin! is a satirical selection from the man with the acid pen and the perfect pitch for hypocrisy, who was as much the voice of 1920s Berlin as Georg Grosz was its face. It shines a light on the Weimar Republic and the post-World WarI struggle, which fore¬shadowed the Third Reich. Kurt Tucholsky was a brilliant satirist, poet, storyteller, lyricist, pacifist, and Democrat; a fighter, lady's man, reporter, and early warner against the Nazis who hated and loathed him and drove him out of his country. He was a "small, fat Berliner," who "wanted to stop a catastrophe with…
The American-born son of Jewish refugees, I would have every reason to revile the erstwhile capital of The Third Reich. But ever since my first visit, as a Fulbright Fellow in 1973, Berlin, a city painfully honest about its past, captured my imagination. A bilingual, English-German author of fiction, nonfiction, plays, poetry, travel memoir, and translations from the German, Ghost Dance in Berlin charts my take as a Holtzbrinck Fellow at the American Academy in Berlin in a villa on Wannsee, Berlin’s biggest lake, an experience marked by memorable encounters with derelicts, lawyers, a taxi driver, a hooker, et al, and with cameo appearances by Henry Kissinger and the ghost of Marlene Dietrich.
Dreams often reveal as much as, if not more, about a person, time, or place than objective eye-witness accounts. In this chilling collection of the nightmares of some 300 fellow Berliners under the Nazi regime, Jewish Berlin-based journalist Charlotte Beradt sounded the depths of the insidious effects of a dictatorship on the minds of those in its dominion and their stubborn refusal to comply. The English language edition includes an essay by child psychologist Bruno Bettelheim, in which he remarked upon the potency of a totalitarian state, "forcing its enemies to dream dreams that showed that resistance was impossible & safety lay only in compliance." Nevertheless, such dreams are proof of the stubborn resistance of the psyche. For the very act of dreaming affirms the refusal of these Berliners to comply.
The American-born son of Jewish refugees, I would have every reason to revile the erstwhile capital of The Third Reich. But ever since my first visit, as a Fulbright Fellow in 1973, Berlin, a city painfully honest about its past, captured my imagination. A bilingual, English-German author of fiction, nonfiction, plays, poetry, travel memoir, and translations from the German, Ghost Dance in Berlin charts my take as a Holtzbrinck Fellow at the American Academy in Berlin in a villa on Wannsee, Berlin’s biggest lake, an experience marked by memorable encounters with derelicts, lawyers, a taxi driver, a hooker, et al, and with cameo appearances by Henry Kissinger and the ghost of Marlene Dietrich.
This idiosyncratic biography of Rahel Levin Varnhagen, a 19th-century German-Jewish Berlin literary salon hostess may at first seem esoteric to the general reader. A prickly, contradictory character, Arendt’s portrayal of Rahel’s outsider status as a Jew in a largely hostile Christian society, her proto-feminist self-affirmation of her womanhood at a time when women were essentially groomed for marriage, and her paradoxical mix of intellectual self-assurance and crippling emotional insecurities make for a riveting read. You don’t have to be Jewish or a woman to appreciate the complexities of this prototypical Berliner.
Born in 1771 as the daughter of a Jewish merchant, Rahel Varnhagen would come to host one of the most prominent salons of the late 18th and early 19th centuries. Hannah Arendt discovered her writings some time in the mid-1920s, and soon began to re-imagine Rachel's inner life and write her biography. Arendt draws a lively and complex portrait of a woman during the period of the Napoleonic wars and the early emancipation of the Jews, a figure who met and corresponded with some of the most celebrated authors, artists, and politicians of her time. She documents Rahel's attempts to…
I'm a retired diplomat and award-winning novelist with a PhD in history. I was drawn to the German Resistance because, unlike the other resistance movements across Europe, the German Resistance fought not a foreign invader but rather confronted the corruption and hijacking of their own state. Germans opposed to Hitler needed the moral fortitude to commit treason, and ultimately tyrannicide, not for the sake of the nation, but for humanity itself. I devoted ten years of my life to studying the German Resistance, first for my doctoral dissertation and then to write my novel. During that time, I was asked a thousand times why I was so fascinated and committed to the topic. The answer, tragically proven true over the last five years, is that the United States is not immune to fascism. The need to resist a racist and immoral demagogue has never been more relevant.
No one can understand the German Resistance to Hitler without first understanding Nazi Germany — its ideology, its institutions, and its psychology. Grunberger’s concise but comprehensive study of Nazi Germany organized topically provides essential insight into the society in which those who opposed Hitler lived. This book is more valuable than any chronological history of Nazi Germany and exposes just how pervasive and insidious the National Socialist corruption was.
How did people talk during the Third Reich? What films could they see? What political jokes did they tell? Did Nazi ranting about the role of women (no make-up, smoking, or dieting) correspond with reality? What was the effect of the regime on family life (where fathers were encouraged to inform on sons, and children on parents)? When the country embraced National Socialism in 1933, how did that acceptance impact the churches, the civil service, farmers, housewives, businessmen, health care, sports, education, "justice," the army, the arts, and the Jews? Using examples that range from the horrifying to the absurd,…
I was born in Germany and came to the US as a small child. My parents spoke only German at home but rarely talked with me about their years in Germany. Years after my father had died, I came across a photograph of him wearing a Hitler Youth uniform. What I learned about his childhood and his family inspired much of my novel The Vanishing Sky. Though my novel is finished, I continue to read about the German experience of WW2 because it resonates for me personally and because the lessons it teaches us are still relevant today.
Heck’s plain-spoken memoir of his indoctrination into Nazism as a young boy and his time in the Hitler Youth and the German military is powerful and honest. Long after he’d left Germany as an adult, Heck continued to grapple with his own complicity in the regime and his fervent beliefs in its goals. The Hitler Youth was particularly adept at tapping into young boys’ yearning to be heroes. Heck explains the lingering effects of his indoctrination, noting that, “Despite our monstrous sacrifice and the appalling misuse of our idealism, there will always be the memory of unsurpassed power, the intoxication of fanfares and flags proclaiming our new age.” This was a fascinating read for me personally, given the similarities between Heck’s experiences and those of my father, and it was an invaluable resource as I wrote my own novel.
In this starkly candid account of one boy's indoctrination into the Hitler Youth, we see a side of Nazism that has been little recorded. This autobiographical account is a rare glimpse at World War II from a German boy's viewpoint.
