100 books like Mephisto

Charting the interactions of various low-life characters in a stream-of-consciousness collage, tracing the city’s restless pace, Berlin Alexanderplatz, a novel by Alfred Döblin, published in 1929, mines the underbelly of the seething metropolis bursting at the seams. Considered by many to be one of the modern masterpieces of 20th-century literature, the novel follows the peregrinations of Franz Biberkopf, a pimp just out of prison, and his interactions with his erstwhile love interests and various shady associates. Döblin presents his protagonist as a kind of Everyman. I swear I encountered Biberkopf’s reincarnation in a homeless derelict crooning the German version of Sinatra’s “I Did it My Way” at an outdoor karaoke arena.  

I was immediately drawn to the suspense of this book. The novel begins at the Berlin Wall, where British intelligence agent Alec Leamas helplessly watches as East German guards murder his colleague.

As I followed the elaborate British plan to get revenge on an East German official, I had the nagging feeling that I was missing something. When I finally got to the end, I realized that I had been duped—much like many of the characters in the novel. 

In 1989 when the Wall fell, Kaminer moved from Moscow to Berlin in a lucky wave of emigration. Russian Disco catches the euphoria and vodka-fueled madness of a city adrift in the flux of reunification with contract killer on the trams, black marketeers in sushi bars and artists dreaming of success as another week passes them by in non-stop, techno clubs.

Often overlooked by today's readers, this fine novel of 1940 Berlin by an author who never left Nazi Germany offers a realistic and touching portrayal of ordinary working citizens. A married couple whose life is upended by the loss of a soldier son encounters persistent Nazi propaganda discrediting their sacrifice. Inspired by actual historical figures, the protagonists courageously turn to modest acts of resistance, drawing the unrelenting focus of a Gestapo inspector determined to solve the case to further his career. Fallada's masterful storytelling and unforgettable characters will put you inside a righteous struggle to resist the oppressive state. This is a classic from an author who lived the place and time, and it shouldn't be missed. 

This is another book that manages to paint a picture of what life was like in Berlin during the war.  Roger Moorhouse tells some fascinating stories, such as that of Paul Ogorzow, the so-called S-Bahn Murderer. The fact that a serial killer was operating around Berlin’s railway system was a dilemma for the authorities who tried and failed to lay the blame on either Jews or Poles. Ogorzow was eventually captured convicted of the murder of eight women and of attacking thirty-seven more during 1940 and 1941. The fact he was a Nazi Party member was a deep embarrassment and didn’t help him: he was executed just days after his conviction.

Fromm, too, was a journalist alarmed by the rise of Nazism and Germans’ increasing embrace of hatred and falsehood. She differs from Halton and Shirer in that she was 1) born in Germany, and thus had a deeper perspective on Nazism’s place in German history and culture, 2) a woman, and thus expected to report on “society” and fashion stories, although her interests and abilities soon drew her to politics, and 3) Jewish, and therefore subjected to the daily indignities, threats, and violence that in 1938 led her to flee a land her family had inhabited for five centuries. Fromm seemed to know everybody, including Nazi bigwigs, and was continually astounded by the degrees to which foreign visitors fell for blatant Nazi propaganda. Mackenzie King should have been listening.

As someone who was born in East Germany, I have experienced, studied, read, and heard a fair bit about the German Democratic Republic and the famous Wall that separated it from the West. As the fault line of the Cold War, it’s hard to overestimate the symbolic significance of this structure and it is therefore hardly surprising that so much has been written about it. Taylor’s book stood out to me because it is about people as well as politics. The many anecdotes that lace his book shed light on the personal stories behind this inanimate object as well as making it a great read.

I greatly admire how this book subverts the traditional form of biography in a way that perfectly suits the subject.

Mildred Harnack, the author’s great-great-aunt, was an astoundingly brave young woman from Wisconsin who, starting in the early 1930s, had a central role in Berlin’s homegrown opposition to the Nazis and was eventually beheaded on orders from Hitler.

Drawing on diaries, letters, photographs, interviews, and declassified intelligence documents, Donner tells an extraordinarily intimate story that reads like a literary novel and has the pace of a thriller.

In Berlin Stories, the book that inspired the movie Cabaret, comprising two linked novellas by Christopher Isherwood loosely based on his first-hand experience as an expat in Berlin in the Twenties, the British novelist evokes the anything-goes atmosphere that reigned in the capital of the Weimar Republic immediately prior to the Nazi take-over. That free-wheeling, raucous spirit survived the Third Reich and still thrives in Berlin today.     

This 1973 book got me started in this field over 50 years ago, and is still endlessly fascinating. Bleuel examines nearly every aspect of Nazi culture: male and female roles, the good wife and mother. There was even special medals (I have one) called Mutters Medal—a bronze for five children; a silver for 7; and a gold medal for 10 or more kids; divorce (actually quite common if the wife could not bear children); adultery (also quite common, as long as it produced babies); legal brothels; and of course “degeneracy” (perverted sex that did not produce Aryan blonds for the Fatherland (homosexuality, abortion, transvestism).

The movie and play Cabaret and the Roku series Berlin Babylon perfectly describe the forces of fascism trying to destroy “abnormal” sex.

Compare this book to Peter Gay’s Weimar Culture and Robert Beachy’s Gay Berlin.