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The American-born son of Jewish refugees, I would have every reason to revile the erstwhile capital of The Third Reich. But ever since my first visit, as a Fulbright Fellow in 1973, Berlin, a city painfully honest about its past, captured my imagination. A bilingual, English-German author of fiction, nonfiction, plays, poetry, travel memoir, and translations from the German, Ghost Dance in Berlin charts my take as a Holtzbrinck Fellow at the American Academy in Berlin in a villa on Wannsee, Berlin’s biggest lake, an experience marked by memorable encounters with derelicts, lawyers, a taxi driver, a hooker, et al, and with cameo appearances by Henry Kissinger and the ghost of Marlene Dietrich.
Charting the interactions of various low-life characters in a stream-of-consciousness collage, tracing the city’s restless pace, Berlin Alexanderplatz, a novel by Alfred Döblin, published in 1929, mines the underbelly of the seething metropolis bursting at the seams. Considered by many to be one of the modern masterpieces of 20th-century literature, the novel follows the peregrinations of Franz Biberkopf, a pimp just out of prison, and his interactions with his erstwhile love interests and various shady associates. Döblin presents his protagonist as a kind of Everyman. I swear I encountered Biberkopf’s reincarnation in a homeless derelict crooning the German version of Sinatra’s “I Did it My Way” at an outdoor karaoke arena.
The great novel of 1920s Berlin life, in a new translation by Michael Hofmann, translator of Alone in Berlin
Franz Biberkopf is back on the streets of Berlin. Determined to go straight after a stint in prison, he finds himself thwarted by an unpredictable external agency that looks an awful lot like fate. Cheated, humiliated, thrown from a moving car; embroiled in an underworld of pimps, thugs, drunks and prostitutes, Franz picks himself up over and over again - until one day he is struck a monstrous blow which might just prove his final downfall.
While a graduate student and then an army interpreter in Germany, I listened to reminiscences from both Third Reich military veterans and former French resistance fighters. Their tales picked up where my father's stories of pre-war European life always ended, and my fascination with this history knew no bounds. On occasion I would conceal my American identity and mentally play the spy as I traversed Europe solo.A dozen years later upon the death of my father, I learned from my mother his great secret: he had concealed his wartime life as an American spy inside the Reich. His private journals telling of bravery and intrigue inspire each of my novels.
Often overlooked by today's readers, this fine novel of 1940 Berlin by an author who never left Nazi Germany offers a realistic and touching portrayal of ordinary working citizens. A married couple whose life is upended by the loss of a soldier son encounters persistent Nazi propaganda discrediting their sacrifice. Inspired by actual historical figures, the protagonists courageously turn to modest acts of resistance, drawing the unrelenting focus of a Gestapo inspector determined to solve the case to further his career. Fallada's masterful storytelling and unforgettable characters will put you inside a righteous struggle to resist the oppressive state. This is a classic from an author who lived the place and time, and it shouldn't be missed.
A gripping portrait of life in wartime Berlin and a vividly theatrical study of how paranoia can warp a society gripped by the fear of the night-time knock on the door.
Based on true events, Hans Fallada's Alone In Berlin follows a quietly courageous couple, Otto and Anna Quangel who, in dealing with their own heartbreak, stand up to the brutal reality of the Nazi regime. With the smallest of acts, they defy Hitler's rule with extraordinary bravery, facing the gravest of consequences.
Translated and Adapted by Alistair Beaton (Feelgood, The Trial Of Tony Blair), this timely story of the…
I have always been interested in what makes people tick – in their unseen inner world. In my twenties, I literally embodied others in my work as an actor. In my thirties, I studied applied psychology and sat alongside others and talked. In my forties, I started my consulting business Changeable, working with group and organizational dynamics. Now in my fifties, I am accessing inner worlds through writing, placing myself imaginatively into other people and places. I have merely scratched the surface. These post-WWII books give a gripping, personal, and scorching window into truth-seeking.
A young Australian, Anna Funder, places an advertisement in the newspaper to find resistors and enforcers of the brutal East German regime, the Stasi. This naïve, but bold act leads her on a path to discover tales that reverberate through time.
Similarly, I felt ill equipped to face vestiges of censored war crimes, historical documents, and fragments of memory, but, inspired by Funder’s curiosity and dedication, I pressed on.
“Stasiland demonstrates that great, original reporting is still possible. . . . A heartbreaking, beautifully written book. A classic.” — Claire Tomalin, Guardian “Books of the Year”
Winner of the Samuel Johnson Prize for Non-Fiction: a powerfully moving account of people who heroically resisted the communist dictatorship of East Germany, and of people who worked for its secret police, the Stasi.
Anna Funder delivers a prize-winning and powerfully rendered account of the resistance against East Germany’s communist dictatorship in these harrowing, personal tales of life behind the Iron Curtain—and, especially, of life under the iron fist of the Stasi, East…
I’ve been fascinated with the history-soaked city of Berlin where my novels are set since a school exchange trip as a teenager. It was the border that did it. Machine guns, dog runs, barbed wire, watchtowers. They were daunting. More striking still was our guide’s story about her sister who lived on the other side in the East. They were barely a mile apart but hadn’t seen each other in the twenty years since the Wall went up. I’ve been back many times since and have had a passion for German history from that day, particularly for the experiences of its people who have lived through such turbulent times.
I stumbled on this novel when I was looking for something else (a common writers’ problem). It was written in 1932 and banned the next year by the Nazis and is set amongst the gangs of young men struggling to survive in a harsh and desperately impoverished Berlin. The descriptions of the hard side of the city are brilliantly drawn and the characters are so real you long for their lives to improve even when you know there is almost no hope of it. Haffner was a social worker who clearly knew Berlin’s streets well. To add to the poignancy of his writing, nothing is known about his fate beyond a summons before a Nazi tribunal in the late 1930s. After that, he disappears. I really hope his book doesn’t.
Blood Brothers is the only known novel by German social worker and journalist Ernst Haffner, of whom nearly all traces were lost during the course of the Second World War. Told in stark, unsparing detail, Haffner's story delves into the illicit underworld of Berlin on the eve of Hitler's rise to power, describing how these blood brothers move from one petty crime to the next, spending their nights in underground bars and makeshift hostels, struggling together to survive the harsh realities of gang life, and finding in one another the legitimacy denied them by society.
I’ve been fascinated with the history-soaked city of Berlin where my novels are set since a school exchange trip as a teenager. It was the border that did it. Machine guns, dog runs, barbed wire, watchtowers. They were daunting. More striking still was our guide’s story about her sister who lived on the other side in the East. They were barely a mile apart but hadn’t seen each other in the twenty years since the Wall went up. I’ve been back many times since and have had a passion for German history from that day, particularly for the experiences of its people who have lived through such turbulent times.
This is the heartbreaker, the one you need tissues for. Effi Briest was written by Theodor Fontane in 1894/5 and is a German classic. It’s also really good. When we first meet Effi she is a young, naïve girl about to be married off in the way of wealthy families to a suitable husband. The Baron she is given to might be suitable but he is also old and dull and Effi makes the fatal mistake of letting her head be turned by a dangerous man. Fontane’s writing is so spare and so knowing that you end up as angry with the hand poor Effie has been dealt and the hypocritical world she lives in as you are broken-hearted for her. Don’t miss this one, it really will stay with you.
Telling the tragic tale of a socially advantageous but emotionally ruinous match, Theodor Fontane's Effi Briest is translated from the German by Hugh Rorrison with an introduction by Helen Chambers in Penguin Classics.
Unworldly young Effi Briest is married off to Baron von Innstetten, an austere and ambitious civil servant twice her age, who has little time for his new wife. Isolated and bored, Effi finds comfort and distraction in a brief liaison with Major Crampas, a married man with a dangerous reputation. But years later, when Effi has almost forgotten her affair, the secret returns to haunt her -…
The American-born son of Jewish refugees, I would have every reason to revile the erstwhile capital of The Third Reich. But ever since my first visit, as a Fulbright Fellow in 1973, Berlin, a city painfully honest about its past, captured my imagination. A bilingual, English-German author of fiction, nonfiction, plays, poetry, travel memoir, and translations from the German, Ghost Dance in Berlin charts my take as a Holtzbrinck Fellow at the American Academy in Berlin in a villa on Wannsee, Berlin’s biggest lake, an experience marked by memorable encounters with derelicts, lawyers, a taxi driver, a hooker, et al, and with cameo appearances by Henry Kissinger and the ghost of Marlene Dietrich.
Kurt Tucholsky’s books were among the first to be banned and burned by the Nazis. And with good reason. A Jewish journalist of a left-leaning bent with a tart tongue and an acid wit, Tucholsky, who "wanted to stop a catastrophe with his typewriter," as per his contemporary, Erich Kästner, represented everything the Nazis sought to eradicate. Tucholsky tapped the anarchic spirit of 1920s Berlin just as painter Georg Grosz captured its bloated, pock-marked face. Berlin! Berlin! Dispatches from the Weimar Republic contain a representative sampling of Tucholsky’s pithiest texts. A forerunner of flash fiction, his concise writing style, and tongue-in-cheek tone are harbingers of new journalism and among the many influences on my own writing.
Berlin! Berlin! is a satirical selection from the man with the acid pen and the perfect pitch for hypocrisy, who was as much the voice of 1920s Berlin as Georg Grosz was its face. It shines a light on the Weimar Republic and the post-World WarI struggle, which fore¬shadowed the Third Reich. Kurt Tucholsky was a brilliant satirist, poet, storyteller, lyricist, pacifist, and Democrat; a fighter, lady's man, reporter, and early warner against the Nazis who hated and loathed him and drove him out of his country. He was a "small, fat Berliner," who "wanted to stop a catastrophe with…
The American-born son of Jewish refugees, I would have every reason to revile the erstwhile capital of The Third Reich. But ever since my first visit, as a Fulbright Fellow in 1973, Berlin, a city painfully honest about its past, captured my imagination. A bilingual, English-German author of fiction, nonfiction, plays, poetry, travel memoir, and translations from the German, Ghost Dance in Berlin charts my take as a Holtzbrinck Fellow at the American Academy in Berlin in a villa on Wannsee, Berlin’s biggest lake, an experience marked by memorable encounters with derelicts, lawyers, a taxi driver, a hooker, et al, and with cameo appearances by Henry Kissinger and the ghost of Marlene Dietrich.
Dreams often reveal as much as, if not more, about a person, time, or place than objective eye-witness accounts. In this chilling collection of the nightmares of some 300 fellow Berliners under the Nazi regime, Jewish Berlin-based journalist Charlotte Beradt sounded the depths of the insidious effects of a dictatorship on the minds of those in its dominion and their stubborn refusal to comply. The English language edition includes an essay by child psychologist Bruno Bettelheim, in which he remarked upon the potency of a totalitarian state, "forcing its enemies to dream dreams that showed that resistance was impossible & safety lay only in compliance." Nevertheless, such dreams are proof of the stubborn resistance of the psyche. For the very act of dreaming affirms the refusal of these Berliners to comply.
The American-born son of Jewish refugees, I would have every reason to revile the erstwhile capital of The Third Reich. But ever since my first visit, as a Fulbright Fellow in 1973, Berlin, a city painfully honest about its past, captured my imagination. A bilingual, English-German author of fiction, nonfiction, plays, poetry, travel memoir, and translations from the German, Ghost Dance in Berlin charts my take as a Holtzbrinck Fellow at the American Academy in Berlin in a villa on Wannsee, Berlin’s biggest lake, an experience marked by memorable encounters with derelicts, lawyers, a taxi driver, a hooker, et al, and with cameo appearances by Henry Kissinger and the ghost of Marlene Dietrich.
This idiosyncratic biography of Rahel Levin Varnhagen, a 19th-century German-Jewish Berlin literary salon hostess may at first seem esoteric to the general reader. A prickly, contradictory character, Arendt’s portrayal of Rahel’s outsider status as a Jew in a largely hostile Christian society, her proto-feminist self-affirmation of her womanhood at a time when women were essentially groomed for marriage, and her paradoxical mix of intellectual self-assurance and crippling emotional insecurities make for a riveting read. You don’t have to be Jewish or a woman to appreciate the complexities of this prototypical Berliner.
Born in 1771 as the daughter of a Jewish merchant, Rahel Varnhagen would come to host one of the most prominent salons of the late 18th and early 19th centuries. Hannah Arendt discovered her writings some time in the mid-1920s, and soon began to re-imagine Rachel's inner life and write her biography. Arendt draws a lively and complex portrait of a woman during the period of the Napoleonic wars and the early emancipation of the Jews, a figure who met and corresponded with some of the most celebrated authors, artists, and politicians of her time. She documents Rahel's attempts to…
I see no distinction between the personal and the political. All art is, therefore, a political act, and literature especially, since the author gets inside the reader's head. In 1984, the use of a pen is punishable, never mind having an unorthodox opinion; novels are written by machines—commodities like jam or bootlaces, to pacify the proles. (A.I. novels outcompeting human ones?) Yes, novels entertain, and that's OK, but the best way to change your outlook is to let you understand the human condition a little better. That is why I want more from a political thriller than just the same old lies, corruption, sex, and power at the heart of government.
I was blown away by this book: one of those books that makes you think differently about the world and stays with you. Your classical political thriller is set at the heart of government: the big cheeses and their power games; this, though, is about two ordinary (but exceptional!) young people and how the political climate of Weimar Germany and the rise of Nazism affected their lives.
I much prefer a book like this, about life and what it means to be human. The “thriller” aspect comes from your fear of what might happen and whether their love alone can pull them through. I loved the characters, both the main ones and the secondary ones.
From the bestselling author of Alone in Berlin, his acclaimed novel of a young couple trying to survive life in 1930s Germany
'Nothing so confronts a woman with the deathly futility of her existence as darning socks'
A young couple fall in love, get married and start a family, like countless young couples before them. But Lammchen and 'Boy' live in Berlin in 1932, and everything is changing. As they desperately try to make ends meet amid bullying bosses, unpaid bills, monstrous mothers-in-law and Nazi streetfighters, will love be enough?
The novel that made Hans Fallada's name as a writer,…
While a graduate student and then an army interpreter in Germany, I listened to reminiscences from both Third Reich military veterans and former French resistance fighters. Their tales picked up where my father's stories of pre-war European life always ended, and my fascination with this history knew no bounds. On occasion I would conceal my American identity and mentally play the spy as I traversed Europe solo.A dozen years later upon the death of my father, I learned from my mother his great secret: he had concealed his wartime life as an American spy inside the Reich. His private journals telling of bravery and intrigue inspire each of my novels.
This author offers a well-crafted history of daily life inside the Reich, a fascinating exploration of the German capital as the Nazi movement brought its citizens to their knees. Extensively researched and documented, Moorhouse vividly portrays the daily oppression and challenges faced on all societal fronts. This well-crafted study enmeshes the reader in life under totalitarian rule.
In Berlin at War , acclaimed historian Roger Moorhouse provides a magnificent and detailed portrait of everyday life at the epicentre of the Third Reich. Berlin was the stage upon which the rise and fall of the Third Reich was most visibly played out. It was the backdrop for the most lavish Nazi ceremonies, the site of Albert Speer's grandiose plans for a new world metropolis," and the scene of the final climactic battle to defeat Nazism. Berlin was the place where Hitler's empire ultimately meet its end, but it suffered mightily through the war as well not only was…
