The most recommended theatre books

Violets are Blue is told from the heart of twelve-year-old Wren. It explores the confusion and heartache that comes from an unexpected divorce, shifting friendships, and a mom’s alarming and erratic behavior. It is an emotional story that uniquely shares life’s messy feelings while gently and thoughtfully introducing the difficult topic of opioid addiction. It also introduces readers to the world of special effects make-up. Violets are Blue is beautiful, complex, and full of heart. Wren’s journey will spark challenging conversations and promote empathy.

I’ve often wondered how it was that actors went from the ‘rogues and vagabonds’ of Shakespeare’s time through the days of early Victorian theatre, when acting was considered a highly disreputable profession, to apparent respectability at the end of the 19th century with the creation of the first theatrical knight, Sir Henry Irving. This book—again meticulously- and widely-researched—explains in a highly readable form how changing attitudes among politicians, audiences, and playwrights contributed to the rise in the status of actors, so that by the beginnings of the 20th century it was considered perfectly respectable for even a middle-class man—or woman—to enter the profession.  

Widge is an orphan in Elizabethan England, where orphans are sadly too common. But Widge is unusual. He has a unique talent which he learned from his first master: he knows a secret kind of shorthand. Sold to a dastardly villain who wants to use that talent to steal Shakespeare’s newest play, Widge finds himself in London apprenticing with the theatre company. Will he steal the play or risk his life to be loyal to the only “family” he’s ever known? Inspired by Shakespeare’s Lord Chamberlain's Men – and a very real problem of plays being stolen – there’s plenty of action, including swashbuckling swordplay. From the first page, I found myself rooting for Widge, hoping he would make the right choice and live to become an actor in the company.

This book taught me so much I didn’t know about the women working in theatre in Edwardian Britain, particularly behind the scenes. They were by and large the antidote to the (male) actor-managers who ruled the roost over the West End at the turn of the 19th/20th centuries. They were responsible for introducing Ibsen in his original form to cautious London audiences, and for creating something called the Actress’ Franchise League, which I’d never heard of before. It’s a broadly-researched book and very easy to read. 

This is one of the most hilarious, bizarre, and relatable books about motherhood I've ever read. On the surface, it’s the story of an artist turned stay-at-home mom who believes she’s turning into a dog. But at its core, it's a brilliantly original exploration of art, power, and the identity crisis that often accompanies motherhood.

I loved how it tackled the all-consuming nature of motherhood. It doesn’t shy away from the tough topics and is also laugh-out-loud funny at times. It left me both entertained and deeply reflective.

This excellent collection of articles by the top connoisseurs of East European art and culture discusses how Ukrainians and Jews created new trends in art and literature in the midst of the revolutionary turmoil Kyiv, then short-lived capital of the Ukrainian People’s Republic and later of the Ukrainian Soviet Socialist Republic. This book proves that avant-garde images and trends emerge from the revolutionary utopianism and the desire to create a universalistic language understandable beyond the ethnic divide and languages.

If you’ve ever seen Billy Porter werk the red carpet, you know he doesn’t hold anything back. His memoir is no exception. And while the challenges he’s faced as a Black, Queer person are as unique as his talent, every theatrer-maker can identify with his dreams, his passions, and his disappointments. I so admire his courage in calling out hypocrisy in our business while simultaneously demonstrating the grace to call in for healing. 

There is everything to love about this novel! The King's Nightingale has it all – a feisty young heroine attempting to overcome terrible danger and injustice, sultans and sumptuous palaces, and a story about standing up against oppression, learning loyalty, and finding love. The story opens with Elowen and her younger brother being brutally seized by pirates from their peaceful village and suffering a terrible voyage that many others don't survive. Sold to a desert ruler who admires her beautiful singing voice, Elowen is given the title of the King's Nightingale. But she is determined to escape and rescue her brother and return home… Historical and inventive, this novel transports you to another world!

This may seem a rather strange nomination as it is the catalogue for a remarkable exhibition, curated by Mary Hart at the J. Paul Getty Museum in 2010.

The main justification is that this was probably the greatest collection of illustrations of dramatic performances in the classical world ever displayed together, in pots, paintings, and artefacts. Though hardly a reliable guide to how Greek comedies and tragedies were originally staged, the various artworks are given contexts and explanations in accompanying commentaries.

Above all, what the book validates is the belief that the earliest Greek theatre emerged as a visual art form, never initially to be preserved in print. Today, we do have some 46 more or less complete playtexts, including a couple from New Comedy, which there is no space to champion here, but which also features strongly throughout the catalogue.

This is a beautifully written memoir by a prominent First Nations writer and theatre creator. I was left with so many stunning images of life on the land, of growing up in the North, of growing up in a healthy and loving family.

The book changes every preconception you have about First Nations communities and culture. It doesn’t have a narrative or chronological arc, rather it’s like a series of short stories – anecdotes that become almost Thuberesque in their idiosyncratic characters.

At a time when we are trying to come to grips with the legacy of residential schools, the book is honest, optimistic, realistic, and profoundly uplifting.