As a longtime arts educator who has worked predominantly with kids ages 3 to 12, I initially set out to find books that could inspire them about theatre. For many years I have searched for the perfect books that achieve this and have used all of these books in my teaching.
There are many jobs in theatre, from the performers on stage, to all of the people like the writers, directors, and designers who make their magic behind the scenes. This book makes the excellent case that there is a place for anyone in the theatre, taking kids by the hand walking them through how it requires a team effort to make a production happen.
A delightful introduction to opera, Bravo! Brava! A Night at the Opera teaches elementary school children what opera is by showing how it is made. "Who writes the words?", "Who makes an opera happen? "Who is backstage?"--these questions and more are answered with easy-to-understand explanations and are illustrated with whimsical watercolors by the author. From composer, choreographer, and costume designers to the conductor, lighting and special effects crew, and, of course, the singers, the excitement builds as Anne Siberell explains each person's role in producing an opera. Bravo! Brava! A Night at the Opera reveals details of the most famous…
I have loved story since I was little, and I’ve curated a life where it has always taken center stage in some or another. I was a high school English teacher for ten years, and have been a college professor for eight. But what really inspires me to write the books I do is my PhD in mythological studies. As a mythologist, I’m lucky enough to be able to see why stories resonate with us for so long and use those same themes and metaphors to write my own.
Ugh, this book! When Max’s mom dies of cancer, he imagines the tumor has taken up residence in his own brain as his way of dealing with his grief and anger.
As his anger grows, he is sent to this alternative school where he meets the colorful and off-beat Fish, a girl with pink hair and a past, and The Monk, a boy with a strange collection and secrets of his own. The thing I love most about this book is how Pixley brings in Kafka’s Metamorphosis and Shakespeare’s Hamlet to help Max process how he feels about his mother’s death.
'Rewarding and touching' Publishers Weekly (starred review)
Following the death of his mother, Max Friedman comes to believe that he is sharing his brain with a tumour. As Max becomes focused on controlling the malignant tenant, he starts to lose touch with his friends and family, and with reality itself - so Max's father sends him off to the artsy Baldwin School to regain his footing.
Soon, Max has joined a group of theatre misfits in a steam-punk production of Hamlet. He befriends Fish, a gril with pink…
I am a researcher, lecturer, theatre-maker, and writer based in Australia. I have lived in Japan for periods of time since my childhood and worked with a Japanese theatre company, touring internationally. This experience provided the basis for my PhD research in modern Japanese history and the performing arts. The following books were influential in the formation of my book,Cultural Responses to Occupation in Japan. Under each entry, I also include other relevant scholars and would encourage readers to follow them up as well.
For a general overview of Japanese theatre, and more broadly Japanese culture, readers are encouraged to have a look through A History of Japanese Theatre edited by Jonah Salz. This encyclopaedic collection of essays by scholars on Japanese theatre history offers a rich and thorough survey of Japanese theatre for a wide readership. From ancient Noh theatre to Kabuki and Bunraku to modern literary theatre to critical theatre and performance, readers can glean how the performing arts have developed throughout Japanese history. As the book weaves together some of the intellectual concerns and artistic reflections of prominent artists in their forms, we can grasp interwoven historical patterns which continue from antiquity to the present.
Japan boasts one of the world's oldest, most vibrant and most influential performance traditions. This accessible and complete history provides a comprehensive overview of Japanese theatre and its continuing global influence. Written by eminent international scholars, it spans the full range of dance-theatre genres over the past fifteen hundred years, including noh theatre, bunraku puppet theatre, kabuki theatre, shingeki modern theatre, rakugo storytelling, vanguard butoh dance and media experimentation. The first part addresses traditional genres, their historical trajectories and performance conventions. Part II covers the spectrum of new genres since Meiji (1868-), and Parts III to VI provide discussions of…
I'm a middle-grade author and am passionate about writing about courage and friendship and anxiety. Courage can look many ways. It's not reserved for the loudest, popular, or most confident. Those who are quiet, introverted, and filled with anxiety are brave, too. Like Autumn in Dear Student, I also have anxiety, yet, still count myself as fearless! I have also met incredibly courageous kids who have OCD, depression, and anxiety. Since my debut book came out, Finding Perfect, a book about a girl with OCD, I know the powerful difference it can make when kids see they are not alone, when they believe they are strong, and when they realize they have a friend.
Violets are Blue is told from the heart of twelve-year-old Wren. It explores the confusion and heartache that comes from an unexpected divorce, shifting friendships, and a mom’s alarming and erratic behavior. It is an emotional story that uniquely shares life’s messy feelings while gently and thoughtfully introducing the difficult topic of opioid addiction. It also introduces readers to the world of special effects make-up. Violets are Blue is beautiful, complex, and full of heart. Wren’s journeywill spark challenging conversations and promote empathy.
From the author of the acclaimed My Life in the Fish Tank and Maybe He Just Likes You comes a moving and relatable middle grade novel about secrets, family, and the power of forgiveness.
Twelve-year-old Wren loves makeup—special effect makeup, to be exact. When she is experimenting with new looks, Wren can create a different version of herself. A girl who isn’t in a sort-of-best friendship with someone who seems like she hates her. A girl whose parents aren’t divorced and doesn’t have to learn to like her new stepmom.
As a brainy, bullied Queer theater kid, I was 14 before I ever saw anyone like myself onstage or onscreen. Then—Wham—in June of 1980 I sawA Chorus Lineon Broadway and Fame at the movies. But there weren’t any books that showed the theater life as it was actually lived. When I published my love letter to my high school theater friends in 2004, no one had written a novel about our kind. Today, as someone who’s managed to make a living as a writer-director of musicals, I strive to share the whole truth with the young artists I mentor.
If you’ve ever seen Billy Porter werk the red carpet, you know he doesn’t hold anything back. His memoir is no exception. And while the challenges he’s faced as a Black, Queer person are as unique as his talent, every theatrer-maker can identify with his dreams, his passions, and his disappointments. I so admire his courage in calling out hypocrisy in our business while simultaneously demonstrating the grace to call in for healing.
From the incomparable Emmy, Grammy, and Tony Award winner, a powerful and revealing autobiography about race, sexuality, and art
It's easy to be yourself when who and what you are is in vogue. But growing up Black and gay in America has never been easy. Before Billy Porter was slaying red carpets and giving an iconic performance in the celebrated TV show Pose; before he was the Tony Award-winning star of Broadway's Kinky Boots; and before he was an acclaimed recording artist, actor, playwright, and all-around diva, Porter was a young boy who didn't fit in. At five years old…
My name is Susan Perrow. I am an Australian whose ‘work’ passion is stories and storytelling. I am an author, storyteller, teacher trainer, and parent educator. For the last 30 years, I have been documenting stories from other cultures, writing stories, and telling stories to groups of children and adults – all this woven in with a career in teaching, lecturing, and consulting in Australia, Africa, Asia, China, Europe, and North America. I currently have four published story collections, in a total of 14 languages. Three of my collections are Healing Stories for Challenging Behaviour, An A-Z Collection of Behaviour Tales, and Stories to Light the Night: A Grief and Loss Collection for Children, Families and Communities.
I have chosen my fourth collection to introduce to you below.
If you feel inhibited about making up stories and telling them to children, this is the book for you. Encouraging you to spin golden tales, Nancy Mellon shows how you can become a confident storyteller and enrich your family with the power of story. Children love the unique and human quality of storytelling, and parents and teachers alike can learn this practical, magical art with Nancy’s methods, tips and resources. This book may help give you storytelling wings - even if you didn’t think you could fly this way! It is a must for any adult who seeks to enrich and deepen communications with the young ones in their life.
Telling stories awakens wonder and creates special occasions with children, whether it is bedtime, around the fire or on rainy days. Encouraging you to spin golden tales, Nancy Mellon shows how you can become a confident storyteller and enrich your family with the power of story.
Children love family storytelling and parents can learn this practical, magical art. Here are methods, tips and resources to enable you to:
Create a listening space
Use the day's events and rhythms to make stories
Transform old stories and make up new ones
Bring your personal and family stories to life
Learn stories by…
I began my professional life as an actress and have skittered around the edges of theatre ever since, in various capacities. While I haven’t been on a stage for nearly forty years and I wouldn’t venture onto one at the point of a gun, I have always found the life of the actor fascinating. I’m old enough to have witnessed huge changes in the theatre over the decades, and it is intriguing to discover how much has changed—absconding managers are pretty well a thing of the past these days, and today’s actors don’t drink as much—yet how much the adaptability and single-minded passion of actors remain the same.
This is an apparently ‘true’ account of the first-ever production of Bernard Shaw’s Pygmalion(from which sprang My Fair Lady), directed by Shaw himself—in the days when playwrights mostly directed their own work—and featuring two theatrical giants: Herbert Beerbohm Tree as Professor Higgins and Mrs. Patrick Campbell as Eliza Doolittle. Tree, who as an actor liked to don disguises in the form of false noses and wigs, was incapable of playing ‘straight’, and Shaw, with what appears to be the patience of a saint, had a right old time dissuading him from giving Higgins a limp and a Scottish accent. Meanwhile Mrs. P—ironically, bearing in mind the story of the play—struggled with her cockney accent and disappeared from the last week of rehearsals without telling anyone where she’d gone. (She was getting married for the second time.) I don’t know how ‘true’ this all is but it makes for…
I have been fascinated with Queen Elizabeth I and Shakespeare since I was a child and read a kid biography of the queen and saw a Shakespearean comedy. The two topics are completely intertwined—Elizabeth saw Shakespeare’s plays at court and the strong women in Shakespeare’s plays reflect the queen. Elizabeth and Shakespeare have been both my passion and my profession. I have loved teaching and writing about them. One of my favorite things to do is to go see Shakespeare plays and to see portraits of the queen at museums. This passion has so enriched my life. The queen and the playwright have been very good to me.
Today concerns over madness and disability are very much with us, especially if they connect with issues of power and masculinity. This was also true in the age of Shakespeare. Christina Gutierrez-Dennehy’s collection of essays on the topic of mad kings on the Renaissance stage is very readable and interesting, and tie in with contemporary issues. The book is divided into three sections: distracted kingship, fractured masculinity, and performed madness. The plays under discussion include Shakespeare’s King Lear, Hamlet, Macbeth, Richard III, Henry VI, and All’s Well That Ends Well. Gutierrez-Dennehy brilliantly and explicitly brings the topics raised in the collection into the twenty-first century.
This book provides a fascinating study into the history of kingship, madness and masculinity that was acted out on the early modern stage. Providing students of early modern history, theatre and performance studies and disability studies with interesting case studies to inform their upper level seminars and research.
Throughout the volume the authors engage with the field of disability studies to show how disability and mental health were portrayed and what that tells us about the period and the people who lived in it. Showing students, a new dimension of early modern Europe.
I love this author’s adult work, especially his Atticus Pünd mysteries, in which he inserts a book within a book. The Twist of a Knife is a good old-fashioned crime/detective mystery in which the main character is a semi-fictionalized version of the author who teams up with an enigmatic detective to solve crimes in London.
Not only are many of the settings familiar to me, but Horowitz also loves wordplay and puns, and often anagrams provide clues to unravel the mystery.
It is the fourth in a series and I am excited to learn that a new one is on the way shortly.
By global bestselling Anthony Horowitz, a brilliantly entertaining new locked-room mystery with a key that only Hawthorne can find.
'EASILY THE GREATEST OF OUR CRIME WRITERS' SUNDAY TIMES
'Funny, addictive and clever, and the crime fighting duo of Hawthorne and Horowitz are as entertaining as ever. Brilliant. I can't wait for more.' ADAM HANDY
''There's a lovely Hitchcockian feel to TWIST. The clock is ticking. It's a lot of fun.' IAN RANKIN
'The Twist of a Knife is a beautifully turned locked-room whodunit' THE SUNDAY TELEGRAPH
'A total joy. Anthony is a master entertainer, the genius twists and turns of…
Since adolescence I’ve written scripts, stories, and songs. For ten years I wrote songs and sketches for NPR’s Morning Edition as “Moe Moskowitz and the Punsters.” Among my young-adult novels, my favorite remains Alex Icicle: A Romance in Ten Torrid Chapters, a literate howl of romantic obsession by an over-educated and under-loved madman. I think my funniest comedy novel is Who’s Killing the Great Writers of America?that not only kills off some famous writers, but simultaneously parodies their style. And, of course, Stephen King ends up solving the whole crazy conspiracy. I taught writing for many years, and I’m pleased to report that my students taught me more than anything I ever taught them.
The Good Companions by J.B. Priestley is a long novel from 1929—and it’s one of the few long novels I have eagerly returned to more than once. Three Britons (a young man, young woman, and older man) are dissatisfied with their lives, and they take to the open road. Along the way they create a travelling musical-comedy troupe, The Good Companions, and we travel along with them for the tryouts, the opening nights, the standing ovations, the missed opportunities, the lucky breaks: and the glories of friendship. The novel offers readers the delicious chance to live entirely in a world now completely vanished.
Three unhappy characters, flee from their old lives to seek adventure on the open road. Fate brings them together and into the presence of a broken-down theatrical touring company. Throwing caution to the winds they save the group and set off on an unforgettable tour of the pavillions and provincial theatres of England. First published in 1929.
