10 books like Modernism in Kyiv

Although it is published as a coffee-table book with beautiful and carefully prepared illustrations, this is the best biography of Pieter Bruegel and a cultural study of his times and works. Magnificently written, exuberantly rich, it will please anybody interested in early modern history, art, Reformation, and colonial wars. This is the book to read slowly, as one drinks vintage wine. 

Known to broad public due to the hilarious “Whistler’s Mother” starring Mr. Bean, James Whistler is a paramount American participant in the Fin-de-siècle artistic life of France and England and a predecessor of most important artistic endeavors of the 20th century. Daniel Sutherland combed all possible archives and  produced a stunning study of Whistler’s private life, full of scandals, sufferings, travels, and triumphs. From the childhood Whister spent in the tsarist Russia to his vagabond life in Paris, his life is always a journey and a self-quest. Eminently readable and bright narrative of a somber and paradoxical character.

One can read this book in two ways: as a highly representative collection of Marc Chagall’s works from different periods of his almost century-long life – and as an insightful study of the meaning of Chagall’s works. Harshav’s short analytical essays of Chagall’s major paintings emphasize how Yiddish idioms and the images of traditional Jewish world of the shtetl shape much of Chagall’s later artistic endeavors. Whatever the painter from Vitebsk put on canvas, he was bringing to life his recollections of the language his spoke as a child and artifacts among which he grew up.

Written by one of the key scholars of Jewish history in the USSR, who died untimely in 2020, this book challenges our bias about the USSR and its Cold-War era culture. Shneer tells how the Soviet photographers, many of whom where Jews, documented the Nazi atrocities during World war II and how the Soviet officialdom used their visual narratives to create new cult of the Great Patriotic war and the image of the USSR as a humanistic society.

This book is an absolutely to-die-for rivals-to-lovers tale, sparked when Natalie is forced to team up with her long-time enemy on a musical in order to secure funding for the arts at their high school. Natalie’s evolving relationships with her family and friends are complex and brilliant, and I felt all the feelings about the interplay between art and ambition while reading. 

I’ve often wondered how it was that actors went from the ‘rogues and vagabonds’ of Shakespeare’s time through the days of early Victorian theatre, when acting was considered a highly disreputable profession, to apparent respectability at the end of the 19th century with the creation of the first theatrical knight, Sir Henry Irving. This book—again meticulously- and widely-researched—explains in a highly readable form how changing attitudes among politicians, audiences, and playwrights contributed to the rise in the status of actors, so that by the beginnings of the 20th century it was considered perfectly respectable for even a middle-class man—or woman—to enter the profession.  

As a teacher of History and Musicals at NYU, I’ve seen how theatre students are most interested in the shows they know, which typically means those produced in their lifetime. So I try to meet them where they are and then journey backwards into the past. While Singular Sensation moves forward in time from the 1990s, it shows how the Broadway we know today came to be. And who could resist reading about Patti LuPone throwing a floor lamp out her dressing room window when Andrew Lloyd Webber fired her from Sunset Boulevard? So I hope you’ll come back for more and read Riedel’s equally dishy yet informative Razzle Dazzle, which is about Broadway in the 1970s, when someone could mug you at knifepoint in broad daylight on 42nd Street (and, in my case, did).

One of my all-time favourite stories is Romeo and Juliet but since it’s been covered so many times before it rarely feels new. However, Always Never Yours is a strong adaptation of this classic as it provides such an original viewpoint. Megan is definitely no Juliet, she is the one before guys meet their ‘one.’ She’s used to never being chosen and instead focuses on her ambitions in theatre directing. However, to get into her dream college she needs an acting credit. Seeking the comfort of the smallest part in the play, she’s aghast to be cast as Juliet. I love a story that shows us the development of a character and this is a great illustration of that as we follow Megan’s journey of self-discovery and love.

I loved this story and how Suzy was willing to go the extra mile to make Christmas special for her friends. Suzy is a caring goose who would do anything to make the outside Christmas tree aglow with the brightest star in the sky. When she flies off hilltops and wanders far away from her friends, she doesn’t stay lost very long as her friend's onomatopoeia calls lead her back home, and Suzy discovers a special surprise on the tree. The book shows miracles do happen.

A literary biography, Will in the World connects the plots of Shakespeare’s plays and the sentiments of his poems to the writer’s life and career. No one living knows more about Shakespeare than Stephen Greenblatt. His research is solid and impressive. In this book, Greenblatt verges a bit into speculative possibilities. Where, exactly, was Shakespeare living—what was he doing?—during “The Lost Years”? Was the “Shakeshafte” mentioned in a Lancashire document our man, perhaps tutoring as a schoolmaster in a Catholic home? 

Greenblatt carefully points out that he is discussing possibilities, not certainties. But a possibility mentioned too many times by a scholar of Greenblatt’s authority often becomes accepted as fact. Yet, I appreciate this book because it provides a huge amount of information about Shakespeare’s milieu, and it forces readers to examine critically every claim. In our current milieu, we need exercises in critical thinking and analysis.