66 books like Pieter Bruegel

Known to broad public due to the hilarious “Whistler’s Mother” starring Mr. Bean, James Whistler is a paramount American participant in the Fin-de-siècle artistic life of France and England and a predecessor of most important artistic endeavors of the 20th century. Daniel Sutherland combed all possible archives and  produced a stunning study of Whistler’s private life, full of scandals, sufferings, travels, and triumphs. From the childhood Whister spent in the tsarist Russia to his vagabond life in Paris, his life is always a journey and a self-quest. Eminently readable and bright narrative of a somber and paradoxical character.

One can read this book in two ways: as a highly representative collection of Marc Chagall’s works from different periods of his almost century-long life – and as an insightful study of the meaning of Chagall’s works. Harshav’s short analytical essays of Chagall’s major paintings emphasize how Yiddish idioms and the images of traditional Jewish world of the shtetl shape much of Chagall’s later artistic endeavors. Whatever the painter from Vitebsk put on canvas, he was bringing to life his recollections of the language his spoke as a child and artifacts among which he grew up.

Written by one of the key scholars of Jewish history in the USSR, who died untimely in 2020, this book challenges our bias about the USSR and its Cold-War era culture. Shneer tells how the Soviet photographers, many of whom where Jews, documented the Nazi atrocities during World war II and how the Soviet officialdom used their visual narratives to create new cult of the Great Patriotic war and the image of the USSR as a humanistic society.

This excellent collection of articles by the top connoisseurs of East European art and culture discusses how Ukrainians and Jews created new trends in art and literature in the midst of the revolutionary turmoil Kyiv, then short-lived capital of the Ukrainian People’s Republic and later of the Ukrainian Soviet Socialist Republic. This book proves that avant-garde images and trends emerge from the revolutionary utopianism and the desire to create a universalistic language understandable beyond the ethnic divide and languages.

As Peter Bruegel stands in the Sistine Chapel admiring Michelangelo’s work he realizes he could never compete with one who works in the heavens – above. He will confine himself to the below – the common man. We follow Bruegel and his friends on his journeys, his daily life, and the inspiration he finds in the everyday world around him. His peasants are peasants. Their daily toil is not romanticized. Their feasts consist of rural fare.  Even his religious art is not idealized. It is wonderful to imagine that the author has walked in Bruegel's shoes. Rudy Rucker is a professor of math and computer science but his extensive research has brought to life an artist who left very little of his own life to history.  

Williams, late in his life, can look out the window or at the newspaper and open his mind and eye and breath to catch the truth of the thing in verse-music.

Very early in his life, he memorized a lot of poems, so as a New Jersey improviser he didn’t have to think about the sounds. He composed as an athlete runs, jumps, throws, etc. I can hear him.

Okay, fine, this book isn’t actually nonfiction, but it’s so accurate and believable that it may as well be. You might not question Clarke’s life choices, but you’ll question Paul West, the protagonist. Have you ever wanted to know what it’s like to be a bureaucrat? Neither have I. But that didn’t stop me from reading this book. As someone who has had to deal with funcionarios  (Spanish government employees), bureaucrats aren’t high on my list as people I’d invite to a dinner party, but this book gave me a chance to learn about their lives at a safe distance. I learned something new and laughed out loud on almost every page.

Whenever I research for a novel, I love discovering those little-known nuggets of history. This 1918 action memoir is chocked full of them, revealing life in enemy-occupied Brussels during WWI. I was immediately drawn into this world and imagined the Belgian people’s shock and fear at the rumbling wheels of mitrailleuse guns and thundering horse’s hooves that announced the German army rolling into town. I sympathized with their hardships in being prisoners in their own city and I cheered them as they began to retaliate against their oppressors in subtle and sometimes humorous ways. Their fighting spirit became my inspiration for the story setting of my book.  

Terri Arthur, a retired registered nurse, obviously wrote Fatal Decision: Edith Cavell, World War I Nurse, as an homage to a British nurse whose heroism not only saved hundreds of Allied lives when the penalty for doing so was death by execution but also inspired thousands to join the Allied war effort. I appreciated the numerous historical photographs throughout this prize-winning biographical novel. The narrative and incorporated historical context beautifully dramatize the courageous actions and inner life of a great WWI hero. In an Author’s Note, Terri Arthur states that her intention in telling the story of Edith Cavell in fictional form was so that readers could fully experience Cavell’s “amazing journey.” For me, Arthur achieved her objective. This is history richly conveyed,  

This very involving story centers on two boys who find themselves in Brussels. Max’s American family is here for his dad’s posting with NATO; Ahmed, a young Syrian, is broke and alone after losing his family in the civil war. Getting to know Ahmed brings a sense of purpose to Max’s life—but one he has to hide from almost everyone. Nowhere Boy pulls us in as its characters struggle and everyone is swamped by the confusing tension that the flood of Muslim refugees has brought to Europe. There are no simple answers here, but one simple truth: The vast majority of refugees are just people and families, not furthering violence but seeking safety from it.