As a poet, my main gift is related to my first ambition, to be a musician. I like to talk, I like to listen, I like the sounds of words and I like to hear(for example) what Emily Dickinson and William Butler Yeats have to say.
With no terminology or “scansion” or fancy theory, The Sounds of Poetry actually examines, with specific examples, the melodies of sentences in poems. Also, the harmonies and rhythms.
Williams, late in his life, can look out the window or at the newspaper and open his mind and eye and breath to catch the truth of the thing in verse-music.
Very early in his life, he memorized a lot of poems, so as a New Jersey improviser he didn’t have to think about the sounds. He composedas an athlete runs, jumps, throws, etc. I can hearhim.
This collection makes available work of one of our greatest American poets in the last decade of his life. The first section, Pictures from Brueghel, contains previously uncollected short poems, while the second and third parts are the complete texts of The Desert Music (1954) and Journey to Love (1955), originally published by Random House. In these books, Dr. Williams perfected his "variable foot" metric and achieved full mastery of the "American idiom" which was his lifelong first concern. Among the poems of this period is the long "Asphodel, That Greeny Flower" which W. H. Auden has called "one of…
When Brooks says “ballade” or “blues” she speaks with the authority of one who can hear—can allude to music without needing to copy it.
Composing the sounds beforethe record-keeping act of merely writing the words. She doesn’t need the added music of actual song: she embodies the music in the sentence-sounds. (And the harmonies and discords and rhythms of speech.)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
An artist—a wonderful horn player—speaks his candid, clear-eyed, eloquent account of his life: self-destructive, immensely creative.
If the horn is broken, if the player is just out of prison, if he’s drug-riddled... all that might be bad for himself or others, but he improviseswith his back to the wall, to get out of it. And in speech as in music, a great improviser.
Art Pepper (1925-1982) was called the greatest alto saxophonist of the post-Charlie Parker generation. But his autobiography, Straight Life , is much more than a jazz book,it is one of the most explosive, yet one of the most lyrical, of all autobiographies. This edition is updated with an extensive afterword by Laurie Pepper covering Art Pepper's last years, and a complete and up-to-date discography by Todd Selbert.
Bad writing often feels written. This book feels
and is spoken. A magnificent speaker finds a good listener in Alex
Haley.
Told in the first person by Malcolm Little, who later is called “Detroit
Red” and later (in prison) called “Satan” and becomes Malcolm X and,
eventually, Malik Shabazz: a great American story. From misery and injustice
and mistreatment and crime and leadership to his ultimate interest in history
and philology.
ONE OF TIME’S TEN MOST IMPORTANT NONFICTION BOOKS OF THE TWENTIETH CENTURY
In the searing pages of this classic autobiography, originally published in 1964, Malcolm X, the Muslim leader, firebrand, and anti-integrationist, tells the extraordinary story of his life and the growth of the Black Muslim movement. His fascinating perspective on the lies and limitations of the American Dream, and the inherent racism in a society that denies its nonwhite citizens the opportunity to dream, gives extraordinary insight into the most urgent issues of our own time. The Autobiography of Malcolm X stands as the definitive statement of a movement…
Like most calm, ordinary, cautious people, I enjoy movies and books by and about reckless, clever criminals.
Myles Connor, rock star and felon, may or may not know all about, or played a role in, the famous art theft from Boston’s Isabella Gardner museum. He talks an extremely good game.
“One of the most beguiling criminal memoirs ever written. . . . A rare gem of a book.” — T. J. English, New York Times bestselling author of Havana Nocturne
How did the son of a decorated policeman grow up to be one of Boston’s most notorious criminals? How did he survive a decades-long feud with the FBI? How did he escape one jail sentence with a fake gun carved out of soap? How did he trade the return of a famous Rembrandt for early release from another sentence? The Art of the Heist is a roller-coaster ride of a…
Gabrielle found her grandfather’s diaries after her mother’s death, only to discover that he had been a Nazi. Born in Berlin in 1942, she and her mother fled the city in 1945, but Api, the one surviving male member of her family, stayed behind to work as a doctor in a city 90% destroyed.
Gabrielle retraces Api’s steps in the Berlin of the 21st century, torn between her love for the man who gave her the happiest years of her childhood and trying to come to terms with his Nazi membership, German guilt, and political responsibility.
Api's Berlin Diaries: My Quest to Understand My Grandfather's Nazi Past
"This is not a book I will forget any time soon."
Story Circle Book Reviews
Moving and provocative, Api's Berlin Diaries offers a personal perspective on the fall of Berlin 1945 and the far-reaching aftershocks of the Third Reich.
After her mother's death, Robinson was thrilled to find her beloved grandfather's war diaries-only to discover that he had been a Nazi.
The award-winning memoir shows Api, a doctor in Berlin, desperately trying to help the wounded in cellars without water or light. He himself was reduced to anxiety and despair, the daily diary his main refuge. As Robinson retraces Api's…
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