Here are 100 books that Merde in Europe fans have personally recommended if you like
Merde in Europe.
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I was born and raised in Northern California, right on the banks of the Sacramento River. While I didn’t realize it growing up, it was an epicenter for outdoor adventures. Along with skiing, snowboarding, hiking, wakeboarding, and camping, I always read a lot. My dad was worried that I would have no sense of direction because I was always in the back of our van or RV reading a book. That led to writing…and I had my first article published in a wakeboarding magazine when I was 15 years old. Traveling always took a backburner to reading, but now it’s front and center of my writing.
Anyone who has ever worked in the food or hospitality industry—as a cook, a waitress, a hostess, a barista, or otherwise—can identify with this book.
The restaurant business is a different beast, and Anthony Bourdain took a huge risk in writing this and burning bridges with his bosses and coworkers. But in doing so, he unlocked the universal hidden language that food and hospitality workers share.
As a former hostess/waitress myself who spent most of her college years with a part-time job at IHOP and the Golden Waffle, I could relate to a lot of what Bourdain experienced working in NYC, especially with minority groups and how they were treated during that time. He was a huge inspiration to a lot of people, including me.
THE CLASSIC BESTSELLER: 'The greatest book about food ever written'
'A compelling book with its intriguing mix of clever writing and kitchen patois ... more horrifically gripping than a Stephen King novel' Sunday Times
'Extraordinary ... written with a clarity and a clear-eyed wit to put the professional food-writing fraternity to shame' Observer
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After twenty-five years of 'sex, drugs, bad behaviour and haute cuisine', chef and novelist Anthony Bourdain decided to tell all - and he meant all.
From his first oyster in the Gironde to his lowly position as a dishwasher in a honky-tonk fish restaurant in Provincetown;…
Looking at this list, I think it reveals that I am fundamentally a nosy person. I love reading other people’s diaries and letters and getting the inside story of a person’s life. And I’m also fascinated by how people present themselves to the world. Giving presentations is one way to show ‘who you are,’ so perhaps it's not surprising that I now work with people to help them tell their stories, share their ideas, and be the best they can be in front of an audience. Many people say they ‘hate’ presenting, and my mission is to help them overcome that.
I love David Sedaris’s writing. He is so observant and has a brilliant ear for dialogue. I’ve read his diaries, which are some of the source material for this book of essays. The title refers to him learning French whilst living in Paris.
His attempts to read his essays to the class are often met with contempt by his French teacher, who barely disguises her scorn at his efforts. But, respect for David’s work ethic–he often spent the whole day on his French homework, so determined was he to crack the language. Another life lesson: there are no shortcuts–you have to put the work in.
A new collection from David Sedaris is cause for jubilation. His recent move to Paris has inspired hilarious pieces, including Me Talk Pretty One Day, about his attempts to learn French. His family is another inspiration. You Cant Kill the Rooster is a portrait of his brother who talks incessant hip-hop slang to his bewildered father. And no one hones a finer fury in response to such modern annoyances as restaurant meals presented in ludicrous towers and cashiers with 6-inch fingernails. Compared by The New Yorker to Twain and Hawthorne, Sedaris has become one of our best-loved authors. Sedaris is…
I was born in Santiago, Chile, took my first steps in Antwerp, Belgium, and grew up in British Columbia, Canada. In other words, I was a third culture child with an identity crisis that carried on into my twenties. These books have helped me turn my past mistakes into a craft others can enjoy. Like many of the authors on my list, I’ve said yes to just about anything and lived with people from every walk of life. I’m an expert in making mistakes, but I have done one thing well, and that’s learning from people who think differently than I do.
Shah, a self-proclaimed “broke writer,” somehow affords a Moroccan mansion with maids, gardeners, and endless renovations. He doesn’t bother to develop his wife and kids as characters—they get even less attention than an extra in a movie. But at least you get to see Morocco through his self-obsessed eyes, which, fortunately, pay a lot of attention to detail. His immaculate use of sensory details will give you a traveling experience for even less than a Ryan Air flight. The book is a prime choice for anyone who wants to dive into Moroccan culture with all its superstitions.
In the tradition of A Year in Provence and Under the Tuscan Sun, acclaimed English travel writer Tahir Shah shares a highly entertaining account of making an exotic dream come true. By turns hilarious and harrowing, here is the story of his family’s move from the gray skies of London to the sun-drenched city of Casablanca, where Islamic tradition and African folklore converge–and nothing is as easy as it seems….
Inspired by the Moroccan vacations of his childhood, Tahir Shah dreamed of making a home in that astonishing country. At age thirty-six he got his chance. Investing what money he…
I was born in Santiago, Chile, took my first steps in Antwerp, Belgium, and grew up in British Columbia, Canada. In other words, I was a third culture child with an identity crisis that carried on into my twenties. These books have helped me turn my past mistakes into a craft others can enjoy. Like many of the authors on my list, I’ve said yes to just about anything and lived with people from every walk of life. I’m an expert in making mistakes, but I have done one thing well, and that’s learning from people who think differently than I do.
No puedo escribir una lista de libros para viajeros solo en inglés. Margaret Sayers Peden es una traductora maravillosa, pero los libros de Allende siempre son mejores en español, en particular un libro sobre comida y sexo. El “sabor” de inglés no es lo mismo que el “sabor” de español. Leí este libro en inglés cuando tenía la edad del pavo y en español durante mi veintitantos. No cuestioné las decisiones de la vida de Allende, pero este libro me hizo reflexionar por mi cuenta. Todo hombre que quiera entender a las mujeres y la comida debe leer este libro.
From an internationally acclaimed author, this is a magical, fascinating book exploring the intimate relationship between food and sex.
This book of recipes, sensuous stories, aphrodisiacs and lovers' spells is an irresistible fusion of Allende's favourite things. Lavishly illustrated, this fascinating, personal guide to all things erotic encompasses a multicultural history of seduction through food, ancient and modern stories and poems about sex and eating, titillating recipes and advice. Chapter titles include: Cooking in the Nude; The Spell of Smell; Death by Perfume; Table Manners; With the Tip of the Tongue; The Orgy; Sins of the Flesh; Love Potions, and…
As a history major and artist I noticed a style of illustrations and paintings that popped up in history books, novels, and poetry collections. I found that the paintings and drawings were just scratching the surface. The lives and struggles of the artists known as Pre-Raphaelites were just as intriguing as the art. I have traveled to the many locations that the Pre-Raphaelites frequented to follow in their footsteps. I've even tried to copy their wet white painting style and was awed by the patience they must have had. I appreciate many art styles and enjoy being transported into the lives of the artists by authors as interested in art and history as I am.
As Peter Bruegel stands in the Sistine Chapel admiring Michelangelo’s work he realizes he could never compete with one who works in the heavens – above. He will confine himself to the below – the common man. We follow Bruegel and his friends on his journeys, his daily life, and the inspiration he finds in the everyday world around him. His peasants are peasants. Their daily toil is not romanticized. Their feasts consist of rural fare. Even his religious art is not idealized. It is wonderful to imagine that the author has walked in Bruegel's shoes. Rudy Rucker is a professor of math and computer science but his extensive research has brought to life an artist who left very little of his own life to history.
Peter Bruegel's paintings - a peasant wedding in a barn, hunters in the snow, a rollicking street festival, and many others - have long defined our idea of everyday life in 16th Century Europe. In sixteen chapters Rucker brings Bruegel's painter's progress and his colourful world to vibrant life doing for Bruegel what GIRL WITH A PEARL EARRING did for Vermeer. We follow the artist from the winding streets of Antwerp and Brussels to the glowing skies and decaying monuments of Rome.
As an American novelist and Anglophile who enjoys writing about British history, I never planned to venture into world war fiction, but once a story led me there I was hooked. I love doing deep-dive research and learning about real men and women of the past who faced high stakes: life and death situations and having to make impossible decisions, both on the battlefield and in the hidden world of espionage. Their courage and resourcefulness inspire me, and I realize that even when we’re at our most vulnerable, we can still rise to become our best and bravest when it counts.
Whenever I research for a novel, I love discovering those little-known nuggets of history. This 1918 action memoir is chocked full of them, revealing life in enemy-occupied Brussels during WWI. I was immediately drawn into this world and imagined the Belgian people’s shock and fear at the rumbling wheels of mitrailleuse guns and thundering horse’s hooves that announced the German army rolling into town. I sympathized with their hardships in being prisoners in their own city and I cheered them as they began to retaliate against their oppressors in subtle and sometimes humorous ways. Their fighting spirit became my inspiration for the story setting of my book.
Although I’m neither a healthcare professional nor a historian, my passions are reading great fiction and continually striving to write it. Degrees in literature led to college teaching and then full-time writing. And that, to the publication of six works of fiction, including four historical novels. So, add to the mix, then, the years spent studying and teaching literature as well as those spent writing and rewriting—and, too, being an inveterate reader—and you have, in brief, the sum of my expertise. Each of the works listed below, I feel, has super qualities. I certainly enjoyed reading such masterful work and hope you will as well.
Terri Arthur, a retired registered nurse, obviously wroteFatal Decision: Edith Cavell,World War I Nurse, as an homage to a British nurse whose heroism not only saved hundreds of Allied lives when the penalty for doing so was death by execution but also inspired thousands to join the Allied war effort. I appreciated the numerous historical photographs throughout this prize-winning biographical novel. The narrative and incorporated historical context beautifully dramatize the courageous actions and inner life of a great WWI hero. In an Author’s Note, Terri Arthur states that her intention in telling the story of Edith Cavell in fictional form was so that readers could fully experience Cavell’s “amazing journey.” For me, Arthur achieved her objective. This is history richly conveyed,
An inspiring story everyone should know…and will never forget!
Based on historical fact, this captivating novel tells the story of the legendary Edith Cavell, a British nurse whose duties as a healer clashed with the demands of a ruthless occupying regime during World War I. At the request of a brilliant, hot-headed surgeon, Edith went from London to Brussels to create Belgium's first school of nursing. At the height of her success, the German army marched into neutral Belgium and took over her hospital and school.
Knowing the dangers of working against the repressive and brutal control of the German…
I spent much of my twenties traveling, teaching, and writing in Asia, and ever since I’ve passionately searched out good novels that transport me into another culture, often another time. On author visits to schools across the U.S., I’ve talked with hundreds of young readers who are curious about the world but are caught up in the right-now intensity of their own lives. In writing Street of Storytellers,I sought to connect with that intensity—and through that connection to bring readers into a vivid experience that opens a window onto the history, humanity, and shared struggles that are out there to discover in the world.
This very involving story centers on two boys who find themselves in Brussels. Max’s American family is here for his dad’s posting with NATO; Ahmed, a young Syrian, is broke and alone after losing his family in the civil war. Getting to know Ahmed brings a sense of purpose to Max’s life—but one he has to hide from almost everyone. Nowhere Boy pulls us in as its characters struggle and everyone is swamped by the confusing tension that the flood of Muslim refugees has brought to Europe. There are no simple answers here, but one simple truth: The vast majority of refugees are just people and families, not furthering violence but seeking safety from it.
"A resistance novel for our time." - The New York Times "A hopeful story about recovery, empathy, and the bravery of young people." - Booklist "This well-crafted and suspenseful novel touches on the topics of refugees and immigrant integration, terrorism, Islam, Islamophobia, and the Syrian war with sensitivity and grace." - Kirkus, Starred Review
Fourteen-year-old Ahmed is stuck in a city that wants nothing to do with him. Newly arrived in Brussels, Belgium, Ahmed fled a life of uncertainty and suffering in Aleppo, Syria, only to lose his father on the perilous journey to the shores of Europe. Now Ahmed’s…
As a postdoctoral researcher, I'm fascinated by the notions of cultural belonging to Europe and European nation-states, as they have evolved throughout history in relation to what the holders of these notions call their "others". I know of few cases in the field of identity and memory politics that are as controversial, as curious, as fragile, and yet as fascinating as the idea of a Europe, a social and political construct that emerges from past events but is shaped for political purposes. Debates about a common European history and memory are intertwined with those about the geographical and cultural definitions of Europe, and my book list often includes the most recent examples of these interactions.
Especially in the 20th century, the development and recognition of the ideas of Europeanism depended on developments beyond Europe in a global context.
It is impossible to understand the development of European integration and its pan-Europeanist rationale without understanding the history of colonialism, nationalism, the international socialist movement, and, of course, war. Against this background, Hobsbawm discusses, among other things, how the European project was promoted as an alternative to, and in turn threatened by, extremisms, particularly nationalism.
I am captivated by this powerful analysis done on a very large scale. Perhaps this is why the founders of the House of European History in Brussels acknowledge the influence of Hobsbawm and this book in their narrative.
Dividing the century into the Age of Catastrophe, 1914–1950, the Golden Age, 1950–1973, and the Landslide, 1973–1991, Hobsbawm marshals a vast array of data into a volume of unparalleled inclusiveness, vibrancy, and insight, a work that ranks with his classics The Age of Empire and The Age of Revolution.
In the short century between 1914 and 1991, the world has been convulsed by two global wars that swept away millions of lives and entire systems of government. Communism became a messianic faith and then collapsed ignominiously. Peasants became city dwellers, housewives became workers—and, increasingly leaders. Populations became literate even as…
Yohanan Petrovsky-Shtern is the Crown Family Professor of Jewish Studies and a Professor of Jewish History in the History Department at Northwestern University. He teaches a variety of courses that include early modern and modern Jewish history; Jewish mysticism and Kabbalah; history and culture of Ukraine; and Slavic-Jewish literary encounters.
Although it is published as a coffee-table book with beautiful and carefully prepared illustrations, this is the best biography of Pieter Bruegel and a cultural study of his times and works. Magnificently written, exuberantly rich, it will please anybody interested in early modern history, art, Reformation, and colonial wars. This is the book to read slowly, as one drinks vintage wine.
The life and times of Pieter Bruegel the Elder (c. 1526/30-1569) were marked by stark cultural conflict. He witnessed religious wars, the Duke of Alba's brutal rule as governor of the Netherlands, and the palpable effects of the Inquisition. To this day, the Flemish artist remains shrouded in mystery. We know neither where nor exactly when he was born. But while early scholarship emphasized the vernacular character of his painting and graphic work, modern research has attached greater importance to its humanistic content.
Starting out as a print designer for publisher Hieronymus Cock, Bruegel produced numerous print series that were…
