100 books like As Above, So Below

This book was a phenomenon when it came out, and with good reason.

Chevalier’s words paint a picture of the life of a young girl, Griet, who is working in the house of the artist, Johannes Vermeer in 1660s Delft. In the novel, Griet is the model for the famous painting. The relationship between artist and model, and what they do, and don’t, mean to each other, is complex and intriguing.

The way that Chevalier depicts the restrained interactions between the two seems to mimic Vermeer’s restrained yet visually detailed style.

Art forgery has always fascinated me. The idea that you can create a 'new' work by an old master and then, maybe, get away with it. Claire is a struggling artist whose one chance at fame had been stolen by a lover. Reduced to painting reproductions of famous paintings for clients to hang in their home she is approached by an art dealer to secretly forge a Degas painting. The money is good enough to silence her scruples and when the painting arrives she immediately recognizes that it is one of the paintings stolen from the Isabella Stewart Gardner museum. Already she is having doubts but after beginning her study of the painting she suspects that it, too, is a forgery. Forged art has never been so compelling.

An art mystery, a murder mystery. What more could you ask for?

In Madrid, a noted art restorer Julia has received a painting that is itself an intriguing mystery. A fifteenth-century Flemish painting of a Knight and a Duke playing chess. Julia finds hidden under the paint the inscription Who Killed the Knight? That is a secret that was not meant to be revealed. This book is pre-internet so research is leg work. A cast of devious and delightful characters help and hinder Julia's quest to find the answers she seeks and try to avoid becoming a victim of her curiosity. I love the descriptions of art restoration, the ambiance, and the night owl lifestyle of the characters. 

After the Impressionists and Vincent Van Gogh, the artists that come easily in third place for fictional ink spilled about them are the Pre-Raphaelites. Their personal lives are as colorful as their artwork. Australian Kate Forsyth has tackled the second phase of Pre-Raphaelitism led by Edward Burne-Jones's mythological and Arthurian paintings and William Morris's designs for furniture, wallpaper, and book art. The love lives of the artists, wives, models, and daughters find their way interwoven in the story of the art. Gabriel Rossetti, who was a major figure of the first phase of Pre-Raphaeltisim, is the flint that ignites the second phase. They all want to live in the dreams of the past, and of legends, but real life is never a fairy tale.

The advent of the exactly repeatable pictorial statement is arguably the most significant technological and cultural innovation in the history of humankind. This book examines in detail the contributions to scientific knowledge made by significant Renaissance artists, Hans Holbein, Albrecht Dürer, and Hendrick Goltzius principally among them. In addition to reproducing woodcuts, engravings, and etchings, the book depicts various complex forms of paper engineering from the Renaissance that acted as scientific instruments, maps, simulacra, or utile devices in themselves. 

Originally published in 1970, this was another foundational text for me and other witchcraft scholars of my generation.

It grew out of Macfarlane’s doctoral thesis focusing on Essex, which had been supervised by Keith Thomas, whose own great book, Religion and the Decline of Magic (much of which dealt with witches), came out the following year. Even then, the historian Macfarlane was on his way to becoming an anthropologist – a transition visible on every page of this fascinating book.

But its overriding character is that of a work of sociology. Social science models helped to impose interpretative order on the kind of archival information dug up by C. L’Estange Ewen, and connected a rise in witchcraft accusations to a number of strains in late-sixteenth- and early seventeenth-century English life, especially economic strains.

Although their interpretations differ in substance and emphasis, Macfarlane and Thomas are still associated with a paradigm… show more.

Finally, you can’t talk about maps and not talk about sea monsters.

Want to buy a sea monster? Van Duzer tells you how! Given my professional (and personal) interest in cartography, water, sailing, and animals, this book absolutely had to appear on my “Best Books” list. It is very richly illustrated (115 color images), but is not simply a picture book.

Van Duzer’s narrative is engaging and informative. He explores terrifying and whimsical marine creatures that peopled Medieval and Renaissance waters (many are imaginary; some are more or less based on actual sea animals). And he situates them within the broader context of the individual maps, their impact, and marine biology.

Van Duzer thus helps his audience read European Medieval and Renaissance Maps more fully and richly. 

Okay, fine, this book isn’t actually nonfiction, but it’s so accurate and believable that it may as well be. You might not question Clarke’s life choices, but you’ll question Paul West, the protagonist. Have you ever wanted to know what it’s like to be a bureaucrat? Neither have I. But that didn’t stop me from reading this book. As someone who has had to deal with funcionarios  (Spanish government employees), bureaucrats aren’t high on my list as people I’d invite to a dinner party, but this book gave me a chance to learn about their lives at a safe distance. I learned something new and laughed out loud on almost every page.

As a doggy person, this sounded a fun book, an added attraction being that it is a memoir about moving overseas. The author, and his wife, Lesley, buy a property in a rural part of Ireland. Sounds simple enough, but having done the same ourselves, I guessed there might be challenges ahead. Nick skillfully draws the reader into his world. I felt as though I was alongside them as he describes the properties they visit and misadventures along the way. The anecdotes about their dogs are delightful. His descriptions conjure up pictures of a stunningly beautiful country filled with enchantingly quirky people. No wonder they quickly fall in love with it.

Nick’s sense of humour is infectious and wonderfully appealing. I finished wanting more. Luckily, through the success of this first book, he launched a series. I have read and loved each subsequent episode and look forward to his next… show more.

This Nebula winner is amazing for many reasons, not the least of which is that it’s almost 25 years old, is set in the present era and gets so much right. It’s certainly the only sci-fi novel you’ll read where wastewater treatment plays such a starring role. The writing is gorgeous, with a skillfully presented narrative, interweaving three stages of the life of the MC, Lore Van Oesterling, from a privileged child, to a wounded (physically and mentally) young woman eking out a life in the gutter, and finally to a mature, self-reliant heroine. Her story demonstrates the resilience of the human spirit and triumph over trauma. Along the way, Griffith challenges the reader to consider the all-consuming yet fluid concept of “identity”.