Clothing is one of the most important aspects of our humanity, of the things which make us who we are. We use fashion to identify allies and enemies. To express our interests, politics, and belief systems. To make a statement about who we are to the outside world. To show our identity or ethnicity. Or to indicate our affiliation with certain groups. Fashion is everywhere, but compared to other disciplines, is very rarely talked about. Though I'm a lingerie expert, fashion in its totality interests me. I’m excited every time I learn something new, not just because I enjoy pretty garments, but because I also learn something about the nature of who we are.
From poisonous gowns to flammable petticoats, Fashion Victims shares the dark side of fashion history. What was the human cost to those beautiful gowns, both in terms of the wearers and the makers? This book is a little grimmer than my previous recommendations but no less interesting. A fascinating read.
From insidious murder weapons to blaze-igniting crinolines, clothing has been the cause of death, disease and madness throughout history, by accident and design. Clothing is designed to protect, shield and comfort us, yet lurking amongst seemingly innocuous garments we find hats laced with mercury, frocks laden with arsenic and literally 'drop-dead gorgeous' gowns.
Fabulously gory and gruesome, Fashion Victims takes the reader on a fascinating journey through the lethal history of women's, men's and children's dress, in myth and reality. Drawing upon surviving fashion objects and numerous visual and textual sources, encompassing louse-ridden military uniforms, accounts of the fiery deaths…
I am a Greek social psychologist and have spent much of my academic career studying myths and stories in social life - stories, even when inaccurate or wrong, serve to create meaning, a fragile and valuable resource, especially in these post-truth times. At the same time, I believe that we must not lose sight of the distinctions between story and fact, fantasy and reality, truth and fiction. I am greatly concerned that the social sciences today, as shaped by the academic publishing game, are preoccupied with trivia and act as black holes into which meaning disappears. I strongly believe that it is our responsibility to restore the meaningfulness of academic research.
This is a must for any aspiring social scientist. Ironically entitled, the book offers a brilliant account of how many researchers in the social sciences resort to esoteric jargon and abstruse arguments to promote themselves in their academic micro-fiefdoms, defend their areas of expertise from outsiders but also to obfuscate and conceal their own ignorance. The book, however, can also be read on how to write well andget published in the social sciences.
Modern academia is increasingly competitive yet the writing style of social scientists is routinely poor and continues to deteriorate. Are social science postgraduates being taught to write poorly? What conditions adversely affect the way they write? And which linguistic features contribute towards this bad writing? Michael Billig's witty and entertaining book analyses these questions in a quest to pinpoint exactly what is going wrong with the way social scientists write. Using examples from diverse fields such as linguistics, sociology and experimental social psychology, Billig shows how technical terminology is regularly less precise than simpler language. He demonstrates that there are…
I write about pop culture and women’s history, often as it relates to the body and beauty. I’m intrigued by the ways women claim unconventional means of expression for their own beautification (such as tattooing) and how they harness beauty in the service of social and economic mobility (as in pageant culture). These books offer insight into the varied ways pageantry, from campus pageants to the Miss America stage, inform American identity and ratify the historian Rosalyn Baxandall’s belief that “every day in a woman’s life is a walking Miss America contest.”
This anthology spans a remarkable and surprising range of topics including first-hand accounts by pageant winners—andlosers—along with rich historical context. Historian Kimberly Hamlin documents the first Miss America Pageant (launched a year after women won the vote), showing how it both appropriated the format of suffrage pageants and defined itself in opposition to them. Feminist scholar Donelle Ruwe explains why becoming Miss Meridian [Miss.] in 1985 had an unexpectedly positive impact on her life, even though she considers beauty pageants to be “oppressive” and “degrading.” And the African-American scholar Gerald Early’s riveting “Waiting for Miss America” weighs the racial implications of Vanessa Williams’ 1983 crowning as the first Black Miss America. “[S]he was the most loved and most suspect woman in America,” he writes. Suspect, because “some blacks don’t trust her motives and some whites don’t trust her abilities.”
While some see the Miss American Pageant as hokey vestige of another era, many remain enthralled by the annual Atlantic City event. And whether you love it or hate it, no one can deny the impact the contest has had on American popular culture-indeed, many reality television shows seem to have taken cues from the pageant. Founded in 1921, the Miss America Pageant has provided a fascinating glimpse into how American standards of femininity have been defined, projected, maintained, and challenged. At various times, it has been praised as a positive role model for young American women, protested as degrading…
I have always been fascinated by how the human mind adapts, both individually and through history. Julian Jaynes, who taught me while pursuing my PhD in anthropology from Princeton University, provided me with a theoretical framework to explore how the personal and cultural configure each other. Jaynes inspired me to publish on psychotherapeutics, the history of Japanese psychology, linguistics, education, nationalism, the origin of religion, the Bible, ancient Egypt, popular culture, and changing definitions of self, time, and space. My interests have taken me to China and Japan, where I lived for many years. I taught at the University of Arizona and currently work as a licensed mental health counselor.
This book, in a fashion similar to Julian Jaynes’s theories about bicameral mentality and consciousness, challenges comfortable assumptions. It does this by demonstrating that though what we think (content) differs by place and period, mentalities (processes) themselves are neither invariant nor universal.
Specifically, it offers a detailed study of literature and shows how notions of causality and temporal thought processes that we take for granted were undeveloped in earlier centuries.
LePan challenges the assumption that everybody thinks in the same way by examining a particular mental faculty - expectation. He concludes that certain forms of expectation did not exist in the minds of most medieval people, any more than they do in children or adults in many primitive societies.
I’ve spent the past thirty years leading the movement to integrate the humanities, and especially literary study, with evolutionary psychology and cognitive neuroscience. I got my PhD in comparative literature right about the time the academic literary world was being convulsed by the poststructuralist revolution (Derrida, Foucault, et co). I felt a profound antipathy to the sterile paradoxes and attenuated abstractions of that theory. I wanted a theory that could get close to the power literature had over my own imagination. The evolutionary human sciences have provided me with a basis for building a theory that answers my own need to make sense of literature.
If you love horror, or are even mildly interested in it, you will find this book a real treat. Clasen is one of the world’s leading scholars of horror. Like Gottschall, he has the knack for engaging, personable writing, with witty turns that will make you laugh, even while the hair is standing up on the back of your neck at the horror scenarios he relishes describing. Clasen is absolutely convincing about the ways in which horror taps into our inherited ancestral fears and disgusts.
From vampire apocalypses, shark attacks, witches, and ghosts, to murderous dolls bent on revenge, horror has been part of the American cinematic imagination for almost as long as pictures have moved on screens. But why do they captive us so? What is the drive to be frightened, and why is it so perennially popular? Why Horror Seduces addresses these questions through evolutionary social sciences.
Explaining the functional seduction of horror entertainment, this book draws on cutting-edge findings in the evolutionary social sciences, showing how the horror genre is a product of human nature. Integrating the study of horror with the…
I grew up in the ‘60s, when women were not in charge of anything much. I’ve always been fascinated by strong women. Amelia Earhart was a particular favorite, as were the suffragettes, Michelle Obama, and others. The strongest thing I’ve done in my life is to seize opportunities when they arise. I forged a second career that way, taking more than one leap of faith to do what I’ve always known I could do, be a writer. During and after my first career as a dental hygienist I took opportunities to be a newspaper wire editor, then a columnist, a magazine writer, an indexer, a nonfiction writer, and a novelist.
This is a small gem of a book that I’ve had for years and have read multiple times.
It’s a retelling of an Athabaskan legend that has been passed from mother to daughter for generations on the upper Yukon River in Alaska. The old women of the title belonged to a large migratory tribe that was slowly starving to death in a bitter Arctic winter. The chief and his male council determined the tribe had a better chance of survival if it left the useless old women behind to die.
What happened next? Read the book. I know you’ll love it as much as I do. It’s a triumphant story of the courage of women set against the inadequate leadership of men.
"No one should miss this beautiful legend." —Tony Hillerman
Velma Wallis’s award-winning, bestselling novel about two elderly Native American women who must fend for themselves during a harsh Alaskan winter
Based on an Athabascan Indian legend passed along for many generations from mothers to daughters of the upper Yukon River Valley in Alaska, this is the suspenseful, shocking, ultimately inspirational tale of two old women abandoned by their tribe during a brutal winter famine.
Though these women have been known to complain more than contribute, they now must either survive on their own or die trying. In simple but vivid…
I am Professor Emeritus in the School of Social Sciences and Humanities at Loughborough University. I have written widely in the areas of social and cultural history, the sociology of art and culture, and media and communication studies. Recent projects have involved books on song and music in the workplace, popular culture, cultural studies, advertising and racism, and blackface minstrelsy. I co-wrote Media and the Management of Change with Emily Keightley, the last volume in a trilogy on media and memory and the interaction of memory and imagination.
This is one of the best critical surveys of the relationship between memory and history I have encountered. Geoffrey Cubitt is concerned with memory as both personal and social, along with the various dynamics between them. The book is interdisciplinary in conception and operation, exploring how history and memory inform one another in complementary and contradictory ways, and how both cross and re-cross varying scales of past/present relations. Regardless of whether readers approach this book from the perspective of memory or history, they will find it a comprehensive assessment of their complex interaction.
In recent years, 'memory' has become a central, though also a controversial, concept in historical studies - a term that denotes both a new and distinctive field of study and a fresh way of conceptualizing history as a field of inquiry more generally.
This book, which is aimed both at specialists and at students, provides historians with an accessible and stimulating introduction to debates and theories about memory, and to the range of approaches that have been taken to the study of it in history and other disciplines
Contributing in a wide-ranging way to debate on some of the central…
I am a historian and a social geographer whose main interest is in examining why some of us are embraced (legally, politically, economically, culturally) by the society we live in while some others are excluded. Probably due to my status as someone who is an immigrant to Canada and also a person with a disability, the topic of belonging and exclusion fascinates me.
As a person with a disability, this collection spoke to my direct experience of exclusion in Canadian society. Because every chapter is written by a different scholar in the field of disability studies, this edited collection is able to present a diverse range of perspectives that really resonate with the reader, and provocatively question the concept of ‘normalcy’ that is at the root of the discrimination against those of us who do not fit in.
Rethinking Normalcy introduces the growing field of disability studies to an undergraduate audience in a variety of disciplines and programs based in the social sciences, humanities, and health sciences. The authors articulate the depth and breadth of this newly emerging field of study and provide a vibrant foretaste of the kind of work disability studies scholars and activists do to provocatively question the power of normalcy.
Strongly interdisciplinary, this volume draws upon many different social and cultural approaches to the study of disability, and essentially addresses disability as a social and political issue.
I am a writer and a sociologist of money. I am passionate about money, relationships, and family violence, because I know from my research that talking about money opens up intimate conversations about the way people see themselves, their aspirations and hopes. Sometimes through hearing other people’s stories I have found mine. I realised while researching family violence that I too had suffered economic abuse. For me too economic abuse was ‘hidden in plain sight’. One of the most meaningful things for me is to help women and men overcome family violence and empower themselves to live with freedom.
Viviana Zelizer opened the world of money and relationships for me. I read her when I was doing my doctoral thesis on money, banking, and Anglo-Celtic consumers in Australia.
Her basic tenet is that money is a social phenomenon. Money shapes and is shaped by social relationships and cultural values. Viviana’s work helped transform my thesis about banking to that of money and marriage.
It was my first step to becoming a sociologist of money and discovering how researching money opens the whole field of human relationships.
A dollar is a dollar--or so most of us believe. Indeed, it is part of the ideology of our time that money is a single, impersonal instrument that impoverishes social life by reducing relations to cold, hard cash. After all, it's just money. Or is it? Distinguished social scientist and prize-winning author Viviana Zelizer argues against this conventional wisdom. She shows how people have invented their own forms of currency, earmarking money in ways that baffle market theorists, incorporating funds into webs of friendship and family relations, and otherwise varying the process by which spending and saving takes place. Zelizer…
I’m a teacher, a student, and a reader by trade (that is, a university professor), and I spend most of my time trying to understand social and political power: why some people have it, and others don’t, how it circulates and changes (gradually or suddenly), why it sometimes oppresses us and sometimes liberates, how it can be created and destroyed. I mostly do this by reading and teaching the history of political theory, which I am lucky enough to do at McGill University, in conversation and cooperation with some wonderful colleagues.
I think Scott is one of the most creative social scientists working today, and this book is probably his strongest work.
Scott flips the script and focuses attention on the strategies subordinates use to navigate and deal with the power of their social superiors. He has great faith in the abilities of ordinary people to mock and hoodwink the powerful and to create for themselves little refuges from kings, bosses, and overlords.
I go back to this book all the time because it is a treasure trove of wonderful anecdotes, too.
"A splendid study, surely one of the most important that has appeared on the whole matter of power and resistance."-Natalie Zemon Davis
Confrontations between the powerless and powerful are laden with deception-the powerless feign deference and the powerful subtly assert their mastery. Peasants, serfs, untouchables, slaves, laborers, and prisoners are not free to speak their minds in the presence of power. These subordinate groups instead create a secret discourse that represents a critique of power spoken behind the backs of the dominant. At the same time, the powerful also develop a private dialogue about practices and goals of their rule…
