I'm clinical psychology professor at UMass Boston and expert on mentoring relationships. When I was a senior in high school, my dad left behind thirty years of marriage, four kids, and a complicated legal and financial history to start a new life. I couldn't fully comprehend the FBI investigation that forced his departure—any more than I could've fathomed the fact that my classmate Jim Comey would eventually lead that agency. I was also reeling from a discovery that my dad had “shortened” his name from Rosenzweig to Rhodes, a common response to anti-Semitism. It was during that period that I experienced the benefits of mentors and the joy of books about hidden agendas and subtexts.
Bad City: Peril and Power in the City of Angels, written by investigative reporter Paul Pringle is another gem of this literary genre.
What began as Pringle’s investigation of a young woman’s overdose, led him to the prominent dean of the Keck School of Medicine at the University of Southern California (USC). Once on this trail, he uncovered the corruption at USC, the incompetence of the Pasadena Police Department, and a coverup at the Los Angeles Times.
After reading the first few pages, I was forced to cancel all meetings and plans. Pringle investigative reporting not only helped to uncover the toxic mix of money and power, but the mechanics and drudgery of getting to the bottom of things.
"Pringle’s fast-paced book is a master class in investigative journalism... when institutions collude to protect one another, reporting may be our last best hope for accountability." ―The New York Times
For fans of Spotlight and Catch and Kill comes a nonfiction thriller about corruption and betrayal radiating across Los Angeles from one of the region's most powerful institutions, a riveting tale from a Pulitzer-prize winning journalist who investigated the shocking events and helped bring justice in the face of formidable odds.
On a cool, overcast afternoon in April 2016, a salacious tip arrived at the L.A. Times that reporter Paul…
Very little Scottish history or culture was taught in school when I was growing up in the 1950s and 1960s. When I began to read books on the subject from the local library and then studied Scottish literature at Edinburgh University, I realised what my brother and sister Scots had missed out on, and was determined to rectify that by writing accessible books which would both inform and entertain as well as enrich their lives and change the way they perceived their culture. I love their reaction to my work and the influence my books have had.
One of the most important works on Scottish intellectual history and not as well known by the reading public as it should be. It was seminal in my own appreciation of Scottish culture and of the necessity to fight to continue the traditions described in the book—the broad-based education, the social egalitarianism, and recogniton of the importance of the vernacular Scots contribution to the unique culture we have. This democratic intellectualism went on to influence universities in America such as Princeton and colleges across Africa where Scots Presbyterian missionaries held sway.
An Edinburgh Classic edition of the cornerstone work on Scotland's intellectual identity First published in 1961, The Democratic Intellect provoked a re-evaluation of Scotland's philosophy of itself. George Davie's account of the history of the movements which set Scotland apart from its neighbours, and of the great personalities involved, has proved seminal in restoring to Scotland a sense of the value of its unique cultural identity. Scotland's approach to higher education has always been distinctive. From the inauguration of its first universities, the accent was on first principles, and this broad, philosophical interpretation unified the approach to knowledge - even…
As a social scientist, I've always been interested in how the communities we live in shape our values, priorities, and behavior. I also care about how institutional change—from small things like a college offering a new major to big things like a town choosing to incorporate—can shape communities. Each of these books has changed my thinking about how we influence, and are influenced by, the communities we live in, for better or worse. I'm a professor in the departments of Political Science and Quantitative Theory and Methods at Emory University in Atlanta, and I hold a Ph.D. in the Social Sciences from Caltech.
In 2004, sociologists Elizabeth Armstrong and Laura Hamilton set up camp in a dorm at Indiana University with the aim of writing an ethnography of the girls on the floor. They tracked the girls for five years, documenting their education, social lives, and post-college outcomes. As the product of a flagship state university myself, this book floored me. Armstrong and Hamilton document a process whereby administrators attract wealthy full-tuition students by subsidizing Greek life and creating legitimate-sounding but low-value majors. Far from being an equalizer, the rich leave university employed and debt-free, while the poor leave with staggering debt and few job prospects. For those of us in higher ed, this book articulates the discomfort many of us have felt in recent decades as universities have become increasingly consumer-oriented.
Two young women, dormitory mates, embark on their education at a big state university. Five years later, one is earning a good salary at a prestigious accounting firm. With no loans to repay, she lives in a fashionable apartment with her fiance. The other woman, saddled with burdensome debt and a low GPA, is still struggling to finish her degree in tourism. In an era of skyrocketing tuition and mounting concern over whether college is "worth it," Paying for the Party is an indispensable contribution to the dialogue assessing the state of American higher education. A powerful expose of unmet…
I’m a YA contemporary author that enjoys falling back into the realm of the teenager with all its newness, awkwardness, and angst. I grew up with the Breakfast Club and Sixteen Candles, the genre that encapsulated and empowered the young adult voice. The coming-of-age story is so important because it molds the future of that character which in turn can mold the reader as well. What happens to a young person in their developing years will set the tone for their entire life. As a writer and a mother, I want to share stories that not only entertain but help young adults navigate difficult situations.
The narrator of We Are Okay was like a siren for me. Jorjeana Marie’s voice holds the pain of the main character Marin like a tiny secret clutched in her fist and hidden from view. You want to see it so badly, but you only get glimpses as she unfolds one finger at a time.
I love the delicate unraveling of this tragic story and how Marin’s loneliness gets under your skin, so you really feel it and feel for her. Like in What to Say Next, a death is a catalyst, but how the death is used in the two stories is entirely different. As an author, I enjoy studying these plot points to see how each author uses them to mold their style and voice.
Winner of the 2018 Michael L. Printz Award - An achingly beautiful novel about grief and the enduring power of friendship.
"Short, poetic and gorgeously written." -The New York Times Book Review
"A beautiful, devastating piece of art." -Bookpage
You go through life thinking there's so much you need. . . . Until you leave with only your phone, your wallet, and a picture of your mother. Marin hasn't spoken to anyone from her old life since the day she left everything behind. No one knows the truth about those final weeks. Not even her best friend Mabel. But even…
I reread this book this past year because (unfortunately) it remains
relevant.
Our campuses have become hyper-politicized, ideologically monolithic
places of oppression and cancellation rather than places where diverse
individuals with diverse perspectives come together to figure out their way to
the truth.
Johnston absolutely nails the campus scene in this satire, capturing
the sheer craziness of the ideologues (both students and faculty) who run the
show, generating plenty of laughs—painful laughs, but laughs—along the way. One
reads this book and, while laughing, wants to weep about the state of today’s
campuses.
Eph Russell is an English professor up for tenure. He may look and sound privileged, but Eph is right out of gun-rack, Bible-thumping rural Alabama. His beloved Devon, though, has become a place of warring tribes, and there are landmines waiting for Eph that he is unequipped to see. The cultural rules are changing fast.
Lulu Harris is an entitled freshman - er, first year - from Manhattan. Her singular ambition is to be a prominent socialite - an "It Girl." While most would kill for a place at Devon, to her college is a dreary impediment. She is pleasantly…
The year after I got tenure, I became a chairperson, overseeing more than twenty faculty members in my department at Ohio State University. I continued in administration for the next seventeen years, serving as a dean at Notre Dame for more then a decade. I am convinced that the best books on higher education interweave ideas, anecdotes, and data. I pursued that genre here, engaging the questions, what makes a university distinctive and how can one best flourish as an administrator.
When I became a dean, I bought a few books on being a dean, and for some time, even after my term ended, continued to follow the literature.
Most such advice is commonsensical, but one needs to be reminded of common sense. The Academic Deanship offers a thoughtful and often wise account of the broader responsibilities and daily work of deans. Chairpersons, who work closely with deans, might also benefit from its perspectives.
A deanship is now seen as more of a phase in an overall academic career than as a permanent shift from teaching to administration. In fact, the nature of the job itself has changed, as has the range of likely options at the end of a dean's tenure. This book serves as a guide for the aspiring or new dean, offering practical advice on how to approach the interview process and the new job, as well as providing a thoughtful assessment of the deanship in its wider context. The authors-both experienced academic deans at a variety of institutions-encourage the new…
I’m fascinated by systems of thought and very interested in understanding how we can improve our ability to create a better society for all. I think the past makes a good laboratory for investigating these kinds of questions. I got interested in early modern economic theory while researching the English East India Company for my dissertation in the sociology department of Columbia University, which was a great place for historical and computational sociology. I now teach economic sociology and theory as a professor at Yale University, another institution with amazing strengths in history, data science, and computational methods.
Tribe is a master of his subject, and this book has the feel of a magnum opus. It is densely packed and full of interesting tidbits, and you will be amazed at just how recent economics really is. The added bonus is all the insight into the development of the modern research university. I am in the middle of this book as it just came out, but the scale of the contribution (large) is already clear.
An accessible account of the role of the modern university in the creation of economics
During the late nineteenth century concerns about international commercial rivalry were often expressed in terms of national provision for training and education, and the role of universities in such provision. It was in this context that the modern university discipline of economics emerged. The first undergraduate economics program was inaugurated in Cambridge in 1903; but this was merely a starting point.
Constructing Economic Science charts the path through commercial education to the discipline of economics and the creation of an economics curriculum that could then…
I’m a contemporary romance author who writes in paranormal romance on the side, but everything I write always comes down to one thing, and that’s the romance between characters. I love books that make me connect to and root for the main protagonists, no matter their flaws or situation. I specifically love romance novels that take place during the summer or in places that are warm year-round because no matter what season it is when you read them, you’re immediately transported to a warm, sunny, swoon-worthy world.
This beachside romance features a female entrepreneur who started her business at a young age, which I related to immediately, having started self-publishing books as a freshman in college.
She’s a go-getter with a knack for business and fights for her passions despite the people in her life telling her she shouldn’t. I adored the enemies-to-lovers romance between Cooper and Mac, as well as the message that not everyone is what they initially seem.
When I was eight years old, I walked into a movie theater to see Spider-Man and walked out forever obsessed with superheroes. Specifically, I saw him kiss Mary-Jane with his mask on while hanging upside down and my tastes never changed in 20 years. Now, when not writing, I cosplay from my favorite comics, video games, and anime with my husband, who I met at a comic-con while dressed as Gwenpool (he was Symbiote Spider-Man—see, I told you my tastes never changed).
This coming-of-age YA/NA romance featuring college sophomore Astrid and her superhero boyfriend is a heartfelt read.
It features a woman learning to live with her PTSD while juggling being a superhero’s girlfriend.
As someone with PTSD, I found Astrid’s character especially relatable. This novel is full of heart and is also a great novel to dip your toes into if you’re new to the superhero genre, especially if you like dual timelines in your romances.
A romantic coming-of-age story about growing up, falling in love, and surviving life-all set in the world of superheroes-from debut author Cristina Fernandez, proving that you don't need a superpower to be the hero of your own origin story, perfect for fans of The Rest of Us Just Live Here and Renegades.
* Bank Street Best Children's Book of the Year 2023 * CCBC Choices Best of 2023 *
Falling for a superhero is dangerous. You have to trust that they'll catch you.
Astrid isn't a superhero, not like the ones she sees on the news, but she has something…
A popular cliché tells you that you need to find something you are passionate about, make it your job, and you'll never work a day in your life. I have always loved writing but never wanted to be tied down to one form, and working freelance allowed me to write books, sensational tabloid tales, and in-depth investigations depending on what came up on my desk.
When I left university, I wanted to know why journalists bother working in jobs where they are frequently abused, badly paid, and work long hours. I never considered journalism a career until I saw an advert for a post in the Chatham News.
I wanted to know more, so I found a second-hand copy of Journey Into Journalism by Arnold Wesker. He'd been allowed to spend a year at the Sunday Times, then edited by the legendary Harold Evans, to help him write his play The Journalists. He had so much leftover that he wrote this book, which answered the question I had: "Why do journalists do it?" He answered it correctly, but you must read it to know why.
