Girl with a Pearl Earring

By Tracy Chevalier,

Book cover of Girl with a Pearl Earring

Book description

The New York Times bestselling novel by the author of A Single Thread and At the Edge of the Orchard

Translated into thirty-nine languages and made into an Oscar-nominated film, starring Scarlett Johanson and Colin Firth

Tracy Chevalier transports readers to a bygone time and place in this richly-imagined portrait…

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Why read it?

8 authors picked Girl with a Pearl Earring as one of their favorite books. Why do they recommend it?

This book was a phenomenon when it came out, and with good reason.

Chevalier’s words paint a picture of the life of a young girl, Griet, who is working in the house of the artist, Johannes Vermeer in 1660s Delft. In the novel, Griet is the model for the famous painting. The relationship between artist and model, and what they do, and don’t, mean to each other, is complex and intriguing.

The way that Chevalier depicts the restrained interactions between the two seems to mimic Vermeer’s restrained yet visually detailed style.

From Rebecca's list on 17th-century women.

Your first love is always special, right? This is the book that made me discover how wonderful a fictionalized story behind a familiar piece of art could be.

I loved how personal and meaningful the story was—how it gave life not just to the artist, but to the beautiful, unknown girl whose face is so familiar to us. It is the perfect mix of historical fact and fiction so well blended that the reader can’t tell where one stops and the other starts.

Chevalier has other books along a similar vein, but this one still stands as the best. (And…

This is a book I’ve read more than once. I sympathized with Griet, the main character and enjoyed reading about her world, set in 1600s Holland. When her father goes blind and is unable to support the family, Griet’s mother forces her to work as a maid for a wealthy painter. No longer allowed to live at home, Griet moves in with the painter’s family. He is smitten with Griet despite his pregnant wife’s disapproval. Griet struggles to fulfill her work duties while everyone else resents her presence. I loved the ending of this story.

Book cover of Dulcinea

Ana Veciana-Suarez Author Of Dulcinea

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Why am I passionate about this?

I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age. 

Ana's book list on bringing to life the forgotten Baroque Age

What is my book about?

Dolça Llull Prat, a wealthy Barcelona woman, is only 15 when she falls in love with an impoverished poet-solder. Theirs is a forbidden relationship, one that overcomes many obstacles until the fledgling writer renders her as the lowly Dulcinea in his bestseller.

By doing so, he unwittingly exposes his muse to gossip. But when Dolça receives his deathbed note asking to see her, she races across Spain with the intention of unburdening herself of an old secret.

On the journey, she encounters bandits, the Inquisition, illness, and the choices she's made. At its heart, Dulcinea is about how we betray the people we love, what happens when we succumb to convention, and why we squander the few chances we get to change our lives.

A maid, Griet, is sent to work in the household of the artist Vermeer. His large family depends on the sale of his paintings. Griet is allowed into his studio to clean and is intrigued by the paints, canvases, and lay models the artist uses. When her interest is discovered by Vermeer he teaches her the grinding of pigments and describes how he uses a camera obscura. In time she is bold enough to make compositional suggestions to him. Vermeer comes to rely on her a little too much and when given an advance, by a lascivious patron, of a…

From Elisabeth's list on artists by non-artists.

The setting for Tracy Chevalier’s book is the Dutch city of Delft in the 17th Century. The featured artist, Johannes Vermeer, is one of the most sublime and mysterious men in art history. He only left 36 paintings behind, but each one is a masterpiece and draws the view into the serene surroundings of his house. Chevalier merges history and fiction, as she imagines Vermeer’s sixteen-year-old maid, Griet, being chosen as the model for the painting of the Girl with the Pearl Earring. I like the female perspective of this book, written by a female author and with…

From Cornelia's list on mysteries with an art theme.

Although we actually know very little about Vermeer, Tracy Chevalier imagines a context for his celebrated painting, Girl with a Pearl Earring. As a professor of early modern literature and culture, I was especially fascinated by the interplay of religions in this novel. Griet, who comes to work for the Vermeers as a servant, is Protestant, and she is scandalized by some of the sumptuous Catholic art she sees hidden away in the Vermeer home. Intrigued by her master’s paintings, Griet begins to serve him as an assistant and finally agrees to pose for him. Through her experiences, Chevalier…

Chevalier transports her readers to a bygone time and place of art, inspiration, and sensuality. This is the story of the young subject of famed painter, Johannes Vermeer’s, most famous portrait. The book offers the reader a little slice of what life was like in Delft, Holland in the 1600s, and offers a very thoughtful perspective on the very flawed, complex, and human characters and relationships through the eyes of an insightful and intelligent 16-year-old girl.

What I loved about this book was that the atmosphere pervading it was so like the feeling I got from looking at Vermeer's paintings, including the title picture. It has a  quality of stillness and silence that makes you want to hold your breath. 

Griet's treatment at the hands of Vermeer's family isn't that much better than that meted out to most girls in her position, but you feel – more than usually – that the beauty surrounding her, compensated for it.  She might not have agreed of course.

From Lynn's list on artists and their muses.

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