I am the co-author and CEO of The Wonder Weeks. I advise various global players in the field of babies and I'm a sought-after speaker at fairs and in daily exchange with mothers and fathers.
With all this knowledge I know the needs of parents and their children like no other, with my books and apps I stand for power to the parents!
As a Dutch co-author, I highly recommend the books of Miffy, the very known rabbit in the Netherlands and worldwide, who shares his experiences in colourful, child friendly and short books. This copy is about celebrating birthdays. I love the good colorful illustrations and the imagination of Miffy. For children, this is the perfect combination, as a child loves birthdays, presents and especially from grandparents.
Hip hip hooray! It's Miffy's birthday and her friends have all bought her lovely presents. Grandpa and Grandma Bunny give her a very special present.
Award-winning UK poet, Tony Mitton, has worked closely with Dick Bruna's Dutch publisher to create new translations for the classic Miffy stories that are true to the books' original voice, and yet have a contemporary feel to the language that makes them appealing to the modern young audience. The translations beautifully convey the warmth and friendliness of the original Dutch whilst maintaining a style that is inimitably Miffy.
I’m a Kiwi who has spent most of the past three decades in Asia. My books include Formosan Odyssey,You Don't Know China, and Taiwan in 100 Books. I live in a small town in southern Taiwan with my Taiwanese wife. When not writing, reading, or lusting over maps, I can be found on the abandoned family farm slashing jungle undergrowth (and having a sly drink).
An enjoyable read and a practical guide for those looking to explore Taiwan’s aboriginal cultures and the vestiges of Dutch rule on Taiwan in the seventeenth century. It’s a beautifully illustrated book containing hundreds of photographs and useful travel information. The focus is on getting off the beaten path, and the book details fascinating places not covered by other guidebooks, which is a testament to the two authors’ expert knowledge.
Menno Goedhart was the Representative of The Netherlands for eight years. He traveled, together with tour guide Cheryl Robbins, to parts of Taiwan that most tourists do not see and met and befriended many indigenous people. This book contains a selection of fascinating places, with explanations on how to get there, where to stay, and what to eat. In the 17th century, Taiwan was occupied by Dutch East India Company forces. From their base in the southern city of Tainan, they explored the island, leaving behind many stories, some of which are also included in this book.
Escher is an incredible artist. This is an informative book about his life and work, with plenty of examples of his astonishing art.
Escher reveals the gaps in our systems of representation and invites us to jump into them. Like my own stories, his artworks are poetic constructions that point towards that which cannot be represented: the infinite beyond.
I am a Scottish writer who has been obsessed with soccer from an early age. I devour books, new or old, on any topic related to the game and have an extensive collection of books, old and new, that keeps outgrowing my bookshelves. I love learning more about the history of the game and especially new soccer cultures.
It’s tricky to recommend one book that just covers one footballing culture, but when a book is this good, it’s hard to leave out. The justification is that the Dutch have had an enormous influence on modern soccer, and it is their ideas of soccer and manipulation of space that are present in all of today’s top teams.
I bought this book as a 17-year-old, and it was a defining moment in my youth. I read it every five years or so. It is so thought-provoking and illuminating. I learned about art, politics, land reclamation, and, of course, the master Johan Cruyff.
If any one thing, Brilliant Orange is about Dutch space and a people whose unique conception of it has led to the most enduring arts, the weirdest architecture, and a bizarrely cerebral form of soccer―Total Football―that led in 1974 to a World Cup finals match with arch-rival Germany, and more recently to a devastating loss against Spain in 2010. With its intricacy and oddity, it continues to mystify and delight observers around the world. As David Winner wryly observes, it is an expression of the Dutch psyche that has a shared ancestry with Mondrian's Broadway Boogie Woogie, Rembrandt's The Night…
I teach history at The Ohio State University. This project began when I listened in 1976 to a radio broadcast in which Jack Eddy, a solar physicist, speculated that a notable absence of sunspots in the period 1645-1715 contributed to the “Little Ice Age”: the longest and most severe episode of global cooling recorded in the last 12,000 years. The Little Ice Age coincided with a wave of wars and revolution around the Northern Hemisphere, from the overthrow of the Ming dynasty in China to the beheading of Charles I in England. I spent the next 35 years exploring how the connections between natural and human events created a fatal synergy that produced human mortality on a scale seldom seen before – and never since.
I first met Simon Schama in 1963, when he joined me as an undergraduate reading History at Christ’s College Cambridge. Both of us decided to undertake research on the Low Countries, but in an international context: in my case, Spain and the Netherlands between 1550 and 1650; in Simon’s case, France and the Netherlands between 1770 and 1815, leading to his brilliant first book, Patriots and Liberators (a study of what the expansion of Revolutionary France meant for an occupied country.) This led him to analyse the social and cultural history of the country before occupation, using visual as well as written sources to recreate the mental state of a complex society. The embarrassment of Riches tells of bloody uprisings and beached whales, of the cult of hygiene and the plague of tobacco, of thrifty housewives and profligate tulip-speculators. It shows how the Dutch celebrated themselves and how they were…
This is the book that made Simon Schama's reputation when first published in 1987. A historical masterpiece, it is an epic account of Dutch Culture in the Golden Age of Rembrandt and van Diemen.
In this brilliant work that moves far beyond the conventions of social or cultural history, Simon Schama investigates the astonishing case of a people's self-invention.
He shows how, in the 17th-century, a modest assortment of farming, fishing and shipping communities, without a shared language, religion or government, transformed themselves into a formidable world empire - the Dutch republic.
That moment when you realize, whew, you’ve survived the catastrophe, but the greater challenge lies ahead? That intrigues me. Maybe that’s because my grandmother was struck by a Vespa in Italy when I was five years old, and we traveled home by ship through a hurricane that rocked much of the East Coast. Stories about “What’s next?” and “How do we push the rubble away?” are my go-to now, as they were during the years I worked as a journalist, first as a reporter, then for much longer as an editor. After my husband’s death in 2011, clearing the rubble yielded the first two installments of my vampire trilogy.
Its setting in suburban Philadelphia (near my old house) drew me to this book. But I loved it for the way Patchett unwinds the event that upends everything two siblings understand about and expect from their lives.
I’ve experienced how a single accident or illness can change the course of the future. What I recognized and connected with was this book’s portrayal of what I call the Grief Cha-Cha, two steps forward, three steps backward, and how sometimes what you grieve isn’t so much the person you’ve lost as the person that loss makes you.
Lose yourself in the story of a lifetime - the unforgettable Sunday Times bestseller
'Patchett leads us to a truth that feels like life rather than literature' Guardian
Nominated for the Women's Prize 2020
A STORY OF TWO SIBLINGS, THEIR CHILDHOOD HOME, AND A PAST THAT THEY CAN'T LET GO.
Like swallows, like salmon, we were the helpless captives of our migratory patterns. We pretended that what we had lost was the house, not our mother, not our father. We pretended that what we had lost had been taken from us by the person who still lived inside.
In the…
In my writing about science, I am always keen to include the artistic and literary dimension that links the science to the broader culture. In Huygens, a product of the Dutch Golden Age, I found a biographical subject for whom it would have been quite impossible not to embrace these riches. This context – including painting, music, poetry, mechanics, architecture, gardens, fashion and leisure – is crucial to understanding the life that Huygens led and the breakthroughs he was able to make.
Fiction allows for the portrayal of a kind of absorption in the processes and materials of a historical period that is unusual in nonfiction. It can give a powerful sense of how time actually passed for people. Vermeer’s chaotic domestic routine as a painter was splendidly imagined by Tracy Chevalier in Girl with a Pearl Earring, for example. But the technical innovators of the Dutch Golden Age – the telescopists, the astronomers, the surveyors and engineers – are yet to be celebrated in this way. Sadly, nobody has written the story of Simon Stevin, who built a sand-yacht that could outrun a galloping horse as it whipped along the Dutch strand, or of Cornelis Drebbel, who demonstrated a submarine for King James I that mysteriously managed to stay underwater with its crew for several hours in the River Thames.
However, Stella Tillyard has performed this service on behalf of…
A 'magical, haunting' (Philippa Gregory) novel of a tragic love affair in a threatened world
In 1649, Jan Brunt, a Dutchman, arrives in England to work on draining and developing the Great Level, an expanse of marsh in the heart of the fen country. It is here he meets Eliza, whose love overturns his ordered vision and whose act of resistance forces him to see the world differently.
Jan flees to the New World, where the spirit of avarice is raging and his skills as an engineer are prized. Then one spring morning a boy delivers a note that prompts…
The title is a pun: in 1676, Cornelia van Nijenroode married Johan Bitter in “Batavia” (then capital of the Dutch East Indies, now Jakarta) and thereafter tried unsuccessfully to break the bonds of matrimony, first in Indonesia and then in the Netherlands.
The story is such a page-turner because it links Dutch sources in both Indonesia and the Netherlands with material from Japan (where Cornelia was born to a Japanese mother and a Dutch father).
It includes a family portrait from 1663, in which Cornelia stands proudly beside her first husband, a prosperous Dutch official, with their two daughters (left in the family portrait) and two of their enslaved people (right). This book tells her astonishing life story from penury (as an orphan) to wealth and then (thanks to her Bitter experience) back to penury.
In 17th-century Batavia, Cornelia von Nijenroode, the daughter of a geisha and a Dutch merchant in Japan, was known as ""Otemba"" (meaning ""untamable""), which made her a heroine to modern Japanese feminists. A wealthy widow and enterprising businesswoman who had married an unsuccessful Dutch lawyer for social reasons found that just after their wedding, husband and wife were at each other's throats. Cornelia insisted on maintaining independent power of disposal over her assets, but legally her husband had control over her possessions and refused to grante her permission to engage in commerce. He soon began using blackmail, smuggling, and secret…
I'm a journalist and a historian who writes about how American evangelicals are complicated. I was trying to explain Left Behind in graduate school and I talked and talked about the theology in the book—all about the doctrines of the rapture, the antichrist, and the millennium. Then my professor said, “But it’s fiction, right? Why is it fiction? What are people doing when they read a novel instead, of say, a theological treatise?” I had no idea. But it seemed like a good question. That was the spark of Reading Evangelicals. But first, I had to read everything I could find about how readers read and what happens when they do.
I’m cheating a little here, but I made the rules and there’s a little clause in the rules I made that says I can break them as long as I announce that I am breaking them. Herewith, I announce.
This isn’t a book about readers. It’s a book about watchers—specifically the Dutch audience for the soap opera Dallas. But this book is so good and so wild, it changed forever the way I think about “reception,” including reading. I recommend this book all the time and if you want to understand the freedom and creativity of readers, you have to read it.
Dallas, one of the great internationally-screened soap operas, offers us first and foremost entertainment. But what is it about Dallas that makes that entertainment so successful, and how exactly is its entertainment constructed?
I loved this book because of its larger-than-life main character, Rembrandt van Rijn, the Golden Age Dutch painter who took the world by storm with his bravura artworks, like Night Watch. And who better to write about this great artist than the scholar Simon Schama?
I loved the way he brings Rembrandt to life, weaving into his life story the creation of his great works. I felt it was a bit like reading a Shakespeare tragedy as Rembrandt, once rich and famous, gradually descends towards poverty and loneliness as his marriage to Saskia fails and his debts spiral out of control. I loved the extraordinary detail of Schama’s almost forensic account of the creation of the paintings and his sympathy with the great Dutch artist’s genius and life.
This dazzling, unconventional biography shows us why, more than three centuries after his death, Rembrandt continues to exert such a hold on our imagination. Deeply familiar to us through his enigmatic self-portraits, few facts are known about the Leiden miller's son who tasted brief fame before facing financial ruin (he was even forced to sell his beloved wife Saskia's grave). The true biography of Rembrandt, as Simon Schama demonstrates, is to be discovered in his pictures. Interweaving of seventeenth-century Holland, Schama allows us to see Rembrandt in a completely fresh and original way.
