The most recommended books about the Netherlands

The European network of GR trails holds a special place in my heart as I have hiked many of them (in full or partially).

I loved reading the author’s beautiful narrative about her trek on the GR5 from The Netherlands to Nice, in the south of France. I too have done similar long-distance walks with my husband and at times, felt the author was reading my mind because our experiences, how we reacted to them, and even our dialog were so similar.

Like all great travel literature, this book will make you want to pack your bags immediately. An inspiring read for anyone thinking of undertaking a physical challenge as well as a great read for those who simply like to read about them. 

A remarkable and incredibly brave epic saga of a young woman struggling with the inheritance of her father who grew up in the colonial era of the Netherlands in the Dutch East Indies and who had been interned in a concentration camp by the Japanese as a child and her mother who had been abandoned as a little girl at the end of WWII because her parents were Nazi sympathizers and were therefore imprisoned. The author grew up in California, USA, with many questions about her family’s identity and secrets in the war. A courageous book breaking the taboo of shedding light on ‘the other side.’ The author is a personal friend of mine.

I maintain that the only way to gain a true understanding of Vincent van Gogh is to identify his role in seemingly peripheral narratives.

This book considers the Van Gogh sisters, and gives stunning voices to their previously untold narratives. An intimate and necessary insight into the siblings’ relationship, their struggles with mental health, and their intelligent observations of the changing social climate are given.

Without doubt, to recognise Vincent fully, there’s a need to both navigate and to appreciate the female relationships that influenced him.

Lovers of language will be entranced by this slim volume. The book contains 26 short pieces, each centered around a Dutch word beginning with a different letter of the alphabet and its English translation. Each segment is a poetic meditation on some aspect of the author’s transition from her first home in the Netherlands to her second home in Canada, and with it, her transition from the Dutch language to English. 

The author explores themes such as how English speakers perceive her mother tongue as alien, the profound emotional connection she feels for Dutch, which she describes as “my pulse music, my bone resonator, my umbilical ligature,” and the paradox of her identification with a mother tongue whose speakers do not always welcome her complicated ethnic identity. 

This is not a book to read quickly. It’s a book to be savored, ideally in the small, intense doses provided by each… show more.

Graduating from design school with a BFA and having taught Art Enrichment Classes in the schools for many years, I thought I had read every book about Vincent Van Gogh.

But when I read Heiligman’s young adult novel, I finally knew Vincent and felt his passion, literally through his letters to his brother.

And, truly, is there any better way to learn about Vincent than reading in his own words about his passion to paint?

Prefer to learn about Nazi Germany through literature? Try this novel by Irmgard Keun, who excelled at writing from the perspective of different young women. Here, nineteen-year-old Sanna relates how her life has changed under the Third Reich. She encounters people who express unqualified admiration for Adolf Hitler or at least concede that the Nazis are right about many things, who enjoy denouncing others or adapting to the new rules of the game. With her naïve understanding and unsophisticated language, Sanna lays bare vain pretensions, catchy slogans, and ponderous pseudo-profundities. She can’t understand why she should listen to Nazi speeches and avoid Jews. Contacts with critical friends finally compel her to leave Germany—just like her literary creator, who published her novel in exile in the Netherlands. 

Ayaan is a brilliant woman who escapes the brutality of African culture to become a leader in international politics.

When I write of the African custom of female circumcision, I suspect that many doubt me. I am not African. But when Ayaan writes of her own experience, there is no doubting. Her life is real. Her challenges are real. Every hurdle thrown in her path is real.

It is absolutely astonishing that a once insignificant African woman, a woman treated by the worst of Somali customs, that such a woman could rise to the heights that she has. Her brilliance simply cannot be questioned. A huge bonus is that her writing style is truly lyrical.

This ambitious book tells the story of a Dutch master and its influence on three people separated by centuries, and located in mid-17th century Amsterdam at the time of the Dutch masters; in New York in the 1950s; and in Sydney at the turn of the present century.

I love it not only for its splendid story but because it brings women into the art world… both as original artists and as forgers. 

I love how Tolsma sets up a very believable story of a Dutch war widow who ends up harboring a wounded Resistance worker. Although saving him means risking everything and although liberation is within sight, Cornelia’s faith won’t allow her to turn the man out. Fearing their story will end before it even begins, she must make an impossible choice between relative safety for her brother and herself, or joining Gerrit in the Resistance. I learned so much about what the Dutch went through during WWII.

Histories of Japan’s encounter with the West typically start from the premise that prior to its “opening” by the American Commodore Perry in 1853, Japan was a “closed” society that shunned contact with the outside world. This book, which explores the relationship between the Tokugawa shogunate and the Dutch East India Company (the VOC), presents a radically different story: one in which one of the world’s most ruthless commercial operators was forced to humble itself before the shogun. It’s an essential corrective to anyone who equates “world history” with the rise of the West.