Change is essential for growth. My degree is in economics and I started out in the corporate world until I had my second child, after which I became a painter and, eventually, a sign language interpreter. My mother was an inspiration to me, believing that learning and adapting are essential to knowing oneself. She was true to her values, proud and independent, rarely caring if others felt differently. At the age of 45, she earned her Bachelor’s degree and began a 30-year career in social work. Because of her influence on me, I tend to gravitate toward protagonists who are headstrong and evolve into self-sufficient, fulfilled individuals.
Novels really are timeless and this one, written almost 100 years ago, gives a portrait of feminism before it was a term. The protagonist Selena has a strong work ethic and doesn’t fear the implications of being a widowed mother of a young son and needing to run a small farm on her own. I loved that she relishes the challenge of her responsibility and thinks outside the box to find a niche market, becoming successful by notsuccumbing to the expectations of others. She doesn’t feel tamped down by her farming community’s judgments of what she can and cannot accomplish. Reading, and enjoying, a novel published in 1924 reminded me that oldies are quite often the besties.
Inspired by the life events of Antje Paarlberg, So Big is an award-winning drama that depicts the life of Selina Peake de Jong. Raised in a strict farming community, Selina decides to be a schoolteacher. Good-hearted and kind, she attempts to inspire her students to work for their dreams, no matter how nontraditional they seem. By encouraging artistic expression, Selina changes the lives of her students. When she marries a farmer named Pervus, the two welcome a baby boy into their family, naming their child Dirk. However, after the family suffers a tragic loss, Selina is forced to quit her…
When I was six years old, my Dutch relatives visited. Stories swirled about their bravery in getting secrets from the Germans and sharing the intel with the Allies, about their privation during the hunger winter, and their work hiding their Jewish countrymen. I studied abroad in 1977-1978 and took the opportunity to visit my Dutch relatives. They told me more stories of their resistance work, their escapades, and, most importantly, their “why” during my time with them. Such stories don’t leave you–ever. They percolated in my head for years until a voice came to me, Rika’s voice, and I began to write. Sixty Blades of Grass is the result.
This book brought me to boots on the ground as it supplied me with a first-hand account of life in The Netherlands during WWII. I loved every word.
Diet Eman resists the German occupation by moving her beloved Jewish friends and forged documents, at great danger to herself. Sustained by her faith, hatred of the Germans, love for The Netherlands, and her love for her fiancé, Hein, she works until her capture by the Germans.
Passionate, true, loving, suspenseful, and honest, this is a must-read for those who need to know more about the war in Holland.
Things We Couldn't Say is the true story of Diet Eman, a young Dutch woman, who, with her fiance, Hein Sietsma, risked everything to rescue imperiled Jews in Nazi-occupied Holland during World War II. Throughout the years that Diet and Hein aided the Resistance--work that would cost Diet her freedom and Hein his life--their courageous effort ultimately saved hundreds of Dutch Jews.
Now available in paperback, Things We Couldn't Say tells an unforgettable story of heroism, faith, and--above all--love.
I'm a Dutch author and lawyer specialized in international criminal law. My expertise is the role of women leaders in times of conflict, crisis, and change – especially during war and in post-conflict societies. Women are traditionally portrayed as victims, while it is precisely women who show genuine leadership skills in times of conflict, crisis, and change. I've done research on women’s armed resistance in the Netherlands in WWII, and am an expert on the lives and resistance work of Hannie Shaft and the sisters Truus and Freddie Oversteegen. In addition, I've done research in the former Yugoslavia and Rwanda and saw the same patterns in these conflicts and the impact on the generations after.
A remarkable and incredibly brave epic saga of a young woman struggling with the inheritance of her father who grew up in the colonial era of the Netherlands in the Dutch East Indies and who had been interned in a concentration camp by the Japanese as a child and her mother who had been abandoned as a little girl at the end of WWII because her parents were Nazi sympathizers and were therefore imprisoned. The author grew up in California, USA, with many questions about her family’s identity and secrets in the war. A courageous book breaking the taboo of shedding light on ‘the other side.’ The author is a personal friend of mine.
An engrossing, epic saga of one family’s experiences on both sides of WWII, All Ships Follow Me questions our common narrative of the conflict and our stark notions of victim and perpetrator, while tracing the lasting effects of war through several generations.
In March 1942, Mieke Eerkens’ father was a ten-year-old boy living in the Dutch East Indies. When the Japanese invaded the island he, his family, and one hundred thousand other Dutch civilians were interned in a concentration camp and forced into hard labor for three years. After the Japanese surrendered, Mieke’s father and his family were set free…
As far as I can remember, I have been obsessed with death! Maybe it’s because my mom, who died four years ago at the age of 86, was a Holocaust survivor. Anyway, what I’ve noticed is that all kids' stories deal with death. Think, for instance, of how Harry Potter is an orphan. Or how so many characters in fairy tales have a parent who is dead. I think dealing with death – talking about it openly --- helps us live our lives in a more meaningful way. For my own novel, Planet Grief, I did a ton of researcher and befriended an amazing grief counselor named Dawn Cruchet. You can look her up on the web and learn about her too. Dawn taught me that there is no one, correct way to grieve, that grief is a life-changing journey.
One of my favourite books of all time! Not only because the author is Dutch (like me!!). The narrator Kiki is a worrier. She worries most of all about her dad who is a doctor who works in dangerous war zones. This book manages to be funny and sad and beautiful at the same time. Read it!
'It's about something called the odds,' said my mother. 'For instance, the odds that you'll become a millionaire are very, very small. The odds that you'll find a coin in the street are a lot bigger. And it's the same thing with fathers. The odds of having a father are big, and the odds of not having a father are small. So you don't have to worry too much about not having a father."Can you make the odds of something smaller?' I asked. 'Or bigger?' 'Yes,' my mother said. 'Sometimes.'Kiki's father, a doctor, is always putting himself in danger by…
It's so beautifully written! I love epic family tales and this covers five decades of a brother and sister deeply damaged... and eventually making a kind of peace with their past.
Lose yourself in the story of a lifetime - the unforgettable Sunday Times bestseller
'Patchett leads us to a truth that feels like life rather than literature' Guardian
Nominated for the Women's Prize 2020
A STORY OF TWO SIBLINGS, THEIR CHILDHOOD HOME, AND A PAST THAT THEY CAN'T LET GO.
Like swallows, like salmon, we were the helpless captives of our migratory patterns. We pretended that what we had lost was the house, not our mother, not our father. We pretended that what we had lost had been taken from us by the person who still lived inside.
In the…
When I was six years old, my Dutch relatives visited. Stories swirled about their bravery in getting secrets from the Germans and sharing the intel with the Allies, about their privation during the hunger winter, and their work hiding their Jewish countrymen. I studied abroad in 1977-1978 and took the opportunity to visit my Dutch relatives. They told me more stories of their resistance work, their escapades, and, most importantly, their “why” during my time with them. Such stories don’t leave you–ever. They percolated in my head for years until a voice came to me, Rika’s voice, and I began to write. Sixty Blades of Grass is the result.
This is the Dutch Underground at its finest. The “why” people would risk their lives and resist the German persecution of the Jews came through loud and clear here.
Based on a true story, Corrie Ten Boom ran an underground cell out of her home in Harlem with the support of her family. Her religion sustained her through tremendous losses and suffering but enabled her to find peace for herself and others post-war.
It's World War II. Darkness has fallen over Europe as the Nazis spread hatred, fear and war across the globe. But on a quiet city corner in the Netherlands, one woman fights against the darkness.
In her quiet watchmaking shop, she and her family risk their lives to hide Jews, and others hunted by the Nazis, in a secret room, a "hiding place" that they built in the old building.
One day, however, Corrie and her family are betrayed. They're captured and sent to the notorious Nazi concentration camps to die. Yet even…
I love historical fiction, and with dual timelines, I often find myself identifying with a contemporary character who is trying to solve some mystery from the past. I wrote an article titled Five Questions to Ask Before Writing a Dual Timeline Novel, in which I addressed structure, how to relate the timelines to each other, and how to keep the reader engaged when going back and forth between time periods. I also wrote a blog post about how fitting the pieces together for this kind of work can be a bit like solving a jigsaw puzzle. Each of the novels I’ve recommended is an example of a satisfying final picture.
I always find books about artists intriguing, and this one adds a bit of forgery, too. In 1631 Amsterdam, Sara de Vos is widowed, inheriting her husband’s debt. She paints to eke out a living, though that is not easy for a woman of that time and place. In 1957, a young art student agrees to forge one of de Vos’s works, only to be haunted by her crime in Sydney in 2000, when she becomes a famous art historian and curator.
I loved this book when I read it and went back to it again when I later decided to write The Map Colorist, my own novel set in seventeenth-century Amsterdam.
'. . . worthy of comparison to Tracy Chevalier's Girl with a Pearl Earring and Donna Tartt's The Goldfinch . . . A masterly, multilayered story that will dazzle readers.' Library Journal (starred review)
In 1631, Sara de Vos is admitted to the Guild of St. Luke in Holland as a master painter, the first woman to be so honoured. Three hundred years later, only one work attributed to de Vos is known to remain - a haunting winter scene, At the Edge of a Wood, which hangs over the Manhattan bed of a wealthy descendant of the original owner.…
I teach history at The Ohio State University. This project began when I listened in 1976 to a radio broadcast in which Jack Eddy, a solar physicist, speculated that a notable absence of sunspots in the period 1645-1715 contributed to the “Little Ice Age”: the longest and most severe episode of global cooling recorded in the last 12,000 years. The Little Ice Age coincided with a wave of wars and revolution around the Northern Hemisphere, from the overthrow of the Ming dynasty in China to the beheading of Charles I in England. I spent the next 35 years exploring how the connections between natural and human events created a fatal synergy that produced human mortality on a scale seldom seen before – and never since.
I first met Simon Schama in 1963, when he joined me as an undergraduate reading History at Christ’s College Cambridge. Both of us decided to undertake research on the Low Countries, but in an international context: in my case, Spain and the Netherlands between 1550 and 1650; in Simon’s case, France and the Netherlands between 1770 and 1815, leading to his brilliant first book, Patriots and Liberators (a study of what the expansion of Revolutionary France meant for an occupied country.) This led him to analyse the social and cultural history of the country before occupation, using visual as well as written sources to recreate the mental state of a complex society. The embarrassment of Riches tells of bloody uprisings and beached whales, of the cult of hygiene and the plague of tobacco, of thrifty housewives and profligate tulip-speculators. It shows how the Dutch celebrated themselves and how they were…
This is the book that made Simon Schama's reputation when first published in 1987. A historical masterpiece, it is an epic account of Dutch Culture in the Golden Age of Rembrandt and van Diemen.
In this brilliant work that moves far beyond the conventions of social or cultural history, Simon Schama investigates the astonishing case of a people's self-invention.
He shows how, in the 17th-century, a modest assortment of farming, fishing and shipping communities, without a shared language, religion or government, transformed themselves into a formidable world empire - the Dutch republic.
I am a researcher and professor of Planning and Urban Design at Middle East Technical University, Ankara (Turkiye). I am interested in how we can develop sustainable communities in urban and rural areas, modern and historical areas, and create a much more just world for all living beings. This question has become increasingly important for our life as uncertainties arise. New paradigms appear daily with climate change, wars, energy crises, pandemics, migrations, safety and security, growing diversity, and socio-spatial inequalities. I chose these books because they helped me think of new ways to achieve a sustainable and just world for all living beings.
I think this book is very illuminating in learning the social aspect of sustainability.
She particularly focuses on urban regeneration projects in European cities. It shows how social sustainability can be assessed, measured, and monitored by using various regeneration projects in five European cities (Sant Adria de Besos in Spain, Turin in Italy, Rotterdam in the Netherlands, Leipzig in Germany, and Cardiff in the UK).
I like this book because of its comprehensive assessment of the social sustainability of these projects by examining the institutional arrangements, financial products and tools, stakeholders’ involvement, and their contribution, monitoring, and measurement systems. In this way, it provides us with a new framework for assessing social sustainability.
Urban regeneration is a key focus for public policy throughout Europe. This book examines social sustainability and analyses its meaning and significance - an area of research which has, until now, been comparatively neglected. The authors offer a comprehensive European perspective to identify best practice in sustainable urban regeneration in five major cities in Spain, Italy, Netherlands, Germany, and the UK. Urban Regeneration & Social Sustainability: best practice from European cities examines the extent to which social sustainability is incorporated within urban regeneration projects in the EU, but also investigates how local authorities, developers, investors and other key stakeholders approach…
I grew up in a small village in a very rural part of Scotland. It was perhaps inevitable, then, that I would have an interest in the urban. Cities, especially big cities, seemed wonderfully exciting when I was growing up, full of mystery and promise, intoxicating, transgressive, with a hint of danger and a whiff of excitement. That fascination has stayed with me throughout my academic career as I have explored different facets of the urban experience. I am aware of the growing inequality but remain optimistic about the progressive possibilities and redemptive power of the urban experience to change lives and attitudes.
The writer loves Amsterdam that much is clear. He deftly shows how this one city grew from the most unpromising location to become not only a great city in its own right, but also the city where tolerance, markets, and the ideals of liberal tolerant capitalist society were forged and burnished. Our modern liberal cosmopolitanism was created in Amsterdam. We owe a great deal to Amsterdam and its citizens.
Amsterdam is not just any city. Despite its relative size it has stood alongside its larger cousins - Paris, London, Berlin - and has influenced the modern world to a degree that few other cities have. Sweeping across the city's colourful thousand year history, Amsterdam brings the place to life: its sights and smells; its politics and people. Concentrating on two significant periods - the late 1500s to the mid 1600s and then from the Second World War to the present, Russell Shorto's masterful biography looks at Amsterdam's central preoccupations. Just as fin-de-siecle Vienna was the birthplace of psychoanalysis, seventeenth…
