The anthology form unites diverse voices around a common theme—in the case ofDistant Flickers, identity and loss. The stories in the anthology explore intense personal relationships—of mother and child, old lovers, etc. Some of the stories are in the moment and some recounted with the perspective of time, some are fable-like, some formal, and others more colloquial. Reading them the reader is struck by the variety of approaches a writer might take to a subject. The device of the contributor’s notes enables the reader to see the story behind the story and how life informs art—life furnishing the raw material or day residue of the story.
The prevailing narrative regarding adoption, at least in the U.S., is crafted by adoption professionals and adoptive parents and largely overlooks the experiences of the parties directly impacted—the adoptees themselves. As an adoptee—one who undertook a search for and was reunited with my first family, reassuming the name I was given at birth—I am always on the lookout for the work of other adoptees. Only we truly understand what it is like to be “split” between two families, to lose our roots and culture, and—perhaps most devastating—not to have our losses acknowledged. These stories, by Ethiopian adoptees, challenge traditional narratives that cast adoption as a benevolent practice, revealing the racist, classist, and colonialist roots that give rise to the modern institution. The stories speak to themes of displacement, bewilderment, and what it is like to grow up estranged from one’s culture, identity, and roots.
Lions Roaring Far From Home: An Anthology by Ethiopian Adoptees includes the essays and poems of 33 writers, ages 8 to over 50, raised in six countries (the US, Canada, Sweden, France, the Netherlands, and Australia). It is the first ever anthology by Ethiopian adoptees.
This anthology shares Ethiopian adoptees’ wide range of experiences, from childhood into adulthood, through the voices of the adoptees themselves. There is more than one mention of grief, confusion, and loss. The writers also talk about their strengths, hopes, happiness, and love for family. Along with sadness and anger, there is also compassion, grace, and…
I’ve always adored mysteries. My dad has the entire collection of Agatha Christie books, but even before I read those, I worked through his ancient original hardbacks of Enid Blyton's Famous Fivebooks and the less well-known Malcolm SavilleLone Pineseries. I love getting totally engrossed in a series, so I really get to BE the main character–I am one of four siblings, and when I wasn’t too busy reading, we were the Famous Five. I was George. I think I still am, to be perfectly honest–she was fiery, passionate, loved her dog, and wanted to serve justice and out the bad guys. What a role model!
This whole series always makes me smile–Mma Ramotswe remains one of the most hilarious main characters in any cozy mystery I’ve ever read. The crimes she comes up against are usually low-key, usually secondary to the backdrop of Botswana, and often solved by accident as much as design.
Precious Ramotswe’s commentary on Botswanan life is simply brilliant, but almost even more amusing is her sidekick, Grace Makutsi, who bumbles through her role as secretary-promoted-to-assistant-detective, and the interaction between the characters never fails to give me laugh-out-loud moments.
This whole series has to be the most feel-good series ever, and now I’m rediscovering it as an audio production of the radio series; it’s as heart-warming as a bright bunch of flowers on a dull day, a bowl of hot soup when you’re sick; a hot bubble bath when it’s snowing outside…I love it, love it, love it!
Precious Ramotswe, a cheerful woman of traditional build, is the founder of Botswana's first and only ladies' detective agency. Here is a gentle interpretation of the detective role: solving her cases through her innate wisdom and understanding of human nature, she 'helps people with problems in their lives'. With a tone that is as elegant as that which is unfailingly used by his protagonist, Alexander McCall Smith tenderly unfolds a picture of life in Gaborone with a mastery of comic understatement and an evident sympathy for his subjects and their milieu. In the background of all this is Botswana, a…
I am fascinated by historical figures who were deemed marginal, outcast, or eccentric and also by experiences (like sleep or madness) that usually fall beneath historical scrutiny. I am drawn to nineteenth-century literature and history because I find such a rich store of strange and poignant optimism and cultural experimentation dwelling alongside suffering, terror, and despair. As a writer, I feel a sense of responsibility when a great story falls into my hands. I try to be as respectful as I can to the life behind it, while seeking how it fits into a larger historical pattern. I am always on the lookout for books that do the same!
Not technically a “nineteenth-century” book, this 1902 novel is the most surprising work of fiction from the period that you’ll ever read.
Written by a Black woman from Boston who had achieved success first as an actress and then as a magazine editor, this wild fantasy reads like a cross between the film The Black Panther and a Verdi opera. It concerns a Black physician who passes for white (until he can’t), then joins an archeological expedition to discover the remains of an ancient civilization in Ethiopia.
The plot unfolds at breakneck speed, and there are so many twists you might get whiplash. But if you slow down and focus on the details of the story you’ll find an extraordinarily complex picture of politics, spirituality, psychology, music, history, and science.
“Mysticism, horror, and racial identity merge fluidly in this thrilling tale of love, obsession, and power” (Publishers Weekly) written by one of the lesser-known literary figures of the much-lauded Harlem Renaissance.
Pauline Hopkins is considered by some to be the most prolific African-American woman writer and the most influential literary editor of the first decade of the twentieth century, and Of One Blood is the last of four novels she wrote.
Mixed-race medical student Reuel Briggs doesn't give a damn about being Black and cares less for African history. When he arrives in Ethiopia on an archeological trip, his only…
I had visited many Eastern Orthodox churches across Eastern Europe and the Middle East for a research project, and finally came to Ethiopia. Here I encountered a large and thriving Christian community which reached back to the earliest days of the church. Its location between the Middle East and East Asia and Africa as well as Europe has given it a distinctive way of living and worshipping which is unique in the Christian world – and overlooked by other churches. I’ve spent the last twenty years exploring this tradition which gives the rest of us a radically different understanding of faith.
David Phillipson is an archeologist who has excavated – and shown me round – sites at Axum and other places. Here he guides us through the early history of the church from the 4th to 15th centuries by showing the wonderful photos, descriptions, and plans of the main church sites, supplemented by historical and geographical essays. A tour of the buildings is a clear and perceptive introduction to this tradition – as well as being a breath-taking journey through some of the more important historic centres of this ancient civilisation.
The kings of Aksum formally became Christian during the second quarter of the 4th century, making Ethiopia the second country in the world (after Armenia) officially to adopt the new faith. This landmark book is the first to integrate historical, archaeological, and art-historical evidence to provide a comprehensive account of Ethiopian Christian civilization and its churches-both built and rock-hewn-from the Aksumite period to the 13th century.
David W. Phillipson, a foremost authority on Ethiopia's archaeology, situates these churches within the development of Ethiopian society, illuminating the exceptional continuity of the country's Christian civilization. He offers a fresh view of the…
I’ve been working in coffee for nearly 20 years, and teaching people about coffee for most of that. I love sharing how interesting, diverse, and fun the world of coffee is, and I want people to enjoy and value the coffee they drink a little more. It is a passion and a career that’s taken me around the world, and continues to reinforce the idea that just a little effort or interest in your morning coffee has surprisingly large rewards. The books on this list inspired my own passion for coffee and I hope they do the same for you.
This is the book that started my obsession with coffee. It is really a travel book, using the spread of coffee from Ethiopia through to the rest of the world as its guide. It’s a fun read, and fascinating to see the way coffee was become entwined into so many different cultures in many different ways.
In this captivating book, Stewart Lee Allen treks three-quarters of the way around the world on a caffeinated quest to answer these profound questions: Did the advent of coffee give birth to an enlightened western civilization? Is coffee, indeed, the substance that drives history? From the cliffhanging villages of Southern Yemen, where coffee beans were first cultivated eight hundred years ago, to a cavernous coffeehouse in Calcutta, the drinking spot for two of India’s three Nobel Prize winners ... from Parisian salons and cafés where the French Revolution was born, to the roadside diners and chain restaurants of the good…
My latest picture book was conceived when I participated in art fairs as a weaver and quilter. I was struck by how each craft, whether it be woodworking, metallurgy, glassblowing, pottery, etc., had a unique vocabulary and origins in many different cultures. My goal is to cultivate appreciation of the work of artisans around the world who are carrying on cultural traditions. I also saw an opportunity to expand vocabulary by sharing the language of the crafts, and to encourage children to think about a craft they may want to try. It is my hope that art teachers, parents and grandparents, artisans, and lovers of crafts will enjoy sharing this inspirational book.
This story is about how a garment called a gabi is made in Ethiopia, from the planting of cotton seeds to the weaving, trimming, and wearing during festive occasions. It shows the significance of carrying on a traditional craft through lyrical text and colorful illustrations.
I love the idea that children can see how clothing and other items around the world are not necessarily made in factories. In this case, the creation of a traditional piece of clothing involves many artisans of all ages working by hand. (Illustrated vocabulary is included.)
From seed to harvest, from loom to shop, to a gift for Girma, this lyrical story of the Ethiopian Gabi is a beautiful celebration of weaving, community and culture.
Written in the cadence of The House That Jack Built, this vibrant and lushly illustrated tale pays tribute to the Gabi- a traditional Ethiopian cloth that is used to celebrate both community and culture. From the tiny seed to the fluffy white cotton, from the steady hands of the farmer to the swift fingers of the weaver, from the busy shopkeeper, to a gift for a loved one, follow the journey…
I’m a second-generation TCK. I was born in Peru and grew up in Chile and Panama, as well as the US. My YA novel, The Means That Make Us Strangers, explores some of my own experience moving crossculturally as a teenager.
I’ve been a fan of Elizabeth Wein’s since I read her bestselling YA thriller Code Name Verity, and I was thrilled to discover she herself is a TCK. In this novel, two adopted siblings (one white, one Black), move from the US to Ethiopia in the 1930s, just before Ethiopia’s war with Italy. TCKs will relate to Teo and Em’s struggle with not feeling fully at home in any one place. Like all of Elizabeth Wein’s books, there is plenty of airplane-flying adventure to keep readers on the edge of their seats!
"Think of the sky!" Delia gave Momma's hands a shake. "Think of the sky in Ethiopia! What will it be like to fly in Africa?"
This New York Times bestseller is a story of survival, subterfuge, espionage and identity.
Rhoda and Delia are American stunt pilots who perform daring aerobatics to appreciative audiences. But while the sight of two girls wingwalking - one white, one black - is a welcome novelty in some parts of the USA, it's an anathema in others. Rhoda and Delia dream of living in a world where neither gender nor ethnicity determines their life. When…
I had visited many Eastern Orthodox churches across Eastern Europe and the Middle East for a research project, and finally came to Ethiopia. Here I encountered a large and thriving Christian community which reached back to the earliest days of the church. Its location between the Middle East and East Asia and Africa as well as Europe has given it a distinctive way of living and worshipping which is unique in the Christian world – and overlooked by other churches. I’ve spent the last twenty years exploring this tradition which gives the rest of us a radically different understanding of faith.
Ethiopia is a country with the second largest population in Africa. There are over 80 ethnic groups and languages, living in a region that includes the largest area of mountains in Africa and also the lowest point on the earth’s land surface. While this book tells the history of the Christian north, including the national epic which tells how Ethiopian kings are descended from Solomon of Israel, it also describes the culture and traditions of other societies which make up this fascinating country, and shows both the tensions and the creativity within Ethiopian society.
Combines history, anthropology and sociology to answer two major questions. Why did Ethiopia remain independent under the onslaught of European expansionism while other African political entities were colonized? And why must Ethiopia be considered a single cultural region despite its political, religious and linguistic diversity? Donald Levine's interdisciplinary study seeks to make a contribution both to Ethiopian interpretive history and to sociological analysis. In his preface, Levine examines Ethiopia since the overthrow of the monarchy in the 1970s.
In 2010, I met a Somali refugee in Cape Town. His name was Asad Abdullahi. He told the tale of his life with a richness bordering on genius and I was hooked. I spent the next two years tracing his childhood footsteps through the Horn of Africa, looking for anyone and everyone he had encountered. In the course of writing a book about him, I read countless other books about exile, migration, and human beings on the move. My five recommendations are among the books that helped me imagine the experience of exile best.
Geeldoon is a Somali refugee who told the story of his extraordinary odyssey to Europe to an oral historian. It is a tale rendered without artifice, without an eye for style or craft. The sheer calamity of his experience spills from his mouth. You can tell from the tone of the narrative how urgent, how necessary it was for him to bear witness to his journey, perhaps if only to prove to himself that it really happened.
In 2015, an estimated 154,000 migrants entered Europe via the Mediterranean from Libya—an increase of more than 1,000 per cent from 2012, while Somalis, most of them young men, were among the top five nationalities crossing the Mediterranean during the first six months of 2015. Although much has been written about the rise in migration to Europe and migrant deaths at sea, little is written about the journey migrants take prior to attempting the crossing. We Kissed the Ground is a first-hand account of a young man’s attempt to migrate to Europe from Somaliland and the hardships of the journey…
I had visited many Eastern Orthodox churches across Eastern Europe and the Middle East for a research project, and finally came to Ethiopia. Here I encountered a large and thriving Christian community which reached back to the earliest days of the church. Its location between the Middle East and East Asia and Africa as well as Europe has given it a distinctive way of living and worshipping which is unique in the Christian world – and overlooked by other churches. I’ve spent the last twenty years exploring this tradition which gives the rest of us a radically different understanding of faith.
The author is an Ethiopian/Canadian journalist living in London. The book is a vivid biography of her grandmother, Yetemegnu, based on many conversations and interviews. It begins in a traditional household in northern Ethiopia where the grandmother was married at the age of 10 to an ambitious priest twenty years older than her, and it takes us through a century of history as the family lives through and adapts to turbulent times, ending up in modern Addis Ababa where her son became a successful doctor and emigrated to Canada. It’s a beautiful and affectionate account that introduces us to a changing society.
WINNER OF THE RSL ONDAATJE PRIZE 2019
AN ECONOMIST BOOK OF THE YEAR
A CBC BOOK OF THE YEAR
The extraordinary story of an indomitable 95-year-old woman - and of the most extraordinary century in Ethiopia's history. A new Wild Swans
A hundred years ago, a girl was born in the northern Ethiopian city of Gondar. Before she was ten years old, Yetemegnu was married to a man two decades her senior, an ambitious poet-priest. Over the next century her world changed beyond recognition. She witnessed Fascist invasion and occupation, Allied bombardment and exile from her city, the ascent and…
