Fans pick 100 books like The No. 1 Ladies' Detective Agency

Is this a cozy mystery? I’m saying yes, but honestly, it’s so good I’d squeeze it into any genre just so I can talk about it. It has a crime, a small community, a couple of bumbling policemen, a locked room, a bunch of people trying, amateurishly, to solve a crime, and a lot of ‘keep the reader guessing’ elements.

So far, so cozy. It also has a lot of anxious people and explores their unhappy and complicated lives in a hilarious, satirical tone. It is also just a little bit sad, as well as funny and happy, so, all right, it probably isn’t really a cozy mystery, but it’s been one of the best listens on my audiobook library so far this year–I’ve already listened to it twice in 2024, and it’s only July.

This heartwarming, multigenerational drama about the Korean community in Japan swept me into another time and place. Born and raised in a poor fishing village in Japanese-occupied Korea, Sunja makes an impulsive decision in the pursuit of love that transforms the trajectory of her life.

Thoughtful, resilient, and fiercely independent, Sunja was a relatable character whom I desperately wanted to see thrive. I felt her heartache when she left her beloved Korea and shared her indignation at the discrimination she and her family experienced in Japan. Expertly crafted and keenly observed, Pachinko shows us how history and politics shape the lives of ordinary people, often for generations to come. 

I could not stop reading this book—and when the TV series came out, I fell in love all over again. A trapped, imprisoned aristocrat who is elegant and only slightly snotty and who has a bedrock of humanity underneath any stiffness and propriety—that’s the protagonist, Rostov.

This novel features not one but two abandoned children, and, in both cases, their plights bring out the best in Count Rostov. He is naturally kind, but he also finds resources and courage he never knew he had. I’ve experienced the book three times—reading, listening to an audiobook, and watching the TV series and I was in love every time.

I am a wee bit obsessed with mysteries. This is my genre of choice for vacations, plane rides, and the occasional lazy afternoon. And I love the way that Barbara Neely blends a classic whodunnit with the topic of gender equality. Barbara Neely, who is now deceased, left the world with a gem of a 4-book series about Blanche White, who is a domestic worker by profession—and an accidental sleuth on the side.

But what I love most about this series is the way Neely weaves huge issues like misogyny, racism, classism, and violence through her story while delivering a smart, page-turning mystery. In her own words, “fiction is a good place to do activism.” 

Benny Griessel has elements of a stereotypical cop who drinks too much and loses his family as a result, but Griessel’s humanity and self-loathing set him apart as a protagonist. He doesn’t believe that he’s any good as a detective or a human being, yet his ability to solve murders and to connect with people contradict this self-destructive inner dialogue. Themes of redemption, forgiveness, and revenge drive the book (and series), making this more layered than a simple whodunit. I like Griessel’s resolve to change and become a better person, even as he fights having a drink every hour of every day. His compassion, empathy, and humility ultimately seal the deal for me. I particularly enjoy the glimpses Meyer gives into South African society and policing.

Michael Stanley is an author comprised of two writers: Michael Sears and Stanley Trollip. Their novels, set in Botswana and Zimbabwe, and featuring the enigmatic, Detective Kubu, have enjoyed much success in the UK and the US. Their latest story acts as a prequel, featuring Kubu just as he leaves university and joins Botswana’s CID. As a first case, Kubu is confronted with the theft of millions of dollars of diamonds, the execution of the robbers, a conniving witch doctor, and his son, and a case with international ramifications. Dark and thrilling.

Visceral, immediate, and engrossing, Adenle’s debut novel features two main characters embroiled in a murder in Lagos. British journalist Guy Collins, an alien in a dangerous, fast-paced city is implicated in a gruesome crime. Amaka, a woman who has devoted herself to the protection of the city’s working girls, speaks for him, hoping that her intervention will be re-payed by Collins in the form of global publicity for her campaign against the people traffickers and body-parts smugglers. Both out of their depth, at great peril, and at the mercy of Nigeria’s mega-city and its huge cast of characters, they find themselves caught in a maze from which there appears no escape.

This book is all about the dark, foreboding atmosphere of its setting, a township in an isolated part of Walvis Bay, in Namibia. Dr. Clare Hart is a police profiler sent in to try to pin down the perpetrator of a gruesome crime against a teenage boy. For all Hart’s professional competence, her emotional and relationship skills are in doubt as her wavering romantic interest, Captain Reidwaan Faizal, arrives to lead the investigation. Fantastically well-observed, very dark, and beautifully written, you lose yourself in its fog-filled pages, but the journey is far from comfortable.

I admit I’m old enough that memories of the post-Vietnam War era had begun to fade (mercifully?) until this book brought them back into sharp focus.

Vientiane, Laos, in 1976, after the Communist takeover, is so vividly portrayed–from the scent of the “Crow Shit blossoms” on the banks of the Mekhong to the inertia of the socialistic hierarchy, to the chicken counter spies turning their neighbors in for their capitalistic extravagances. And I found the 72-year-old Laotian coroner protagonist so endearing!

His cynical outlook and visitations from the dead make him a singularly sage and unconventional hero who can roll with the wildly absurd changes of the new regime. 

I remember summers growing up when we were out of the house seeking freedom from parents as we streamed toward our teenage years, so I can identify with this story’s start. We’d follow deer trails through brush and trees to spots up in the hills we’d claimed as our own. This book begins with a prologue made vivid with three children and Tana French’s gorgeous prose.

The children go up and over a rock wall and into “A summer full-throated and extravagant in a hot pure silk skin blue…your tongue tasting of chewed blades of long grass, your own clean sweat…” “…long slow twilight and mothers silhouetted in doorways…” and the haunted last sentence, “These children will not be coming of age, this or any other summer.”