Love Easy Motion Tourist? Readers share 99 books like Easy Motion Tourist...

Benny Griessel has elements of a stereotypical cop who drinks too much and loses his family as a result, but Griessel’s humanity and self-loathing set him apart as a protagonist. He doesn’t believe that he’s any good as a detective or a human being, yet his ability to solve murders and to connect with people contradict this self-destructive inner dialogue. Themes of redemption, forgiveness, and revenge drive the book (and series), making this more layered than a simple whodunit. I like Griessel’s resolve to change and become a better person, even as he fights having a drink every hour of every day. His compassion, empathy, and humility ultimately seal the deal for me. I particularly enjoy the glimpses Meyer gives into South African society and policing.

Michael Stanley is an author comprised of two writers: Michael Sears and Stanley Trollip. Their novels, set in Botswana and Zimbabwe, and featuring the enigmatic, Detective Kubu, have enjoyed much success in the UK and the US. Their latest story acts as a prequel, featuring Kubu just as he leaves university and joins Botswana’s CID. As a first case, Kubu is confronted with the theft of millions of dollars of diamonds, the execution of the robbers, a conniving witch doctor, and his son, and a case with international ramifications. Dark and thrilling.

This book is all about the dark, foreboding atmosphere of its setting, a township in an isolated part of Walvis Bay, in Namibia. Dr. Clare Hart is a police profiler sent in to try to pin down the perpetrator of a gruesome crime against a teenage boy. For all Hart’s professional competence, her emotional and relationship skills are in doubt as her wavering romantic interest, Captain Reidwaan Faizal, arrives to lead the investigation. Fantastically well-observed, very dark, and beautifully written, you lose yourself in its fog-filled pages, but the journey is far from comfortable.

This whole series always makes me smile–Mma Ramotswe remains one of the most hilarious main characters in any cozy mystery I’ve ever read. The crimes she comes up against are usually low-key, usually secondary to the backdrop of Botswana, and often solved by accident as much as design.

Precious Ramotswe’s commentary on Botswanan life is simply brilliant, but almost even more amusing is her sidekick, Grace Makutsi, who bumbles through her role as secretary-promoted-to-assistant-detective, and the interaction between the characters never fails to give me laugh-out-loud moments.

This whole series has to be the most feel-good series ever, and now I’m rediscovering it as an audio production of the radio series; it’s as heart-warming as a bright bunch of flowers on a dull day, a bowl of hot soup when you’re sick; a hot bubble bath when it’s snowing outside…I love it, love it, love it!

I read Nzegwu’s book after completing my PhD and it left a lingering impression on me.

Her work effectively challenged conceptualizations of gender that assumed an inherently hierarchical relationship between female and male. It also drew attention to the role of colonial laws and judicial edicts in promoting gender inequality in Nigeria’s Igbo society.

Nzegwu's discussion of the Onitsa dual-sex system that had historically embraced sexual difference but still granted women and men respective powers and responsibilities in society told a different story about gender relations in African societies prior to Western colonialism.

Nzegwu’s work echoes Oyěwùmí’s, and together they offer a window into alternative gender realities we can learn from. 

Oyèrónké Oyěwùmí’s was the first book I encountered when I started to critically engage with Western feminist scholarship as a Master's student in the UK.

This book made a major intervention by challenging theories of gender in Western social sciences and questioning their relevance to African societies. I especially loved the book because Oyěwùmí offered a detailed presentation of gender realities in the Oyo-Yorùbá society of Nigeria that paid attention to human relations holistically and situationally and did not assume gender inequality on the basis of female/male bodies.

A must-read analysis for anyone working to decolonize gender theory.

I really enjoyed this excellent, ethereal collection of stories from Booker Prize winner Ben Okri who, from early on, has always infused the supernatural and dream logic into his literary work to get at a deeper truth in his very grounded stories about post-independence Nigeria and Nigerians. The lightest on its speculative elements out of all the books I’ve recommended, it’s also a great entry point for literary fiction fans looking to ease into the more flighty and wild parts of African speculative fiction. There are all the realities of life – anxiety, joy, poverty, war, love, but there are spirits and strange things too. Okri’s writing lures you in and takes you on a journey to observe Nigerian life from a skewed angle with unexpected tenderness. 

This book delves into several themes that scare me about the present, including identity and personhood, surveillance states, and capitalism.

It’s set in futuristic Nigeria, now run by Ultimate Corp, a global corporation that reads like a billionaire tech bro dream-come-true, AKA bad news for everyone else. We follow Anwuli Okwudili, a disabled young woman with cybernetic prosthetics who’s on the run from the law. With a relentless pace, this book effortlessly weaves between the deeply personal struggles of its protagonist and big, world-changing ideas. It forces readers to confront terrifying questions about where we're heading.

War Girls is YA sci-fi that takes place in war-torn Nigeria at the end of the 22nd century.

The world as we know it has ended because of runaway climate change and nuclear disaster, and two sisters, Onyii and Ify, live together in a makeshift colony of traumatized former child soldiers. After a devastating raid on their camp, the sisters are separated—each believing the other was killed—only to find themselves on opposing sides of the conflict.

This is a book about the world-shattering horrors of war, but it’s also about colonial violence, about sisterhood and solidarity, and about small moments that forever shape how the protagonists view each other and themselves. It’s also a complex, character-driven story that tenaciously searches for hope in ruins and aftermaths.

Kane’s book offers readers a rich portrait of the northern Nigerian religious movement Izala. Kane shows how the movement brought together preachers, businessmen, and ordinary Muslims who sought to change how Islam was practiced in Nigeria and beyond. Izala sparked bitter debates by challenging the Sufi orders – mass organizations headed by shaykhs who wielded special spiritual charisma. Rejecting Sufism, Izala offered a new way of being Muslim in a rapidly changing country.