Fans pick 100 books like Noor

I’m fascinated by the possibilities presented by post-nation futures. Infomocracy looks at a future where ‘centenals’—groups of 100,000 people without historic nationalist borders—elect an international corporate-affiliated body to govern the world.

High-stakes political intrigue fuels the biggest election in a century as multiple factions battle it out to seize power through the vehicle of futuristic democracy. To me, the highlight of this novel is its exploration of democracy—it’s peppered with paradoxical and intense arguments that are rewarding to engage with, and enhance the richness of its world. 

The year is 2095, and human beings must take performance enhancement pills to compete with automated systems. The future in Machinehood could be ours tomorrow.

Welga and Nithya, the novel’s protagonists, are constantly on the verge of burnout while pushing themselves to perform. A mysterious terrorist organization called the Machinehood turns up to demand equal rights for AI, and that humans put an end to pill manufacturing, triggering events around the world. Parts of the novel are set in Chennai, India, and despite all its futuristic advances, the city retains its present day identity. Machinehood also portrays women in technologically-driven spaces, which is something I'm always rooting for.

This book holds a future that’s a mirror to present-day India. Joey is a Reality Controller who manages her ex-boyfriend’s influencer career. Rudra is attempting to escape his family’s shady business. They're both plunged into the deep end of the surveillance-heavy, thought-policed, escapist entertainment-fuelled reality they belong to.

I first read this novel in its South Asian avatar, Chosen Spirits, when it was released the same year as my book. It was exciting to encounter a near-future Delhi that simultaneously both mirrored and contrasted my reimagined near-future Bangalore. Dark, satirical, horrifying, and hopeful all at once—if you’re looking for a book that captures the zeitgeist in modern-day India, this is it.

I picked this novel because, for lack of a better phrase, it’s too real. In an entirely believable and horrifying future lies Silicon Isle, an island made of trash. It’s where the world dumps all its electronic waste, for generations of poor, marginalized people to sort through, while pollutants make the tiny world they call home uninhabitable and hostile.

It also happens to be where a powerful biological weapon is hidden, unknowingly discovered by Mimi, one of the novel’s protagonists. It transforms her. Class disparities come to the fore, leading to revolution. This is classic cyberpunk, refreshingly set in a future outside the UK/ US, translated from the original Chinese by Ken Liu.

War Girls is YA sci-fi that takes place in war-torn Nigeria at the end of the 22nd century.

The world as we know it has ended because of runaway climate change and nuclear disaster, and two sisters, Onyii and Ify, live together in a makeshift colony of traumatized former child soldiers. After a devastating raid on their camp, the sisters are separated—each believing the other was killed—only to find themselves on opposing sides of the conflict.

This is a book about the world-shattering horrors of war, but it’s also about colonial violence, about sisterhood and solidarity, and about small moments that forever shape how the protagonists view each other and themselves. It’s also a complex, character-driven story that tenaciously searches for hope in ruins and aftermaths.

This compelling and beautifully written story begins in 1968 during the Biafran civil war in Nigeria, creating a unique setting of hardship, hunger, and death afflicting the people living in the area. Ijeoma, the 11-year-old protagonist, is sent away after a life-changing event and lives in a squalid hut when a young girl from another tribe comes to stay. Despite the difficulties surrounding them, the girls fall in love and the intensity of their desire continues as they grow. I enjoyed how Okparanta writes of the naturalness of this first love and how they cared for each other. Though the girls are separated, they reunite, but face religious repression from their community, which uses the Bible against them. The girls move on with their lives and Ijeoma finds another love, but this too, suffers from cultural and religious constraints. According to Okparanta (who lives in NY), Nigeria is a very… show more.

This is classic literary journalism from a reporter who, at the time, had no business writing this beautifully at such a young age. It’s a great example of how ordinary lives caught up in conflict when told with enough flair and sensitivity, contain sufficient drama and universal appeal to rival any fictionalized character.

Okeowo’s geographic sweep is impressive, as she brings us to Uganda, Mauritania, Somalia, and Nigeria, weaving a unifying narrative of ordinary people fighting extremism. 

What I appreciate most about this story is that it offered me painstaking clarity on the emotional journey to and through motherhood. I was shaken by how quickly Nnu Ego went from sought-after bride to castoff to competitor for her husband’s affections—and how, through it all, her ability to bear children was the only metric society valued her for.

Even more harrowing to me was how thanklessly her daughters and sons treated her. This book gave me a wholly new appreciation for my mother and motherhood.

Released in 2021, God of Mercy satisfied my need for history and fantasy with an authentic portrayal of Igbo traditions, language, and spirituality. This dark tale follows Ijeoma, a girl blessed with the ability to fly, and delves into the complexities of faith, community, and the clash between traditional religions, ancient customs, colonial encroachment, and modern ideas.

Nwoka's beautiful prose and intricate storytelling immersed me in a world where the supernatural smoothly integrates with everyday life. The novel’s depiction of a small village struggling to preserve its cultural heritage in the face of external pressures struck a chord with me as I grew up at a time when traditional religions were still contending with colonial religions in my country’s native villages.

This novel offered me a profoundly enriching reading experience that honored the past while stimulating the imagination. Trigger warning: child abuse and torture.

Visceral, immediate, and engrossing, Adenle’s debut novel features two main characters embroiled in a murder in Lagos. British journalist Guy Collins, an alien in a dangerous, fast-paced city is implicated in a gruesome crime. Amaka, a woman who has devoted herself to the protection of the city’s working girls, speaks for him, hoping that her intervention will be re-payed by Collins in the form of global publicity for her campaign against the people traffickers and body-parts smugglers. Both out of their depth, at great peril, and at the mercy of Nigeria’s mega-city and its huge cast of characters, they find themselves caught in a maze from which there appears no escape.