My motto is: we are techno-humans. Whatever nature or God created, we re-created. We move in cars, chat via the Internet, and eat industrial food. Technologies shape our bodies, identities, even imagination. That’s why the energy transition fascinates me. We propose to rip out and replace the technological foundations of the global economy. No less than the data revolution, energy transitions are about human re-invention. So, what kinds of human futures are we engineering? And can we design energy futures that make human futures better, more inclusive, more just? Figuring that out is my job as Director of the Center for Energy & Society at Arizona State University.
Humans are creatures driven by what we see happening around us and the stories we tell about those events. And, for more and more of us, cities are where daily life happens. So, the future of cities as places and spaces of human engagement and interaction really matters. Energy Overlays and the Land Art Generator’s other amazing books create a window into how renewable energy might transform the future of urban spaces, places, people, and stories. Prompted by a simple question, “What if energy was also public art?” the Land Art Generator hosts bi-annual global design competitions in collaboration with some of the world’s most iconic cities. The result is a rich and magical tour of the urban future, envisioned by leading architects, urban planners, and energy imaginaries.
Energy Overlays provides a glimpse into our post - carbon future where energy infrastructure is seamlessly woven into the fabric of our cities as works of public art. Fifty designs use a variety of renewable energy technologies to arrive at innovative site - specific solutions. Power plants of the future will be the perfect place to have a picnic!
On the foreshore of St Kilda with the skyline of Melbourne as a backdrop rises a new kind of power plant - one that merges renewable energy production with leisure , recreation, and e ducation . Energy Overlays provides a roadmap…
I’m a novelist and game designer from Bangalore. I’ve been a lifelong reader of science fiction and fantasy. Growing up, I almost never encountered futures that included people like me—brown women, from a country that isn’t the UK/ US, and yet, who are in sync with the rapidly changing global village we belong to. Over the last decade, though, I've found increasing joy in more recent science fiction, in which the future belongs to everyone.The Ten Percent Thiefis an expression of my experiences living in dynamic urban India, and represents one of our many possible futures.
I’m fascinated by the possibilities presented by post-nation futures. Infomocracy looks at a future where ‘centenals’—groups of 100,000 people without historic nationalist borders—elect an international corporate-affiliated body to govern the world.
High-stakes political intrigue fuels the biggest election in a century as multiple factions battle it out to seize power through the vehicle of futuristic democracy. To me, the highlight of this novel is its exploration of democracy—it’s peppered with paradoxical and intense arguments that are rewarding to engage with, and enhance the richness of its world.
It's been twenty years and two election cycles since Information, a powerful search engine monopoly, pioneered the switch from warring nation-states to global microdemocracy. The corporate coalition party Heritage has won the last two elections. With another election on the horizon, the Supermajority is in tight contention, and everything's on the line. With power comes corruption. For Ken, this is his chance to do right by the idealistic Policy1st party and get a steady job in the big leagues. For Domaine, the election represents another staging ground in his ongoing struggle against the pax democratica. For Mishima, a dangerous Information…
